Uploaded December 2025 | Updated September 2026, 2 days ago
Track List: 8-11
8. Photograph (0:00)
9. Dreamer (2:11)
10. So Finha De Ser Com Voce (4:14)
11. All That's Left Is To Say Goodbye (6:35)
Part 1. youtu.be/XMZEOuVwuhE
Part 2. youtu.be/ZlVw_2XMX5o
Part 3. youtu.be/fVyYcBSoFl8
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBpfrsEL-KAbWGju6_xT6QYE
'The Astrud Gilberto Album' Review by John Bush:
Astrud Gilberto became an accidental success when her fragile command of English made her the de facto choice to sing "The Girl from Ipanema" at a session led by Stan Getz and her husband, João Gilberto. Of course, despite its overwhelming success, it wasn't clear that she could sustain a career when she recorded her first solo LP, The Astrud Gilberto Album. She had sounded more like an amateurish novelty act than a recording professional, her voice was sweet but fragile, and the Getz/Gilberto album had featured two strong voices, with Gilberto herself an afterthought (albeit a commercially effective afterthought). But The Astrud Gilberto Album was at least as good as Getz/Gilberto (despite what jazz fans say), for several reasons. The Brazilian repertoire plays particularly well to traditionally weak vocalists, her voice was yet more sweet than had been heard previously, and as before, the record featured two strong leaders -- arranger Marty Paich and the incomparable Antonio Carlos Jobim. Paich's strings positively coated the album with radiance, and his choices for lead instrumental voices -- Bud Shank's flute, João Donato's piano, Jobim's guitar -- complemented her vocals perfectly. Gilberto sounded beautiful on a range of material, from the sentimental "Dindi" to the playful "Agua de Beber," and as long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.
From Wikipedia, the free encyclopedia:
The Astrud Gilberto Album (with Antonio Carlos Jobim) is the debut studio album by Astrud Gilberto. With Antonio Carlos Jobim on guitar and the arrangements by Marty Paich, it was released via Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart. In 2017, NPR placed it at number 73 on the "150 Greatest Albums Made by Women" list.
Personnel:
Astrud Gilberto – vocals
Antônio Carlos Jobim – guitar, vocals (on track 2)
Joe Mondragon – double bass
Bud Shank – alto saxophone, flute
João Donato – piano
Stu Williamson – trumpet
Milt Bernhart – trombone
Guildhall String Ensemble – ensemble
Track List: 8-11
8. Photograph (0:00)
9. Dreamer (2:11)
10. So Finha De Ser Com Voce (4:14)
11. All That's Left Is To Say Goodbye (6:35)
Part 1. youtu.be/XMZEOuVwuhE
Part 2. youtu.be/ZlVw_2XMX5o
Part 3. youtu.be/fVyYcBSoFl8
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBpfrsEL-KAbWGju6_xT6QYE
'The Astrud Gilberto Album' Review by John Bush:
Astrud Gilberto became an accidental success when her fragile command of English made her the de facto choice to sing "The Girl from Ipanema" at a session led by Stan Getz and her husband, João Gilberto. Of course, despite its overwhelming success, it wasn't clear that she could sustain a career when she recorded her first solo LP, The Astrud Gilberto Album. She had sounded more like an amateurish novelty act than a recording professional, her voice was sweet but fragile, and the Getz/Gilberto album had featured two strong voices, with Gilberto herself an afterthought (albeit a commercially effective afterthought). But The Astrud Gilberto Album was at least as good as Getz/Gilberto (despite what jazz fans say), for several reasons. The Brazilian repertoire plays particularly well to traditionally weak vocalists, her voice was yet more sweet than had been heard previously, and as before, the record featured two strong leaders -- arranger Marty Paich and the incomparable Antonio Carlos Jobim. Paich's strings positively coated the album with radiance, and his choices for lead instrumental voices -- Bud Shank's flute, João Donato's piano, Jobim's guitar -- complemented her vocals perfectly. Gilberto sounded beautiful on a range of material, from the sentimental "Dindi" to the playful "Agua de Beber," and as long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.
From Wikipedia, the free encyclopedia:
The Astrud Gilberto Album (with Antonio Carlos Jobim) is the debut studio album by Astrud Gilberto. With Antonio Carlos Jobim on guitar and the arrangements by Marty Paich, it was released via Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart. In 2017, NPR placed it at number 73 on the "150 Greatest Albums Made by Women" list.
Personnel:
Astrud Gilberto – vocals
Antônio Carlos Jobim – guitar, vocals (on track 2)
Joe Mondragon – double bass
Bud Shank – alto saxophone, flute
João Donato – piano
Stu Williamson – trumpet
Milt Bernhart – trombone
Guildhall String Ensemble – ensemble










![Melissa Manchester - Home To Myself (1973) 3/3
Track List: 8-10
8. Jenny (0:00)
9. Doing The Best (2:35)
10. Home To Myself (6:43)
Part 1. https://youtu.be/mBZ0SPS80mA
Part 2. https://youtu.be/B6MDAEbb_6A
Part 3. https://youtu.be/j9KZuqrSQjE
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBohavPO9ChgzAZIkFcjjI5R
Home to Myself Review by William Ruhlmann:
Now, I dont have the soul of Joni, and I cannot see myself like Miss Laura, sang Melissa Manchester on Funny That Way, thus marking out the competition. Like Mitchell and Nyro, Manchester was a piano-playing female singer, but she was right in noting that while there was a surface similarity in their musical approaches, she did not dig quite as deep emotionally as her predecessors. Manchester came from a lighter pop, supper club tradition, and on her debut album, singing songs most of which had lyrics by Carole Bayer Sager, she explored a territory that seemed almost barren at the time a sophisticated, non-rock pop/jazz style that emphasized delivery and chops over individualistic, confessional writing. (It bore some similarities to the style of Manchesters former employer, the more flamboyant Bette Midler.) Not surprisingly, she did not find an immediate audience for such an approach, though this promising album did reach the charts.
Production:
Arranged By [Strings, Horns, Woodwinds], Conductor – Chris Dedrick
Art Direction [Art Director] – Richard Mantel
Concertmaster – David Nadien
Cover [Cover Coordination] – Beverly Weinstein
Engineer – Bill Radice
Photography By – Alen MacWeeney
Producer – Dave Appell
Producer, Mixed By – Hank Medress
Technician [Technical Assistant] – Tom Coleman Melissa Manchester - Home To Myself (1973) 3/3](https://i.ytimg.com/vi/j9KZuqrSQjE/mqdefault.jpg)