Uploaded April 2026 | Updated September 2026, 2 days ago
Track List: 5-7
5. The Damage is Done (0:00)
6. Long, Long Way From Home (4:19)
7. Woman Oh Woman (7:14)
Part 1. youtu.be/YiZMf4jqIFs
Part 2. youtu.be/iCXM8GgFVgk
Part 3. youtu.be/KpbhNUJBMU8
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBrJkiM6tvL-k7BDxoo6XP89
Foreigner Review by Andy Hinds:
Although punk rock's furious revolution threatened to overthrow rock's old guard in 1977, bands like Foreigner came along and proved that there was plenty of room in the marketplace for both the violent, upstart minimalism of punk and the airbrushed slickness of what would be called "arena rock." Along with Boston, Journey, Heart, and others, Foreigner celebrated professionalism over raw emotion. And, looking back, it's easy to see why they sold millions; not everyone in the world was pissed off, dissatisfied with the economy, or even necessarily looking for a change. In fact, for most suburban American teens, Foreigner's immaculate rock sound was the perfect soundtrack for cruising through well-manicured neighborhoods in their Chevy Novas. The album spawned some of the biggest FM hits of 1977, including the anthemic "Feels Like the First Time" and "Cold as Ice," both of which were anchored -- like most of Foreigner's songs -- by the muscular but traditional riffing of guitarist Mick Jones, the soaring vocals of Lou Gramm, and the state-of-the-art rock production values of the day, which allowed the band to sound hard but polished. As pure rock craftsmanship goes, Foreigner was as good as it got in the late '70s.
Personnel:
Lou Gramm – lead vocals, percussion
Mick Jones – lead guitar, piano (track 2), backup vocals (tracks 3 & 7)
Ian McDonald – guitar, keyboards (track 2 & 6), saxophone (track 6), flute (track 3), backup vocals
Al Greenwood – keyboards, synthesizers, backup vocals
Ed Gagliardi – bass, backup vocals
Dennis Elliott – drums
Additional personnel:
Ian Lloyd – backing vocals
Production:
Producers – Gary Lyons and John Sinclair, in collaboration with Mick Jones and Ian McDonald
Engineer – Gary Lyons
Assistant Engineers – Jimmy Douglass, Michael Getlin, Kevin Herron and Randy Mason
Mixing – Jimmy Douglass, Mick Jones and Ian McDonald
Basic Tracks recorded at The Hit Factory and Atlantic Recording Studios
Overdubs recorded at Atlantic Recording Studios
Mixed at Atlantic Recording Studios.
Mastered by George Marino at Sterling Sound.
Art Direction – Bob Defrin
Cover Illustrations – Alex Gnidziejko
Track List: 5-7
5. The Damage is Done (0:00)
6. Long, Long Way From Home (4:19)
7. Woman Oh Woman (7:14)
Part 1. youtu.be/YiZMf4jqIFs
Part 2. youtu.be/iCXM8GgFVgk
Part 3. youtu.be/KpbhNUJBMU8
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBrJkiM6tvL-k7BDxoo6XP89
Foreigner Review by Andy Hinds:
Although punk rock's furious revolution threatened to overthrow rock's old guard in 1977, bands like Foreigner came along and proved that there was plenty of room in the marketplace for both the violent, upstart minimalism of punk and the airbrushed slickness of what would be called "arena rock." Along with Boston, Journey, Heart, and others, Foreigner celebrated professionalism over raw emotion. And, looking back, it's easy to see why they sold millions; not everyone in the world was pissed off, dissatisfied with the economy, or even necessarily looking for a change. In fact, for most suburban American teens, Foreigner's immaculate rock sound was the perfect soundtrack for cruising through well-manicured neighborhoods in their Chevy Novas. The album spawned some of the biggest FM hits of 1977, including the anthemic "Feels Like the First Time" and "Cold as Ice," both of which were anchored -- like most of Foreigner's songs -- by the muscular but traditional riffing of guitarist Mick Jones, the soaring vocals of Lou Gramm, and the state-of-the-art rock production values of the day, which allowed the band to sound hard but polished. As pure rock craftsmanship goes, Foreigner was as good as it got in the late '70s.
Personnel:
Lou Gramm – lead vocals, percussion
Mick Jones – lead guitar, piano (track 2), backup vocals (tracks 3 & 7)
Ian McDonald – guitar, keyboards (track 2 & 6), saxophone (track 6), flute (track 3), backup vocals
Al Greenwood – keyboards, synthesizers, backup vocals
Ed Gagliardi – bass, backup vocals
Dennis Elliott – drums
Additional personnel:
Ian Lloyd – backing vocals
Production:
Producers – Gary Lyons and John Sinclair, in collaboration with Mick Jones and Ian McDonald
Engineer – Gary Lyons
Assistant Engineers – Jimmy Douglass, Michael Getlin, Kevin Herron and Randy Mason
Mixing – Jimmy Douglass, Mick Jones and Ian McDonald
Basic Tracks recorded at The Hit Factory and Atlantic Recording Studios
Overdubs recorded at Atlantic Recording Studios
Mixed at Atlantic Recording Studios.
Mastered by George Marino at Sterling Sound.
Art Direction – Bob Defrin
Cover Illustrations – Alex Gnidziejko

![Melissa Manchester - Home To Myself (1973) 3/3
Track List: 8-10
8. Jenny (0:00)
9. Doing The Best (2:35)
10. Home To Myself (6:43)
Part 1. https://youtu.be/mBZ0SPS80mA
Part 2. https://youtu.be/B6MDAEbb_6A
Part 3. https://youtu.be/j9KZuqrSQjE
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBohavPO9ChgzAZIkFcjjI5R
Home to Myself Review by William Ruhlmann:
Now, I dont have the soul of Joni, and I cannot see myself like Miss Laura, sang Melissa Manchester on Funny That Way, thus marking out the competition. Like Mitchell and Nyro, Manchester was a piano-playing female singer, but she was right in noting that while there was a surface similarity in their musical approaches, she did not dig quite as deep emotionally as her predecessors. Manchester came from a lighter pop, supper club tradition, and on her debut album, singing songs most of which had lyrics by Carole Bayer Sager, she explored a territory that seemed almost barren at the time a sophisticated, non-rock pop/jazz style that emphasized delivery and chops over individualistic, confessional writing. (It bore some similarities to the style of Manchesters former employer, the more flamboyant Bette Midler.) Not surprisingly, she did not find an immediate audience for such an approach, though this promising album did reach the charts.
Production:
Arranged By [Strings, Horns, Woodwinds], Conductor – Chris Dedrick
Art Direction [Art Director] – Richard Mantel
Concertmaster – David Nadien
Cover [Cover Coordination] – Beverly Weinstein
Engineer – Bill Radice
Photography By – Alen MacWeeney
Producer – Dave Appell
Producer, Mixed By – Hank Medress
Technician [Technical Assistant] – Tom Coleman Melissa Manchester - Home To Myself (1973) 3/3](https://i.ytimg.com/vi/j9KZuqrSQjE/mqdefault.jpg)








