Uploaded January 2018 | Updated September 2026, 2 weeks ago
Based on the eponymous play by Lord Dunsany, Arthur Farwell composed incidental music for a three-member accompaniment: harp, violin and cello. Later (1928), he produced an orchestral version in the form of a suite. One of its earliest performances was given by Henry Kimball Hadley and the Manhattan Symphony Orchestra. The four movements are as follows:
I. Beggars' Dreams
II. Maya of the Moon - 5:35
III. Pinnacle of Pleasure - 11:02
IV. The Stone Gods Come - 14:11
Performed by The Royal Philharmonic Orchestra
Conducted by Karl Krueger
This recording is available through Bridge Records: bridgerecords.com/products/9124
Photograph "Black Beach" by fs999 on Flickr Creative Commons: flickr.com/photos/fs999/16326182187/in/photolist-qSFXaM-qrnFdQ-owHX7k-dY54NC-gX77a9-crvJoN-jvsfgS-cUFjnE-gqwoqS-o98Nqx-EsFoyC-bNaxCc-cAgRFy-rAS5K8-h4tkeC-TUDFy6-g4Nwx8-cBXBZ3-h1NvM9-kPok4C-apsmNn-jZVUqU-D2TQfk-bsUQNM-nQqyDY-21uERHv-YRtXuw-oeRTbx-fdMiHb-Zh3ax2-q2aoSQ-i5L2RS-21D3Chm-ak4T8a-jxmp8D-dNJwAy-oS6U41-d457GN-qeQjfp-m5NEkr-QwkZwc-22H72Po-djiem9-rg3Qh7-dF88Ve-aVy82K-238f5zH-XxG6df-9yREqq-bvDW3e
Based on the eponymous play by Lord Dunsany, Arthur Farwell composed incidental music for a three-member accompaniment: harp, violin and cello. Later (1928), he produced an orchestral version in the form of a suite. One of its earliest performances was given by Henry Kimball Hadley and the Manhattan Symphony Orchestra. The four movements are as follows:
I. Beggars' Dreams
II. Maya of the Moon - 5:35
III. Pinnacle of Pleasure - 11:02
IV. The Stone Gods Come - 14:11
Performed by The Royal Philharmonic Orchestra
Conducted by Karl Krueger
This recording is available through Bridge Records: bridgerecords.com/products/9124
Photograph "Black Beach" by fs999 on Flickr Creative Commons: flickr.com/photos/fs999/16326182187/in/photolist-qSFXaM-qrnFdQ-owHX7k-dY54NC-gX77a9-crvJoN-jvsfgS-cUFjnE-gqwoqS-o98Nqx-EsFoyC-bNaxCc-cAgRFy-rAS5K8-h4tkeC-TUDFy6-g4Nwx8-cBXBZ3-h1NvM9-kPok4C-apsmNn-jZVUqU-D2TQfk-bsUQNM-nQqyDY-21uERHv-YRtXuw-oeRTbx-fdMiHb-Zh3ax2-q2aoSQ-i5L2RS-21D3Chm-ak4T8a-jxmp8D-dNJwAy-oS6U41-d457GN-qeQjfp-m5NEkr-QwkZwc-22H72Po-djiem9-rg3Qh7-dF88Ve-aVy82K-238f5zH-XxG6df-9yREqq-bvDW3e




![Frederick Converse (American Sketches - Part 2 of 2)
These are the final two movements of this fantastic work by American composer Frederick Shepherd Converse.
- Chicken Reel (Allergro con spirito scherzando)
- Bright Angel Trail (Adagio maestoso - Andante moderato - Misterioso) [3:42]
Converse wrote American Sketches in 1929. It received its first performance in 1935 by the Boston Symphony Orchestra and Serge Koussevitzky. The first movement, Manhattan, portrays all the commotion one would expect from such a title. It is here that we gain an immediate acquaintance with the American sound Converse was seeking to capture and cultivate. You can even get a taste of the rag-time and early jazz that permeated the city culture of the day. The second movement seeks to express an adoration of Americas longest river, the Mississippi, no doubt popularized through the writings of Samuel Clemens. Chicken Reel is a scherzo-like third movement which utilizes a traditional tune from Carl Sandburgs The American Song Bag. The song is familiar to us from its use in older cartoons. Lastly, this wide-ranging symphonic suite takes us on a trip to the Grand Canyon in the final movement entitled Bright Angel Trail. The music is as breathtaking as the scenery from which it draws inspiration.
This is a world premiere recording by BBC Concert Orchestra, conducted by Keith Lockhart. You can purchase the entire album here: http://www.amazon.com/Converse-Song-Sea-Festival-Pan/dp/B005ZNLYR0/ref=sr_1_1?ie=UTF8&qid=1390312013&sr=8-1&keywords=Frederick+Converse Frederick Converse (American Sketches - Part 2 of 2)](https://i.ytimg.com/vi/D1IuT8qWwfI/mqdefault.jpg)





