Uploaded March 2025 | Updated September 2026, 9 minutes ago
The mention of Pablo Picasso’s name might suggest his innovative paintings—like the Wadsworth’s "The Women of Algiers (after Delacroix)"—but the artist experimented most radically on and with paper. Britany Salsbury, PhD, curator of prints and drawings at the Cleveland Museum of Art (CMA), offers an overview in conjunction with the CMA’s winter 2024–25 exhibition "Picasso and Paper," a collaboration with the Royal Academy of Arts, London, in partnership with the Musée National Picasso-Paris.
To become a Wadsworth member visit thewadsworth.org/membership
The mention of Pablo Picasso’s name might suggest his innovative paintings—like the Wadsworth’s "The Women of Algiers (after Delacroix)"—but the artist experimented most radically on and with paper. Britany Salsbury, PhD, curator of prints and drawings at the Cleveland Museum of Art (CMA), offers an overview in conjunction with the CMA’s winter 2024–25 exhibition "Picasso and Paper," a collaboration with the Royal Academy of Arts, London, in partnership with the Musée National Picasso-Paris.
To become a Wadsworth member visit thewadsworth.org/membership
