Uploaded May 2021 | Updated September 2026, 1 week ago
Join artist Dana Slijboom for a conversation about her work and creative process with the AGO’s Renée van der Avoird. Slijboom’s paintings are characterized by a distinctive visual language incorporating archetypal imagery and bold graphics.
Dana Slijboom is a Canadian-Dutch painter living and working in Toronto. She holds a BFA from the Gerrit Rietveld Academie, Amsterdam NL (2009). She has exhibited both in Canada and internationally, including solo exhibitions at Towards Gallery, Ranch Dressing (2018), and Erin Stump Projects, Romance (2019).
Renée van der Avoird is Assistant Curator of Canadian Art at the AGO. Selected AGO exhibitions include The Open Door: Mary Hiester Reid and Helen McNicoll (2020), Margaret Priest: The Construction Series and Other Concrete Matters (2019), Karl Beveridge & Carole Condé: Early Work (2019), and Betty Goodwin: Moving Towards Fire (2019).
Join artist Dana Slijboom for a conversation about her work and creative process with the AGO’s Renée van der Avoird. Slijboom’s paintings are characterized by a distinctive visual language incorporating archetypal imagery and bold graphics.
Dana Slijboom is a Canadian-Dutch painter living and working in Toronto. She holds a BFA from the Gerrit Rietveld Academie, Amsterdam NL (2009). She has exhibited both in Canada and internationally, including solo exhibitions at Towards Gallery, Ranch Dressing (2018), and Erin Stump Projects, Romance (2019).
Renée van der Avoird is Assistant Curator of Canadian Art at the AGO. Selected AGO exhibitions include The Open Door: Mary Hiester Reid and Helen McNicoll (2020), Margaret Priest: The Construction Series and Other Concrete Matters (2019), Karl Beveridge & Carole Condé: Early Work (2019), and Betty Goodwin: Moving Towards Fire (2019).



![Many Lives: Picture Frames in Context – Day 1: Morning Session
This online conference on the history and conservation of frames is co-organized by the museum’s curatorial and conservation departments to promote inter- and multi-disciplinary dialogue. The AGO is home to an important collection of historic frames, and a project is currently underway at AGO to catalogue and conserve this collection to make the collection more accessible for study and use. In light of this project, the symposium aims to present current research that contextualizes frames in their many incarnations, including research on frame makers, framing traditions, frames’ afterlives, frame collections, pairings of frames to paintings, artists’ frames, the commercial history of framing, and related topics.
For more information visit:
https://ago.ca/events/many-lives-picture-frames-context
Welcome and Introduction to the Frames Collection at the Art Gallery of Ontario:
00:00:00
Opening Keynote Address: Lynn Roberts [The Frame Blog, London]: “Histories of the frame” (30 minute talk) 00:28:56
Morning Session:
Martin Hanssen [Friedrich-Schiller-University, Jena] : “The Bonn Diptych and Its Frame, c. 1485. Technical Investigations Into an Unusual Devotional Object 01:06:14
Jesús Jiménez Peces [Complutense University, Madrid]: “The problem of originality and documentation in Spanish frames of the 17th century” 01:27:50
Marco Bei [Scuola Normale Superiore]: “What really is a Maratta frame?” 01:50:31
Federica Gigante [University of Cambridge]: “Venetian Fifteenth-Century Frames with Islamic Bookbinding Motifs” 02:11:51 Many Lives: Picture Frames in Context – Day 1: Morning Session](https://i.ytimg.com/vi/nrwBVdlkc3s/mqdefault.jpg)






