Uploaded July 2022 | Updated September 2026, 1 week ago
Close looking is an online discussion series that invites people to spend time with a single work from the AGO Collection - observing its details, discussing its creation, its history and the artist’s intention through multiple senses and perspectives. Connecting art, access and learning, it’s a series that clears a space for us to appreciate the role that artists play in revealing and even shaping the world in which we live.
Join Erin Rutherford, Collection Development Librarian, as she discusses an artist-designed publishers’ binding from the Collection of the E. P. Taylor Library and Archives. This short talk will focus on the book’s cover design in the Art Nouveau style and offer a glimpse into the life and work of its creator, Alice Cordelia Morse. How was Morse’s work rediscovered? How was the artist connected to the book’s illustrator? Might an inscription on the book’s endpapers reveal its previous owner? Tune in and “crank” up the volume to find out.
Close looking is an online discussion series that invites people to spend time with a single work from the AGO Collection - observing its details, discussing its creation, its history and the artist’s intention through multiple senses and perspectives. Connecting art, access and learning, it’s a series that clears a space for us to appreciate the role that artists play in revealing and even shaping the world in which we live.
Join Erin Rutherford, Collection Development Librarian, as she discusses an artist-designed publishers’ binding from the Collection of the E. P. Taylor Library and Archives. This short talk will focus on the book’s cover design in the Art Nouveau style and offer a glimpse into the life and work of its creator, Alice Cordelia Morse. How was Morse’s work rediscovered? How was the artist connected to the book’s illustrator? Might an inscription on the book’s endpapers reveal its previous owner? Tune in and “crank” up the volume to find out.


![Many Lives: Picture Frames in Context – Day 1: Morning Session
This online conference on the history and conservation of frames is co-organized by the museum’s curatorial and conservation departments to promote inter- and multi-disciplinary dialogue. The AGO is home to an important collection of historic frames, and a project is currently underway at AGO to catalogue and conserve this collection to make the collection more accessible for study and use. In light of this project, the symposium aims to present current research that contextualizes frames in their many incarnations, including research on frame makers, framing traditions, frames’ afterlives, frame collections, pairings of frames to paintings, artists’ frames, the commercial history of framing, and related topics.
For more information visit:
https://ago.ca/events/many-lives-picture-frames-context
Welcome and Introduction to the Frames Collection at the Art Gallery of Ontario:
00:00:00
Opening Keynote Address: Lynn Roberts [The Frame Blog, London]: “Histories of the frame” (30 minute talk) 00:28:56
Morning Session:
Martin Hanssen [Friedrich-Schiller-University, Jena] : “The Bonn Diptych and Its Frame, c. 1485. Technical Investigations Into an Unusual Devotional Object 01:06:14
Jesús Jiménez Peces [Complutense University, Madrid]: “The problem of originality and documentation in Spanish frames of the 17th century” 01:27:50
Marco Bei [Scuola Normale Superiore]: “What really is a Maratta frame?” 01:50:31
Federica Gigante [University of Cambridge]: “Venetian Fifteenth-Century Frames with Islamic Bookbinding Motifs” 02:11:51 Many Lives: Picture Frames in Context – Day 1: Morning Session](https://i.ytimg.com/vi/nrwBVdlkc3s/mqdefault.jpg)







