Uploaded September 2025 | Updated September 2026, 2 weeks ago
From epic intergalactic adventures to deeply human stories — ARRI remains the trusted choice for filmmakers around the world. Watch our latest showreel of theatrical releases captured with 65 mm, large-format, Super 35, and monochrome ALEXA cameras.
A huge thank-you to the visionary cinematographers who choose ARRI — we’re proud to be part of your creative journey.
Featured projects include:
- Americana – Nigel Bluck | ALEXA Mini
- Bono: Stories of Surrender – Erik Messerschmidt ASC | ALEXA Monochrome cameras, DNA lenses
- Five Nights at Freddy’s 2 – Lyn Moncrief | ALEXA Mini LF, DNA lenses
- Foundation Season 3 – Tico Poulakakis CSC, Owen McPolin ISC, Alar Kivilo ASC, CSC, ESC | ALEXA 35, DNA LF, HEROES LOOK lenses
- Heads of State – Ben Davis BSC | ALEXA 35
- Kiss of the Spiderwoman – Tobias A. Schliessler ASC | ALEXA Mini LF
- Predator: Badlands – Jeff Cutter | ALEXA Mini LF
- Project Hail Mary – Greig Fraser ASC, ACS | ALEXA 65, ALEXA Mini LF, HEROES T.ONE lenses
- Springsteen: Deliver Me from Nowhere – Masanobu Takayanagi | ALEXA 35
- The Fantastic Four: First Steps – Jess Hall ASC, BSC | ALEXA 65
- The Roses – Florian Hoffmeister BSC | ALEXA 35, Moviecam lenses
From epic intergalactic adventures to deeply human stories — ARRI remains the trusted choice for filmmakers around the world. Watch our latest showreel of theatrical releases captured with 65 mm, large-format, Super 35, and monochrome ALEXA cameras.
A huge thank-you to the visionary cinematographers who choose ARRI — we’re proud to be part of your creative journey.
Featured projects include:
- Americana – Nigel Bluck | ALEXA Mini
- Bono: Stories of Surrender – Erik Messerschmidt ASC | ALEXA Monochrome cameras, DNA lenses
- Five Nights at Freddy’s 2 – Lyn Moncrief | ALEXA Mini LF, DNA lenses
- Foundation Season 3 – Tico Poulakakis CSC, Owen McPolin ISC, Alar Kivilo ASC, CSC, ESC | ALEXA 35, DNA LF, HEROES LOOK lenses
- Heads of State – Ben Davis BSC | ALEXA 35
- Kiss of the Spiderwoman – Tobias A. Schliessler ASC | ALEXA Mini LF
- Predator: Badlands – Jeff Cutter | ALEXA Mini LF
- Project Hail Mary – Greig Fraser ASC, ACS | ALEXA 65, ALEXA Mini LF, HEROES T.ONE lenses
- Springsteen: Deliver Me from Nowhere – Masanobu Takayanagi | ALEXA 35
- The Fantastic Four: First Steps – Jess Hall ASC, BSC | ALEXA 65
- The Roses – Florian Hoffmeister BSC | ALEXA 35, Moviecam lenses

![DP Ferran Paredes Rubio on shooting Comandante on ALEXA Mini LF
Highly anticipated at the Venice Film Festival, Comandante, directed by Edoardo De Angelis, had its world premiere as the opening film of the Venice Film Festival 2023 in the Main Competition section. Cinematographer Ferran Paredes Rubio (The Good Mothers, Indivisibili) chose to use the ALEXA Mini LF for the shooting. In an exclusive interview with ARRI, he discussed his work on these shots: The choice of camera was very easy. The ALEXA Mini LF sensor was the ideal solution for all the mixed lights inside the submarine [...] One of the nicest compliments I received in Venice was that you could smell the smells of those people, that you could see that the people were real, there, and that is something I only find using the ALEXA Mini LF; it gives me realism.
Learn more about the camera at www.arri.com/alexa-mini-lf DP Ferran Paredes Rubio on shooting Comandante on ALEXA Mini LF](https://i.ytimg.com/vi/icLCC1wlGb4/mqdefault.jpg)








