Uploaded July 2021 | Updated September 2026, 1 week ago
Love in the time of war – New Zealand’s first pacifist memorial holds the story of Archibald and Millicent Baxter.
By Frank Film
“There are thousands of monuments to soldiers across New Zealand,” says Kevin Clements, chair of the Archibald Baxter Memorial Trust, “which is quite right and proper. But there isn’t a single monument to those who chose a different path. We felt we needed such a monument to remind people of the sacrifices and courage that it took to say no to the state.”
Currently underway in central Dunedin, the Archibald Baxter Peace
Garden/National Memorial for Conscientious Objectors, New Zealand’s first pacifist memorial, is putting this to rights. The 3m-high sculpture by Arrowtown artist Shane Woolridge, due to be completed in September this year, will honour the legacy of New Zealand’s conscientious objectors and the personal story of Archibald Baxter.
It is a story of steadfastness, deprivation – and love.
In an interview with Frank Film, Baxter’s grand-daughter Katherine Baxter tells the story of how her grandmother, Millicent, read a letter written by Baxter in 1918.
“I have suffered to the limits of my endurance,” the letter says, “but I will never in my sane senses surrender to the evil power that has fixed its roots like a cancer on the world. If you hear that I have served in the Army, or that I have taken my own life, do not believe that I did it in my sound mind. I never will.”
“Gran read the letter and was immediately taken by it,” says Katherine. “She decided as soon as she could she would try and meet him.”
Baxter by then had experienced the harshest punishments meted out to those who refused to participate in war.
When conscription was introduced in 1916, he had been arrested and sent to the Trentham Military Camp. From here, Baxter and 13 other conscientious objectors were sent first to Sling Camp in England, where they were subjected to beatings and confinement, then to the front line in France. “Most of them gave up when they were shipped to the front lines,” says Clements. “Some became stretcher bearers. Archibald didn’t, Marks Briggs didn't, a number of others didn't.”
At Mud Camp, Baxter and three others were sentenced to “field punishment number one” in which they were tied to a tilted post out in the open, their hands, knees and feet tightly bound.
“It was excruciatingly painful,” says Clements. “You were supposed to only have this punishment for eight hours – on two incidents Baxter was left there for 12-13 hours.”
Baxter eventually collapsed and was taken to a hospital in Boulogne, where he was diagnosed with confusional insanity.
He arrived back to New Zealand emaciated, says Clements, “and emotionally exhausted.”
By the time Millicent Macmillan Brown sought him out in Dunedin, he was a broken man. But once they met, says Katherine, “it was going to be what she did with her life. There was such a congruence of her love for him but also of her belief in what he stood for.”
They came from very different backgrounds.
Archibald Baxter grew up in a working class farming family in Brighton, just south of Dunedin.
Millicent was born into a privileged, academic family. Her mother Helen Connon was the first woman in the British Empire to take a degree with honours. Her father, John Macmillan Brown, was one of the foundational professors at the University of Canterbury.
As Millicent herself explains in a recording made in 1980, “Our backgrounds were as you can imagine entirely different. But backgrounds don't matter when one has union of spirit.”
They were married on 12 February 1921 and had two sons – Terence John, a conscientious objector in the Second World War, and James Kier Baxter.
Archie died in 1970 at the age of 88, but his story will now be told in a leaning tower of schist discs called “We Will Bend but not be Broken”.
“We are trying to depict the man and the pole,” says Woolridge. “He’s in a state of torture but I’m also trying to show him in a state of grace – a place he went to to control the pain and suffering. He never gave in – it is quite incredible.”
Producer: Gerard Smyth
Director: Oliver Dawe
WATCH FULL STORY HERE frankfilm.co.nz
Attributions:
F4330 REVIEW OF NEW ZEALAND TROOPS BY HON WALTER LONG. 1917
F1820 NEW ZEALANDERS FOR THE FRONT: OFFICIAL FAREWELL. [1914-1915]
From material preserved and made available by Ngā Taonga Sound & Vision.
24243 LOOKING BACK. MILLICENT BAXTER. 1981-01-24
Archival audio in this podcast was from the RNZ collection at Ngā Taonga Sound & Vision.
Field Punishment No. 1', Bob Kerr
Field Punishment No. 1, Lippy Pictures
Love in the time of war – New Zealand’s first pacifist memorial holds the story of Archibald and Millicent Baxter.
By Frank Film
“There are thousands of monuments to soldiers across New Zealand,” says Kevin Clements, chair of the Archibald Baxter Memorial Trust, “which is quite right and proper. But there isn’t a single monument to those who chose a different path. We felt we needed such a monument to remind people of the sacrifices and courage that it took to say no to the state.”
Currently underway in central Dunedin, the Archibald Baxter Peace
Garden/National Memorial for Conscientious Objectors, New Zealand’s first pacifist memorial, is putting this to rights. The 3m-high sculpture by Arrowtown artist Shane Woolridge, due to be completed in September this year, will honour the legacy of New Zealand’s conscientious objectors and the personal story of Archibald Baxter.
It is a story of steadfastness, deprivation – and love.
In an interview with Frank Film, Baxter’s grand-daughter Katherine Baxter tells the story of how her grandmother, Millicent, read a letter written by Baxter in 1918.
“I have suffered to the limits of my endurance,” the letter says, “but I will never in my sane senses surrender to the evil power that has fixed its roots like a cancer on the world. If you hear that I have served in the Army, or that I have taken my own life, do not believe that I did it in my sound mind. I never will.”
“Gran read the letter and was immediately taken by it,” says Katherine. “She decided as soon as she could she would try and meet him.”
Baxter by then had experienced the harshest punishments meted out to those who refused to participate in war.
When conscription was introduced in 1916, he had been arrested and sent to the Trentham Military Camp. From here, Baxter and 13 other conscientious objectors were sent first to Sling Camp in England, where they were subjected to beatings and confinement, then to the front line in France. “Most of them gave up when they were shipped to the front lines,” says Clements. “Some became stretcher bearers. Archibald didn’t, Marks Briggs didn't, a number of others didn't.”
At Mud Camp, Baxter and three others were sentenced to “field punishment number one” in which they were tied to a tilted post out in the open, their hands, knees and feet tightly bound.
“It was excruciatingly painful,” says Clements. “You were supposed to only have this punishment for eight hours – on two incidents Baxter was left there for 12-13 hours.”
Baxter eventually collapsed and was taken to a hospital in Boulogne, where he was diagnosed with confusional insanity.
He arrived back to New Zealand emaciated, says Clements, “and emotionally exhausted.”
By the time Millicent Macmillan Brown sought him out in Dunedin, he was a broken man. But once they met, says Katherine, “it was going to be what she did with her life. There was such a congruence of her love for him but also of her belief in what he stood for.”
They came from very different backgrounds.
Archibald Baxter grew up in a working class farming family in Brighton, just south of Dunedin.
Millicent was born into a privileged, academic family. Her mother Helen Connon was the first woman in the British Empire to take a degree with honours. Her father, John Macmillan Brown, was one of the foundational professors at the University of Canterbury.
As Millicent herself explains in a recording made in 1980, “Our backgrounds were as you can imagine entirely different. But backgrounds don't matter when one has union of spirit.”
They were married on 12 February 1921 and had two sons – Terence John, a conscientious objector in the Second World War, and James Kier Baxter.
Archie died in 1970 at the age of 88, but his story will now be told in a leaning tower of schist discs called “We Will Bend but not be Broken”.
“We are trying to depict the man and the pole,” says Woolridge. “He’s in a state of torture but I’m also trying to show him in a state of grace – a place he went to to control the pain and suffering. He never gave in – it is quite incredible.”
Producer: Gerard Smyth
Director: Oliver Dawe
WATCH FULL STORY HERE frankfilm.co.nz
Attributions:
F4330 REVIEW OF NEW ZEALAND TROOPS BY HON WALTER LONG. 1917
F1820 NEW ZEALANDERS FOR THE FRONT: OFFICIAL FAREWELL. [1914-1915]
From material preserved and made available by Ngā Taonga Sound & Vision.
24243 LOOKING BACK. MILLICENT BAXTER. 1981-01-24
Archival audio in this podcast was from the RNZ collection at Ngā Taonga Sound & Vision.
Field Punishment No. 1', Bob Kerr
Field Punishment No. 1, Lippy Pictures



![Pumped storage: A game-changer for New Zealand’s electricity needs?
Could Lake Onslow’s pumped storage scheme be the game-changer New Zealand needs to meet its future electricity requirements?
Earl Bardsley is living proof that one man can make a difference – in this case to New Zealand’s electricity supply.
In 2002, Bardsley, Honorary Associate Professor at the University of Waikato, came up with the idea of using Lake Onslow in Central Otago as a reliable power storage facility to meet the country’s electricity needs during dry years.
The ‘dry year problem’ refers to the fact that, although blessed with an abundance of hydro-generating lakes and rivers, New Zealand runs into problems when lake levels are low. At these times, electricity has to be generated by expensive and polluting fossil fuels, which the Government is committed to phasing out by 2030.
“I was always looking for possibilities by which we might get alternative means of storage away from our scenic natural lakes. So that’s why I first started thinking about the Lake Onslow basin,” says Bardsley.
By year’s end, the Government will have decided whether or not to go ahead with the $4 billion project that may well turn Bardsley’s vision into reality. The decision to proceed will be based largely on the findings of a feasibility study known as the NZ Battery Project, the outcome of which will be announced in June 2022.
As Bardsley told Frank Film, at heart of the Lake Onslow scheme is the concept of pumped storage.
“What it amounts to is that we’re using Lake Onslow as a battery,” says Bardsley.
“When the prices are low, and there’s plenty of water around, we’ll pump water up into the lake. When there’s a dry year, we’ll have all this potential energy available which we can run back down to the Clutha River.
“By running it back down we can generate 1000 megawatts, and that means that we can do away with fossil fuel as a source of energy during dry years.”
The Minister of Energy and Resources, Hon Dr Megan Woods, is unequivocal about the significance of the project and what it could mean for the Government’s commitment to New Zealand’s energy being 100% renewable by 2030.
“Look, this will be a game changer. Not only will it enable us to decarbonise, and get to that 100% renewable electricity system, but, more broadly, across our energy system,” Minister Woods tells Frank Film.
As Bardsley further explains, “The example could be the dairy industry, and the production of milk powder, which uses a lot of energy.
If we use that energy from electricity as opposed to, for example, coal, then that’s better for the whole country.”
The magnitude of the project is illustrated in Bardsleys assertion that: “The culmination of the water storage volume, and the height about the Clutha River, means you could have the potential energy up there equal to all the hydro lakes of New Zealand put together.”
Both Bardsley and Minister Woods acknowledge that the wetlands adjacent to Lake Onslow would be a casualty of the project, with Minister Woods also noting that any cultural significance to the local rūnaka will need to be considered and addressed.
Local fisherman, Andrew Moore, indicates to the Frank Film crew the point on the hill where the new lake level would be. In spite of the fact that, should the project go ahead, the hut he’s been coming too for 30 years will need to be moved, he’s philosophical about it (while also not missing an opportunity to have a dig at city dwellers in the north):
“Well, we need it. We’ve got electric cars now! All those Auckanders and Wellingtonians [with] their electric cars plugged in at five o’clock.
“[You’ve] got to get the power from somewhere, don’t you,” says Moore.
No Elon Musk, Earl Bardsely may not fit the mould of today’s visionary hero. But, the sincerity, clarity and intellectual rigour of this old school academic is convincing.
Bardsley’s belief in the project is clear: “It would be good to see the whole thing go ahead. It will change the New Zealand energy scene for the next 50 years.”
Producer/Director: Gerard Smyth
Editor: Oliver Dawe
Story Producer: Rose OConnor
Production Manager: Jo Ffitch
Sound Mix: Chris Sinclair
Production Asst: Romah Chorley
WATCH OTHER EPISODES HERE: https://frankfilm.co.nz/ Pumped storage: A game-changer for New Zealand’s electricity needs?](https://i.ytimg.com/vi/GcVpfr7A2_g/mqdefault.jpg)






