Uploaded January 2026 | Updated September 2026, 3 weeks ago
I upgraded from the Amaran 200x to the Amaran 360c and put them head-to-head in real shooting conditions.
On paper, the 360c looks like a game changer, more output, RGB, and no external ballast. But does it actually matter on set?
In this short, I break down whether the upgrade is truly worth it, especially for filmmakers who shoot interviews, travel often, and work in front of daylight windows.
Full comparison and real-world tests in the full video.
I upgraded from the Amaran 200x to the Amaran 360c and put them head-to-head in real shooting conditions.
On paper, the 360c looks like a game changer, more output, RGB, and no external ballast. But does it actually matter on set?
In this short, I break down whether the upgrade is truly worth it, especially for filmmakers who shoot interviews, travel often, and work in front of daylight windows.
Full comparison and real-world tests in the full video.
