Uploaded May 2022 | Updated September 2026, 1 hour ago
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 pastandpresent.page.link/ACDCF
VIDEO INFO: I don’t remember a peep about it at the time, but it has since been established that ‘Toronto Rocks’ was the best-attended concert in Canadian history, pulling in between 450,000 and 500,000 punters which I’m sure would nudge it into the all-time top 20.
Headlined by the Stones at Downsview Park on 30 July 2003 (this footage is from the DVD released the following year) it marked the tragic death of 8,000 people worldwide who had contracted something called Coronavirus!
As such it had a plethora of alternative titles including"SARSStock", "SARSfest", “SARS-a-palooza" (you get the idea…).
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#AcDc #AcDcLive #TorontoRocks
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 pastandpresent.page.link/ACDCF
VIDEO INFO: I don’t remember a peep about it at the time, but it has since been established that ‘Toronto Rocks’ was the best-attended concert in Canadian history, pulling in between 450,000 and 500,000 punters which I’m sure would nudge it into the all-time top 20.
Headlined by the Stones at Downsview Park on 30 July 2003 (this footage is from the DVD released the following year) it marked the tragic death of 8,000 people worldwide who had contracted something called Coronavirus!
As such it had a plethora of alternative titles including"SARSStock", "SARSfest", “SARS-a-palooza" (you get the idea…).
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#AcDc #AcDcLive #TorontoRocks
![ARCTIC MONKEYS - I Bet You Look Good On The Dancefloor [TRNSMT: 2018]](https://i.ytimg.com/vi/KDhchmOnDgg/mqdefault.jpg "ARCTIC MONKEYS - I Bet You Look Good On The Dancefloor [TRNSMT: 2018]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/AM-AM
VIDEO INFO: From the iconic headline appearance at 2018s TRNSMT Festival (the successor to ‘T In The Park’) at Glasgow Green; Sunday 1st July, 2018.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#ArcticMonkeys #ArcticMonkeysLive #TRNSMT")
![FAITH NO MORE - The Real Thing [Live: 1990]](https://i.ytimg.com/vi/LV4l70_um-E/mqdefault.jpg "FAITH NO MORE - The Real Thing [Live: 1990]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
**ANGEL DUST:
💿 https://pastandpresent.page.link/FNM-A
***KING FOR A DAY… FOOL FOR A LIFETIME:
💿 https://pastandpresent.page.link/FNM-K
VIDEO INFO: From the iconic ‘You Fat B*st*rds: Live at the Brixton Academy’ set recorded 28 April 1990 during their ‘The Real Thing’ tour and subsequently released as an album and video/DVD.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#FaithNoMore #MikePatton #FNM")
![TEXAS - When We Are Together [with The BBC SSO]](https://i.ytimg.com/vi/LdcCcDs3ERw/mqdefault.jpg "TEXAS - When We Are Together [with The BBC SSO]
VIDEO INFO: I’m a sucker for anything thats comfortably familiar being reimagined or resurrected with an orchestra. This was for a BBC ‘Music Day’ event at Glasgow’s Barrowlands with the band playing alongside the BBC Scottish Symphony Orchestra; 9 June 2017.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Texas #TexasLive #SSO")
![THE ROLLING STONES - Get Off Of My Cloud [GRRR Live!]](https://i.ytimg.com/vi/Li9BIv5IqO4/mqdefault.jpg "THE ROLLING STONES - Get Off Of My Cloud [GRRR Live!]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
BLUE & LONESOME:
💿 https://pastandpresent.page.link/RS-BL
EXILE ON MAIN ST.:
💿 https://pastandpresent.page.link/RS-EM
VOODOO LOUNGE:
💿 https://pastandpresent.page.link/RS-VL
VIDEO INFO: Hot off their insatiable press, the entrance to the ‘Grrr Live’ set released as both album and concert film in various formats this week and up to the polished standard you would expect from a show recorded for their ‘Golden Anniversary: 50 & Counting’ Tour at New Jersey’s Prudential Center, Newark – 15 December. 2012.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#RollingStones #StonesLive #TheRollingStones")
![PIXIES - Caribou [Live: 2005]](https://i.ytimg.com/vi/MIgfytGig7A/mqdefault.jpg "PIXIES - Caribou [Live: 2005]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/P-TLM
VIDEO INFO: Climax to a recorded set for the reformed Pixies reunited with Kim Deal at Boston’s ‘Paradise Rock Club’ in August 2005.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Pixies #PixiesLive #KimDeal")
![THE CLASH - I Fought The Law [Live]](https://i.ytimg.com/vi/MkfWTa-9Zh4/mqdefault.jpg "THE CLASH - I Fought The Law [Live]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
https://pastandpresent.page.link/CLA
VIDEO INFO: You can forgive English urban culture so much, even the dentistry, when it can do this… an iconic scene from the semi-dramatic Clash rockumentary ‘Rude Boy’ [1980] filmed at London’s Lyceum Ballroom; December 1978.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#TheClash #Clash #RudeBoy")
