Uploaded May 2022 | Updated September 2026, 1 hour ago
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 pastandpresent.page.link/WHO-Q
VIDEO INFO: From the iconic show at Gaumont State Cinema, Kilburn; 15 December 1977 – the penultimate gig before Keith Moon’s untimely death. Left in the proverbial biscuit tin and presumed lost for 30 years, the footage was subsequently restored and immortalised in what is now the Blu-ray edition of ‘The Who at Kilburn 1977.’
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#TheWho #Who #KeithMoon
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 pastandpresent.page.link/WHO-Q
VIDEO INFO: From the iconic show at Gaumont State Cinema, Kilburn; 15 December 1977 – the penultimate gig before Keith Moon’s untimely death. Left in the proverbial biscuit tin and presumed lost for 30 years, the footage was subsequently restored and immortalised in what is now the Blu-ray edition of ‘The Who at Kilburn 1977.’
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#TheWho #Who #KeithMoon
![FAITH NO MORE - The Real Thing [Live: 1990]](https://i.ytimg.com/vi/LV4l70_um-E/mqdefault.jpg "FAITH NO MORE - The Real Thing [Live: 1990]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
**ANGEL DUST:
💿 https://pastandpresent.page.link/FNM-A
***KING FOR A DAY… FOOL FOR A LIFETIME:
💿 https://pastandpresent.page.link/FNM-K
VIDEO INFO: From the iconic ‘You Fat B*st*rds: Live at the Brixton Academy’ set recorded 28 April 1990 during their ‘The Real Thing’ tour and subsequently released as an album and video/DVD.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#FaithNoMore #MikePatton #FNM")
![TEXAS - When We Are Together [with The BBC SSO]](https://i.ytimg.com/vi/LdcCcDs3ERw/mqdefault.jpg "TEXAS - When We Are Together [with The BBC SSO]
VIDEO INFO: I’m a sucker for anything thats comfortably familiar being reimagined or resurrected with an orchestra. This was for a BBC ‘Music Day’ event at Glasgow’s Barrowlands with the band playing alongside the BBC Scottish Symphony Orchestra; 9 June 2017.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Texas #TexasLive #SSO")
![THE ROLLING STONES - Get Off Of My Cloud [GRRR Live!]](https://i.ytimg.com/vi/Li9BIv5IqO4/mqdefault.jpg "THE ROLLING STONES - Get Off Of My Cloud [GRRR Live!]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
BLUE & LONESOME:
💿 https://pastandpresent.page.link/RS-BL
EXILE ON MAIN ST.:
💿 https://pastandpresent.page.link/RS-EM
VOODOO LOUNGE:
💿 https://pastandpresent.page.link/RS-VL
VIDEO INFO: Hot off their insatiable press, the entrance to the ‘Grrr Live’ set released as both album and concert film in various formats this week and up to the polished standard you would expect from a show recorded for their ‘Golden Anniversary: 50 & Counting’ Tour at New Jersey’s Prudential Center, Newark – 15 December. 2012.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#RollingStones #StonesLive #TheRollingStones")
![PIXIES - Caribou [Live: 2005]](https://i.ytimg.com/vi/MIgfytGig7A/mqdefault.jpg "PIXIES - Caribou [Live: 2005]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/P-TLM
VIDEO INFO: Climax to a recorded set for the reformed Pixies reunited with Kim Deal at Boston’s ‘Paradise Rock Club’ in August 2005.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Pixies #PixiesLive #KimDeal")
![THE CLASH - I Fought The Law [Live]](https://i.ytimg.com/vi/MkfWTa-9Zh4/mqdefault.jpg "THE CLASH - I Fought The Law [Live]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
https://pastandpresent.page.link/CLA
VIDEO INFO: You can forgive English urban culture so much, even the dentistry, when it can do this… an iconic scene from the semi-dramatic Clash rockumentary ‘Rude Boy’ [1980] filmed at London’s Lyceum Ballroom; December 1978.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#TheClash #Clash #RudeBoy")
![RED HOT CHILI PEPPERS - Blood Sugar Sex Magik [Woodstock 94]](https://i.ytimg.com/vi/OK7PqW0S3-o/mqdefault.jpg "RED HOT CHILI PEPPERS - Blood Sugar Sex Magik [Woodstock 94]
* For information or to purchase the CD Art Clock pictured in video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/RHCP
VIDEO INFO: From the second Woodstock Festival; Saugerties, NY – 14 August, 1994.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#RedHotChiliPeppers #Woodstock #Woodstock94")
![MANIC STREET PREACHERS - No Surface All Feeling [Reading: 1997]](https://i.ytimg.com/vi/OLMKGOvr51c/mqdefault.jpg "MANIC STREET PREACHERS - No Surface All Feeling [Reading: 1997]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘EVERYTHING MUST GO’:
💿 https://pastandpresent.page.link/MSP-E
‘FOREVER DELAYED’:
💿 https://pastandpresent.page.link/MSP-F
GENERATION TERRORISTS:
💿 https://pastandpresent.page.link/MSP-G
‘THE HOLY BIBLE’:
💿 https://pastandpresent.page.link/MSP-H
VIDEO INFO: I was surprised to find this wasnt already on YouTube – a comparatively rare outing for an ‘Everything Must Go’ ditty, which perhaps gets overlooked in the crowd on that album, during their magnificent Reading Festival headline slot on Saturday 23 August 1997.
They shared joint billing with the global juggernaut that was Metallica – unimaginable a couple of years earlier – and Nicky Wire described this gig as a personal high point, resulting as it did in them grabbing the front covers of the following week’s NME and the Melody Maker which was a big deal in the British music industry back then.
It was perhaps the fourth or fifth time I saw them on the EMG tour and the only one of which I have clear memories (despite being unquestionably the worst for wear) because the whole event had a very special vibe. They were so energetic – positively ecstatic by their standards – with JDB dancing mid-chord from one side of the stage to the other and Nicky in a semi-transparent, camouflage gown looking as giddy as an emo-chick at her first prom.
This lone song from the set appeared as one of the DVD extras from the 10th-anniversary release in 2006; unfortunately most of the material on that disc was compressed and badly interlaced but I have done my best to remedy it here.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#ManicStreetPreachers #Manics #ReadingFestival")
