Uploaded July 2026 | Updated September 2026, 2 weeks ago
Absolute I is an alabaster sculpture by French contemporary artist Yann Guillon.
The sculpture reveals a subtle interplay of shades, curves and hollows that evoke movement and organic forms. Depending on the viewing angle, the work changes its silhouette, offering an always renewed visual experience. Driven by an abstraction imbued with figurative suggestions, this sculpture explores an essential form that suggests life without ever representing it literally.
Yann Guillon, a French sculptor and graduate of the École des Beaux-Arts in Paris, devotes a significant part of his work to the representation of the human body, particularly the body in motion. Figures of athletes and dancers thus occupy a central place in his work. Captured in the midst of exertion, these silhouettes accentuate tensions and twists to convey the energy and the element of mystery inherent in every individual. The sometimes-raw appearance of the surfaces preserves the spontaneity of the gesture and the vitality of the form. His work is, however, not limited to any single style or material: direct carving and certain explorations into abstraction bear witness to an open artistic inquiry.
The dimensions given are those of the stone sculpture without the base.
Sculpture dimensions: 42 cm H x 19 cm L x 19 cm D. Base dimensions: 10.5 cm H x 25 cm L x 15 cm D. Total dimensions (including stem and base): 54 cm (H) x 25 cm (W) x 19 cm (D).
The photographs show the works on display at the Golf Bluegreen Ploemeur Océan (Ploemeur, June 2026–September 2026).
(© Fanch Galivel)
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Absolute I is an alabaster sculpture by French contemporary artist Yann Guillon.
The sculpture reveals a subtle interplay of shades, curves and hollows that evoke movement and organic forms. Depending on the viewing angle, the work changes its silhouette, offering an always renewed visual experience. Driven by an abstraction imbued with figurative suggestions, this sculpture explores an essential form that suggests life without ever representing it literally.
Yann Guillon, a French sculptor and graduate of the École des Beaux-Arts in Paris, devotes a significant part of his work to the representation of the human body, particularly the body in motion. Figures of athletes and dancers thus occupy a central place in his work. Captured in the midst of exertion, these silhouettes accentuate tensions and twists to convey the energy and the element of mystery inherent in every individual. The sometimes-raw appearance of the surfaces preserves the spontaneity of the gesture and the vitality of the form. His work is, however, not limited to any single style or material: direct carving and certain explorations into abstraction bear witness to an open artistic inquiry.
The dimensions given are those of the stone sculpture without the base.
Sculpture dimensions: 42 cm H x 19 cm L x 19 cm D. Base dimensions: 10.5 cm H x 25 cm L x 15 cm D. Total dimensions (including stem and base): 54 cm (H) x 25 cm (W) x 19 cm (D).
The photographs show the works on display at the Golf Bluegreen Ploemeur Océan (Ploemeur, June 2026–September 2026).
(© Fanch Galivel)
👉 Artistics is a Paris-based contemporary art gallery which operates mainly online. We are a team of passionate professionals driven by the thrill to discover new talents and to share their art with you!
👁 Want to see more from Artistics?
Never miss a new studio visit! Subscribe here: bit.ly/3XkpSJb
Buy unique artworks on our website: bit.ly/3JovXP6
To receive our bimonthly newsletter, subscribe here: bit.ly/3qLvZdi
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![Sezione Aurea 05-2025 | Mattia Bosco
The artist’s process is profoundly different to that found in traditional sculpture, in which the sculptor starts off with a block of stone – which contains the desired and imagined form within – from which he removes surplus material. In contrast, for Mattia Bosco, the sculptor’s intervention is simple, confined and restricted, and aims only to draw out and purify the form already present in the stone. Form and material are thus inseparable: by nature, stone always leans towards a certain form and is therefore already a potential sculpture.
The artist selects the rocks that fascinate him, right there in the quarries, from among the extracted fragments. Providing them with a base, he positions them vertically or hang them and then sets about making his own mark on the surface of the stone, using rotary cutters. There is a relationship of collaboration between the artist and the material: “It is not a case of man on one side and the world on the other, […] the relationship between me, who is sculpting, and the material itself, is a tussle between two parts of the world, engaging in a show of force.”
👉 Artistics is a Paris-based contemporary art gallery which operates mainly online. We are a team of passionate professionals driven by the thrill to discover new talents and to share their art with you!
👁 Want to see more from Artistics?
Never miss a new studio visit! Subscribe here: https://bit.ly/3XkpSJb
Buy unique artworks on our website: https://bit.ly/3JovXP6
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Like us on Facebook: https://bit.ly/448ROSGcapes Sezione Aurea 05-2025 | Mattia Bosco](https://i.ytimg.com/vi/dwSyLbplBAI/mqdefault.jpg)







