Uploaded July 2024 | Updated September 2026, 14 hours ago
Looking back, after a triumphant Cruise To The Edge and the release of a critically accclaimed new album, ‘The Likes Of Us’, earlier this year, it’s easy to forget that 2023’s ‘The Journey Continues’ tour was a step into the unknown for Big Big Train.
Since their last full series of concerts, the ‘Grand Tour’ of 2019, the band had been forced to adapt after Dave Gregory, Rachel Hall and Danny Manners decided to move on. The pandemic had critically disrupted the band’s artistic and commercial momentum. And most shattering of all, the tragic death of David Longdon left a void to fill in terms of lead vocals, songwriting and performance. As the band prepared for its first full European tour there were lots of question marks about the line-up, the musical direction and, in particular, the new lead singer, Alberto Bravin.
In this exclusive interview, recorded during the writing of the ‘The Journey Continues 2023’ tour book, ‘A View From The Embankment, A View From The Line’, Alberto speaks honestly and movingly about the complex process behind the recording sessions that preceded the tour and how he brought his own personal style to the new Big Big Train album, ‘The Likes Of Us’. He describes the highs and lows of touring, his approach to singing familiar – and perhaps not so familiar – songs from the band’s catalogue, and of course, how he faced up to the challenge of following in the footsteps of the late David Longdon as Big Big Train took to the road.
“Personally, I’m pleased that we were able to unveil some brand new songs to audiences. But it’s also been very rewarding to play the ‘new’ old songs that are familiar to Big Big Train fans: ones that David didn’t have the opportunity to sing live. Because although his studio version exists, there’s a little more freedom for me to bring a different interpretation to my performance. Something different that nobody will have seen or heard before.
“Obviously, there are going to be some songs where you’ll have David’s live version and you’ll have mine. I know full well that people will forever compare how we sing ‘East Coast Racer’, for example, and I’m completely fine with that. I certainly don’t see it as a ‘competition’, because that’s not how I would ever approach singing songs and lyrics that people identify so strongly with. David’s live recordings are incredible and they will always be there for people to enjoy.”
‘A View From The Embankment, A View From The Line’ is available to order now from Burning Shed via:
burningshed.com/store/kingmaker
and from The Band Wagon USA via:
thebandwagonusa.com/collections/kingmaker-publishing
Looking back, after a triumphant Cruise To The Edge and the release of a critically accclaimed new album, ‘The Likes Of Us’, earlier this year, it’s easy to forget that 2023’s ‘The Journey Continues’ tour was a step into the unknown for Big Big Train.
Since their last full series of concerts, the ‘Grand Tour’ of 2019, the band had been forced to adapt after Dave Gregory, Rachel Hall and Danny Manners decided to move on. The pandemic had critically disrupted the band’s artistic and commercial momentum. And most shattering of all, the tragic death of David Longdon left a void to fill in terms of lead vocals, songwriting and performance. As the band prepared for its first full European tour there were lots of question marks about the line-up, the musical direction and, in particular, the new lead singer, Alberto Bravin.
In this exclusive interview, recorded during the writing of the ‘The Journey Continues 2023’ tour book, ‘A View From The Embankment, A View From The Line’, Alberto speaks honestly and movingly about the complex process behind the recording sessions that preceded the tour and how he brought his own personal style to the new Big Big Train album, ‘The Likes Of Us’. He describes the highs and lows of touring, his approach to singing familiar – and perhaps not so familiar – songs from the band’s catalogue, and of course, how he faced up to the challenge of following in the footsteps of the late David Longdon as Big Big Train took to the road.
“Personally, I’m pleased that we were able to unveil some brand new songs to audiences. But it’s also been very rewarding to play the ‘new’ old songs that are familiar to Big Big Train fans: ones that David didn’t have the opportunity to sing live. Because although his studio version exists, there’s a little more freedom for me to bring a different interpretation to my performance. Something different that nobody will have seen or heard before.
“Obviously, there are going to be some songs where you’ll have David’s live version and you’ll have mine. I know full well that people will forever compare how we sing ‘East Coast Racer’, for example, and I’m completely fine with that. I certainly don’t see it as a ‘competition’, because that’s not how I would ever approach singing songs and lyrics that people identify so strongly with. David’s live recordings are incredible and they will always be there for people to enjoy.”
‘A View From The Embankment, A View From The Line’ is available to order now from Burning Shed via:
burningshed.com/store/kingmaker
and from The Band Wagon USA via:
thebandwagonusa.com/collections/kingmaker-publishing





![A View From The Embankment, A View From The Line - Nick DVirgilio podcast
“I’ve always been given the freedom by the rest of the band to come up with crazy ideas for the live shows, especially when it comes to using the brass ensemble.”
These are the words of Big Big Train drummer Nick D’Virgilio in conversation with writer Andy Stuart, used to describe some of the wonderful creative moments he’s inspired during the band’s performances on the road. You can listen to this – and much more – in today’s podcast!
In a wide ranging and typically forthright conversation, which contributed to Andy Stuart’s new, 240 page, illustrated tour book, ‘A View From The Embankment, A View From The Line’, NDV discusses his approach to songwriting, what it meant to play classic songs like ‘A Boy In Darkness’ for the first time on stage, and shares insights into the recording of ‘East Coast Racer’ – in particular why he feels his playing on ‘Ingenious Devices’ is even better the original!
The book, which tells the story of the band’s ‘The Journey Continues’ 2023 tour, is available for pre-order now from Burning Shed via:
https://burningshed.com/store/kingmaker
and from The Band Wagon USA via:
https://thebandwagonusa.com/collections/kingmaker-publishing
NDV comments: “In the case of ‘A Boy In Darkness’ I always wanted to play that tune live and it’s a shame we never got to hear David Longdon perform it. Of course, Alberto [Bravin] delivered an amazing vocal on this tour, but it was always one of the tunes that I wish we could have found a place for in previous set lists. If I remember correctly, David was a bit worried about singing ‘A Boy In Darkness’ because it’s such a huge vocal number and I think he felt it could be hard to sing live night after night. Alberto found it challenging too. Even he said it’s not the easiest tune to deliver consistently. It needs total commitment.
“But all that being said, there’s just so much weight to ‘A Boy In Darkness’, especially when you come right back around to the chorus at the end. It’s one of those great moments for a drummer; honestly, I can’t hit the drums hard enough in that final section! At some of the gigs on this tour we had to play with more restraint because of the volume level in the room. And it was so difficult to do that! During ‘A Boy In Darkness’, there’s so much energy flowing through me, I just want to beat the living crap out of the drums! It’s huge fun to feel all that power.” A View From The Embankment, A View From The Line - Nick DVirgilio podcast](https://i.ytimg.com/vi/fOgQQTGpJ3I/mqdefault.jpg)




