Uploaded March 2025 | Updated September 2026, 2 weeks ago
"A Rose for Emily" is a short story written by William Faulkner and published in 1930—the first of Faulkner’s stories to be published in a national magazine. The story was adapted into a film, directed and produced by Lyndon Chubbuck, in 1983. The meaning of “a rose for Emily” is open to interpretation, since the story itself makes no mention of a rose.
The story’s narrator begins by recounting when local citizen Miss Emily Grierson, widely regarded as a spinster and recluse, died. While the women of the town attend Miss Emily’s funeral to see the inside of her decrepit house, the men go out of a “respectful affection for a fallen monument.” From here, the story unfolds in a series of anecdotes that explain Miss Emily’s reputation as a local legend. The first of these anecdotes revolves around Miss Emily’s taxes. In 1894, the mayor, Colonel Sartoris, remits Miss Emily’s taxes, lying that her recently deceased father loaned money to the town. But when the next generation of aldermen is elected, they visit Miss Emily’s home to inform her that she must start paying taxes again. Emily simply repeats that Colonel Sartoris told her she has no taxes in Jefferson, and the aldermen have no choice but to give up.
The narrator then skips back in time thirty years—two years since the death of Emily's father and shortly after the disappearance of her sweetheart, Homer Barron. When the neighbors complain to the mayor, Judge Stevens, that Miss Emily’s house smells terribly, the four aldermen sneak over to her house and sprinkle lime. But as they leave, a light comes on, and they see Miss Emily in the window. While the townspeople begin to pity Miss Emily, the narrator notes that they originally resented her family, the Griersons, for being snooty; when Miss Emily turned thirty and was still unmarried, they felt "not pleased exactly, but vindicated." Still, the narrator speculates that Miss Emily refused to accept her father’s passing because she had to "cling to that which had robbed her" of a married life—he drove away her suitors.
The narrator resumes telling the story chronologically now, starting with the arrival of a construction company to pave the town’s sidewalks. Soon after, the townspeople see Homer Barron, the construction company’s gregarious foreman, driving with Miss Emily on Sundays and infer that they are an item.
Soon after, Miss Emily goes to the druggist to request "some poison." Despite the druggist’s attempts to inquire, Emily does not go into detail about how she intends to use the poison. And while the druggist sells her the poison, he implies that it should only be used to kill vermin, inscribing it with "for rats.”
Meanwhile, the women of the town begin to judge Miss Emily for spending time with Homer Barron, with no intention of marriage, calling it a "disgrace to the town and a bad example to the young people." Summoned by the local minister’s wife, Miss Emily’s "kinsfolk" pay her a visit from Alabama despite a family falling-out. But the narrator describes Miss Emily’s two female cousins as “even more Grierson than Miss Emily,” and soon the town becomes Miss Emily’s allies in getting the kinfolk to leave.
Around the time that Miss Emily’s family arrives, Homer Barron disappears. Some of the townspeople figure that he’s preparing a home for them elsewhere, but after the cousins from Alabama leave, a neighbor reports seeing Homer Barron return to the house. According to the narrator, this was the last time he was ever seen.
After Homer Barron disappears, Miss Emily doesn’t leave the house for six months. At forty years old, she starts giving china-painting lessons to the town’s young girls, but the students eventually stop coming. Years pass, and Miss Emily "passes from generation to generation—dear, inescapable, impervious, tranquil, and perverse." When Miss Emily dies, the narrator notes, the town does not even know she was sick, since Tobe, her “Negro” manservant, does not talk to anyone; after greeting the mourners, Tobe actually disappears out the back door. As soon as Emily is buried, the townspeople force their way into a bedroom and find the rotting body of Homer Barron, his toiletries, a carefully folded suit, and—on the pillow beside his—one of Miss Emily’s “iron-gray” hairs.
Read the full study guide and analysis at gradesaver.com/short-stories-of-william-faulkner
"A Rose for Emily" is a short story written by William Faulkner and published in 1930—the first of Faulkner’s stories to be published in a national magazine. The story was adapted into a film, directed and produced by Lyndon Chubbuck, in 1983. The meaning of “a rose for Emily” is open to interpretation, since the story itself makes no mention of a rose.
The story’s narrator begins by recounting when local citizen Miss Emily Grierson, widely regarded as a spinster and recluse, died. While the women of the town attend Miss Emily’s funeral to see the inside of her decrepit house, the men go out of a “respectful affection for a fallen monument.” From here, the story unfolds in a series of anecdotes that explain Miss Emily’s reputation as a local legend. The first of these anecdotes revolves around Miss Emily’s taxes. In 1894, the mayor, Colonel Sartoris, remits Miss Emily’s taxes, lying that her recently deceased father loaned money to the town. But when the next generation of aldermen is elected, they visit Miss Emily’s home to inform her that she must start paying taxes again. Emily simply repeats that Colonel Sartoris told her she has no taxes in Jefferson, and the aldermen have no choice but to give up.
The narrator then skips back in time thirty years—two years since the death of Emily's father and shortly after the disappearance of her sweetheart, Homer Barron. When the neighbors complain to the mayor, Judge Stevens, that Miss Emily’s house smells terribly, the four aldermen sneak over to her house and sprinkle lime. But as they leave, a light comes on, and they see Miss Emily in the window. While the townspeople begin to pity Miss Emily, the narrator notes that they originally resented her family, the Griersons, for being snooty; when Miss Emily turned thirty and was still unmarried, they felt "not pleased exactly, but vindicated." Still, the narrator speculates that Miss Emily refused to accept her father’s passing because she had to "cling to that which had robbed her" of a married life—he drove away her suitors.
The narrator resumes telling the story chronologically now, starting with the arrival of a construction company to pave the town’s sidewalks. Soon after, the townspeople see Homer Barron, the construction company’s gregarious foreman, driving with Miss Emily on Sundays and infer that they are an item.
Soon after, Miss Emily goes to the druggist to request "some poison." Despite the druggist’s attempts to inquire, Emily does not go into detail about how she intends to use the poison. And while the druggist sells her the poison, he implies that it should only be used to kill vermin, inscribing it with "for rats.”
Meanwhile, the women of the town begin to judge Miss Emily for spending time with Homer Barron, with no intention of marriage, calling it a "disgrace to the town and a bad example to the young people." Summoned by the local minister’s wife, Miss Emily’s "kinsfolk" pay her a visit from Alabama despite a family falling-out. But the narrator describes Miss Emily’s two female cousins as “even more Grierson than Miss Emily,” and soon the town becomes Miss Emily’s allies in getting the kinfolk to leave.
Around the time that Miss Emily’s family arrives, Homer Barron disappears. Some of the townspeople figure that he’s preparing a home for them elsewhere, but after the cousins from Alabama leave, a neighbor reports seeing Homer Barron return to the house. According to the narrator, this was the last time he was ever seen.
After Homer Barron disappears, Miss Emily doesn’t leave the house for six months. At forty years old, she starts giving china-painting lessons to the town’s young girls, but the students eventually stop coming. Years pass, and Miss Emily "passes from generation to generation—dear, inescapable, impervious, tranquil, and perverse." When Miss Emily dies, the narrator notes, the town does not even know she was sick, since Tobe, her “Negro” manservant, does not talk to anyone; after greeting the mourners, Tobe actually disappears out the back door. As soon as Emily is buried, the townspeople force their way into a bedroom and find the rotting body of Homer Barron, his toiletries, a carefully folded suit, and—on the pillow beside his—one of Miss Emily’s “iron-gray” hairs.
Read the full study guide and analysis at gradesaver.com/short-stories-of-william-faulkner










![Little Women - Book Summary
Little Women is a novel written by Louisa May Alcott and published in two parts between 1868 and 1869. Heavily influenced by Alcott’s own life, the novel follows the everyday lives of the four March sisters—Meg, Jo, Beth, and Amy—and their moral development over a period of fifteen years. Set in Concord, Massachusetts, Alcott’s in-depth exploration of female characters was unique for its time and an implicit case for women’s equality. Published to widespread popularity, the novel explores the enduring importance of family, the happiness derived from being selfless, and the benefits of hard work.
Part One of the book opens in 1861, as the March sisters—along with their mother, Marmee—face their first Christmas without their father, who is away serving as a chaplain for the Union Army. On Christmas Eve, they receive a letter from him reminding them to be dutiful, loving, and kind so that when he returns he “may be…prouder than ever of [his] little women.” Inspired by a morality tale called The Pilgrim’s Progress, Meg, the oldest and perhaps the most beautiful, sets out to be less materialistic. Jo, the second oldest and a temper-prone tomboy that many readers identify as the protagonist, vows to be more womanly and less wild. Beth, the sweet-tempered third oldest, wants to stop envying girls who have pianos, and Amy, the somewhat entitled youngest, hopes to be less selfish.
The girls feel dismayed at their relative poverty but use what meager funds they have to buy gifts for Marmee. Before they can deliver them on Christmas morning, however, Marmee asks the girls if they will forfeit their Christmas breakfast to the Hummels, a nearby family of immigrants. Despite their hunger, the girls agree. The Hummels are deeply grateful, and the girls are happy to have “loved [their] neighbor better than [themselves].” When they return home, they are surprised to see their table full; their wealthy next-door neighbor, Mr. Laurence, heard about their good deed and sent a Christmas feast in reward.
Soon, Meg and Jo are invited to a lavish New Year’s Eve dance at the Gardiner house. But boyish Jo is ill-suited for such a party; her dress is burnt from standing too close to the fire, and she accidentally burns off a part of Meg’s hair while trying to curl it. At the party, Meg sprains her ankle dancing, and she and Jo take refuge in the company of Mr. Laurence’s nephew, Laurie, who is the same age as Jo and appreciates her boyish pluck. Meg and Jo accept Laurie’s offer to ride home in his carriage.
One day, Jo throws a snowball at Laurie’s window, intent on getting to know him. Bored and recovering from a cold, Laurie invites Jo over, confessing to her that, in his loneliness, he often watches her family’s spirited activities next door. Jo invites him to come visit, and soon, Laurie begins spending more time at the Marches’ home. The girls, too, spend time at Laurie’s home—all except for Beth, who is too afraid of the gruff Mr. Laurence to join them. Learning of this, Mr. Laurence requests that Beth come play his piano. Reminded of his late granddaughter, Mr. Laurence gifts Beth the deceased girl’s piano.
Winter turns to spring, and the girls get wrapped up in various adventures. Jo shuns Amy after she burns Jo’s writing, then feels sorry when Amy falls into the ice while skating. When Meg lends Amy a quarter to buy her friends pickled limes, Amy’s teacher physically reprimands her, causing Marmee to withdraw her from school. Meg goes to stay with her wealthy friend, Annie Moffat, but feels out of place amongst her comparatively moneyed guests. While Meg is courted by the fashionable Ned Moffat, Marmee assures Meg that she would rather her girls be happy than marry rich. Soon, Meg receives a glove and a translated poem in the mail from Laurie’s tutor, Mr. Brooke; Jo worries about losing Meg to marriage.
The following November, the Marches receive a telegram informing them that their father is ill, and Mr. Brooke volunteers to escort Marmee to his side in Washington. Jo cuts her hair to raise money for her father’s care. Left with their maid, Hannah, the girls throw themselves into work; Jo assists their Aunt March, a rich widow, while Meg continues working as a governess. When Beth comes down with scarlet fever after caring for one of the Hummels’ babies, Jo cares for her dutifully, while Amy quarantines with Aunt March. While Hannah warns against alarming Marmee, Jo is relieved to find that Laurie has secretly sent for her.
Christmas approaches, and both Beth and Mr. March recover. On Christmas day, Laurie arrives with a surprise present: Mr. March. Reunited, the March family reflects on the year, with Mr. March expressing pride in his “little women.” Jo has tamed some, though not all of her wildness, while Beth has overcome much of her shyness. Amy has thrown herself into her art, whereas Meg has replaced her vanity with dedication to housework.
Read the full summary at https://www.gradesaver.com/little-women Little Women - Book Summary](https://i.ytimg.com/vi/X0xA-JtVPoY/mqdefault.jpg)