The Met
Ming Garden, 1983 | From the Vaults
updated
Watch the full video:
youtu.be/WJk_c5zWV9s?si=vTi9G2N3fgM7xQ96
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
I feel like work is most successful when it is communicating with others and helping you to sort of bridge a gap. — Mildred Beltré
The Brooklyn Hi-Art! Machine began when artists Mildred Beltré and Oasa DuVerney started making art together in each other’s apartments. Sharing stories and experiences as they worked, they wondered if they could bring a similar experience to other neighbors. Dubbing themselves the “Official Unofficial Artists in Residence” of their block, they co-founded a collaborative public art project in the summer of 2010 that explores art-making as a community-building tool. The Brooklyn Hi-Art! Machine is their community based, socially engaged project in Crown Heights, Brooklyn.
During their CPP Residency, the artists will be interviewing residents on their block and photographing cherished family-owned objects. The words and images will then be published in a book that documents their concept of a community-based museum. As part of their on-going practice, they invited neighbors to post for family portraits on a day when they also interviewed members of the community.
The Met’s Civic Practice Partnership (CPP), launched in 2017, catalyzes and implements creative projects that advance healthy communities by bringing the skills and interests of neighborhood stakeholders together with those of The Met and artists who are socially minded in their practice. Invited CPP artists work in their own neighborhoods across New York City and at The Met to develop and implement ambitious projects and forge meaningful collaborations.
Learn more about Brooklyn Hi! Art Machine’s CPP Residency:
metmuseum.org/about-the-met/departments/education/civic-practice-project/civic-practice-partnership/brooklyn-hi-art-machine
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© 2024 The Metropolitan Museum of Art
In December 2022, as part of their Met residency, Catalyst Quartet presented an immersive dive into Bach’s behemoth Goldberg Variations, featuring their own acclaimed string quartet arrangement of the beloved keyboard work. Performance artist and “theatrical genius” (The New Yorker) Machine Dazzle responded in real time, interpreting the music’s inescapable evolution through a personal, emotional lens. Through pleasure, pain, laughter, and longing, “Bassline Fabulous” continues to engage audiences with the transformative power of the dynamic composition.
“Bassline Fabulous”
conceived by Machine Dazzle and Catalyst Quartet
Music:
Goldberg Variations, BWV 988
by Johann Sebastian Bach (1685-1750)
arr. Catalyst Quartet
Machine Dazzle, performance artist
Catalyst Quartet:
Karla Donehew Perez, violin
Abi Fayette, violin
Paul Laraia, viola
Karlos Rodriguez, cello
Geoff Sobelle, director
Jeremy Lydic, director of production
Alban Sardzinski, lighting design
***Please note that this performance contains sexual content.***
For more information, please view the performance program at
metmuseum.org/-/media/files/events/programs/MetLiveArts-House-Programs-2022-23/2212167-bassline-fabulous?_gl=1*1y16f3l*_ga*NTE2ODUxMjgyLjE2OTc4MTY3NTc.*_ga_Y0W8DGNBTB*MTcxNTc4NjQxOS42MS4wLjE3MTU3ODY0MTkuMC4wLjA
Recorded on Friday, December 16, 2022, in The Vanderlyn Panorama Room (Gallery 735) of The American Wing.
This performance was made possible by the Adrienne Arsht Fund for Resilience through Art.
Additional support was provided by Barbara Tober, the Muriel Kallis Steinberg Newman Fund, and the Grace Jarcho Ross and Daniel G. Ross Concert Fund.
MetLiveArts thanks Barbara Tober for generously hosting the invited dress rehearsal, and The Frederick R. Koch Foundation for its support of the special event.
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time.
In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity?
Featured artworks:
Tullio Lombardo, Adam, ca. 1490–95: metmuseum.org/art/collection/search/197822
Statue of Gudea, named “Gudea, the man who built the temple, may his life be long,” ca. 2090 BCE. Mesopotamia: metmuseum.org/art/collection/search/329072
Head of Gudea, ca. 2090 BCE. Mesopotamia: metmuseum.org/art/collection/search/324061
Gudea, Prince of Lagash, with architectural plan. Neo-Sumerian, ca. 2120 BCE. Diorite, 93 x 41 cm. AO2. Photo: René-Gabriel Ojéda. Musée du Louvre, Paris, France. © RMN-Grand Palais / Art Resource, NY: https://collections.louvre.fr/en/ark:/53355/cl010119539
Guests:
Jack Soultanian, Conservator, Objects Conservation, The Met
Carolyn Riccardelli, Conservator, Objects Conservation, The Met
Robert Macfarlane, nature writer and mountaineer
Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met
Sarah Graff, Curator, Ancient Near Eastern Art, The Met
For a transcript of the episode and more information, visit metmuseum.org/immaterialstone
#MetImmaterial
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
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© 2024 The Metropolitan Museum of Art
Watch the full video: youtube.com/watch?v=Mq5PxUqHQiA
Learn more about the exhibition: metmuseum.org/exhibitions/don-t-forget-to-call-your-mother
Subscribe for new content from The Met: youtube.com/user/metmuseum
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© 2024 The Metropolitan Museum of Art
Subscribe for new content from The Met: youtube.com/user/metmuseum
#TheMet #Art #TheMetropolitanMuseumofArt #Museum
© 2024 The Metropolitan Museum of Art
#TheMet #Art #TheMetropolitanMuseumofArt #Museum
© 2024 The Metropolitan Museum of Art
Immaterial, The Metropolitan Museum of Art’s marquee podcast, is back with eight more episodes that reveal the emotional origins and transformative power of art through the lens of materials.
This season we learn from Mexican artisans keeping centuries-old traditions alive; we go to ancient Mesopotamia to understand time travel; and we find a mythical tree in Belize that’s been making music for decades.
From traditional materials like stone and wood, to more abstract ones like space and time, the podcast explores how these materials shape the inner lives of artworks and the human experiences they reflect.
Season 2 of Immaterial drops June 4.
#MetImmaterial
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Apple Podcasts: podcasts.apple.com/us/podcast/immaterial-5-000-years-of-art-one-material-at-a-time/id1621349314
Spotify: open.spotify.com/show/7v7RLfDLO9YKzJHoBYGeDx
Amazon Music: music.amazon.com/podcasts/ccc2c7d1-1568-4a00-b69c-d4a0283ba5b5/immaterial-5-000-years-of-art-one-material-at-a-time
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© 2024 The Metropolitan Museum of Art
Learn more about the European Paintings Galleries metmuseum.org/exhibitions/look-again-european-paintings-1300-1800
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
#TheMet #Art #TheMetropolitanMuseumofArt #Museum
© 2024 The Metropolitan Museum of Art
This podcast episode was first released September 14, 2022.
Immaterial season 2 launches June 4, 2024.
Featured objects:
Niki de Saint-Phalle, Niki de Saint Phalle tarot cards, 2002: metmuseum.org/art/collection/search/843056
Guests:
Suhaly Bautista-Carolina, creator of Moon Mother Apothecary and senior managing educator of audience development, Education, The Metropolitan Museum of Art
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Allison Rudnick, associate curator, Drawings and Prints, The Metropolitan Museum of Art
Alexander Chee, poet, author, and professor of English and creative writing, Dartmouth College
Camille Dungy, poet and host of Immaterial
Slow Holler Tarot Artists:
JB Brager
Corina Dross
Miranda Javid
Nic Jenkins
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/9/immaterial-tarot
#MetImmaterial
Subscribe to Immaterial wherever you listen to podcasts.
Apple Podcasts: podcasts.apple.com/us/podcast/immaterial/id1621349314
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Amazon Music: music.amazon.com/podcasts/ccc2c7d1-1568-4a00-b69c-d4a0283ba5b5/immaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong and Rachel Smith.
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise. This episode was produced by Adwoa Gyimah-Brempong and Eleanor Kagan.
Special thanks to Holly Phillips, Jessica Ranne-Cardona, Maria Schurr, E. Henderson, and Rachel Pollack.
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
— Alexander McQueen
In 2010, Alexander McQueen presented his bold collection "Plato’s Atlantis," inspired by Charles Darwin’s 1859 scientific book "On the Origin of Species."
McQueen imagined humankind evolving to survive underwater and presented a fantastical posthuman hybrid aquatic creature with a bold and visionary statement: "There is no way back for me now. I am going to take you on journeys you never dreamed were possible.”
Included in the collection were these formidable platform boots, known as the "Armadillo" shoes. Only around 20 pairs were ever created(!)—making this deep green pair an exceptionally rare example of one of the most recognizable footwear designs of the early 21st century.
P.S. While these particular boots won't be on view, you can see more from McQueen’s "Plato’s Atlantis" collection in "Sleeping Beauties: Reawakening Fashion," now open through September 2.
👢 Alexander McQueen (British, founded 1992), design house. Alexander McQueen (British, 1969–2010), designer. "Armadillo" shoes, spring/summer 2010. Shagreen (pastinachus sephen).
👢 Alexander McQueen (British, founded 1992), design house. Alexander McQueen (British, 1969–2010), designer. "Armadillo" shoes, spring/summer 2010. Snakeskin, leather metal, wood, synthetic. #ReawakeningFashion #AlexanderMcQueen
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© 2024 The Metropolitan Museum of Art
In this talk, Hicks and Escobedo join Met curators to discuss their shared interests, including ancient and modern architecture, textile technologies, and their experiences of Mexico in connection with their respective practices.
Sheila Hicks, artist
Frida Escobedo, architect
Joanne Pillsbury, Andrall E. Pearson Curator, The Michael C. Rockefeller Wing, The Met
Moderated by Iria Candela, Estrellita B. Brodsky Curator of Latin American Art, Department of Modern and Contemporary Art, The Met
Presented in celebration of Women’s History Month and in conjunction with the exhibition “Weaving Abstraction in Ancient and Modern Art.”
Learn more about the exhibition:
metmuseum.org/exhibitions/weaving-abstraction-in-ancient-and-modern-art
Recorded on Friday, March 8, 2024
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
The Costume Institute’s spring 2024 exhibition, Sleeping Beauties: Reawakening Fashion, reactivates the sensory capacities of masterworks in the Museum’s collection through first-hand research, conservation analysis, and diverse technologies—from cutting-edge tools of artificial intelligence and computer-generated imagery to traditional formats of x-rays, video animation, light projection, and soundscapes.
On view through September 2nd, 2024.
Learn more about the exhibition: metmuseum.org/exhibitions/sleeping-beauties-reawakening-fashion
The exhibition is made possible by TikTok
Support is provided by LOEWE
Additional support is provided by Condé Nast
Video produced by HAPPYMONDAY and The Metropolitan Museum of Art
Managing Producer: Kate Farrell
Senior Producer: Melissa Bell
Production Coordinator: Lela Jenkins
Production Assistants: Tess Solot-Kehl
Original Music: Austin Fisher
Special thanks to: Andrew Bolton, Stephanie Kramer, Alexandra Fizer, and Mika Kiyono
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© 2024 The Metropolitan Museum of Art
This podcast episode was first released July 20, 2022.
Immaterial season 2 launches June 4, 2024.
Featured object:
Greenstone pendant (hei tiki). Maori; Aotearoa New Zealand: metmuseum.org/art/collection/search/43721
Guests:
Dougal Austin, senior curator, Mātauranga Māori, Te Papa Tongarewa The Museum of New Zealand
Dan Hikuroa, senior lecturer in Māori Studies, University of Auckland
Maia Nuku, Evelyn A. J. Hall and John A. Friede Associate Curator for Oceanic Art, Oceanic Art in The Michael C. Rockefeller Wing, The Metropolitan Museum of Art
Lisa Ruaka Reweti, public programs presenter, Whanganui Regional Museum
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/7/immaterial-jade
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong and Rachel Smith.
Special thanks to Chanel Clarke and Cellia Joe-Olsen.
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© 2024 The Metropolitan Museum of Art
7–8:30 pm
The Met Fifth Avenue
The Grace Rainey Rogers Auditorium
Dive into a world of water with The Filomen M. D’Agostino Greenberg Music School as they perform music inspired by The Met collection.
The Filomen M. D’Agostino Greenberg Music School is a community school of the arts dedicated to helping individuals of all ages pursue their interests, and study of music, while addressing the challenges posed by vision loss.
This podcast episode was first released August 31, 2022.
Immaterial season 2 launches June 4, 2024.
Objects featured in this episode:
Works of Louis-Jacques-Mandé Daguerre (various): metmuseum.org/art/collection/search?q=Louis-Jacques-Mand%C3%A9+Daguerre&department=19
Roman coins (various): metmuseum.org/art/collection/search?q=coin&department=13&geolocation=Roman+Empire
Staff of Office: Figures, spider web and spider motif (ȯkyeame), 19th–early 20th century. Ghana. Akan peoples, Asante group: metmuseum.org/art/collection/search/314925
Guests:
Yaëlle Biro, former associate curator for the Arts of Africa, African Art in The Michael C. Rockefeller Wing, The Metropolitan Museum of Art
Daniel Carrillo, studio photographer
Benjamin Harnett, independent scholar of ancient technology and digital engineer, The New York Times
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Irene Soto Marín, economic historian and assistant professor of ancient history, Harvard University
Yaw Nyarko, professor of Economics, New York University
Stephen Pinson, curator, Photographs, The Metropolitan Museum of Art
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/8/immaterial-metals-part-two
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Apple Podcasts: podcasts.apple.com/us/podcast/immaterial/id1621349314
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong.
Special thanks to Alan Shapiro, Bobby Walsh, Lauren Johnson, and Kwabena and Rose Gyimah-Brempong.
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© 2024 The Metropolitan Museum of Art
Thomas himself draws inspiration from his mother—an artist, curator, and photo historian—throughout his work. Take a cue from him and call your mother today! 🌸
See this photo and more on view in “Don’t Forget to Call Your Mother” through September 15.
📸 Hank Willis Thomas (American, born 1977). Kama Mama, Kama Binti (Like mother like daughter), 1971/2008. Chromogenic print. © Hank Willis Thomas
Learn more about the exhibition: metmuseum.org/exhibitions/don-t-forget-to-call-your-mother
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© 2024 The Metropolitan Museum of Art
Learn more about the exhibition:
metmuseum.org/exhibitions/sleeping-beauties-reawakening-fashion
Production Credits:
Camera: Aurola Wedman Alfaro
Editor: Aurola Wedman Alfaro
Produced in collaboration with Claire Lanier, Micah Pegues, Alexandra Fizer, and Mika Kiyono
Music: Just Give Me One More Day by Alej
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© 2024 The Metropolitan Museum of Art
A conversation with
Sophia Cohen
Associate Director at Gagosian Gallery, an avid collector and champion of artists, and a noted philanthropist
Venus Williams
American tennis legend, a cutting-edge entrepreneur, and a dedicated collector and arts advocate
Moderated by
Jane Panetta
Aaron I. Fleischman Curator, Department of Modern and Contemporary Art
Filmed on Wednesday, April 3, 2024
Women & the Critical Eye Host Committee 2024
Wonder Women
Sarah Arison
Fiona Druckenmiller
Agnes Gund
Sandra Hoffen
Flora Huang
Rebecca Lainovic
Judy Glickman Lauder
Linda Lindenbaum
Nancy Marks
Renee McKee
Dr. Merryl H. Tisch
Marica Vilcek
Lulu C. Wang
Sharon Wee
Sustaining Member
Lea Paine Highet
Amabel B. James
Ann F. Kaplan
Evelyn Lipper
Amanda Davis Lister
Ming Liu
Susan and Sophie Sawyers
Kimberly Shirley
Ann M. Spruill
Candace King Weir
Shelby White
Supporting Member
Holly Andersen, M.D.
Candace K. Beinecke
Renée Belfer
Debra Black
B.J. Cowie
Milly Glimcher
Kim Greenberg
Jean D. Hamilton
Stephanie Hodor
Kristin Hohmann
Dr. Jane Katcher
Deborah Klein
Uttara P. Marti
The Mulan Club
Josie Cruz Natori
Philippa Portnoy
Gwen Price
Rochelle Rosenberg
Bonnie J. Sacerdote
Teresa Saputo-Crerend
Cheryl Scharf
Gillian Steel
Sarah Sze
Shazi Visram
Paula Volent
Partner Member
Virginia Barbato
Kelly Baum
Allegra Bettini
Suzanne Brenner
Renee Chang Marquardt
Dr. Bobbi Coller
Christy Coombs
Nathalie de Gunzburg
Nina del Rio
Lisa Dennison
Janelle Faulk
Martha Fling
Fredrica S. Friedman
Cynthia Griffin
Susan Gutfreund
Marsha W. Harper
Alexandra Higashi-Howard
Hannah Howe
Catherine Kinney
Jane Parsons Klein
Brooke Lampley
Katherine Lauder
Linda Macklowe
Leslie Maheras
Natasha Mitra
Banoo Parpia
Iris Lior Posternack
Jane C. Rubens
Rebecca L. Rutherfurd
Dr. Sarah Schlesinger Hirschfeld
Beatrice Stern
Julie Tobey
Marjorie Van Dercook
Mary Wallach
Anita Wien
Carolyn Talbot Seely Wiener
India Wolf
Committee Member
Hillary Bliss
Betsy Z. Cohen
Harriette Cole
Kaitlin Hao
Genevieve Kinney
Lauren Lucas
Mariel Pezik Pajoow
Arielle Patrick
Liane Pei
Leslie Perkins
Nithya Raman
Amy O'Reilly Rizzi
Vanessa Ruta
Mira Sharma
Lauren Katzowitz Shenfield
Seema Sheoran
List in formation as of April 1, 2024
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© 2024 The Metropolitan Museum of Art
This podcast episode was first published August 17, 2022.
Immaterial season 2 launches June 4, 2024.
Objects featured in this episode:
European armor (various): metmuseum.org/art/collection/search?q=iron+armor&department=4&geolocation=Europe
Zhong bells (various): metmuseum.org/art/collection/search?q=zhong+bell&searchField=All&sortBy=Relevance&material=Bells
Puppet Head (Si Gale-gale), late 19th–early 20th century. Indonesia, Sumatra. Toba Batak artist(s): metmuseum.org/art/collection/search/315894
Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30: metmuseum.org/toah/hd/shnm/hd_shnm.htm
Guests:
Edward Hunter, armorer and conservator, Arms and Armor, The Metropolitan Museum of Art
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Ali Olomi, professor of Middle East, Islamic, and Global Southern history, Penn State Abington
Kannia Rifatulzia, translator, In-depth Creative
Defri Simatupang, archaeologist, North Sumatera Archaeology Center, Indonesia
Zhixin Jason Sun, Brooke Russell Astor Curator of Chinese Art, Asian Art, The Metropolitan Museum of Art
Yana Van Dyke, conservator, Paper Conservation, The Metropolitan Museum of Art
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/8/immaterial-metals-part-one
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Subscribe to Immaterial wherever you listen to podcasts.
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Spotify: open.spotify.com/show/7v7RLfDLO9YKzJHoBYGeDx
Amazon Music: music.amazon.com/podcasts/ccc2c7d1-1568-4a00-b69c-d4a0283ba5b5/immaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong.
Field production by Tanita Rahmani.
Special thanks to Sheila Blair, Lauren Johnson, and G. Willow Wilson.
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© 2024 The Metropolitan Museum of Art
10:30 am–6 pm
Join us for dynamic conversations, presentations, and performances by leading scholars and artists to engage with themes found in the exhibition The Harlem Renaissance and Transatlantic Modernism. Explore the comprehensive and far-reaching ways Black artists portrayed modern everyday life in Harlem and beyond in the 1920s–40s.
Schedule of Events
Opening Performance
10 am
The National Jazz Museum in Harlem House Band led by Christopher McBride
Welcome and Introduction
10:35 am
Max Hollein, Marina Kellen French Director and Chief Executive Officer, The Met
Heidi Holder, Frederick P. and Sandra P. Rose Chair of Education, The Met
Denise Murrell, Merryl H. and James S. Tisch Curator at Large, Director’s Office, The Met
Keynote
10:45 am
Isabel Wilkerson, author
Session I
11:30 am
Presentations—Harlem as Nexus
Emilie Boone, Assistant Professor, Department of Art History, and the Institute of Fine Arts, New York University
Rhea L. Combs, Director of Curatorial Affairs, National Portrait Gallery, Washington D.C.
Ego Ahaiwe Sowinski, archivist and author
Richard J. Powell, John Spencer Bassett Distinguished Professor of Art and Art History, Duke University Professor of Art and Art History, Duke University
1 pm Break
Session II
2 pm
Conversation—Legacies of Harlem on My Mind
Bridget R. Cooks, Chancellor’s Fellow and Professor of Art History and African American Studies, University of California, Irvine University of California, Irvine
Lowery Stokes Sims (participating virtually), independent curator, art historian, and former curator at The Met
Moderated by Denise Murrell, The Met
3 pm
Conversation—Visioning the Future: The Collections of Historically Black Colleges and Universities
Kathryn E. Coney, Co-Executive Director, Gallery of Art, Howard University
Jamaal Sheats, Associate Provost of Art and Culture, Director and Curator of Galleries, Fisk University
Danille Taylor, Director, Clark Atlanta University Art Museum
Vanessa Thaxton-Ward, Director, Hampton University Museum
Moderated by Joy Bivins, Director, Schomburg Center for Research in Black Culture
4 pm Break
Session III
4:30 pm
Conversation—New Renaissance: Harlem Today
Jordan Casteel, artist, Trustee, The Met
Anna Glass, Executive Director, Dance Theatre of Harlem
Sade Lythcott, Chief Executive Officer, National Black Theatre
Moderated by Thelma Golden, Director and Chief Curator, Studio Museum in Harlem
5:30 pm
Reading
NSangou Njikam, actor, playwright
5:45 pm
Closing Remarks
Denise Murrell, The Met
Presented in conjunction with the exhibition The Harlem Renaissance and Transatlantic Modernism.
This program is made possible by the Jerome Levy Foundation, in honor of Marvin Schwartz.
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© 2024 The Metropolitan Museum of Art
Kosovar artist Petrit Halilaj (born 1986, Kostërc, former Yugoslavia) has transformed The Met’s Iris and B. Gerald Cantor Roof Garden with a sprawling sculptural installation, the artist's first major project in the United States.
Halilaj's work is deeply connected to the recent history of his native country, Kosovo, and the consequences of cultural and political tensions in the region. After a formative period in Italy, where he studied art at the Accademia di Brera in Milan, he moved to Berlin in 2008, where he still lives and works. Abetare reflects the artist’s personal experience as a refugee of war and the universal hopes and fears captured in children’s drawings.
Learn more about the exhibition: metmuseum.org/exhibitions/the-roof-garden-commission-petrit-halilaj
Production Credits:
Interviewer: Iria Candela, Estrellita B. Brodsky Curator of Latin American Art
Director and Managing Producer: Kate Farrell
Editor: Lucas Groth
Producer: Melissa Bell
Cinematography: Jeffrey Johnson
2nd Camera/AC: Jon Jenkins
Sound: Matthew Modula
Jib Camera: Kelly Richardson
Berlin Footage: Oscar Michal
Production Coordinator: Lela Jenkins
Production Assistants: Tess Solot-Kehl, Brian Berman
Music: Austin Fisher
Timelapse Photography: Wilson Santiago, Heather Johnson
Exhibition Project manager: Zoe Tippl
Buildings Manager: Taylor Miller
81st Studio: Kate Swanson
Special thanks to: Petrit Halilaj and Iria Candela;
Studio Petrit Halilaj: Serena Rota (studio manager), Ferdinand Pechmann (production manager), Hugo Larquè (workshop manager), Vanina Saracino (research and editorial advisor), Rosario Moran and Christina Stathakopoulou (visualizations, 3D models), Veronica Paredes (accounting), Mirjam Khera (studio assistant), Martina Pelacchi (production); collaborators: Christina Werner (research advisor), Juan Echavarria, Mattia Bertolo, Toni Flügel, Anka Mirkin, Max Negrelli, Samuel von Düffel, Hagar Ophir, Nathan Stone, Joe Highton, and Fritz Rahne; Bernd Euler, Senta Hoppe, and the team at Euler GmbH, and Skulpturengießerei Knaak (artwork production); and Will Laufs and Kirill Kiselev (engineering); Abetare research in the Balkans: Amy Zion (research advisor), Leutrim Fishekqiu, Vatra Abrashi, Adrian Berisha, Arjon Kajtazi, Rrahim Dervishi, Hava Dako, Nikola Uzunovski, Olsi Lelaj, Amar Agić, Armin Ličina, Lushi Ismailaj, Valmira Morina, Lea Vene, Adela Železnik, Dzeni Rostohar, Zdenka Badovinac, Natalija Veselič Martinjak, Shaha Hyseni, Sofija Balać, Dzeni Rostohar, and Matej Jurčevoć.
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© 2024 The Metropolitan Museum of Art
This performance was presented in conjunction with the exhibition “Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C.–A.D. 220)”, which was on view at The Met Fifth Avenue from April 3 through July 16, 2017.
Recorded Friday, March 31, 2017
Credits
This commission was made possible by The Howard & Sarah D. Solomon Foundation.
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© 2017 The Metropolitan Museum of Art
6–7 pm
Nelly Margarita Robles García, Director of Atzompa Monumental Complex Archaeological Project, Oaxaca, INAH-Mexico
Alejandro de Ávila Blomberg, Founding Director, Jardín Etnobotánico de Oaxaca
Omar Aguilar Sánchez (Mixtec), archaeologist
Mauricio Rocha Iturbide, architect
Moderated by Jonathan Bell, Vice President of Programs, World Monuments Fund
Join leading experts for presentations and discussion exploring cultural heritage sites in Mexico, including the region of Oaxaca and the unique relationship between its local communities, their daily lived traditions, and natural landscapes. In advance of the opening of The Met’s reenvisioned Michael C. Rockefeller Wing in 2025, learn how the new galleries will foreground the significant role that landscape plays in Mesoamerican art.
This is part of a series of programs about cultural heritage sites in Africa, Oceania, and the Americas.
Presented in partnership with World Monuments Fund.
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
The Free Black Women’s Library is a third-space social art project founded and maintained by artist OlaRonke Akinmowo that features a collection of over 5,000 books written by Black women and Black nonbinary writers in the Bedford-Stuyvesant neighborhood in Brooklyn. Like any library, it is a space to read, write, and study. Visitors are also invited to attend workshops, film screenings, book signings, teach-ins, story time sessions, critical conversations and to use the space to gather in community.
During her CPP Residency, OlaRonke has created Obsidian, a collective featuring 20 Black women writers and artists who meet several times a month. In December 2024, Obsidian will publish a book, "Pretty Little Brick."
The Met’s Civic Practice Partnership (CPP), launched in 2017, catalyzes and implements creative projects that advance healthy communities by bringing the skills and interests of neighborhood stakeholders together with those of The Met and artists who are socially minded in their practice. Invited CPP artists work in their own neighborhoods across New York City and at The Met to develop and implement ambitious projects and forge meaningful collaborations.
Learn more about The Free Black Women’s CPP Residency:
metmuseum.org/about-the-met/departments/education/civic-practice-project/civic-practice-partnership/olaronke-akinmowo
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© 2024 The Metropolitan Museum of Art
This podcast episode was first released June 22, 2022.
Immaterial season 2 launches June 4, 2024.
Featured object:
Covered jar (Búcaros), ca. 1675–1700. Mexico, Tonalà: metmuseum.org/art/collection/search/662163
Guests:
Fernando Jimón Melchor, master ceramics artisan from Tonalà, Mexico
Federico Carò, research scientist, Scientific Research, The Metropolitan Museum of Art
Margaret Connors McQuade, Deputy Director & Curator of Decorative Arts, The Hispanic Society Museum & Library
Ronda Kasl, curator of Latin American Art, The American Wing, The Metropolitan Museum of Art
Jorge Cañizares-Esguerra, professor and historian of science and medicine at the University of Texas
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/6/immaterial-clay
#MetImmaterial
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Apple Podcasts: podcasts.apple.com/us/podcast/immaterial/id1621349314
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Eleanor Kagan and Ariana Martinez.
Translation, photos and field production by Fernando Hernandez Becerra of Esto no es radio.
Special thanks to Marie Clapot, Monika Bincsik, Sarah Cowan, Lam Thuy Vo, and ArtShack Brooklyn.
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© 2024 The Metropolitan Museum of Art
2–3 pm
Roald Hoffmann, chemist and writer
Enrique Martínez Celaya, artist
Moderated by Krista Tippett, journalist and author
Hear from renowned artist and former physicist Enrique Martínez Celaya and Nobel Prize-winning chemist Roald Hoffmann as they come together for a conversation exploring the multifaceted relationship between art and science. Gain insight into the commonalities and divergences between both fields, delve into their creative processes, and explore how art and science can inform and inspire each other. Moderated by award-winning journalist Krista Tippett, their conversation also addresses topical issues such as ethics, communication, and the tension between simulation and understanding.
Roald Hoffmann, born in 1937 in Złoczów, Poland (now Ukraine), is a distinguished chemist and writer known for his groundbreaking work in theoretical chemistry, particularly in the realm of chemical reactions and the design of new molecules. He has received many of the honors of his profession, including the 1981 Nobel Prize in Chemistry (shared with Kenichi Fukui). After surviving World War II, Hoffmann came to the U. S. in 1949, where he attended public school in Queens and Brooklyn before studying chemistry at Columbia and Harvard Universities (Ph.D. 1962). Since 1965, he has worked at Cornell University, where half of his time he teaches introductory chemistry. He was also the presenter of the PBS television course in chemistry, "The World of Chemistry." As a writer, Hoffmann has carved out a land between science, poetry, and philosophy through many essays, five non-fiction books, three plays, and seven published collections of poetry. He has also collaborated widely with artists.
Enrique Martínez Celaya is an artist, author, and former physicist whose work has been exhibited and collected by major institutions worldwide. He is Provost Professor of Humanities and Arts at the University of Southern California, and a Montgomery Fellow at Dartmouth College. Martínez Celaya is the author of nine books, and his work has been the subject of 14 monographic publications. His work is held in 58 public collections internationally, including The Metropolitan Museum of Art. He is the founder of Whale & Star, an evolving idea of social interaction and responsibility, whose imprint is internationally recognized for its books in art, poetry, art practice, and critical theory. Martínez Celaya was born in Cuba and raised in Spain and Puerto Rico. He studied applied physics, literature, and art at Cornell University, the University of California, Berkeley, and the University of California, Santa Barbara.
Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. She created and hosts On Being, which has won the highest honors in broadcast, Internet, and podcasting. She leads The On Being Project, which produces a second successful podcast, Poetry Unbound, and is evolving to meet the callings of the post-2020 world. Emergent in 2024 is the Lab for the Art of Living, alongside gatherings and “quiet conversations” to accompany the generative people and possibilities within this tender, tumultuous time to be alive. Krista grew up in a small town in Oklahoma, attended Brown University, worked as a young journalist and diplomat in Cold War Berlin, and later received a Master of Divinity from Yale. Her books are Speaking of Faith, Einstein’s God and, most recently, Becoming Wise: An Inquiry into the Mystery and Art of Living.
This program is made possible by the Pearl Ehrlich Fund.
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© 2024 The Metropolitan Museum of Art
Date and Time
Friday, April 19, 2024
6–7 pm
Location
The Met Fifth Avenue
The Grace Rainey Rogers Auditorium
Hugo Chapman, Simon Sainsbury Keeper of Prints and Drawings, The British Museum
In the second Michael and Juliet Rubenstein Lecture on Connoisseurship, Hugo Chapman discusses how he fell under the spell of Raphael's drawings as a student, the ups and downs of working in an auction house, and the challenges of putting a name to every Italian drawing in the British Museum when the collection was digitized. Learn how connoisseurship has become a more collaborative exercise and how close looking can still yield surprising discoveries.
This annual series is made possible by the Michael A. and Juliet van Vliet Rubenstein Fund.
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© 2024 The Metropolitan Museum of Art
This podcast episode was first released May 25, 2022.
Immaterial season 2 launches June 4, 2024.
Objects featured in this episode:
Omene cigarette cards (various): metmuseum.org/art/collection/search?q=omene&department=9
Esther Howland valentines (various): metmuseum.org/art/collection/search?q=Esther+Howland+Valentine&department=9
Guests:
Taz Ahmed, author, activist, and visual artist
Rachel Mustalish, conservator, Paper Conservation, The Metropolitan Museum of Art
Nancy Rosin, valentine researcher and scholar and volunteer cataloger in the Department of Drawings and Prints, The Metropolitan Museum of Art
Allison Rudnick, associate curator, Drawings and Prints, The Metropolitan Museum of Art
For an exclusive interview with Omene’s granddaughter, a transcript of this episode and more, visit metmuseum.org/perspectives/articles/2022/5/immaterial-paper
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. This episode was produced by Adwoa Gyimah-Brempong and Eleanor Kagan.
Special thanks to Mindell Dubansky and Nadine Orenstein.
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© 2024 The Metropolitan Museum of Art
Bobby Doherty, photographer
Emily Keegin, photo director and editor
Moderated by Virginia McBride, Research Associate, Department of Photographs, The Met
Consider how common objects are animated, transformed, and fetishized by the camera, from the artist’s studio to the ad agency. Join a panel of artists and experts to explore commercial strategies of visual seduction in contemporary product photographs and their historical precursors.
Presented in conjunction with the exhibition The Real Thing: Unpackaging Product Photography.
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© 2024 The Metropolitan Museum of Art
This podcast episode was first released July 6, 2022.
Immaterial season 2 launches June 4, 2024.
Featured object:
Conch Shell Trumpet, late 19th century. Vanuatu, Melanesian: metmuseum.org/art/collection/search/501400
Guests:
Bradley Strauchen-Scherer, curator, Musical Instruments, The Metropolitan Museum of Art
Markus Sesko, associate curator of Asian arms and armor, Arms and Armor, The Metropolitan Museum of Art
Steve Turre, master jazz trombonist and seashellist
Jim Waterman, founder and owner of Shell World
Miriam A. Kolar, scholar of archaeoacoustics and lead investigator for the Chavín de Huántar Archaeological Acoustics Project
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/7/immaterial-shells
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Elyse Blennerhassett.
Music in this episode performed and composed by Steve Turre, Lemon Guo, Sophia Shen, Elyse Blennerhassett, Austin Fisher, and Chris Zabriskie.
Shell recordings from Chavin provided by Miriam Kolar and performed by Miriam Kolar, Robert Silva, Ricardo Guerrero La Luna, Riemann Ramirez, Ronald San Miguel, and Tito La Rosa.
Special thanks to Tim Caster, Markus Sesko, John Guy, Maia Nuku, James Doyle, Julia Waterman, Paul Schneider, and Peter Rinaldi.
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© 2024 The Metropolitan Museum of Art
Watch the full video: youtube.com/watch?v=Mq5PxUqHQiA
Learn more about the exhibition: metmuseum.org/exhibitions/don-t-forget-to-call-your-mother
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© 2024 The Metropolitan Museum of Art
Learn more about the exhibition: metmuseum.org/exhibitions/hidden-faces-covered-portraits-of-the-renaissance
Production Credits:
Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Tess Solot-Kehl
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© 2024 The Metropolitan Museum of Art
This podcast episode was first released August 3, 2022.
Immaterial season 2 launches June 4, 2024.
Objects featured in this episode:
Length of Very Sheer Linen Cloth, ca. 1492–1473 B.C. Egypt, New Kingdom: metmuseum.org/art/collection/search/545138
Armani linen suits (various): metmuseum.org/art/collection/search?q=armani&material=Linen
Nineteenth-century lingerie (various): metmuseum.org/art/collection/search?q=lingerie&material=Linen
Guests:
Catharine H. Roehrig, curator emerita, Egyptian Art, The Metropolitan Museum of Art
Rachel Tashijian, fashion critic and fashion news director, Harper’s Bazaar
Jonathan Square, The Gerald and Mary Ellen Ritter Memorial Fund Fellow, The Costume Institute, The Metropolitan Museum of Art
Cora Harrington, lingerie expert, founder of The Lingerie Addict, and author of In Intimate Detail: How to Choose, Wear, and Love Lingerie
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/8/immaterial-linen
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Eleanor Kagan.
Special thanks to Emilia Cortes, Jessica Regan, Mellissa Huber, Janina Poskrobko, Cristina Carr, Kristine Kamiya, Minsun Hwang, and Dr. Vanessa Holden.
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© 2024 The Metropolitan Museum of Art
Learn more about the exhibition: metmuseum.org/exhibitions/hidden-faces-covered-portraits-of-the-renaissance
Production Credits:
Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Tess Solot-Kehl
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© 2024 The Metropolitan Museum of Art
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© 2024 The Metropolitan Museum of Art
6–7 pm
Richard J. Powell, John Spencer Bassett Professor of Art and Art History, Duke University
Join scholar Richard J. Powell as he rethinks the art of Cubism through the historical and aesthetic lens of African American art. Artists such as Dudley Murphy, Aaron Douglas, Jacob Lawrence, Mickalene Thomas, and Nina Chanel Abney use angular and fractured forms that resonate with the cultural effects of ragtime, jazz, hip-hop, and other Black performing arts traditions. They plumb Cubism’s strategies and theoretical formations, weighing the value of universal signs and imaging systems and probing art’s contested identities.
This program is presented by the Leonard A. Lauder Research Center for Modern Art.
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© 2024 The Metropolitan Museum of Art
Learn more about the exhibition: metmuseum.org/exhibitions/don-t-forget-to-call-your-mother
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© 2024 The Metropolitan Museum of Art
This podcast episode was first released June 8, 2022.
Immaterial season 2 launches June 4, 2024.
Featured object:
Doris Salcedo, Untitled, 1997–99: metmuseum.org/art/collection/search/838202
Guests:
Nadine M. Orenstein, Drue Heinz Curator in Charge, Drawings and Prints, The Metropolitan Museum of Art
Abraham Thomas, Daniel Brodsky Curator of Modern Architecture, Design, and Decorative Arts, Modern and Contemporary Art, The Metropolitan Museum of Art
Adrian Forty, professor of architectural history, University College London, and author of Concrete and Culture (2012)
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Iria Candela, Estrellita B. Brodsky Curator of Latin American Art, Modern and Contemporary Art, The Metropolitan Museum of Art
For a transcript of this episode and more information, visit metmuseum.org/perspectives/articles/2022/6/immaterial-concrete
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. This episode was produced by Eleanor Kagan.
Special thanks to Doris Salcedo, Laura Ubate, the San Francisco Museum of Modern Art, the Museum of Contemporary Art in Chicago, Harvard Art Museums, and the Nasher Sculpture Center.
Audio © President and Fellows of Harvard College. Recorded by Danny Hoshino on November 2, 2016, Harvard Art Museums
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© 2024 The Metropolitan Museum of Art