Uploaded May 2022 | Updated September 2026, 3 weeks ago
The Canada Council for the Arts’ 2022 Annual Public Meeting took place on March 30, 2022. The Council’s leaders reported on the past year’s accomplishments and shared the Council’s vision for the future of the arts sector. They then took questions from the sector and the general public.
We would like to thank all our participants, with special thanks going to electronic duo The Halluci Nation for closing out the APM with an inspiring performance.
#CanadaCouncil22
Members present for the 2022 Annual Public Meeting:
• Michelle Chawla, Director General of Strategy, Public Affairs, and Arts Engagement at the Council
• Jesse Wente , Chairperson of the Canada Council for the Arts
• Carolyn Warren, Director General of the Arts Granting Program
• Simon Brault, Director and CEO of the Canada Council for the Arts
Table of Contents
00:00 – Introductory Video - Canada Council for the Arts
01:06 – Opening Remarks & Land Acknowledgement by Michelle Chawla
05:57 – Jesse Wente - Creating a Just & Equitable Arts Sector, its involvement in the 2022 Arctic Arts Summit, and more
10:54 – Michelle Chawla - Council’s support for the Arts Sector throughout the Pandemic, the launch of its current strategic plan, and more
13:45 – Final Speech by Simon Brault, Director and CEO of the Canada Council for the Arts, on the Council’s activities in the year ahead, its Strategic Innovation Funds, and the importance of ongoing conversations with the arts sector.
21:20 – Question & Answers
21:47 –Why did the Council decide to stop funding Russian and Belarussian artists and arts organizations due to the Russian invasion of Ukraine, given that it did not do the same with other recent global conflicts? – asked by Carmen Rodrigues
23:35 – What are the specifics that the Council has planned for this year and for the next two years, for its engagements in equity and racialized authors? - asked by Elaine Wang
26:39 – In light of the economic devastation of the COVID-19 pandemic, is the Canada Council planning on integrating a need-based component in its application for grants or is it going to start a separate set of grants that have a need-based component in addition to artistic excellence? – asked by Rea Beaumont
29:07 – How is the newly announced innovation fund supporting artists? – asked by Clayton Windatt, Executive Director of the Artist-Run Centres and Collectives Conference(ARCA)
35:30 – How do you think your programs will change to meet the needs of the arts sector?
37:57 – Will recent, popular programs such as the Digital Strategy Fund or Digital Originals make a comeback?
39:05 – How will the Council support the organization of these projects in the following year?
42:09 – Concluding Statements
42:35 – Performance by The Halluci Nation
For more information, visit: canadacouncil.ca/about/governance/annual-public-meeting
Connect with us on Social Media
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
Twitter - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
Twitter - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca
The Canada Council for the Arts’ 2022 Annual Public Meeting took place on March 30, 2022. The Council’s leaders reported on the past year’s accomplishments and shared the Council’s vision for the future of the arts sector. They then took questions from the sector and the general public.
We would like to thank all our participants, with special thanks going to electronic duo The Halluci Nation for closing out the APM with an inspiring performance.
#CanadaCouncil22
Members present for the 2022 Annual Public Meeting:
• Michelle Chawla, Director General of Strategy, Public Affairs, and Arts Engagement at the Council
• Jesse Wente , Chairperson of the Canada Council for the Arts
• Carolyn Warren, Director General of the Arts Granting Program
• Simon Brault, Director and CEO of the Canada Council for the Arts
Table of Contents
00:00 – Introductory Video - Canada Council for the Arts
01:06 – Opening Remarks & Land Acknowledgement by Michelle Chawla
05:57 – Jesse Wente - Creating a Just & Equitable Arts Sector, its involvement in the 2022 Arctic Arts Summit, and more
10:54 – Michelle Chawla - Council’s support for the Arts Sector throughout the Pandemic, the launch of its current strategic plan, and more
13:45 – Final Speech by Simon Brault, Director and CEO of the Canada Council for the Arts, on the Council’s activities in the year ahead, its Strategic Innovation Funds, and the importance of ongoing conversations with the arts sector.
21:20 – Question & Answers
21:47 –Why did the Council decide to stop funding Russian and Belarussian artists and arts organizations due to the Russian invasion of Ukraine, given that it did not do the same with other recent global conflicts? – asked by Carmen Rodrigues
23:35 – What are the specifics that the Council has planned for this year and for the next two years, for its engagements in equity and racialized authors? - asked by Elaine Wang
26:39 – In light of the economic devastation of the COVID-19 pandemic, is the Canada Council planning on integrating a need-based component in its application for grants or is it going to start a separate set of grants that have a need-based component in addition to artistic excellence? – asked by Rea Beaumont
29:07 – How is the newly announced innovation fund supporting artists? – asked by Clayton Windatt, Executive Director of the Artist-Run Centres and Collectives Conference(ARCA)
35:30 – How do you think your programs will change to meet the needs of the arts sector?
37:57 – Will recent, popular programs such as the Digital Strategy Fund or Digital Originals make a comeback?
39:05 – How will the Council support the organization of these projects in the following year?
42:09 – Concluding Statements
42:35 – Performance by The Halluci Nation
For more information, visit: canadacouncil.ca/about/governance/annual-public-meeting
Connect with us on Social Media
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
Twitter - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
Twitter - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca








![Portrait of David Garneau, #GGArts2023 winner
Please like this video and subscribe to support the arts in Canada.
David Garneau is a 2023 winner of the Governor Generals Awards in Visual and Media Arts.
Video directed by Aaron Zeghers.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arms-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) to foster and promote the study and enjoyment of, and the production of works in, the arts.
For more information, visit: https://en.ggarts.ca
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Transcript:
It would be the mid-1970s, and I was in high school. I saw an article on Joe Fafard, and I really liked his work. I liked that he lived on the Prairies, and I decided I was going to be Joe Fafard.
I wanted to be a sculptor, at first. I had my first solo show in 1980, when I was about 18 years old. A reporter came in and interviewed me and said something to the effect that I was Métis, and I was like, “What?” I’d never heard that word before.
Look around you, this is a Native gallery.
I was surprised. Because it was just the kind of art that I was interested in, and it was a gallery in the neighbourhood.
So my trajectory was shaky at the beginning. I was always interested art. I was making these sculptures. I was making strange mobiles. My mum painted and was a wonderful painter, and I didn’t want to be stepping on her toes and try to do something she was doing. But eventually, that’s where I had to go.
I met my partner, Sylvia Ziemann, who is also an artist, in art school. Went out to Nova Scotia for a while. The Nova Scotia College of Art and Design. I got introduced to theory, and it just blew my mind. Going out there and seeing the kind of idea-driven work… there was no going back.
The idea of getting ideas into art, and then writing about the larger field of art-making and curation. Something that I became really interested in. I’ve decided to be a painter primarily. I’ve decided to work in realism. I’m full of ideas around Métis identity. Being Indigenous in the academy. Indigenous ways of knowing and being.
I’m trying to get that all in a still life painting. And if I’m not able to realize the idea in a painting, then I can work on writing, sculpting something for a video or a performance. It’s just this restless energy that motivates me more than anything else.
The fate of writers and thinkers is that when their ideas are understood and absorbed, they sort of fade away.
And the idea is the thing... that’s way more important. I’d rather have changed somebody’s mind than have them pay attention to me. I don’t like attention. I don’t like public speaking. I don’t like... this! I don’t like being recorded on camera, I can’t stand it.
I’d rather be known for a good turn of phrase that changes your mind, or a picture that helps summarize some of your thoughts and feelings. A lot of people know me by my writing, but Ive never published my own book. Those people tend not to know me as a painter, and the ones who know me as a painter may not know my work as a curator.
I think what this award does is [it] focusses people’s attentions on myriad aspects of what I have done. And to be heard on these multiple levels has just been the great privilege of my life. Portrait of David Garneau, #GGArts2023 winner](https://i.ytimg.com/vi/tqXGuOoHWuw/mqdefault.jpg)

