Uploaded October 2023 | Updated September 2026, 2 weeks ago
The Platters – He's Mine
Written by Zola Taylor, Paul Robi and Jean Miles (Buck Ram)
78 RPM audio transfer from the Bowness Arts collection of vintage records.
The Platters – I'm Sorry / He's Mine
Label: Mercury – 71032 (Canada)
Format: Shellac, 10", 78 RPM
Released: 1957
Genre: Pop
Style: Vocal
Other side of this record: I'm Sorry / He's Mine
youtu.be/PsC1DxvBEOc
The Platters are an American vocal group formed in Los Angeles in 1952. They were one of the most successful vocal groups of the early rock and roll era. The act went through several personnel changes, with the most successful incarnation comprising lead tenor Tony Williams, David Lynch, Paul Robi, Herb Reed, and Zola Taylor. The group had 40 charting singles on the Billboard Hot 100 chart between 1955 and 1967, including four number-one hits. The Platters were one of the first African-American groups to be accepted as a major chart group and were, for a period of time, the most successful vocal group in the world. Originally managed by Ralph Bass, they were later managed by songwriter Buck Ram. Inducted into Rock And Roll Hall of Fame in 1990 (Performer).
Original line-up (1952-53): Alex Hodge, Cornell Gunter, David Lynch, Joe Jefferson, Gaynel Hodge.
Later line-up (1953+): Tony Williams, Zola Taylor, Paul Robi, David Lynch, Herb Reed.
Note: The first 78 RPM record came into existence around 1894, and in 1912, the Gramophone Company established 78 rpm as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
The Platters – He's Mine
Written by Zola Taylor, Paul Robi and Jean Miles (Buck Ram)
78 RPM audio transfer from the Bowness Arts collection of vintage records.
The Platters – I'm Sorry / He's Mine
Label: Mercury – 71032 (Canada)
Format: Shellac, 10", 78 RPM
Released: 1957
Genre: Pop
Style: Vocal
Other side of this record: I'm Sorry / He's Mine
youtu.be/PsC1DxvBEOc
The Platters are an American vocal group formed in Los Angeles in 1952. They were one of the most successful vocal groups of the early rock and roll era. The act went through several personnel changes, with the most successful incarnation comprising lead tenor Tony Williams, David Lynch, Paul Robi, Herb Reed, and Zola Taylor. The group had 40 charting singles on the Billboard Hot 100 chart between 1955 and 1967, including four number-one hits. The Platters were one of the first African-American groups to be accepted as a major chart group and were, for a period of time, the most successful vocal group in the world. Originally managed by Ralph Bass, they were later managed by songwriter Buck Ram. Inducted into Rock And Roll Hall of Fame in 1990 (Performer).
Original line-up (1952-53): Alex Hodge, Cornell Gunter, David Lynch, Joe Jefferson, Gaynel Hodge.
Later line-up (1953+): Tony Williams, Zola Taylor, Paul Robi, David Lynch, Herb Reed.
Note: The first 78 RPM record came into existence around 1894, and in 1912, the Gramophone Company established 78 rpm as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
