Uploaded April 2024 | Updated September 2026, 2 weeks ago
Bud Roman / Mimi Martel – Pretend / Your Cheatin' Heart
With The Ray Baxter Orchestra
Written by Lew Douglas, Cliff Parman and Frank Lavere
78 RPM audio transfer from the Bowness Arts collection of vintage records.
Bud Roman / Mimi Martel – Pretend / Your Cheatin' Heart
Label: Tops Records – 360
Format: Vinyl, 10", 78 RPM
Released: 1953
Genre: Pop
Style: Vocal
Other side of this record: Bud Roman – Pretend / Mimi Martel – Your Cheatin' Heart
youtu.be/iFOotU2mLcQ
"Pretend" is a popular song penned in 1952 by Dan Belloc, Lew Douglas, Cliff Parman, and Frank Levere. The most famous rendition, performed by Nat King Cole, was distributed by Capitol Records. Initially debuting on the Billboard Best Seller chart on January 31, 1953, the song remained on the chart for 20 weeks, reaching its peak position at No. 3.
Tops Music Enterprises originated in Los Angeles, California, in 1947 when Carl Doshay and Sam Dickerman, who were "rack jobbers" selling used jukebox 78 RPM records, decided to venture into the record business. They began by producing and selling "knockoff" cover version records at a lower price point than major labels, targeting venues like grocery stores and drug stores. As the company's success grew, it relocated to Hollywood and enlisted Dave Pell as a house producer and arranger in the mid-1950s. Recognizing the changing landscape with the rise of 45 RPM singles and Long Play records (LPs), Tops started recording established artists who were past their commercial peak, like Lena Horne, Mel Tormé. Publicist Bob Blythe, along with a group of investors, purchased the company in 1960. Blythe took control, displacing Doshay, but his overspending ultimately drove Tops into bankruptcy. Despite attempts by the investor group to remove Blythe, the damage was done. Tops and its assets were sold to Pickwick International, Inc., and by 1963, Pickwick had absorbed Tops/Mayfair/P.R.I. labels into its own operations.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
Bud Roman / Mimi Martel – Pretend / Your Cheatin' Heart
With The Ray Baxter Orchestra
Written by Lew Douglas, Cliff Parman and Frank Lavere
78 RPM audio transfer from the Bowness Arts collection of vintage records.
Bud Roman / Mimi Martel – Pretend / Your Cheatin' Heart
Label: Tops Records – 360
Format: Vinyl, 10", 78 RPM
Released: 1953
Genre: Pop
Style: Vocal
Other side of this record: Bud Roman – Pretend / Mimi Martel – Your Cheatin' Heart
youtu.be/iFOotU2mLcQ
"Pretend" is a popular song penned in 1952 by Dan Belloc, Lew Douglas, Cliff Parman, and Frank Levere. The most famous rendition, performed by Nat King Cole, was distributed by Capitol Records. Initially debuting on the Billboard Best Seller chart on January 31, 1953, the song remained on the chart for 20 weeks, reaching its peak position at No. 3.
Tops Music Enterprises originated in Los Angeles, California, in 1947 when Carl Doshay and Sam Dickerman, who were "rack jobbers" selling used jukebox 78 RPM records, decided to venture into the record business. They began by producing and selling "knockoff" cover version records at a lower price point than major labels, targeting venues like grocery stores and drug stores. As the company's success grew, it relocated to Hollywood and enlisted Dave Pell as a house producer and arranger in the mid-1950s. Recognizing the changing landscape with the rise of 45 RPM singles and Long Play records (LPs), Tops started recording established artists who were past their commercial peak, like Lena Horne, Mel Tormé. Publicist Bob Blythe, along with a group of investors, purchased the company in 1960. Blythe took control, displacing Doshay, but his overspending ultimately drove Tops into bankruptcy. Despite attempts by the investor group to remove Blythe, the damage was done. Tops and its assets were sold to Pickwick International, Inc., and by 1963, Pickwick had absorbed Tops/Mayfair/P.R.I. labels into its own operations.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.








![1927 HARRINGTON AND BERSCH My Ohio Home SLEEPY HALLS BANJO - 78 RPM Record
Harrington And Bersch With Sleepy Halls Banjo – My Ohio Home
Duet with Banjo and Piano
Written by Gus Kahn and Walter Donaldson
78 RPM audio transfer from Bowness Arts collection of vintage records.
Harrington And Bersch With Sleepy Halls Banjo / Sleepy Halls Melody Boys – My Ohio Home / If I Cant Have You
Harrington And Bersch - My Ohio Home / If I Cant Have You album cover
Label: His Masters Voice Victor – 216515 (Canada)
Format: Shellac, 10, 78 RPM
Released: 1927
Genre: Jazz, Pop
Style: Duet Vocal, Banjo
Other side of this record: Sleepy Halls Melody Boys – If I Cant Have You
https://youtu.be/ljQctFF2J4k
John Nelson, known professionally as Sleepy Hall, was an American banjoist. Hall went to Yale, in 1924. He led the Yale Banjo Club, entertained with his band there and also toured. Rudy Vallee also was in his band at one time and recorded with Hall. He had an exceptional custom-made banjo made for him by Bacon Banjo Co.
Gustav Gerson Kahn (November 6, 1886 – October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook. Gus Kahns most famous songs include My Buddy (1922); It Had To Be You (1924); and Makin Whoopee (1928). Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley.[2] Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In his early days, Kahn wrote special material for vaudeville. In 1913 he began a productive partnership with the well-established composer Egbert Van Alstyne, with whom he created several notable hits of the era, including Memories and, along with Tony Jackson, Pretty Baby. Kahn died in Beverly Hills, California, on October 8, 1941, of a heart attack at age 54. He was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. Kahn was inducted into the Songwriters Hall of Fame in 1970.
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. Donaldson was born in Brooklyn, New York, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. The following year he had a hit with The Daughter of Rosie OGrady. After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was legally Donaldson, Douglas & Gumble, Inc, but all the publications had Walter Donaldsons name in large letters, and the legal name of the company in fine print.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 revolutions per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with non-breakable 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm Long Play record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts. 1927 HARRINGTON AND BERSCH My Ohio Home SLEEPY HALLS BANJO - 78 RPM Record](https://i.ytimg.com/vi/ljQctFF2J4k/mqdefault.jpg)

