Uploaded December 2023 | Updated September 2026, 2 weeks ago
Shelly Grey – Walkin' To Missouri (Poor Little Robin)
Written by Bob Merrill
78 RPM audio transfer from the Bowness Arts collection of vintage records.
Label: Beacon –P3
Format: Vinyl, 10", 78 RPM
Released: c1952
Genre: Pop, Country
Style: Vocal
Tracklist:
A1 Jeri Shannon & Night Winds – You Belong To Me youtu.be/Us97-X30Hyk
A2 Jeri Shannon & Night Winds – I Went To Your Wedding youtu.be/boOrqfw76NM
B1 Johnny August – High Noon youtu.be/aX3a_vcthU4
B2 Shelly Gray – Walkin' To Missouri (Poor Little Robin) youtu.be/iMt_u9H99-g
"Walkin' to Missouri" is a popular song written by Bob Merrill in 1952. Sammy Kaye's version peaked at No. 11 (U.S.) in 1952. In the United Kingdom, Tony Brent's cover version reached No. 7 in the UK Singles Chart in January 1953. The song is a prodigal son allegory about a young man (the story's metaphorical "robin") who could not fly and could only walk all the way back to his old home in Missouri, following a life of partying in the big city jazz scene - or the repercussions that happened as a result. During the course of the song, it transpired that he had "met a birdie who looked so nice", who, until the end, was secretly having an affair with someone else. While the song does not make any details of the revelation, it can be gleaned from the last verse that the protagonist was forced out of his comfort zone and likely lost money: "His dreams are battered, his feathers bent/And he hasn't got a cent/He feels like his heart is gonna break". The song, at the end, urges the listeners to show this "robin" some kindness if he ever approaches them, because the mistake is an easy one to make. The initial release of Kaye's recording coincided with the 1952 United States presidential election campaigns. Disc jockeys around the US used the allegory of the lyrics "walkin' to Missouri...got a teardrop in his eye" as a jab to Harry S. Truman, who returned to his home in Independence, MO following his time as President of the United States. This contributed to airplay and the subsequent popularity of the song.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
Shelly Grey – Walkin' To Missouri (Poor Little Robin)
Written by Bob Merrill
78 RPM audio transfer from the Bowness Arts collection of vintage records.
Label: Beacon –P3
Format: Vinyl, 10", 78 RPM
Released: c1952
Genre: Pop, Country
Style: Vocal
Tracklist:
A1 Jeri Shannon & Night Winds – You Belong To Me youtu.be/Us97-X30Hyk
A2 Jeri Shannon & Night Winds – I Went To Your Wedding youtu.be/boOrqfw76NM
B1 Johnny August – High Noon youtu.be/aX3a_vcthU4
B2 Shelly Gray – Walkin' To Missouri (Poor Little Robin) youtu.be/iMt_u9H99-g
"Walkin' to Missouri" is a popular song written by Bob Merrill in 1952. Sammy Kaye's version peaked at No. 11 (U.S.) in 1952. In the United Kingdom, Tony Brent's cover version reached No. 7 in the UK Singles Chart in January 1953. The song is a prodigal son allegory about a young man (the story's metaphorical "robin") who could not fly and could only walk all the way back to his old home in Missouri, following a life of partying in the big city jazz scene - or the repercussions that happened as a result. During the course of the song, it transpired that he had "met a birdie who looked so nice", who, until the end, was secretly having an affair with someone else. While the song does not make any details of the revelation, it can be gleaned from the last verse that the protagonist was forced out of his comfort zone and likely lost money: "His dreams are battered, his feathers bent/And he hasn't got a cent/He feels like his heart is gonna break". The song, at the end, urges the listeners to show this "robin" some kindness if he ever approaches them, because the mistake is an easy one to make. The initial release of Kaye's recording coincided with the 1952 United States presidential election campaigns. Disc jockeys around the US used the allegory of the lyrics "walkin' to Missouri...got a teardrop in his eye" as a jab to Harry S. Truman, who returned to his home in Independence, MO following his time as President of the United States. This contributed to airplay and the subsequent popularity of the song.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.







![1927 HARRINGTON AND BERSCH My Ohio Home SLEEPY HALLS BANJO - 78 RPM Record
Harrington And Bersch With Sleepy Halls Banjo – My Ohio Home
Duet with Banjo and Piano
Written by Gus Kahn and Walter Donaldson
78 RPM audio transfer from Bowness Arts collection of vintage records.
Harrington And Bersch With Sleepy Halls Banjo / Sleepy Halls Melody Boys – My Ohio Home / If I Cant Have You
Harrington And Bersch - My Ohio Home / If I Cant Have You album cover
Label: His Masters Voice Victor – 216515 (Canada)
Format: Shellac, 10, 78 RPM
Released: 1927
Genre: Jazz, Pop
Style: Duet Vocal, Banjo
Other side of this record: Sleepy Halls Melody Boys – If I Cant Have You
https://youtu.be/ljQctFF2J4k
John Nelson, known professionally as Sleepy Hall, was an American banjoist. Hall went to Yale, in 1924. He led the Yale Banjo Club, entertained with his band there and also toured. Rudy Vallee also was in his band at one time and recorded with Hall. He had an exceptional custom-made banjo made for him by Bacon Banjo Co.
Gustav Gerson Kahn (November 6, 1886 – October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook. Gus Kahns most famous songs include My Buddy (1922); It Had To Be You (1924); and Makin Whoopee (1928). Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley.[2] Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In his early days, Kahn wrote special material for vaudeville. In 1913 he began a productive partnership with the well-established composer Egbert Van Alstyne, with whom he created several notable hits of the era, including Memories and, along with Tony Jackson, Pretty Baby. Kahn died in Beverly Hills, California, on October 8, 1941, of a heart attack at age 54. He was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. Kahn was inducted into the Songwriters Hall of Fame in 1970.
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. Donaldson was born in Brooklyn, New York, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. The following year he had a hit with The Daughter of Rosie OGrady. After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was legally Donaldson, Douglas & Gumble, Inc, but all the publications had Walter Donaldsons name in large letters, and the legal name of the company in fine print.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 revolutions per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with non-breakable 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm Long Play record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts. 1927 HARRINGTON AND BERSCH My Ohio Home SLEEPY HALLS BANJO - 78 RPM Record](https://i.ytimg.com/vi/ljQctFF2J4k/mqdefault.jpg)


