Uploaded September 2023 | Updated September 2026, 2 weeks ago
Les Brown And His Orchestra – Twilight Time
Fox Trot
Written by Buck Ram, Morty & Al Nevins and Artie Dunn
78 RPM audio transfer from the Bowness Arts collection of vintage records.
Les Brown And His Orchestra – Sentimental Journey
Label: Columbia – C-131
Format: 4 x Shellac, 10", 78 RPM, Album
Released: 1947
Genre: Jazz, Big Band
Style: Big Band Jazz Instrumental
Tracklist:
Side 1: Sentimental Journey youtu.be/yLrOLXzHyAE
Side 2: Twilight Time youtu.be/wJnrgHBG-gM
Side 3: Bizet Has His Day
Side 4: A Good Man Is Hard To Find
Side 5: Mexican Hat Dance
Side 6: Leap Frog
Side 7: Out Of Nowhere
Side 8: Daybreak Serenade
Lester Raymond Brown
Born: March 14, 1912, Reinerton, Pennsylvania.
American big band leader, composer, saxophonist and clarinetist.
A graduate of Duke University where he led his first dance band, the Duke Blue Devils, for which he also played clarinet and saxophone. The band would go on to professional fame in the 1940s under the name Les Brown And His Band Of Renown. During that decade Brown had several hit songs, most notably "Sentimental Journey" (1944) and "I've Got My Love to Keep Me Warm" (1946). He performed extensively with Bob Hope and led the house bands for "The Steve Allen Show" (1959-1961) and "The Dean Martin Show" (1963-1972).
Died: January 4, 2001, Los Angeles, California.
Note: The first 78 RPM record came into existence around 1894, and in 1912, the Gramophone Company established 78 rpm as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
Les Brown And His Orchestra – Twilight Time
Fox Trot
Written by Buck Ram, Morty & Al Nevins and Artie Dunn
78 RPM audio transfer from the Bowness Arts collection of vintage records.
Les Brown And His Orchestra – Sentimental Journey
Label: Columbia – C-131
Format: 4 x Shellac, 10", 78 RPM, Album
Released: 1947
Genre: Jazz, Big Band
Style: Big Band Jazz Instrumental
Tracklist:
Side 1: Sentimental Journey youtu.be/yLrOLXzHyAE
Side 2: Twilight Time youtu.be/wJnrgHBG-gM
Side 3: Bizet Has His Day
Side 4: A Good Man Is Hard To Find
Side 5: Mexican Hat Dance
Side 6: Leap Frog
Side 7: Out Of Nowhere
Side 8: Daybreak Serenade
Lester Raymond Brown
Born: March 14, 1912, Reinerton, Pennsylvania.
American big band leader, composer, saxophonist and clarinetist.
A graduate of Duke University where he led his first dance band, the Duke Blue Devils, for which he also played clarinet and saxophone. The band would go on to professional fame in the 1940s under the name Les Brown And His Band Of Renown. During that decade Brown had several hit songs, most notably "Sentimental Journey" (1944) and "I've Got My Love to Keep Me Warm" (1946). He performed extensively with Bob Hope and led the house bands for "The Steve Allen Show" (1959-1961) and "The Dean Martin Show" (1963-1972).
Died: January 4, 2001, Los Angeles, California.
Note: The first 78 RPM record came into existence around 1894, and in 1912, the Gramophone Company established 78 rpm as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
