Uploaded November 2023 | Updated September 2026, 2 weeks ago
Paul Whiteman And His Orchestra – I Miss My Swiss (My Swiss Miss Misses Me)
Written by Wolfe Gilbert and Abel Baer
78 RPM audio transfer from Bowness Arts' collection of vintage records.
Paul Whiteman And His Orchestra – I Miss My Swiss / The Kinky Kids Parade
Label: Victor – 19753 (Canada)
Format: Shellac, 10", 78 RPM
Released: 1925
Genre: Jazz
Style: Pop Vocal, Novelty
Other side of this record: The Kinky Kids Parade
youtu.be/6VcuDvgZQdw
Paul Samuel Whiteman was born March 28, 1890 in Denver, Colorado. He was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman died of a heart attack on December 29, 1967, in Doylestown, Pennsylvania, aged 77. He was inducted in the Big Band and Jazz Hall of Fame in 1993, and his recordings of "Rhapsody in Blue", "Whispering", and "Ol' Man River" have all been inducted into the Grammy Hall of Fame.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
Paul Whiteman And His Orchestra – I Miss My Swiss (My Swiss Miss Misses Me)
Written by Wolfe Gilbert and Abel Baer
78 RPM audio transfer from Bowness Arts' collection of vintage records.
Paul Whiteman And His Orchestra – I Miss My Swiss / The Kinky Kids Parade
Label: Victor – 19753 (Canada)
Format: Shellac, 10", 78 RPM
Released: 1925
Genre: Jazz
Style: Pop Vocal, Novelty
Other side of this record: The Kinky Kids Parade
youtu.be/6VcuDvgZQdw
Paul Samuel Whiteman was born March 28, 1890 in Denver, Colorado. He was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman died of a heart attack on December 29, 1967, in Doylestown, Pennsylvania, aged 77. He was inducted in the Big Band and Jazz Hall of Fame in 1993, and his recordings of "Rhapsody in Blue", "Whispering", and "Ol' Man River" have all been inducted into the Grammy Hall of Fame.
Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
