QJamTracksLife can be so simple. Modes too! With this approach to modes it’s rather easy to play in a mode and get that really modal feel while improvising in the dorian, phrygian, lydian, mixolydian and Locrian mode. All these modes are modes of the major scale. In this video you’ll learn how to adapt the basic pentatonic scale to suit a modal scale. Lot’s of fun in an easy way.
0:00 Introduction 01:07 A trip down memory lane 3:20 Modal trigger note 6:54 A word in advance 8:22 Dorian pentatonic 9:44 Phrygian pentatonic 11:24 Lydian pentatonic 12:37 Mixolydian pentatonic 13:40 Locrian pentatonic 15:12 Conclusion
Modes, Modes explained, Modes for beginners, Modes for guitar, Easy Modes, What are modes, How to play modes, Scales for modes, Pentatonic scale for modes, Dorian mode, Phrygian mode, Lydian mode, Mixolydian mode, Locrian mode, Dorian pentatonic, Phrygian pentatonic, Lydian pentatonic, Mixolydian pentatonic, Locrian pentatonic, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracks
MODES: super EASY with adapted PENTATONIC scales!QJamTracks2021-10-07 | Life can be so simple. Modes too! With this approach to modes it’s rather easy to play in a mode and get that really modal feel while improvising in the dorian, phrygian, lydian, mixolydian and Locrian mode. All these modes are modes of the major scale. In this video you’ll learn how to adapt the basic pentatonic scale to suit a modal scale. Lot’s of fun in an easy way.
0:00 Introduction 01:07 A trip down memory lane 3:20 Modal trigger note 6:54 A word in advance 8:22 Dorian pentatonic 9:44 Phrygian pentatonic 11:24 Lydian pentatonic 12:37 Mixolydian pentatonic 13:40 Locrian pentatonic 15:12 Conclusion
Modes, Modes explained, Modes for beginners, Modes for guitar, Easy Modes, What are modes, How to play modes, Scales for modes, Pentatonic scale for modes, Dorian mode, Phrygian mode, Lydian mode, Mixolydian mode, Locrian mode, Dorian pentatonic, Phrygian pentatonic, Lydian pentatonic, Mixolydian pentatonic, Locrian pentatonic, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksCreative solos with TRIAD PAIRS for MODAL and EXOTIC soundsQJamTracks2024-02-27 | Follow this guitar tutorial and get creative by improvising with triad pairs for modes and even exotic sounding guitar licks. “Triad pairs” is a soling technique that comes from Jazz, but can be used in other styles of music too. By using two simple triads you can construct a hexatonic scale that outlines any scale you want. From modal sounds like Dorian, Lydian and Mixolydian to altered sounds with triad pairs in the melodic minor scale and exotic sounds like the Dorian #4 scale and harmonic minor scale. All with a pair of two simple triads! ----------------------------- 0:00 Introduction 0:30 What are triad pairs? 2:25 Horizontal and vertical approach 3:39 How to use triad pairs 5:30 Rhythmic variations 6:46 Imply scales and modes 7:16 Dorian triad pairs 8:01 Lydian triad pairs 8:43 Mixolydian triad pairs 9:21 Exotic triad pairs 10:12 Harmonic minor triad pairs 10:45 Melodic minor triad pairs 11:27 Altered triad pairs 12:52 Example: II-V-I 14:44 Conclusion
(c)2024 Rob van Hal, Netherlands7th CHORDS - Chord Theory Part 2: Seven chordsQJamTracks2024-02-13 | This guitar lesson covers the music theory of 7th chords for guitar. You learn about the structure of the 7th chords like the major seventh chord and minor seventh chord, that are built upon the 4 types of triads: minor triad, major triad, diminished triad and augmented triad. Learn about the major 7th chord (maj7), dominant 7th chord (dom7), minor 7th chord (min7), minor major 7th chord (minMaj7), augmented dominant 7th chord (dom7#5), augmented major 7th chord (Maj7#5), half diminished chord (min7b5) and full diminished chord (dim7). ----------------------------- 0:00 Introduction 0:30 Types of extended triads 1:42 Introduction to 7th chords 3:42 Major family 7th chords 3:51 Major 7th chord 4:56 Dominant 7th chord 6:02 Minor family 7th chords 6:12 Minor 7th chord 7:21 Minor-major 7th chord 8:08 Augmented family 7th chords 8:18 Maj7#5 chord 9:07 Dom7#5 chord 10:08 Diminished family 7th chords 10:17 Half diminished chord (m7b5) 11:48 Full diminished chord (dim7) 13:09 Other 7th chords 13:25 Dom7b5 chords 14:57 Suspended dominant 7th chord (7sus4) 15:57 min7b5sus4 chord 16:36 Conclusion
(c)2024 Rob van Hal, NetherlandsThe Mysterious Maj7#5 chord #shortsQJamTracks2024-02-06 | #shorts Maj7#5 chord sounds mysterious and mystical. It’s great for some eerie, magical and mysterious sounds. The Maj7#5 chord is an augmented triad with a major 7th degree and can be the tonic of the Lydian augmented scale, that is the 3rd mode of the melodic minor scale. You can use it for all sorts of things. Use it to create an open ending with tension in a II V I progression or use it to superimpose the Maj7#5 chord over minor chords to create a melodic minor or harmonic minor vibe.
(c)2024 Rob van Hal, NetherlandsDiminished scale for Blues and Outside SoundsQJamTracks2024-01-30 | The half whole diminished scale or dominant diminished scale is perfect for creating outside sounds over dominant chords. Play this scale over the ii V I progression, the 12 bar blues and many other styles including Rock.
instagram.com/Qjamtracks facebook.com/Qjamtracks9 SCALES in ONE solo? – Solo Creation GuideQJamTracks2024-01-23 | Can we play 9 different scales in one single guitar solo? Yes we can! In this crystal clear video I’ll show you how to come up with a chord progression that is perfect for a guitar solo using 9 different scales and still sounds musical and logical. I’ll use modes (like phrygian, Locrian, Dorian and Lydian) other scales (like harmonic minor, diminished scale, dominant pentatonic scale and altered scale) to create an interesting harmonic landscape. You’ll learn how to glue chords from different keys together as a logical progression with common notes and I’ll do a crystal clear breakdown of the guitar solo in this 10 minutes “modulation extravaganza” video! ----------------------------- 0:00 Introduction 0:48 The general idea 1:26 The progression 3:02 The scales 5:52 The Solo and breakdown 8:52 Conclusion
(c)2024 Rob van Hal, NetherlandsChord Theory Part 1 – TRIADS: The start for all chords!QJamTracks2024-01-16 | Triads are part of chord theory and are the foundation or fundament for all other chords in the tertian functional harmony. There are 4 types: major triads, minor triads, diminished triads and augmented triads. Decides these triads there are also suspended triads. This and more you’ll learn in this crystal clear guitar lesson. Understanding triads is important to understand other chords and chord progressions. Triads are the basis of 7-chords, extended chords and added tone chords. In this video we’ll look at the four types of triads that are used to create chords like major 7 chord, dominant 9 chords, altered chords and so on. ----------------------------- 0:00 Introduction 1:01 What are chords 2:16 Intervals that you should know 4:04 Building the triad 5:30 4 types of triads 7:49 Triads in the major scale 9:35 Scale degrees 10:40 Triads in other scales 12:36 Triad shapes on the neck 13:31 Suspended triads 15:36 Conclusion
(c)2024 Rob van Hal, Netherlands2-1-2 Arpeggio Shapes You Need To Know!QJamTracks2024-01-09 | In this video I’ll show you 2-1-2 arpeggio shapes for guitar that you should know. It’s a easy system to play arpeggios fast with speed an fluency, but is also perfect for you as a guitarist to discover the structure of 7 and 9 chords on the neck of the guitar. It is basically one shape that you can adapt for all other chords by changing just one or two notes. Super easy and super convenient! In this video I’ll show you the arpeggio shapes for the Maj7, Dom7, Maj7#5, Min7, MinMaj7, Min7b5 and full diminished arpeggios. I will also show you how easy it is to adapt a shape by changing one note in the shape to become another arpeggio or an extended arpeggio like 9 and 13 arpeggios.
(c)2024 Rob van Hal, NetherlandsCan I play ALL 7-chord Arpeggios with ONE shape?QJamTracks2023-12-19 | Play all 7 chord arpeggios with one simple and easy arpeggio shape on he neck of the guitar like the Maj7 arpeggio, min7 arpeggio, dominant 7 arpeggio, minMaj7 arpeggio, dominant altered arpeggio (Dom7#5 arpeggio), diminished arpeggio, half diminished arpeggio (min7b5 arpeggio) and the Maj7#5 arpeggio. Great for shredding over 7 chords.Try this SUPER Versatile 4-note ARPEGGIO for Modes and the II-V-IQJamTracks2023-12-15 | Try this super versatile 4-note Arpeggio for Modes and the II V I. Create a fusion sound over a minor ii-V-i progression to sound awesome and sophisticated. Try this little gem of a shape to discover its immense versatility and how you can use this one shape for a lot of beautiful extended and colorful chord arpeggios. This shape will be you friend forever once you discovered the power of this Jack of all trades arpeggio! Use the same shape for half diminished arpeggios, minor arpeggios, maj7 arpeggios and altered dominant arpeggios to creates modes like Phrygian, Dorian, Lydian and Locrian.
*Subjects in this video:* - 4-note arpeggio shape. - Arpeggio shape repeated in the octave. - The min7b5(sus4) arpeggio shape. - The Maj7b5 or Maj7#11 arpeggio shape. - The MinSus4b9 or minor b9 arpeggio shape. - The min6/9 arpeggio shape - The Altered dominant arpeggio shape - The ii V I in a minor key - The ii V I vi progression - The II V I Turnaround - Improvise over the II V I in a minor key
*CHAPTERS:* 0:00 Introduction 0:23 The Arpeggio Shape 1:27 Every note can be the root 1:48 Sus4(b9) arpeggio 2:52 Maj7#11 of Maj7b5 arpeggio 4:19 Min7b5(sus4) arpeggio 5:23 Min6/9 and Altered dominant arpeggios 7:48 Overview / Summary 8:18 The Dark ii-V-I turnaround 12:14 The final Result (examples)
(c)2023 Rob van Hal, NetherlandsTurn the 12 Bar Blues into the Jazz Blues (3 steps) #shortsQJamTracks2023-12-12 | Turn a simple 12 bar Blues progression in A into a juicy Jazz Blues chord progression by using some stellar chord substitutions. We'll use upper extended Jazz chords, diminished passing chords, Jazz turnarounds and Jazz II V I progressions for the chord substitution in the 12 bas Blues to create a soulful Jazz Blues Progression in the key of A major.
#shorts #shortAmazing way to change keys! One Diminished 7 chord for 8 keys!QJamTracks2023-12-05 | This is a great way to change to 8 keys with one diminished 7 chord. It is called: the diminished portal chord. A dim7 chord is symmetrical which means that the tonale distance between all notes is the same. All notes in a diminished chord can be the root of the chord, resulting in 4 diminished chords that resolve to the same 4 major and 4 minor keys.
#shorts Full tutorial: youtube.com/watch?v=C-dsp7cYhK4BACKDOOR II-V-I Chord Progression, Soulful Chord SubstitutionsQJamTracks2023-12-01 | The Backdoor II-V-I is a typical Jazz chord progression and chord substitution, that takes another route to the tonic that sounds soulful and surprising. It’s used in a lot in Jazz, but it was a staple in the 70 ties and 80ties Soul and R&B. The 'Backdoor' progression is an important, soulful chord progression that you should know. It is chord IV- to bVII7 to the root chord I. You will learn about the Backdoor progression in this music theory lesson for guitar.
*SUBJECTS IN THIS VIDEO:* the backdoor chord progression, the backdoor dominant, the backdoor V I, the backdoor II V I, II V I, cadence, the backdoor cadence, the backdoor progression, the II-V progression, the II V Progression, the flat VII, the iv bVII I progression, the backdoor ii-V for guitar, the Jazz chord progression, and music theory pointed at playing guitar!
*CHAPTERS:* 0:00 Introduction to the Backdoor chord progression 0:45 The plan (subjects in this video) 2:57 The Backdoor Dominant chord 5:03 Why the backdoor progression works… 6:29 The Backdoor ii-V-I 8:41 Example of a backdoor progression in another key 9:42 Interesting variations of the backdoor chord progression 13:22 Conclusion
(c)2023 Rob van Hal, NetherlandsJazz Chords are EASY with this trick #shortsQJamTracks2023-11-29 | Jazz chords where never so easy to play with this technique. We call it Shell Voicing and it used by beginners and by professional Jazz guitarists.
E-book: qjamtracks.myshopify.comDominant pentatonic over Altered chords #shortsQJamTracks2023-11-21 | #shorts You can play a dominant pentatonic scale over a dominant altered chord to create altered notes like the b9 and b5. Use the dominant pentatonic scale of that is a tritone away from the root of the altered chord (tritone substitution). Great for Fusion and Jazz improvisation.
*E-BOOKS:* qjamtracks.myshopify.comDOMINANT PENTATONIC scale over Dominant (dom7) & Altered (Alt) ChordsQJamTracks2023-11-19 | The Dominant pentatonic scale is great to improvise over dominant (dom7) and Altered (Alt) chords. The dominant pentatonic scale is full of tension and character! The dominant Pentatonic scale is derived from the modal Mixolydian scale that is a mode of the major scale.
*SUBJECTS IN THIS VIDEO:* - The dominant pentatonic scale. - Modes for guitar. - Altered chords and dominant 7 chords. - the dominant 7th pentatonic scale. - The mixolydian pentatonic scale - The pentatonic scale. - Solo over dominant chords. - Solo over altered chords. - How to Improvise over dominant chords. - How to improvise over altered chords. - Mixolydian licks. - Music theory for guitar.
(c)2023 Rob van Hal, NetherlandsALL MODES with ONE Arpeggio? - Half Diminished Power!QJamTracks2023-11-09 | In this guitar lesson you will learn about the min7b5 arpeggio or half diminished arpeggio that can evoke the sound of all the modes of the major scale: Dorian, Lydian, Phrygian. Mixolydian, Aeolian and Locrian. I show you how you can use this minor7b5 arpeggio in your improvisation and create awesome and interesting modal licks to create a true modal sound!
*SUBJECTS IN THIS VIDEO:* Modal licks, Improvise with modes, The m7b5 chord, the m7b5 arpeggio, min7b5 arpeggio, the minor7b5 arpeggio, half diminished arpeggio for guitar, half diminished, the diminished arpeggio, solo over modes, improvise over modes, modes of the major scale explained, modes for guitar, modes lesson guitar, Dorian mode licks, Phrygian mode licks, Lydian mode licks, Mixolydian mode licks, Aeolian mode licks.
*VIDEO CHAPTERS:* 0:00 Introduction 01:00 Quick recap of the modes 03:23 Harmonizing the modes 04:49 m7b5 arpeggio structure and shapes 07:24 m7b5 arpeggio examples 14:37 Conclusion ----------------------------- -----------------------------
(c)2023 Rob van Hal, NetherlandsHOW to MASTER the GUITAR - learn guitar in ORDER of 8 levels (FREE PROGRESS ROADMAP)QJamTracks2023-10-25 | Lear to master the guitar in order of 8 levels and download the free guitar progress roadmap. It's the timeline of your guitar succes by practicing guitar every day and avoid mistakes on guitar as a beginner or self taught guitar player. This is an overview of stages of guitar playing in 8 levels and 9 disciplines so you know in which order you should learn guitar. From the beginner to an advanced guitar player.
The 9 disciplines are: - How to learn rhythm guitar - How to learn chords and chords and harmony on guitar - How to learn all scales - Technique and improvisation - Picking technique - how to learn arpeggios for guitar - Finger style - Music theory pointed and guitar - Music reading and notation
(c)2023 Rob van Hal, NetherlandsModal interchange #shortsQJamTracks2023-10-15 | #shorts Modal interchange or modal mixture is a very effective technique for creating different sounding and awesome progressions. It's all about borrowing chords from other parallel scales or modes.
Practice routines to grasp the essence of a scale or mode. The routines consist of playing the characteristic chords of the scale and their inversions, a scale run and arpeggios of the characteristic chords. Everything packed in one dense exercise. This will help you to train your ears and get a feel for the sound of the scale. In the same time you practice your technique and dexterity. There are practice routines for the modes of the major scale, the harmonic minor scale, the phrygian dominant scale and the melodic minor scale.How to create PROG ROCK – Ingredients & recipesQJamTracks2023-10-08 | In this lesson you’ll learn what it takes to write progressive rock songs and riffs. We look at the characteristics of progressive rock and mix them together to create progressive Rock and progressive Metal.
0:00 Introduction 1:07 What is progressive 2:47 Progressive ingredients 5:36 Odd time signatures 7:09 Odd time signature examples 11:29 Using extended “Jazz” chords 16:00 Common note chord changes 19:47 Chromatic mediant 22:33 Dissonant intervals 24:11 Scale choice 27:36 Conclusion
Progressive Rock, Progressive Metal, Progressive Rock riffs, Making progressive rock, Creating progressive Rock, What scales for progressive rock, Odd time signatures progressive rock, Rhythm progressive rock, Chromatic mediant, Chord extensions, Tritone substitution, Improvise on guitar, Guitar lesson, Guitar tutorial, Progressive rock guitar, Rock guitar and Metal guitar.The SUPER Blues scale! - Crystal ClearQJamTracks2023-09-07 | In this short video you will learn about a very special scale that can be used for improvising over Jazz, Blues, Funk and is also suited for Fusion style playing. It’s a mixture of more scales. It is based on the blues scale and has elements of the bebop scale. 0:00 Introduction 1:02 The Blues scale 1:58 Mixing major and minor 2:50 The Bebop scale 4:35 The Super Blues scale 6:04 Scale diagrams 6:25 Conclusion
Super blues scale, Blues scale, Bebop scale, Bebop, Blues licks, Blues solo, Chromatic scale, Chromatic soling, Chromatic, dominant chords, Improvise over dominant chords, Scale for dominant chords, What to play over dominant chords, Which scale for dominant chords, Improvise on guitar, Guitar lesson, Guitar tutorial, Jazz guitar, Rock guitar, Fusion GuitarFind NOTES and CHORDS in any KEY Fast & Easy!QJamTracks2023-08-23 | Learn to find notes and chords in any key fast and easy with this crystal clear guitar lesson about a simple yet powerful system. This system shows you all the notes and chords in a any major or minor key fast. It’s easy to remember and to learn. You can use this hack for any major and minor key or scale.
*SUBJECTS:* - Major and minor Keys. - Finding notes in the major scale. - Finding notes in the minor scale. - Finding Chords in a major scale. - Finding chords in a minor scale. - What notes are in a key? - What Chords in a key? - What are relative scales? - What are relative keys? - Music theory for guitar.
*CHAPTERS* 0:00 Introduction 01:35 Finding notes in a major key fast 04:02 Finding chords in a major key fast 05:34 Finding notes in a minor key fast 06:32 Finding chords in a minor key fast 07:35 Relative keys and scales made easy 09:42 Conclusion
(c)2023 Rob van Hal, NetherlandsThe DOUBLE Harmonic MAJOR Scale – The Jack of all DARK Trades!QJamTracks2023-08-10 | In this crystal clear guitar lesson you can learn all about the very special double harmonic major scale. It’s the darkest scale ever and yet it is a major scale! From the 60ties surf rock Pulp Fiction theme to Jazz to oriental sounds and even old school metal, the scale will bring some extra juice. Maybe this scale is the jack of all trades of the dark side. Improvise over maj7 chords to sound awesome and different. The scale has a built in tritone substitution and some weird chords that can sound very different and surprising. The scale has some pretty spicy modes too like the Lydian #2 #6, Ultra Phrygian, Gypsy minor, Oriental, Ionian augmented #2 and Locrian double flat 3 double flat 7 mode.
0:00 Introduction 00:51 Structure of the scale 03:44 Harmonizing the scale 05:59 Build in tritone substitution 07:59 Ambiguous scale degrees 9:47 Improvising with the scale 12:02 Progressions 14:08 Modes 20:24 Conclusion
Subjects in this video: Double harmonic major scale, modes, double harmonic minor scale, byzantine scale, Major scale, Arabic scale, gypsy major, gypsy minor, Miserlou, pulp fiction theme, guitar scale, improvising, jazz guitar, Rock guitar solo, ethnic music, ethnic scale, Music theory, guitar lesson, guitar tutorial, QJamTracks.5 levels of the pentatonic scale - Zero to HeroQJamTracks2023-07-13 | In this guitar lesson you will learn 5 levels of the use of the pentatonic scale. When you are stuck with the pentatonic scale try these levels to add more depth into you solos and riffs. Learn to improvise with extended pentatonic scales, learn about special notes and even create modes of the major scale with a simple pentatonic scale.
0:00 Introduction 00:42 The pentatonic scale 04:27 Level 1 – Basic form and use 06:19 Level 2 – Adding the tritone 08:41 Level 3 – Choosing the right notes 12:42 Level 4 – Adding the major 3rd and major 6th 15:37 Level 5 – Superimposing the pentatonic scale 21:54 Conclusion
Subjects in this video: Music theory, pentatonic scale, blue note, blues scale, major pentatonic scale, dorian scale, dorian pentatonic scale, Lydian pentatonic scale, modes of the major scale, superimposing the pentatonic scale, 5 levels of the pentatonic scale, guitar lesson, guitar tutorial, QJamTracks.8 Exotic WIDE INTERVAL Licks and Arpeggios to Master on Guitar!QJamTracks2023-06-17 | Master the Guitar with these 8 exotic wide interval licks and arpeggios that sound really amazing! Use these advanced wide interval and string skipping arpeggios and pentatonic wide interval licks for the modes of the major scale like Dorian, Phrygian, Lydian, Mixolydian. You can use them in any style form Jazz improvisation to Fusion, Rock (Steve Vai Style) and Pop.
*SUBJECTS IN THIS GUITAR LESSON:* - Wide interval arpeggios. - Wide interval licks. - Exotic wide interval licks. - Exotic licks for guitar. - Exotic wide interval arpeggios. - Pentatonic wide interval. - String skipping arpeggios. - String skipping licks. - Jazz arpeggios for guitar - Steve vai signature lick. - Play a Dorian and Lydian wide interval lick on guitar. - Modes for guitar. - Add9 arpeggio for guitar. - Advanced arpeggios on guitar. - Music theory for guitar. - Exotic arpeggios. - Haunting arpeggios. - Music theory for guitar (intermediate).
*CHAPTERS:* 0:00 Introduction 00:55 What are wide intervals 01:39 Arpeggio (chord) structure 02:59 Arpeggio 1 – maj6/9 and min13 06:02 Arpeggio 2 – Pentatonic wide interval lick 08:16 Arpeggio 3 – Add9 09:50 Arpeggio 4 – Steve Vai signature lick 11:39 Arpeggio 5 – Maj7(6/9) & melodic minor 13:06 Arpeggio 6 – The harp arpeggio 15:56 Arpeggio 7 – Jumpy min9 17:52 Arpeggio 8 – Double Octave Steve Vai lick
(c)2023 Rob van Hal, NetherlandsCinematic GOD Chord for Pop and Rock: CHROMATIC MEDIANTSQJamTracks2023-06-01 | If you’re stuck with writing music try this! In this guitar lesson you’ll learn all about the chromatic mediant and why they the favorite composition tool of many progressive Rock, Prog Metal bands and film composers like John Williams, Max Steiner and Hans Zimmer. The Chromatic mediant and chromatic submediant is an amazing strong and powerful chord to create inspiring music that sound mystical, ominous and even unnerving. Not only film composers use it for their film scores like John Williams did for his Star Wars film music, but also Rock and pop artists use it too like the Doors when they wrote “Light my fire” and the Red Hot Chilli Peppers when they came up with the intro for “Under The Bridge”. This video is pointed at guitar players who need a crystal clear guitar tutorial about the chromatic mediant.
0:00 Introduction 01:03 What is a mediant 03:13 Chromatic mediants 07:11 Chromatic submediants 09:26 Parallel and relative scales 12:08 Chromatic mediants in the minor scale 16:39 Chaining chromatic (sub)mediants 18:07 Songs and film scores 22:07 Conclusion
Subjects in this video: Music theory, film score music, chromatic mediant, chromatic submediant, double chromatic mediant, common note modulation, modal mixture, modal interchange, film score music, writing film scores, writing music for films, functional harmony, song writing, guitar lesson, guitar tutorial, QJamTracks.EASY String skipping scale patterns that will IMPROVE your GUITAR SOUND!QJamTracks2023-05-04 | These easy string skipping scale patterns will improve you guitar sound drastically. This guitar lesson is all about easy wide interval and string skipping scale patterns, that are created by the string skipping guitar technique. It’s applicable for all scales, like the major scale and minor scale, modes of the major scale, harmonic minor scale and melodic minor scale for instance. In the guitar lesson you'll find musical examples and workouts for this scale string skipping guitar technique.
*SUBJECTS IN THIS GUITAR LESSON:* - String skipping scale patterns. - String skipping technique. - How to string skip. - String skipping exercise. - String skipping workout. - Wide interval scale patterns. - String skipping licks. - String skipping arpeggios. - 3-3 patterns. - Modes of the major scale. - String skipping in the harmonic minor scale. - String skipping in the melodic minor scale. - Music theory for guitar.
0:00 Introduction 0:56 What means wide interval? 2:21 Major scale string skipping patterns 5:17 string skipping with modes of the major scale 8:44 Chaining wide interval patterns 9:54 Other wide interval patterns 11:47 Conclusion
Artwork: (c) 2021, Rob van Hal (c)2023 Rob van Hal, NetherlandsINTERVALS for Guitar –crystal clear and ultimate guideQJamTracks2023-04-24 | In this guitar lesson you’ll learn all about intervals and why they are so important. Intervals are the building blocks of melodic and harmonic music. We look at all the intervals of the 12 tone equal temperament system that leads to the diatonic system. Get familiar with second, third, fourth, fifth, sixth, seventh and the octave and all the interesting variation of these intervals and extended intervals like the 9th, 11th and 13th. By knowing your intervals you can make better melody lines and create beautiful riffs. Break free from a lifetime pattern playing and learn how to benefit from the knowledge of intervals.
----------------------------------------------------------------------------------------------------------------- E-BOOK "Interval Practice Routines": qjamtracks.myshopify.com/products/interval-practice-routines -----------------------------------------------------------------------------------------------------------------
0:00 Introduction 1:06 About intervals 2:42 Intervals of the diatonic system 4:20 Major, minor, augmented and diminished intervals 7:46 Interval shapes on the neck 10:53 Interval inversions 14:57 Parallel intervals 16:23 Extended intervals 17:56 Benefits of learning intervals 21:48 Conclusion
Subjects in this video: Music theory, Intervals, Intervals for guitar, second, third, fourth, fifth, sixth, seventh, octave, ninth, eleventh, thirteenth, intervals music, what are intervals, parallel intervals, writing music with intervals, guitar lesson, guitar tutorial, QJamTracks.MODULATE (CHANGE) to 8 keys with this DIMINISHED 7 chord - Diminished Portal ChordQJamTracks2023-03-30 | Modulate to no less than 8 keys with just one full diminished 7 chord. This called: The diminished portal chord. Changing keys was never so easy. In this music theory guitar lesson you learn that the diminished portal chord relies on the symmetrical structure of diminished 7 chord. This typical structure of a full diminished chord results in some awesome modulation techniques. One of the properties of the diminished chord is that it can be used to modulate very easy to 8 different major and minor keys and even to different modes of the major scale. In this guitar tutorial you’ll find practical examples with tablature. This modulation technique is used in many style like Jazz, Fusion, Rock, Metal, Pop and Blues.
*Subjects in this video:* - Diminished chords music theory - The diminished chord. - The diminished portal. - How to change keys. - Changing keys is easy - The diminished portal chord. - Modulation technique with the diminished chord. - Dim7 (full diminished chords). - Diminished chord as a dominant chord. - Jazz guitar modulation. - Jazz chord progressions . - Chord theory and diminished chord theory.
*Chapters:* 0:00 Introduction 1:25 What is a diminished chord 3:41 Chord shapes 4:33 Diminished chord in the major scale 6:23 Diminished chord in the minor scale 8:23 The portal – method 1 11:48 The portal – method 2 (Pro) 16:00 Shameless self-promotion 16:00 The nerdy chapter 18:55 Conclusion
Photo of portal by Genty C00 license: pixabay.com/nl/users/genty-2604684PLINI – Friends On Stage JAM track – C LydianQJamTracks2023-03-17 | This is my interpretation of the drum and bass that where played during the jam at the end of PLINI’s concert in Europe. He invites Jack Gardiner and Jakub Zytecki on stage to improvise over this track. After Jack and Kakub has shown their incredible talent, Plini and Jake Howsam Lowe (band member) do a twin improvisation.
I added piano to give the track a little more body and added some reverb to experience more of a live feeling.
E-BOOK - Modes of the major scale crystal clear E-BOOK - Traids and inversions for Guitar E-BOOK – Scale Arpeggios E-BOOK - Easy arpeggios for sophisticated results E-BOOK - Improvising over dominant 7 chords (using scales) E-BOOK - Exotic Pentatonic scale for Guitar E-BOOK - Modes of the harmonic minor scale E-BOOK - Secrets of outside playing E-BOOK - Superimpose Pentatonic scales
Subjects in this video: Plini backing track, Plini jam track, Plini live Jam track, backing track C lydian, Plini lydian backing track, plini style backing track, Jack Gardiner, Jakub Zytecki, PLINI, plini band, European tour, live 2023, PLINI live, PLINI live EuropeScale arpeggios – You never played scales like this!QJamTracks2023-03-10 | In this guitar lesson you learn how to construct arpeggios from scales. In this way you can play a scale in a scale arpeggio by stacking 6 third intervals on top of each other, to create 13 chords. Like the Cmaj13 or Cmaj13#11 chord. The sound of a scale is very much defined by such a scale arpeggio that contains 7 different notes. In this crystal clear guitar tutorial you’ll learn how to play these arpeggios from scales and put them into practice and applications. You learn over what chords and chord progression you can play these scale arpeggios. We look at the modes of that major scale, harmonic minor scale melodic minor scale and whole tone scale. We will also make an altered scale application with a scale arpeggio of the melodic minor scale.
0:00 Introduction 1:00 Scales vs chords 2:27 The 13 chord 4:09 Scale arpeggio 4:51 Patterns 7:07 Avoid notes 8:45 Modal scale arpeggios 12:35 Practice routines 14:30 Other scales 16:40 Conclusion
Support files like, PDF, Tabs and black dots, backing tracks, diagrams, etc.: patreon.com/qjamtracks
Arpeggios, scale arpeggios, arpeggios from scales, 13 chords, 13 chord arpeggio, dom13 arpeggio, maj13 arpeggio, major scale arpeggio, dorian arpeggio, Phrygian arpeggio, Lydian arpeggio, Mixolydian arpeggio, Aeolian arpeggio, Locrian arpeggio, Harmonic minor scale arpeggio, Melodic minor scale arpeggio, whole ton scale arpeggio, fusion guitar lesson, Jazz guitar lesson, Fusion licks, Jazz licksThe Harmonic Major Scale - Guitar lesson – Crystal ClearQJamTracks2023-02-19 | In this crystal clear guitar lesson you’ll learn all about the harmonic major scale or Ionian b6 scale, that can be used for Rock, Pop, Jazz, Fusion and other styles. The scale sound sounds melancholic and major at the same time, resulting in a mysterious sounding scale. In this guitar tutorial we look at the scale and arpeggios that are derived from harmonizing the harmonic major scale. We’ll see what chord progressions you can make with the beautiful but spicy chords. And we look at the modes of the scale and their applications, such as the Dorian b5, Phrygian b4, Melodic minor #4 or Lydian b3, Lydian augmented #2, Mixolydian b2 and Locrian bb7.
0:00 Introduction harmonic major scale 0:55 Structure of the harmonic major scale 2:55 Scale diagrams 3:36 Harmonizing the scale – TRIADS 6:23 Harmonizing the scale – 7 CHORDS 8:27 Chord progressions in the harmonic major scale 10:26 Making music with the Harmonic Major scale 11:15 Improvising with arpeggios and scale 13:54 Modes of the Harmonic Major scale 19:21 Conclusion
Harmonic minor scale, Modes of the harmonic minor scale, Ionian b6, Dorian b5, Phrygian b4, Phrygian b11, Lydian b3, Lydian #2 #5, Lydian augmented #2, Melodic minor #4, Mixolydian b2, Locrian bb7, Locrian diminished, Fusion guitar, Jazz guitar, Arpeggios for Guitar, m7b5 arpeggio, maj7#5 arpeggio,SIMPLE 4-note ARPEGGIOS for SOPHISTICATED sounds!QJamTracks2023-01-28 | In this tutorial you’ll learn 3 very simple arpeggio shapes to create some very interesting and sophisticated sounds that you can use in Jazz, Fusion and Rock improvisations and compositions. The 3 shapes are based upon the Maj7, Maj7b5 or Maj7#11 and Maj7#5 arpeggio. Using them in the right way will enable you to play modal instantly. From simple major and minor sound to modes of the major scale (dorian, phrygian, lydian, mixolydian and Locrian) to the beautiful modes of the melodic minor scale like Lydian augmented and Lydian dominant.
Supporting downloads (patreon.com/qjamtracks): - PDF sheet with all arpeggios diagrams - HQ II V I Backing track in C major for free use. - Supporting backing tracks for this tutorial
In this tutorial you’ll learn 3 very simple arpeggio shapes to create some very interesting and sophisticated sounds that you can use in Jazz, Fusion and Rock improvisations and compositions. The 3 shapes are based upon the Maj7, Maj7b5 or Maj7#11 and Maj7#5 arpeggio. Using them in the right way will enable you to play modal instantly. From simple major and minor sound to modes of the major scale (dorian, phrygian, lydian, mixolydian and Locrian) to the beautiful modes of the melodic minor scale like Lydian augmented and Lydian dominant.
Subjects in this video: Arpeggio, guitar arpeggio, Guitar arpeggios, Maj7 arpeggio, Maj7#11 arpeggio, Maj7b5 arpeggio, Maj7#5 arpeggio, easy arpeggios, Jazz guitar, Jazz arpeggios, Fusion guitar licks, Superimposing arpeggios, Modes for guitar, Modes of the major scale, Lydian mode, dorian mode, Phrygian mode, Mixolydian mode, Locrian mode, Modes of the melodic minor scale, Lydian dominant, Lydian augmented, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks,Secrets of OUTSIDE PLAYING – Ultimate Guide – Crystal ClearQJamTracks2023-01-05 | E-book with audio files: qjamtracks.myshopify.com/products/secrets-of-outside-playing
Outside Playing is used in Jazz and Fusion and can be established even with the simple blue note in the Pentatonic scale. In this e-book we going to look at a wide variety of scales and arpeggios like the Dorian mode, the hybrid fusion sale, the half diminished arpeggio or m7b5 arpeggio over minor and major chords. After this we look at chaining arpeggios and sidestepping, also known as side-stepping and sideslipping. Als the Dorian #4 is a good scale to use in this perspective, just like the altered scale, whole tone scale, melodic minor scale and diminished scale and diminished arpeggio.
Outside licks guitar, Guitar lick, Fusion, Jazz guitar, Fusion guitar, outside playing, Jazz outside playing, Fusion licks, Outside Jazz Licks, Outside Fusion licks, Improvise over dominant chords, Improvise over minor 7 chords, Min7 chords, Dorian mode, Dorian #4 mode, Dorian #4 scale, min7b5 arpeggio, half diminished arpeggio, chaining triads, Altered scale, Melodic minor scale, whole tone scale, Diminished scale, Half-whole diminished scale, Alan Holdsworth, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksSHELL VOICINGS – ALL Jazz Chords with only 8 SHAPES - CRYSTAL CLEAR!QJamTracks2022-11-18 | Shell voicings are reduced version of complex extended chords like Cmaj7#5, D7b9 sus4, Galt, F7#5#9 and so on. With these shell voicing shapes – these simple reduced version of these complex chords – will make that you can play any Jazz standard or any complex chord progression in a very straightforward, yet very efficient way.
How do we do that? Well… we will play only the most important notes of the chords. And those are the tonic, the 3rd and the 7th degree and we leave out any extension and altered 5th. I will show you in this video how that really works.
With sell voicings we’ll create 8 simple chord shapes that can be used for all the complex chords you come across. Just eight 3-note shapes and you’re done. You can play every Jazz standard and every difficult piece of music, regarding chords and comping with these simple 3 note shapes. It’s almost too good to be true. Only it’s very real and…very convenient indeed!
0:00 Introduction 1:04 What are shell voicings? 2:34 Subjects in this video 4:16 Chord building recap 7:05 Shell Voicing shapes 12:22 The II – V – I 16:33 Pros and cons 19:01 Jazz standards 22:15 Chromatics and tritone substitution 24:24 Extending shell voicings 25:52 Final thoughts and bonus
-------------------------------------------------------------------------------------------------------------------------------------------- You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks --------------------------------------------------------------------------------------------------------------------------------------------
Shel voicings, Shell voicing, Shell voicings, Jaz chords, Jazz chords, Extended chords, Chord theory, Playing jazz, Jazz for guitar, Guitar jazz chords, How to play jazz chords, Jazz standards, Blue Bossa, One note Samba, All the things you are, The II V I, II V I explained, Jazz chords explained, Shell voicings explained, Maj7 chord, Min7 chord, Dominant 7 chords, Diminished chords, Augmented chords, Altered chords, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksMODES of the MELODIC MINOR scale – Ultimate Guide - CRYSTAL CLEAR!QJamTracks2022-10-23 | The modes of the melodic minor scale will boost your improvisation and compositions like nothing else. The Locrian natural 2 mode, Lydian augmented mode, the dorian b2 mode, the lydian dominant mode, the mixolydian b6 mode and the super Locrian mode or altered scale are such amazing and special scales that it will let sound like no one else. Lot’s of Jazz and fusion guitarists and even metal guitarists use these beautiful scales day in and day out.
Modes of the melodic minor scale, melodic minor scale, Modes, Dorian b2, lydian augmented, lydian dominant, Mixolydian b6, Locrian natural 2, Super Locrian, Altered scale Altered dominant scale, Improvising, Jazz guitar, Jazz scales, Fusion, fusion scale, Metal scale, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksDaily PRACTICE ROUTINES and EXERCISES for SCALES & MODESQJamTracks2022-09-23 | This is a guitar lesson about practice routines to get a feel and ear for modes and scales in the most efficient way possible. In a few dense exercises containing three ways to study a scale or the modes of the major scale you grasp the essence of that scale by training your ears and technique. Every routine consists of a (modal) progression (chords with inversions), triad arpeggios of a characteristic chord progression, and a scale run.
In this guitar tutorial we look at exercises for the modes of the major scale, the harmonic minor scale, the Phrygian dominant scale and the melodic minor scale.
You'll find an e-book with audio examples in my e-book store at: QJamtracks.myshopify.com
Chapter selection:
0:00 Introduction 1:26 What defines a scale 3:15 Modal Trigger Notes 6:51 Chords that outline the mode 9:55 Routines for studying 10:50 Technique 12:00 Practice Routine Ionian mode 12:37 Practice Routine Dorian mode 13:13 Practice Routine Phrygian mode 13:45 Practice Routine Lydian mode 14:23 Practice Routine Mixolydian mode 14:59 Practice Routine Aeolian mode 15:29 Practice Routine Locrian mode 16:09 Other scales 16:27 Harmonic Minor scale exercise 17:11 Phrygian Dominant scale exercise 17:55 Melodic Minor scale exercise 18:41 Conclusion
------------------------------------------------------------- Tabs, examples and backing tracks: patreon.com/Qjamtracks ------------------------------------------------------------- E-books with audio files: qjamtracks.myshopify.com -------------------------------------------------------------
Artwork: (c) 2021) Rob van Hal B-roll photo’s: Pixabay.com & Pexels.com -------------------------------------------------------------
Modes of the major scale, Practice routines, Practice, Exercise, modes for guitar, Arpeggios, Scale, Guitar technique, Ionian mode, Dorian mode, Phrygian mode, Lydian mode, Mixolydian mode, Aeolian mode, Locrian mode, Harmonic minor scale, Melodic minor scale, Phrygian Dominant scale, Chords and inversions, Modes for guitar, Guitar improvising, Jazz guitar lesson, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks,EXOTIC Pentatonic scales for ROCK, FUSION & MODES - Crystal Clear!QJamTracks2022-08-03 | Check E-books below!(*) When you done with your ACDC licks and bored with your major and minor arpeggios, sweeps and chops, then my friends….its time for something new and exiting. It’s time for the exotic pentatonic scales and wonder off into a new mystical world of unknown tonal resonations. We’ll explore 10 different scales in this tutorial from all over the world and some modal variations you probably haven’t seen yet. We even come across a melodic minor pentatonic version for minMaj7 and Altered chords! This is going to be awesome. So put on your Hawaii shirt and buckle up!
Exotic pentatonic scales, Japanese scale, Chinese scale, Egyptian scale, Suspended scale, Arabian scale, Hindu scale, Indian scale, Koto scale, Yo scale, Insen scale, Hirayoshi scale, Asavari scale Kumoi scale, Modes of the kumoi, Modes of the Hirayoshi, Modes for guitar, Guitar improvising, Jazz guitar lesson, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks and Q jam tracksSUPERIMPOSING major and minor arpeggios – Layering chords: NEW SOUNDS!QJamTracks2022-06-16 | Sometimes 1 plus 1 is 3. This is such a miracle. By layering simple triads on top of each other we can create new sounds with ease. This technique is called superimposing and is widely used by the great guitarists among us. If you’re stuck with improvising, just watch this video and you’ll have a brand new tool to your disposal!
0:00 Introduction 1:14 What is superimposing 2:28 Theory of everything 4:14 Possibilities 4:56 Major over minor 7:29 Minor over major 9:43 Minor over minor 11:40 Major over major 13:47 Conclusion
You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks
Superimpose, Arpeggios, Superimposing, Super impose, Arpeggio, Major arpeggio, Minor arpeggio, Improvise, Improvising guitar, Superimpose guitar, Arpeggios for guitar, Guitar improvising, Jazz guitar lesson, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracks9 SCALES to improvise over the DOMINANT 7 chordQJamTracks2022-05-12 | In this crystal clear guitar lesson you’ll learn 9 scales for improvising over the dominant 7 chord and dominant chords in general. In this video we’ll explore 9 scales. We will look at the pentatonic scale, Mixolydian scale, dominant pentatonic scale, dominant Lydian scale, the dominant diminished scale, the dominant Phrygian scale, altered, scale and whole tone scale. Each of these scales will create a unique and amazing sound that you can use to supprise your audience.
Video chapters:
0:00 Introduction 1:06 Five important 7 chords 2:41 The dominant 7 chord 3:57 The minor pentatonic scale 5:47 The major pentatonic scale 6:45 The Mixolydian scale 8:26 Other great options 8:49 Dominant pentatonic scale 10:18 Dominant lydian scale 12:19 Phrygian dominant scale 14:33 Dominant diminished scale 15:54 Whole tone scale 18:01 Altered dominant scale 20:00 Conclusion
-------------------------------------------------- E-BOOK - Improvising over dominant 7 chords (using scales) qjamtracks.myshopify.com/products/e-book-improvising-over-dominant-chords -------------------------------------------------- Other E-books with audio files: https://QJamTracks.myshopify.com -------------------------------------------------- PATREON: You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks --------------------------------------------------
Improvise over 7 chords, improvise over the dominant 7 chord, What scale for dominant chords, How to solo over dominant chords, 7-chords, 7 chords, Dominant 7 chord, Pentatonic scale, Mixolydian scale, Mixolydian mode, Dominant pentatonic scale, Lydian dominant scale, Phrygian dominant scale, Diminished scale, Dominant diminished scale, Whole tone scale, Altered scale, Music theory lesson guitar, Music theory, Guitar tutorial, Music theory, and Guitar lesson.MODES of the HARMONIC MINOR scale – Ultimate Guide - CRYSTAL CLEAR!QJamTracks2022-04-15 | The modes of the Harmonic minor scale will boost your improvisation and compositions like nothing else. The Locrian #6 mode, Ionian #5 mode, the dorian #4 mode, the phrygian dominant mode, the lydian #2 mode and the super Locrian bb7 mode are such amazing and special scales that it will let sound like no one else. Lot’s of Jazz and fusion guitarists and even metal guitarists and world music are using this awkward alien, but beautiful scales day in and day out.
0:00 Introduction 1:44 The harmonic minor scale 3:12 Chords 6:07 Ambiguous scale degrees 7:09 The modes 7:48 The Minor scale of the 3rd degree 8:55 VS the modes of the major scale 12:17 The sound of the modes 13:30 Mode 2: Locrian #6 15:48 Mode 3: Ionian #5 17:51 Mode 4: Dorian #4 20:23 Mode 5: Phrygian Dominant 23:06 Mode 6: Lydian #2 25:57 Mode 7: Super Locrian bb7 27:46 Conclusion
You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks
Modes of the harmonic minor scale, Harmonic minor scale, Modes, Locrian #6, Ionian #5, Dorian #4, Phrygian Dominant, Lydian #2, Super Locrian bb7, Altered diminished scale, Ultra Locrian scale, Improvising, Jazz guitar, Jazz scales, Fusion, fusion scale, Metal scale, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracks8 WAYS to improvise over MINOR 7 chordsQJamTracks2022-03-20 | In this tutorial you’ll learn 8 ways to improvise over minor 7 chords. In this guitar lesson we look at the min7 chord and the arpeggios and scales that can be used over this chord such as the minor 7 arpeggio, superimpose arpeggios, the pentatonic scale, superimpose the pentatonic scale, using modes like the Dorian and Phrygian mode, the natural minor scale and even harmonic minor scale for an outside sound.
0:00 Introduction 0:45 about 7 chords 3:21 The minor 7 chord 4:45 The minor7 arpeggio 6:03 Superimposing arpeggios 8:58 Pentatonic scales 10:44 Superimposing pentatonic scales 14:13 Using scales and modes 14:25 Natural minor scale 15:29 Dorian mode 16:46 Phrygian mode 18:08 Harmonic minor 19:18 Conclusion ----------------------------------------------- Crystal clear guitar lesson E-books with audio files: qjamtracks.myshopify.com ----------------------------------------------- PATREON: You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks -----------------------------------------------
----------------------------------------------- Subjects in this video:
Improvise over minor 7 chords, What scale over minor 7 chords, arpeggios for minor 7 chords, solo over minor 7 chords, minor 7 chords, Improvise over 7 chords, Minor7 arpeggio, superimpose arpeggios, superimpose pentatonic scale, using modes, Dorian mode, Phrygian mode, the natural minor scale, harmonic minor scale and outside playing.6 WAYS to improvise over MAJOR 7 chordsQJamTracks2022-03-06 | In this tutorial you’ll learn 6 ways to improvise over 7 chords. In this guitar lesson we look at the scales and arpeggios to use over the maj7 chord such as the major scale, pentatonic scale, superimpose a pentatonic scale over a maj7 chord, the maj7 arpeggio, superimpose a min7 arpeggio over a maj7 chord and superimpose a major 7 arpeggio of the 5th degree.
0:00 Introduction 01:17 Five important 7 chords 3:02 The Major 7 chord 4:12 The Major scale 5:39 Pentatonic scales 7:48 The Minor scale of the 3rd degree 9:45 Maj7 arpeggio over the Maj7 chord 11:24 Min7 arpeggio of the 3rd degree 12:40 Maj7 arpeggio of the 5th degree 13:48 Conclusion
--------------------------------------------------------------- Crystal Clear E-BOOKS with audio files: qjamtracks.myshopify.com --------------------------------------------------------------- Other E-books:
PATREON: You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks ---------------------------------------------------------------
Improvising, 7-chords, 7 chords, Minor 7 chord, Major 7 chord, Diminished 7 chord, Augmented 7 chord, Dominant 7 chord, Soloing over maj7 chord, Scales for maj7 chord, Maj7 arpeggio, Min7 arpeggio, Lydian mode, Lydian scale, Maj7#11 chord, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksImproving time feel and rhythm part 2QJamTracks2022-02-27 | Improving Time Improving Time Feel & Rhythm – Crystal Clear - PART 2
In this guitar tutorial you’ll learn how you can improve time feel and rhythmic abilities in a conceptual way and practical way. In this part 2 of the tutorial we are going to look at syncopation and special rhythm that you’ll come across in many genres and styes. Besides the syncopated rhythms we will explore the after beat, the triplet, the sextuplet, the shuffle and hemiola. I’ll show you rhythmic examples of songs like Beat it by Michael Jackson, A Forest by The Cure, Dust in the Wind by Kansas, La Grange by ZZ Top, Enter sandman and The Four Horsemen by Metallica.
0:00 Introduction 00:58 Syncopation 3:18 4 types of syncopation 3:46 Playing off the beat 5:06 Rests on the beat 6:03 Tie notes 6:53 Syncopation by dynamics 8:31 Common syncopation 8:47 Singer songwriter pattern 10:28 Travis Picking 12:14 16th note strum 13:40 Playing before the beat 15:45 The After Beat and SKA 17:08 The Hemiola 18:13 The Triplet and sextuplet 20:07 The Shuffle 22:59 Conclusion
Eddy van Halen: Anirudh Koul from Montreal, Canada, CC BY 2.0 httpscreativecommons.orglicensesby2.0, via Wikimedia Commons Carl Lender, CC BY 2.0 creativecommons.org/licenses/by/2.0, via Wikimedia Commons
Rhtym, Rithm, Rhythm, Rhithm, Rytm, Time feel, Counting, Improving rhythm, Syncopation, After beat, Afterbeat, Shuffle, Triplet, Sextuplet, Hemiola, Tie, Ska, 8th notes, 16th notes, Strumming, Strum lesson, Rhythmic playing, Beat, Steady rhythm, Beats, Guitar lesson rhythm, Upstroke, Downstroke, Groove, Improvising, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksImproving Time Feel & Rhythm – Crystal Clear - PART 1QJamTracks2022-01-10 | In this guitar tutorial you’ll learn how you can improve time feel and rhythmic abilities in a conceptual way and practical way. We going to see what you can do in a philosophical way to improve your time feel and in a practical way you will learn how to break down more complex rhythms in small rhythm blocks. By counting and not using a metronome or drum track you’ll see that you can improve your rhythmic abilities dramatically.
0:00 What is Rhythm 01:14 Gaining Rhythmic Ability 3:42 Power of counting 5:20 The Masterplan 7:20 Intermediate Rhythm 9:16 Rhythmic Building Block 19:49 Conclusion
Rhythm, Time feel, Counting, Improving rhythm, 8th notes, 16th notes, Strumming, Strum lesson, Rhythmic playing, Beat, Steady rhythm, Beats, Guitar lesson rhythm, Upstroke, Downstroke, Groove, Improvising, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksTraffic Jam - And Merry Christmas To You AllQJamTracks2021-12-24 | My new song Traffic Jam :) Thank you my subscribers for using my channel and a Merry Christmas to you all. A new tutorial is on the way!TRIADS and inversions - SUPER TOOL - Easy to Advanced - Crystal ClearQJamTracks2021-12-06 | Comprehensive 34 page E-book "Triads and Inversions" is now available: my-store-cc142a.creator-spring.com/listing/Triads-and-Inversions
E-book is now available In this guitar tutorial you’ll learn everything there’s to say about triads and their inversions. From simple musical ideas that work for pop and rock to advanced use of triads and inversions to create new sounds with these basic musical blocks. We’ll explore the basics of triads and inversions, see how they are played on the guitar and how to use them in voice leadings to create smooth chord transitions. You’ll learn also how to superimpose triads over chords to create chord extensions. We’ll also see famous songs that use triads like Running with the Devil by Van Halen, Crazy Train by Ozzy Osbourne, Under Pressure by Queen and David Bowie, Sunday Bloody Sunday by U2, All right now by the Free and more.
0:00 Introduction 01:14 Triads recap 3:32 Triad inversions 5:51 Inversions on the neck 6:49 All major triads 8:30 All minor triads 10:04 All diminished triads 11:24 Suspended triads 12:18 Inversions on the neck 17:04 Learning tips 20:37 Advanced use (Superimposing) 24:46 Triads in (Jazz) Blues 29:28 Famous songs with triads 28:07 Extra colour in triads 33:36 Conclusion
Triads, Inversions, Inversion, Chord inversion, Traid inversions, Voice leading, Superimposing, Chord progressions, Writing chord progressions, Modes, Major chord, Minor chord, Diminished chord, Chords in the major scale, Chords in the min or scale, How to use triads, Jazz Blues, Running with the devil, Crazy train, Under pressure, All right now, Improvising, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksWHOLE TONE SCALE – Theory – Applications – Patterns – CRYSTAL CLEARQJamTracks2021-10-21 | Learn all about this awkward, alien and beautiful whole tone scale to create some serious outside sounds, inspiring chord progressions and examples of well known songs, like Stevie Wonder’s Too High and Sunshine Of My Life, Elektrik by Robert Fripp (King Crimson) but also outside fusion licks and interesting patterns to spice up you solo’s and riffs!
0:00 Introduction 01:26 Only two scales 03:12 Chords in the whole tone scale 05:53 Whole tone over dom7#5 07:30 Whole tone over minor 10:05 Whole tone over dominant chords 11:20 Stevie Wonder - Sunshine of my life 12:41 Stevie Wonder – Too High 13:19 King Crimson – Elektrik 14:06 Patterns 14:47 Conclusion
Whole tone scale, How to use the whole tone scale, What is the whole tone scale, Whole tone scale patterns, Whole tone scale box shapes, Whole tone scale licks, Whole tone scale in fusion, Whole ton scale chords Whole tone scale applications, Whole tone scale examples, Improvise over Dominant 7#5 chords, Improvise over dominant chords, Stevie Wonder, Sunshine of my life, Too High, Elektrik, King Crimson, Strandberg guitar, Strandberg NX, Strandberg Boden, 8 string guitar, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracksCreative CADENCES For Better Compositions! – Crystal Clear…QJamTracks2021-09-24 | In this tutorial you’ll learn all about the basics of cadences and a bit beyond. Cadences will help you to tell the musical story you want to share. It’s a essential composition tool for anyone who writes music. I will walk you through the 4 main cadences such as the perfect cadence, the plagal cadence and minor plagal cadence, imperfect cadence and the deceptive or interrupted cadence. After that I’ll show you some nice and well known variations such as the Picardi cadence, Andalusian cadence, Super Mario Cadence, Phrygian cadence and the back door cadence. So you can use them yourself in you own compositions.
0:00 Introduction 01:02 What should you know already 1:35 Classical cadences 3:38 The 4 main cadences 4:30 The perfect cadence 5:52 The plagal cadence 8:00 Imperfect cadence 8:48 Deceptive cadence 10:55 Picardi cadence 11:52 Andalusian Cadence 14:00 Super Mario Cadence 14:37 Phrygian cadence 15:24 Back door cadence 17:08 Conclusion
Cadence, Perfect cadence, Imperfect cadence, Plagal cadence, Minor plagal cadence, Deceptive cadence, Interrupted cadence, Picardi cadence, Andalusian cadence, Phrygian cadence, Back door cadence Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracks