Rich. Words. Music.Today, we’re taking an exclusive first look at the brand new 2025 Ibanez AZ Standard lineup of HH and HSS double cutaway electric guitars – and shooting them out against their more expensive Premium and Prestige counterparts too!
These affordable do-it-all modern Stratocaster-types are made in China, and they really fill a budget hole in the AZ catalogue. Previously, you went from the (excellent) Ibanez AZES models – which cost between $300 and $400 depending on model – straight to the Premium guitars at around $1,200-1,300.
High time, then, to add in a model at around the $549 mark – and this is exactly where the AZ Standard comes in! The HH model is named AZ24S1F and the HSS model is the AZ22S1F, and both offer various flamed maple top finishes. Both have alder bodies and 25.5” scale roasted maple necks, topped with jatoba fingerboards that feature jumbo stainless steel frets.
The pickups are Ibanez – Modern Custom humbuckers on the HH, and a Classic Custom set in the HSS – and the Alter Switch gives you all manner of coil splits and extra pickup configurations. You also get locking tuners and Ibanez’s T106 vibrato bridge.
All in all, then, the AZ Standard looks like an excellent new offering in the world of the Super Strat – but how good are they really? And are they worth it over the other options out there? Here, Henning Pauly and I check out the AZ Standards, and we also compare them to the rest of the AZ range, from the budget AZES line to the more expensive Premium and made-in-Japan Prestige models.
Hopefully, by the end of the video you’ll know which AZ model is going to be the right choice for you. Let me know your thoughts on the AZ Standard in the comments!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 03:51 First specs and info 07:54 HSS model sounds and discussion (with a bit of theory thrown in) 10:54 Clean tones 11:37 Overdriven tones 15:00 Who is the AZ Standard for? 17:30 HH model sounds and discussion 21:24 Comparison vs the AZES Essentials 24:15 Comparison vs the AZ Premium 27:18 Comparison vs the AZ Prestige 31:36 Why Henning loves the Prestige so much 35:22 A brief argument about Taylor Swift 37:54 Thank you and goodbye
Enjoy!
----- Backing music from the YouTube Audio Library: Duck In The Alley – TrackTribe.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
2025 Ibanez AZ Standard | The new $549 workhorse vs the Premium and Prestige versions with HenningRich. Words. Music.2025-01-10 | Today, we’re taking an exclusive first look at the brand new 2025 Ibanez AZ Standard lineup of HH and HSS double cutaway electric guitars – and shooting them out against their more expensive Premium and Prestige counterparts too!
These affordable do-it-all modern Stratocaster-types are made in China, and they really fill a budget hole in the AZ catalogue. Previously, you went from the (excellent) Ibanez AZES models – which cost between $300 and $400 depending on model – straight to the Premium guitars at around $1,200-1,300.
High time, then, to add in a model at around the $549 mark – and this is exactly where the AZ Standard comes in! The HH model is named AZ24S1F and the HSS model is the AZ22S1F, and both offer various flamed maple top finishes. Both have alder bodies and 25.5” scale roasted maple necks, topped with jatoba fingerboards that feature jumbo stainless steel frets.
The pickups are Ibanez – Modern Custom humbuckers on the HH, and a Classic Custom set in the HSS – and the Alter Switch gives you all manner of coil splits and extra pickup configurations. You also get locking tuners and Ibanez’s T106 vibrato bridge.
All in all, then, the AZ Standard looks like an excellent new offering in the world of the Super Strat – but how good are they really? And are they worth it over the other options out there? Here, Henning Pauly and I check out the AZ Standards, and we also compare them to the rest of the AZ range, from the budget AZES line to the more expensive Premium and made-in-Japan Prestige models.
Hopefully, by the end of the video you’ll know which AZ model is going to be the right choice for you. Let me know your thoughts on the AZ Standard in the comments!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 03:51 First specs and info 07:54 HSS model sounds and discussion (with a bit of theory thrown in) 10:54 Clean tones 11:37 Overdriven tones 15:00 Who is the AZ Standard for? 17:30 HH model sounds and discussion 21:24 Comparison vs the AZES Essentials 24:15 Comparison vs the AZ Premium 27:18 Comparison vs the AZ Prestige 31:36 Why Henning loves the Prestige so much 35:22 A brief argument about Taylor Swift 37:54 Thank you and goodbye
Enjoy!
----- Backing music from the YouTube Audio Library: Duck In The Alley – TrackTribe.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@EytschPi42 @IbanezOfficial @IbanezGermanyHartwood Guitars Charger, Drifter, Speedway, Revival + Deytona! How good are they with Krenar Cilku!Rich. Words. Music.2025-09-26 | Today I’m joined by guitar virtuoso and all-round top guy Krenar Cilku to check out the affordable Hartwood Guitars range by Gear4music!
Hartwood Guitars have been around for a few years now, but recently they’ve upped their game, with a series of new and improved models that seem – at least on paper – to rival the big boys like Squier by Fender, and Harley Benton (the Thomann in-house guitar brand) while also offering a few original design tweaks.
At the 42 Gear Street 7 event in summer 2025, Hartwood brought their entire stable of electrics. And, as Krenar was totally new to them, and I’ve only tried the Deytona before, this was the perfect chance to try out these budget guitars.
First up is the €199 Drifter, a P90-loaded Metallic Blue offset that looks like a cross between a Fender Jaguar/Jazzmaster offset, and the iconic Harmony Silhouette. For a guitar this cheap, it has some pretty cool touches, like a satin roasted maple neck… but how good can it be for that price? Time to find out!
Next is the Revival, a Gibson 335-esque semi-acoustic guitar, complete with a Bigsby-style vibrato! The Revival is a more expensive guitar than the Drifter, at around €340, but you still get plenty for your money here (like a bone nut) – and this specific model is finished in a wonderful Tealburst colorway.
Up next is the Charger, an Italian vintage-inspired offset with bundles of mojo and a beautiful Peppermint finish! The Charger simply looks like loads of fun and, with its alder body and set roasted maple neck, locking tuners and a bone nut, you’re getting plenty of guitar for your €280. What’s more, the humbuckers on the Charger feature a coil tap, so you’ve got a huge range of tones to play with here too. You can also choose a Charger with a hardtail bridge, or a Bigsby-style option for the same price.
Also very much Italy-inspired – or perhaps Italia Maranello inspired – is the semi-hollow Speedway model, which is a Lipstick Red single cut with a racing stripe, lashings of pearloid binding, and a Bigsby-style bridge. This lavish beast of a guitar is also €340, but you get coil splits here too, so it’s another great – and different – option.
The final guitar is the Gibson Firebird-inspired Deytona II. I loved this guitar when I had it for a few weeks – it’s a true rock and roll instrument, and its mini humbuckers (with phase switch!), ebony fingerboard and bone nut make it a great option for the €280 asking price.
This Hartwood quintet are great value for money on paper, then, but how good are they really? Well, join Krenar and me as we find out (supported by some wonderful Mad Professor pedals and an exquisite Tube WorkShop amp!), and do let us know which is your favorite Hartwood guitar in the comments!
Here are some links to the various parts of the video:
00:00 Introduction and what we’re doing today 02:24 Drifter: tones and discussion 08:56 Drifter price reveal 09:45 Revival: tones and discussion 14:44 Revival price reveal 16:22 Charger: tones and discussion 23:17 Charger price reveal 24:11 Why it’s great to learn how to set up guitars yourself 25:42 Speedway: tones and discussion 31:13 Speedway price reveal 33:41 Deytona: tones and discussion 39:52 Deytona price reveal 40:20 Which is Krenar’s favorite? 41:30 Rich’s favorite
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@KrenarCilkuGuitar @gear4musicguitars @EytschPi42 @MadProfessorAmplification @tubeworkshopRating the best Harley Benton guitars ever with Jake Leigh!Rich. Words. Music.2025-09-19 | Today I’m joined by the mighty Jake Leigh Guitar to rate and rank our favorite Harley Benton guitars we’ve ever played in a homemade game of Top Trumps for guitarists!
Jake and I have both had the pleasure of playing myriad Harley Benton guitars over the years, and we both have very different ideas about which ones are the best value for money.
So, with that in mind, we decided to devise a game where we could pit those guitars against each other! Here, we have 16 cards – each representing a Harley Benton electric guitar at least one of us has either owned or played for a significant period of time – and we’ve scored them out of 10 in various categories: Sound, Playability, Versatility, Value For Money, Mod Potential, and Cool Factor.
In each round, we each have a random card, and one of us picks a category. The player with the highest scoring guitar wins! Which guitars will come out on top?!
The 16 guitars we featured are the ST-62, CST-24, Aeolus, Fusion III, JA-60CC, Amarok, ST-182, TE-69TL, HB-35, SC DLX Gotoh, ST-Modern, Agufish Baritone Signature Model, ST-80, SC-550, SC Custom II, and the Max Fusion signature model.
Let us know if you agree with our choices and our ratings in the comments below!
And thanks Henning as ever for intruding on a 42 Gear Street video… it’s always much appreciated!
Here are some links to the various parts of the video:
00:00 Introduction and what we’re doing today 00:55 ROUND 1 04:11 ROUND 2 07:12 ROUND 3 10:02 Henning interrupts 10:44 ROUND 4 13:59 Henning’s best Harley Benton guitar is… 15:32 ROUND 5 20:09 ROUND 6 22:41 ROUND 7 24:26 ROUND 8 27:50 And the winner is…
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@JakeLeighGuitar @EytschPi42 @HarleyBentonOfficial @ThomannsGuitarsBassesHenry’s Fury FS-1 Fever | The best sub $1000 Super Strat in 2025?! In-depth Review & DemoRich. Words. Music.2025-09-12 | This is the Henry’s Guitars Fury FS-1 Fever: a new sub $1000 take on the iconic Super Strat electric guitar shape… with a few unique twists up its golden sleeves!
Henry’s have only been building guitars since 2023, but they’re already making waves in the music world. This Prague, Czech Republic-based company is closely connected to the Czech Music Center chain of stores, which almost makes Henry’s a house brand, but it’s a brand that’s really growing with its own distinct identity.
Many of you will know Henry’s for their Snake and Space guitars – these affordable, factory reliced Strat and Tele-inspired designs are already winning the hearts of guitarists across Europe and beyond.
But the Fury is another thing entirely. A Super Strat by nature, it reminds you visually a bit of a hot-rodded Stratocaster, but also of something like a Music Man Luke, while also very much being its own instrument.
The semi-sparkly Gold finish (you can also get the Fury in Silver or Black) is one reason for this – it’s a stunning looking guitar in every way, and even more impressive in person.
Read the spec sheet, though, and it almost seems too good to be true. For €899, you get a mahogany body, a roasted maple neck (with a matte nitro lacquer finish) and a rosewood board. The two Henry’s HC-8 Carbonado humbuckers are extremely high output, but both can be coil split down to single coil mode for tamer tones.
The C-shaped neck features 22 jumbo stainless steel frets, a 25.5” scale length, and a 13.78” fingerboard radius, and there’s a bone nut and Henry’s locking tuners up at the top end. The guitar also comes with a Henry’s vintage tremolo vibrato bridge, and a wide range of accessories: strap locks, a strap, picks, an arm sleeve (for faster shredding, presumably!) and fret wraps.
That’s a lot of guitar for the money, then… but just how good is the Fury? Can it match the legions of Charvel, Schecter, Jackson, ESP, Ibanez, Harley Benton, and other Super Strats at this competitive price point? It’s time to find out!
In this video, I put the Fury to the test in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it!
Let me know your thoughts on the Fury in the comments.
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:17 Introduction to Henry’s Guitars and the Fury 01:36 Specs and features 06:47 Today’s rig and plan
07:14 Clean tone reference chords on all pickup settings 07:47 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 10:22 Tone control test 11:25 Indie and alt rock tones 14:32 Volume control roll off test 14:55 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 16:39 Hard rock tones 18:42 Alternative rock tones 19:19 Punk rock tones 20:14 Progressive and modern rock tones 21:41 Metal/chugging/heavy distortion tones
23:18 My thoughts 23:54 First impressions, looks, feel 25:19 Weight 25:40 Price 25:55 Build quality and hardware 26:46 Playability and neck 27:47 Sounds and pickups 30:45 What other similar guitars are out there? 31:44 My conclusions on the Fury and why you should buy it
My setup was as follows: I ran the Fury into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Friedman BE-OD Deluxe and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@henrysmusicglobalOrange Tour Baby, Gain Baby and Dual Baby + Friedman Vintage-T | All the tones w/Carsten StepanowiczRich. Words. Music.2025-09-05 | Today I’m joined by German guitar and vocal virtuoso Carsten Stepanowicz to check out three tiny – yet massively loud – affordable solid state amps by Orange: it’s the Tour Baby, Gain Baby and Dual Baby trio!
You’ll all know Orange Amps – they’re legendary for their tones as much as they are for the players who’ve used them to carve up stages all over the world for the past 50+ years!
Well, for 2025, they’ve released what is (for me, at least) one of their most exciting series ever: the Baby Range! The Tour Baby, Gain Baby and Dual Baby are all twin channel 100-watt Class A/B solid state amp designs that weigh in at just over 3kg each (that’s under 7 lbs.!) and are ready to rock out for a variety of different uses.
The Tour Baby is the most sedate of the bunch, taking you from pristine cleans to crunchy, punchy rock sounds. The clean channel has a studio-grade VCA compressor built in, while the dirty channel delivers the grit, crunch and classic saturation Orange for which Orange is beloved.
The Gain Baby has the same compressor-loaded clean channel as the Tour Baby, but its dirty channel ups the ante somewhat, with four distinct gain stages, a Tight control and a three-band EQ to sculpt your tones.
Meanwhile, the Dual Baby offers two filthy channels (and cleans if you want them!). Channel A is based on the iconic Orange Rockerverb amps and goes from clean to mean, while Channel B has four stages of oomph, just like the Gain Baby’s dirty channel.
The three Baby amps are all designed for onstage use, and they’ll all easily drive a 4x12 cab too. They also feature FX Loops, DI outs and footswitching options, making them incredibly flexible little things!
And, what do you pay for these specs, tones and general musical privileges? Well, as of time of writing (September 2025), each Baby will set you back $599/€529 – so these are very much affordable gigging options.
So, join Carsten and me as we discover these amps together (neither of us had played one before being in the room with them here) and let us know which one you think is best in the comments!
Here are some links to the various parts of the video:
00:00 Introduction and what we’re doing today 01:23 GAIN BABY: first tones 02:57 This amp has a built-in compressor?! 04:46 The Gain Baby’s Dirty Channel 06:34 Tweaking the Dirty Channel to Carsten’s tastes 09:50 A classic rock tone with the Gain Baby? 12:38 TOUR BABY: first clean tones 13:32 Tour Baby Dirty Channel tones and discussion 14:49 Low gain indie rock on the Tour Baby? 19:31 Classic rock tones for Rich 21:02 DUAL BABY: specs and tones 23:31 Max Gain! 25:18 Tweaking the Dual Baby to Carsten’s tastes: Treble vs Presence 32:16 Which one would Carsten use live? 33:02 Carsten guesses how much these amps cost! 34:05 Which one would Rich use? 34:18 Conclusions
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@EytschPi4210 Reasons why every guitarist needs to try the Sonicake Acoustic-Electric Travel Guitar!Rich. Words. Music.2025-08-29 | This is the Sonicake Acoustic-Electric Travel Guitar QGT-01: an affordable, silent instrument you can take anywhere!
Silent acoustic guitars aren’t a new thing: Yamaha, for example, has been making them for years. But Sonicake’s new Travel Guitar takes the niche to new, budget heights.
This is a guitar that, on paper, should be useful for so many people: new and experienced guitarists, and electric and acoustic players alike will have room for something like this in their life. With its long-life battery, headphones and Aux In options, its wide range of tones and sound-sculpting options, and its well fitted and padded gigbag, the Travel Guitar certainly seems to tick all the right boxes.
And, at around $299, it’s very competitively priced too. You get decent specs here: the guitar’s body and neck is mahogany, the fingerboard and bridge are rosewood, and you even get a bone nut.
The neck is a lovely smooth satin affair, and it’s nice and slim for an acoustic, so electric and beginner players will feel at home immediately. Once you’re done playing, everything folds down nicely into the supplied gigbag for transport and storage.
For the sounds, you get Sonicake’s in-house-developed preamp system, which offers 8 acoustic guitar body shape simulations (dreadnoughts, jumbos, OM and parlor guitars are all covered, alongside a basic piezo mode and more). There’s also a Volume control, a 2-band EQ (Bass and Treble) and built-in Reverb and Chorus effects to further elevate your tones.
You can play this guitar anywhere too. It has a headphone out, making it ideal for silent practice, but you can also plug it into a guitar amp, a PA, or your computer/recording software. This makes it ideal for jamming, practicing, recording, performing live gigs, and more. And, being only 1.7 kgs (3.75 lbs.) and 2.72 kg (6 lbs.) when aged up, it’s a dream to carry round with you wherever you go.
How good is it, though? With a guitar like this, often it’s the sounds, feel and playability that can let things down. But, I’m pleased to say that the Sonicake Travel Guitar has been an excellent and inspiring acquisition for me, and in this video, I want to give you 10 reasons why I think every guitar player should give it a try!
Let me know your thoughts on the Travel Guitar in the comments!
Here are some links to the various playing samples and info bits:
00:00 Introduction and what we’re doing today 01:51 REASON 1: It’s great for beginners or electric players 02:53 REASON 2: The price 03:49 REASON 3: Build quality and specs 04:59 REASON 4: It’s super compact and incredibly portable 05:18 Unboxing and building the Travel Guitar 07:16 REASON 5: The sounds 07:54 The eight different acoustic body types 09:32 Reverb and chorus FX sound samples 10:25 Extended playing and tone samples section 14:55 REASON 6: It plays great 15:52 REASON 7: Connectivity and Flexibility 17:37 REASON 8: Quiet practice made easy 18:10 REASON 9: The inspiration factor 19:39 REASON 10: You probably don’t own anything like this… yet! 21:04 A few reasons why you might NOT want this 21:57 My conclusions on the Travel Guitar and why you should buy it
My recording setup was as follows: I ran the Travel Guitar straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@SONICAKETone City Holy Aura | The best value for money high gain drive pedal in 2025? In-depth Review & DemoRich. Words. Music.2025-08-22 | This is the Tone City Holy Aura: an affordable high-gain overdrive/distortion pedal (with boost) based on legendary USA amplifier designs!
The Holy Aura is an amp in a box style pedal, and Tone City say it’ll turn your clean amplifier into an American-flavored distortion monster! By USA amps, we can assume they’re referring to amps by the likes of Soldano or MESA Boogie, or possibly even the legendary 5150.
And, being a Tone City product, the Holy Aura does this for little money: as of summer 2025, it’s around $115/€115/£99, making it a massively tempting option for guitarists on a budget.
There are 8 controls on this pedal, but the Boost side – it’s a clean boost, by the way – only gets a single one: the imaginatively-named Boost. On the drive side, though, you have seven controls with which to sculpt and shape your tones.
You get a three-band EQ (Bass, Mid and High), Volume, Gain, and mini knobs for Presence and Tight. Tight will control the response and pick attack of the pedal, and Presence your high mids and treble frequencies.
You can run both sides of the pedal together, or on their own, and Tone City say the Holy Aura will give you anything from a subtle clean boost all the way through to huge walls of thick, distorted goodness.
Well, it’s time to put that to the test and see how good the Holy Aura really is! In this video, I use my Fender Telecaster (for single coil tones) and my humbucker-equipped Epiphone Les Paul to put the pedal through its paces in as many musical styles as possible, from country, folk, blues and pop to rock, punk, indie and metal, to hear how it versatile it truly is.
Let me know your thoughts on the Holy Aura in the comments!
Here are some links to the various playing samples and info bits:
00:00 Introduction to the Holy Aura 00:55 Pedal controls, features and info 02:33 Today’s rig and plan
03:40 Clean reference tone and turning on the Holy Aura (both guitars)
Epiphone Les Paul/Humbucker Tones 04:15 Pushed clean and drive tones with the Boost side of the pedal 06:06 From the Boost to the Drive side of the pedal: classic rock tones 07:10 Hard rock tones 08:31 Punk rock tones 09:22 Metal and chugging tones
Fender Telecaster/Single Coil Tones 10:48 Pushed clean and drive tones with the Boost side of the pedal 12:13 From the Boost to the Drive side of the pedal: indie rock tones 12:39 Classic rock tones 13:30 Hard rock tones 14:41 Punk rock tones 15:08 Modern progressive and heavy rock tones 16:41 Metal and chugging tones
18:07 Heavy modern rock loop (w/Les Paul) – tone tweaking
24:34 My thoughts: tones and versatility 25:55 There’s a gap in the gain levels here 26:45 Price, value for money, build quality, looks 27:07 Things I don’t like 28:31 What other similar pedals are out there you should consider? 29:19 My conclusions on the Holy Aura and why you should buy it
My setup was as follows: I ran the Holy Aura into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@tonecityaudio7641 @andertonsKing Of Tone vs Morning Glory vs Timmy vs Lightspeed | Transparent overdrive pedal blind test!Rich. Words. Music.2025-08-15 | Today we’re comparing the four modern-day iconic transparent overdrive pedals – the Analogman King Of Tone, the JHS Morning Glory V4, the Greer Lightspeed Organic Overdrive, and the Paul Cochrane Timmy!
Oh, and we’re doing the comparison as a blind test too – so your challenge is to see if you can work out which one is which. Place your guesses in the comments and we’ll see how many you all get right… but this won’t be easy!
This video came about after I recently got the JHS Morning Glory V4. It’s a fantastic and versatile overdrive, but it’s famed for its transparent response too, so the next natural step for me was to test it out against my other favorite drives: the Greer Lightspeed, the Paul Cochrane Timmy, and the Analogman King Of Tone!
These are all made in the USA to the highest quality thresholds, so none of them are super cheap. The Timmy is the most affordable (unless you’re in Europe, like me, and you’re having to pay the used prices), while the King Of Tone – if you can hack the 6+ year waiting list – starts at $335. The Lightspeed and Morning Glory are, thankfully, more readily available.
Now, being transparent overdrives, this awesome foursome will all sound fairly similar for some things – that’s what transparent is, after all! But, start to tweak them a bit, change up the guitars, pickups and genres you’re playing, and they start to react differently. That’s what we’re going to hear (and not see!) in this video.
Here are the rules of the blind overdrive challenge: I play a succession of riffs with each of the four pedals. Each pedal has a letter: A, B, C or D. Your challenge is to guess which is which!
I’m using my Fender Telecaster for single coil tones here, and my Epiphone Les Paul for some humbucker sounds, and I’m running the pedals into the front end of my Hughes & Kettner Black Spirit 200 amplifier. That’s it!
Can you guess which is which? Leave me your guesses in the comments, let me know how many you got right, and also tell me which of the pedals you think sounds best!
Here are some links to the various parts of the video (Note: all riff descriptions, and which guitar and pickups are used where, etc., are in the first comment on the video as they didn't fit here!):
00:00 Intro and what we’re doing today 00:31 The rules of the blind test challenge 01:27 Greer Lightspeed specs and info 02:13 Paul Cochrane Timmy specs and info 03:44 Analogman King Of Tone specs and info 04:59 JHS Morning Glory V4 specs and info 05:54 Today’s rig and plan
06:54 Amp’s clean and crunch tones without pedals 07:24 Grungey arpeggios 08:04 EVH 80s rock riff 08:37 Chunky Drop D power chords 09:01 Country strummed chords 09:20 Indie rock riff 09:46 Alt rock octaves 10:11 Classic metal riff 10:33 Funk rhythms 10:57 Groovy classic rock riff 11:25 Pop punk riff 12:09 Blues rock riff 12:39 Jangly indie chords 13:11 Glam rock riff 13:31 Ascending droning indie riff 13:57 AC/DC inspired riff 14:11 Hendrix inspired riff 14:28 Indie pop barre chords 14:47 Progressive rock riff 15:16 Hendrix quacky riff 15:33 Hard rock riff 15:50 Poppy barre chords 16:20 Alt rock riff 16:42 Skate punk riff 17:07 Airbourne inspired riff 17:29 Rockabilly double stops 17:43 Hard rock boost
18:17 The big reveal 19:29 Lightspeed opinions 20:08 Timmy opinions 21:00 King Of Tone opinions 21:54 Morning Glory opinions 22:37 Which one should you buy? Which is best? 23:07 Conclusions and goodbye
My setup was as follows: I ran the pedals into the front end of my Hughes & Kettner Black Spirit 200 amp, then went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@jhspedals @GreerAmpsInfoHas the Revv G3 finally got competition?! The world’s new best high gain distortion pedal is…Rich. Words. Music.2025-08-08 | Today, I’m having my first playing experience with the brand new Revv G3 V2 pedal – but can it replace my G3 V1 as my favorite high gain overdrive/distortion pedal of all time?!
The original Revv G3 has been my go-to high gain drive since it came out in 2018. It’s simply a monster of a pedal, and its huge gain reserves and powerful tone shaping controls have meant it’s a ubiquitous presence on my pedalboard – and in my YouTube videos!
But now, in 2025, Revv have released the V2 – and they say it’s better than the original! Apparently, the V2 has more tonal clarity and crispness, a more clear and cutting midrange, and a more amp-like playing feel.
So, the circuit’s been tweaked, then, but the controls on the G3 V2 are the same as its predecessor. You get a three-band EQ – Bass, Middle, and Treble – plus Volume and Gain controls, and a three-way Aggression switch. You start at Off, which has the least aggression and gain, then up the ante to Blue… and finally Red, which is effectively everything turned up to 11!
The G3 V2 has also had an aesthetic overhaul. The metal chassis is a slightly deeper, richer purple, and the logo – now smaller overall – is on a chic looking plate, as opposed to being directly printed on the pedal. It looks like a more expensive pedal, for sure – and it is. The G3 V2 will set you back around $229/€259, so it’s not cheap by any means.
However, it’s made in Canada (like everything Revv does) to the highest quality levels, and if it’s half as good as the original G3 pedal, it’ll be 100% worth it!
And, in this video, I’m taking the first steps in finding out if this is really the case. Is the G3 V2 worth the money, and if you already own the V1, do you need to ‘upgrade’? Well, have a listen. Here, we’re running a nice heavy loop into the front end of my Hughes & Kettner Black Spirit 200 amplifier, giving me the chance to really tweak the tones of the two G3 versions. That’ll let us hear how similar – and how different – they sound, and to what extent the V2 has improved upon the original’s incredible tonal performance.
Let me know what you think of the G3 V2 in the comments!
Here are some links to the various playing samples and info bits:
00:00 Intro and what we're doing today 03:08 THE LOOP 09:32 My thoughts 12:43 Final thoughts and goodbye
My setup was as follows: I ran the two G3 pedals into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@RevvAmpsGreer Amps Southland Harmonic Overdrive | An underrated OD masterpiece? In-depth Review & DemoRich. Words. Music.2025-08-01 | Today, we’re looking at an underrated and overlooked gem of the overdrive pedal world: it’s the Greer Southland Harmonic Overdrive!
Everyone knows Greer Amps – and most of us these days (me included!) are in love with their Lightspeed Organic Overdrive. The Lightspeed is probably my favorite pedal of all time, because its dynamic and transparent low to medium gain drives just suit any kind of music I play – and I even feel like I play better when it’s on!
But the Lightspeed’s success has arguably meant that certain other Greer masterpieces have gone undeservedly under the radar. I would include the Southland in this category.
Despite being billed as the perfect higher gain brother to the Lightspeed – and an ideal stacking partner to boot – you won’t see the Southland on nearly as many pedalboards as the Lightspeed. In fact, it’s been out over 10 years now, and I’ve only just picked one up.
But the Southland, at least on paper, should’ve been in my rig years ago. It’s a Greer, and I know Greer make wonderful pedals (besides the Lightspeed, I also own and love their awesome modded Marshall-inspired Black Mountain Crunch Drive and their humongous take on the legendary ProCo Rat, the Gorilla Warfare).
And because it’s billed as being such a great companion to the Lightspeed, I know I should’ve tried it earlier. But hey, in this part of the world, it’s not easy to come by, and it’s not cheap either – as of mid 2025, you’ll pay €269/$249 for the privilege.
But hey, now I have the Southland, and it’s time to see what it can do! It’s a remarkably simple pedal – just like the other three Greer drives I own – in that it has just three knobs: Volume, Drive, and Range.
Greer say the Southland is the next logical step for the Lightspeed platform, giving your more gain on tap, a focused midrange, and some extra high-end presence to help cut through a mix. Like the Lightspeed, the Southland should be dynamic, responsive, and touch sensitive.
So, just how good is it? And can it live up to the Lightspeed in any way, shape or form? It’s time to find out! In the video, I put the Southland through its paces in as many musical styles as possible, from country, folk, blues and pop to rock, punk, indie and even some metal, to hear how it versatile it truly is. I also test it out against the Lightspeed (I had to!), and all of this in single coil – courtesy of my Fender Telecaster – and humbucking goodness (via my Epiphone Les Paul).
Let me know your thoughts on the Southland in the comments!
Here are some links to the various playing samples and info bits:
00:00 Introduction to the Southland 01:52 Pedal controls, features and info 03:21 Today’s rig and plan
04:31 Clean reference tone and turning on the Southland (both guitars)
Epiphone Les Paul/Humbucker Tones 05:04 Pushed clean tones (folk, country, pop, indie, blues, funk, etc.) 06:23 Indie and alt rock tones 08:21 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 09:51 Hard rock tones 11:31 Punk rock tones 11:44 Modern progressive and heavy rock tones 12:11 Metal and chugging tones 13:18 Stacking the Southland and the Lightspeed 14:03 Southland as a boost into an overdriven amp
Fender Telecaster/Single Coil Tones 14:26 Pushed clean tones 16:10 Indie and alt rock tones 17:34 Classic rock tones 19:03 Hard rock tones 20:28 Punk rock tones 20:53 Modern progressive and heavy rock tones 21:48 Metal and chugging tones 22:46 Stacking the Southland and the Lightspeed 23:17 Southland as a boost into an overdriven amp
23:42 Alt rock loop (w/Fender Telecaster) – tone tweaking and Lightspeed shootout 27:51 Greer Lightspeed vs Southland comparison loop (w/Les Paul)
31:08 My thoughts 31:46 First impressions against the Lightspeed 32:16 Tones and versatility 33:38 What else I like: build quality and simplicity 33:48 Things I don’t like 34:10 What other similar pedals are out there? 35:52 Final thoughts and goodbye
My setup was as follows: I ran the Southland into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@GreerAmpsInfoWho makes the best Telecaster in 2025? Fender vs Jet vs Ibanez vs Paoletti | Comparison & Shootout!Rich. Words. Music.2025-07-25 | Today, we’re comparing four excellent modern Fender Telecaster-style guitars – from Jet Guitars, Fender themselves, Ibanez and Paoletti, ranging from $400 to a whopping $4,000+ – to see which is the best Tele around in 2025!
----- The best Telecasters at Thomann: https://www.thomann.de/intl/t_models.html?offid=1&affid=1250 At Sweetwater: sweetwater.sjv.io/6yRG7E -----
These four guitars might share the same overall body shape, but they’re very different beasts in many ways – as you might expect, given the price differences.
The $350/€350 Jet JT-350 is the budget offering here, but you get excellent specs on paper: a basswood body – with tummy cut – roasted maple neck and rosewood fingerboard, for starters. Then you get a set of Jet pickups, a Wilkinson bridge, and Jet locking tuners. The 9.5” radius neck is a modern feeling Modern C shape, with a sleek satin feel.
The Fender in today’s comparison is my personal pride and joy: a 2014 Fender FSR Standard Satin Telecaster, made in Mexico, with mods. The guitar, which cost me about €500 back in the day but would probably be around $800/€800 nowadays, features an alder body – covered in a beautiful satin Ocean Blue Candy finish – with a maple neck and rosewood board.
I kept the stock ceramic Fender Tele bridge pickup, but added a The Creamery wide range humbucker in the neck, alongside a three-saddle Wilkinson bridge. I also got a bone nut fitted, but the stock Fender tuners have been rock solid for over 10 years of heavy playing.
Going into the more professional price range and we have the Ibanez Prestige AZS2209H, which is Ibanez’s made-in-Japan take on the Tele, and part of their AZ Series. The AZS features an ash body, alongside a roasted maple neck and fingerboard. The pickups are by Seymour Duncan – with plenty of extra switching options – and the bridge and locking tuners are from Gotoh. The neck has a bone nut and 22 jumbo stainless steel frets, and the fingerboard radius is 12”.
And finally, we have the truly boutique Paoletti Nancy Loft SP90. This €4,200 Italian-made masterpiece is a superlative guitar in every way. It starts with the body, which is 150-year-old aged chestnut wood, in this case covered with a nitro Butterscotch Black over Sunburst finish.
The neck is Canadian roasted maple, and the fingerboard is extra dark Pau Ferro. The pickups (we have a P90 in the neck here) and hardware are Paoletti’s own, apart from the Kluson Deluxe tuners.
Can a Telecaster-type guitar ever be worth this much money? That’s a very good question, and in this video we’re testing the four guitars out against one another to see how they perform.
Here, I play a series of riffs on all four guitars in a variety of different styles, from country, folk and indie, to pop, rock, punk, metal, and more. This lets us really hear the differences and the similarities between them, and hopefully you’ll be able to decide which one would be your top choice!
Let me know which one you prefer in the comments!
Here are some links to the various playing samples and info bits:
00:00 Introduction and what we’re doing today 02:32 Fender Telecaster specs and info 04:45 Jet JT-350 specs and info 06:13 Ibanez AZS2209 specs and info 08:23 Paoletti Nancy Loft SP90 specs and info 11:02 Today’s rig and plan
Quick Timestamps 11:37 Clean tone reference chords on all guitars/pickup settings 13:05 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 16:30 Indie and alt rock tones 19:56 Classic rock tones 22:04 Hard rock tones 24:09 Alternative rock tones 24:32 Punk rock tones 25:58 Progressive and modern rock tones 26:50 Metal tones
29:33 My thoughts 30:08 Jet JT-350 discussion and opinions 31:04 Fender Tele discussion and opinions 32:49 Ibanez AZS discussion and opinions 33:46 Paoletti discussion and opinions 34:58 Which guitar is best? Which should you buy?
My setup was as follows: I ran the four Teles into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Marshall 1959 Super Lead and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@fender @jet_guitars @IbanezGermany @IbanezOfficial @paolettiguitarsTone City Double Durple | The best value for money dual overdrive pedal in 2025? Review & DemoRich. Words. Music.2025-07-18 | This is the Tone City Double Durple: an affordable dual overdrive pedal designed in collaboration with none other than Danish Pete of Andertons fame!
A genuine analog double-sided overdrive for around $100/€109/£89, the Double Durple is – on paper, at least – a hugely tempting option for guitarists on a budget.
You don’t ‘just’ get two Durples in this package, though. Sure, you get one, and it’s as excellent as the original mini pedal, its Volume, Tone, Gain and Mid controls giving you a wide range of sparkly, transparent and thick mid-pushed drive tones with ease. (The Durple, by the way, is based on the Tone City Mandragora, which itself took its inspiration from the cult Lovepedal Kalamazoo overdrive.)
The other side of the pedal, running into the Durple side, is the Double. This is a modded version of Tone City’s Blues Man pedal, which is based on the iconic Marshall Bluesbreaker pedal circuit. Here, you can expect warm clean boosts, transparent overdrives and some gnarly, grainy drive tones too.
You can run both sides of the Double Durple stacked together, or independently, and this gives you a massive range of tones to play with. The one slight shame is that fact that you can’t change the order of the two sides and run the Durple into the Double, as this would’ve boosted the pedal’s versatility even more.
Either way, it’s a lot of Danish Pete-approved pedal for the money… but how good is the Double Durple really? There’s a lot of great, affordable overdrives out there, so where does this one fit in? That’s what we’re about to find out!
In this video, I use my 2025 Ibanez AZ Standard HSS guitar to put the Double Durple through its paces in as many musical styles as possible, from country, folk, blues and pop to rock, punk, indie and even some metal, to hear how it versatile it truly is.
Let me know your thoughts on the Double Durple in the comments!
Here are some links to the various playing samples and info bits:
00:00 Introduction to the Double Durple 01:29 Pedal controls, features and info 03:16 Today’s rig and plan
03:56 Clean reference tone and turning on the Double Durple 04:32 Pushed Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 07:06 Indie and alt rock tones 09:59 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 11:53 Hard rock tones 14:31 Punk rock tones 15:11 Modern progressive and heavy rock tones 15:40 Metal and chugging tones
17:39 My thoughts 18:15 Things I like: tones and versatility 20:06 Price, value for money, build quality 20:37 Things I don’t like 21:29 What other similar pedals are out there? 22:33 My conclusions on the Double Durple and why you should buy it
My setup was as follows: I ran the Double Durple into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@tonecityaudio7641 @andertons @danishpeteIbanez AZS2209 | The ultimate Telecaster is NOT a Fender?! In-depth Review & DemoRich. Words. Music.2025-07-11 | This is the Ibanez AZS2209 Prestige: a premium, made-in-Japan single cut that takes the DNA of an Ibanez AZ and a Fender Telecaster and mixes them together into a unique guitar proposition!
The AZS2209 is, to my mind, Ibanez’s take on the Telecaster – and I love Teles, so I was really excited to try this one!
This specific model is the AZS2209H (H for the hardtail bridge; you can get an AZS with a trem as well, if that’s your thing) in Antique Turquoise. Priced at around $1,999/€1,666 as of June 2025, they’re comparable to a USA-built Fender in that sense, but the AZS’s specs are fantastic on paper.
Under that beautiful blue finish – which also has binding on the top side – you get an ash body with a sizeable tummy cut on the back, and Ibanez’s Super All Access Neck Joint, which great improves upper fret access.
Pickups-wise, we have a pair of Seymour Duncans here: an Alnico II Pro Custom Tele-style in the bridge, and a Magic Touch-mini humbucker in the neck. With Ibanez’s dyna-MIX5 switching system and the Alter Switch, you get a number of extra pickup splitting/phase options too.
The bridge is a three-saddle Gotoh F1803, and the control plate is where Ibanez have made sure your eyes don’t fool you into thinking you’re looking at a Fender: it’s the same layout as a Tele, but bent down at a rather interesting angle, and presumably to make the guitar more ergonomic too. Definitely an interesting visual addition!
The AZS2209 features a roasted maple neck and fingerboard along with some pretty modern-leaning specs – similar to many AZ guitars, in fact – and this is where the guitar differs compared to more traditional Fenders too. First off, the profile is the AZ Oval C – not too fat, not super thin.
You also get 22 jumbo stainless steel frets here (which have been given Ibanez’s Prestige fret edge treatment), a bone nut, and a 25.5” scale length, while the fingerboard radius is 12”, so pretty flat. At the headstock, you get a set of Gotoh Magnum locking tuners.
All this is pretty premium stuff, as the price tag would suggest – so how good is the AZS2209? Can it live up to my lofty expectations of it being like a cross between an Ibanez AZ and a Telecaster? Or is it just another Ibanez without any Tele personality?
Time to find out! In this video, I put the AZS2209 to the test in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it!
Let me know your thoughts on the AZS2209 in the comments.
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:18 Introduction to the AZS2209 01:49 Specs and features 08:31 Today’s rig and plan
09:18 Clean tone reference chords on all pickup settings 09:55 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 12:18 Tone control test 13:39 Indie and alt rock tones 15:58 Volume control roll off test 16:21 Ambient rock tones + tremolo and plate reverb (Fender Tre-Verb) 17:25 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 19:14 Hard rock tones 20:19 Alternative rock tones 21:13 Punk rock tones 21:54 Progressive and modern rock tones 23:03 Metal/chugging/heavy distortion tones
25:01 My thoughts 25:46 First impressions, looks, hard case 26:39 Weight 27:20 Build quality and hardware 28:09 Playability and neck 29:00 Sounds and pickups 31:34 What other similar guitars are out there? 33:29 My conclusions on the AZS2209H and why you should buy it
My setup was as follows: I ran the AZS2209 into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Marshall 1959 Super Lead, Friedman BE-OD Deluxe and Revv G3 pedals for overdrive and heavy distortion sounds, plus my Fender Tre-Verb for some extra reverb and tremolo tones. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@IbanezGermany @IbanezOfficialKris Barocsi: the story of his new album Ego Town + why he released it on vinyl in 2025! InterviewRich. Words. Music.2025-07-04 | Today, I chat with the guitar legend that is Kris Barocsi – you’ll know him from his own excellent YouTube channel, as well as Thomann’s Guitars & Basses – about his new album, Ego Town!
The product of over two years of work, Ego Town is Kris’s debut solo album in a way… and he’s even chosen to release it on vinyl!
Featuring nine tracks – where Kris takes lead guitars, vocals, and bass duties – the album also features a number of incredible guest musicians (including Kris’s Thomann partner in crime, Guillaume Chenin, bass monsters Nate Navarro and Julia Hofer, drummer Jan Hees, and more!) as it veers between rock, pop, blues rock, and even some funky Red Hot Chili Peppers-esque moments!
I knew this was a massive passion project for Kris, but I really wanted to know about the process of making an album from scratch in 2025: where the song ideas came from, how it was recorded, what guitars and gear he used, the biggest challenges during production, how to release a record in 2025, and so on.
Here, Kris discusses all of that, and more! We also chat a bit about Kris’s life in general, and the other bits of guitar gear that are making him tick at the moment.
Enjoy the interview, and please give Ego Town a listen if you get the chance! It’s an awesome album, and you can listen for free at all the usual streaming sites.
All the info is on Kris’s site: krisbarocsi.com You can also buy Ego Town on vinyl here: https://www.amazon.de/-/en/Ego-Town-Kris-Barocsi/dp/B0F8J86CJY/ref=sr_1_1?crid=2RVQ712O8MIFG&dib=eyJ2IjoiMSJ9.iQWRG75fa5kEQrsa34IJqz2u5vLr-NkPPEfZn5vaT4dRTRgX3B3uD2SIoh39_LoEdK6S7N_fL6XjcGhTxm8n8wBDPheHnTclviTb3g1cr_UXIxIJQD6_eo2Iz-4dzTOHsT6Tar7xX8sEoVvo80amKz1zB2xnLhIldoj-XtY61E8.l3t7Jzy0GkaXU9k2JfHdtMyL2mQ-9LeCG21rfZMZUM0&dib_tag=se&keywords=kris+barocsi&qid=1751459358&sprefix=kris+barocsi%2Caps%2C79&sr=8-1
Here are the links to the different parts of the conversation:
00:00 Hello and intro 01:36 Where did the Ego Town title come from? 07:27 How did Kris know that now was the time to make a record? 11:49 How Kris collected musical ideas for the album 14:56 Kris’s challenge of doing all the vocals on Ego Town 21:46 Writing songs on acoustic vs electric guitar 24:57 What was the hardest thing about making the record? 28:00 How do you know when a song is truly finished? 29:42 The guest musicians on Ego Town: the recording process 31:27 Recording vocals for the album 35:10 Getting emotion into the vocals 37:43 Choosing the 9 tracks that made it on to the album 39:10 Going from 9 recorded songs to actually releasing the album 43:02 Why vinyl records are the best – it’s all in the experience! 49:17 Kris’s favorite songs on Ego Town 51:02 If Kris was to make another record in future, what would he do differently? 55:44 Modern songwriting and hooks every four seconds?! 57:06 Any live shows planned around the record? 59:13 Who would Kris’s dream guest musicians be for his next album? 01:01:24 For the gear nerds: Kris’s guitar equipment for Ego Town! 01:06:28 New guitar gear Kris is excited about: Crazy Tube Circuits Mirage (Kris’ video here: youtube.com/watch?v=p1vwdzvwq9I), modding/refinishing his Gibson Les Paul Junior (youtube.com/watch?v=JUy4X3S1Vko), and more! 01:08:30 Final thoughts, links to Kris, and goodbye
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@KrisBarocsi @ThomannsGuitarsBasses @ThomannMusicJet Guitars JT-350 | The new leader in the sub $500 Tele category?! In-depth Review & DemoRich. Words. Music.2025-06-27 | This is the Jet Guitars JT-350 SB R: an affordable take on the classic Fender Telecaster style of guitar, but equipped with a humbucker pickup and a modern-feeling neck!
Jet Guitars have been under the radar for me for a long time. I’ve seen them around at shows and in a few stores, but the JT-350 is the first Jet I’ve been able to properly spend some time with, and my expectations were sky high.
Why? Well, because – on paper, at least – Jet Guitars seem to have out of this world specs. The JT-350 can currently (time of writing: June 2025) be had for around $350/€350, pricing it well below something like a Squier Classic Vibe Telecaster.
However, just take a look at these specs. Under a beautiful sunburst finish (which is complemented by binding and a tortoiseshell scratch plate) we have a basswood body. Teles are normally solid slabs of wood, but the JT-350 has a big tummy cut on the back, plus a much deeper cutaway on the lower bout side than on a standard Fender/Squier model, giving us much improved upper fret access.
The pickups are Jet’s own alnico models, and we get a Tele-style bridge single coil and a neck humbucker with a coil split option. The bridge is a Wilkinson chrome affair, in the modern style with six saddles.
The neck is satin Canadian roasted maple, and is topped with a 22-fret rosewood fingerboard. The scale length is 25.5” (like a Fender Tele, then) and the fingerboard radius is 9.5”. The neck shape is Jet’s Modern C profile, not too thick and not too fat, and all this gives the JT-350 a pleasantly modern playing feel that should be comfy for any hand size. Finally, the guitar is topped off with a set of Jet-branded locking tuners.
All this for $350 seems like great value for money… but how good is the JT-350 really? Can it match the trusted quality of a Squier Classic Vibe? Or does it feel more like a cheaper (albeit excellent value for money) Harley Benton? Could the JT-350 be the best Telecaster on the market for sub $500?! It’s time to find out!
In the video, I put the JT-350 through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it!
Let me know your thoughts on the JT-350 in the comments.
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Introduction to Jet Guitars and the JT-350 02:20 Specs and features 05:13 Today’s rig and plan
05:54 Clean tone reference chords on all pickup settings 06:16 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 08:13 Tone control test 09:15 Ambient clean tones + tremolo and plate reverb (Fender Tre-Verb) 10:04 Indie and alt rock tones 12:33 Volume control roll off test 12:54 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 14:34 Hard rock tones 15:43 Alternative rock tones 16:06 Punk rock tones 16:58 Progressive rock tones 17:55 Metal/chugging/heavy distortion tones
20:02 My thoughts 21:09 First impressions, looks 22:19 Weight 22:38 Build quality and hardware 23:30 Playability and neck 24:03 Sounds and pickups 27:37 What other similar guitars are out there? 29:18 My conclusions on the JT-350 and why you should buy it
My setup was as follows: I ran the JT-350 into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Marshall 1959 Super Lead, Friedman BE-OD Deluxe and Revv G3 pedals for overdrive and heavy distortion sounds, plus my Fender Tre-Verb for some extra reverb and tremolo tones. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@jet_guitars @iMusicnetworkTVSonicake Pocket Master | The best $65 you can spend on guitar gear in 2025?! Review & DemoRich. Words. Music.2025-06-20 | Today we’re looking at a super cheap ($65, anyone?!), super tiny all-in-one digital modeler that’s stacked with a bunch of tones and features, including being able to load NAM profiles and captures: it’s the Sonicake Pocket Master!
Digital modelers are forever getting smaller, cheaper, and more feature-rich. The Pocket Master – and yes, it will fit in your pocket, if you have big pockets! – is another level for me, though.
At $65, it’s going to be an option whatever your budget is. And it’s chock full of sounds too: you get 20 amps (including models of famous Fender, Marshall, Vox, MESA Boogie, Soldano and other rigs) and a bunch of IRs as cabinets to play with. You can even load your own IRs! You also get over 100 FX (stereo where relevant) that you can place in your chain, from recreations of iconic overdrives, distortions and fuzzes, to compressors, reverbs, delays, modulations, and more.
On top of that, the Pocket Master has a built-in tuner, drum machine/metronome and looper. You can play it silently with headphones, use it as your audio interface for recording, or stick it somewhere else in your signal chain or on your pedalboard.
It’s battery powered (although of course you can plug it in too), and you can also connect it via Bluetooth to a free App for Apple/Android/Mac/PC to manage your sounds and control everything more easily. You can also do everything via the unit itself, but the Pocket Master’s size means it only has a couple of buttons, so the App gives you more of an overview when you’re dialing in tones.
So, that’s a LOT of stuff for $65! The key question is, then: how good is it really? Does the Pocket Master sound and feel like a $65 cheap unit? Or does it excel as a Portable Multi Effects Processor? And what kind of guitar player is it for, anyway? I’ve heard quite a few people saying this is the best $65 you can spend on guitar gear in 2025, so I’m keen to put that to the test here.
In the video, I go through my favorite 10 sounds/presets I’ve made with the Pocket Master so far, from pristine cleans and lower gain drive tones to heavier rock and metal sounds and some more ambient and atmospheric tones. My guitar for today is the stunning 2025 Ibanez AZ Standard HSS for all my single coil and humbucking needs in one!
Let me know what you think of the Pocket Master in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:15 Intro to the Sonicake Pocket Master 02:16 Today’s rig and plan
02:40 Tone 1: Classic rock (AC/DC, Airbourne, etc.) 03:10 Dialing in tones with the Pocket Master App 04:34 Classic rock tones 06:17 Tone 2: Americana (Jason Isbell, Ariel Posen, Fratellis, etc.) 08:29 Tone 3: Hard rock (EVH, NWOBHM, etc.) 10:43 Tone 4: Pristine clean tones (Country, Blues, Folk, etc.) 12:43 Tone 5: Indie/Alternative Rock 14:55 Tone 6: Metal 17:14 Tone 7: Fuzzy Garage Rock (White Stripes, Smashing Pumpkins, etc.) 19:31 Tone 8: Clean Garage Rock (Black Keys, etc.) 21:58 Tone 9: Punk Rock (Green Day, Blink-182, etc.) 23:51 Tone 10: Post Rock/Ambient (Explosions In The Sky, Mogwai, etc.) 25:56 Tone 11: “Sam Fender” Clean (duh 😉)
28:16 My thoughts 29:23 No more option paralysis and building tones 30:37 My top tip on preset building with the Pocket Master 31:04 Who is the Pocket Master intended for? Is it right for you? 31:50 And the bad stuff? 32:28 Final thoughts and goodbye
Check pout Shane @intheblues great detailed video of everything the Pocket Master can do here: youtube.com/watch?v=mirrSSZ0yuw
My setup was as follows: I ran the Pocket Master via a TRS cable into two inputs of my Focusrite Scarlett 2i4 audio interface (for the stereo effects!), which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@SONICAKEPaoletti Nancy Loft SP90 | The best Tele-style guitar Ive ever played?! In-depth Review & DemoRich. Words. Music.2025-06-13 | This is the 2025 Paoletti Guitars Nancy Loft SP90: a boutique, sustainable made-in-Italy take on the classic Telecaster DNA – with many unique twists along the way!
The Paoletti family have been making guitars since 2008. Every step of their guitar making process is meticulous and to the highest standards, as well as being conscious of the planet: they’re a carbon neutral company, and also keep the plastics in their guitars to the very minimum, among other measures.
And their guitars are built to be the very best of the best, with no expenses spared, and enough personal time spent with every instrument to make sure it’s a superlative experience for the guitar player in every way.
Today, I’m checking out the Nany Loft SP90. Nancy is their Fender Telecaster shaped model; the Loft Series includes guitars with spectacular paintjobs like this one here: Butterscotch Black over Sunburst (in nitrocellulose lacquer, of course!).
The guitar’s body is made of the Paoletti staple of 150-year-old aged chestnut wood. The family has a history in wine making, and they found their old Chianti barrels to be the ultimate in terms of tone wood. This is coupled to a Canadian roasted maple neck with a Pau Ferro fingerboard.
At the body, we have a Paoletti P90 pickup in the neck, and a Tele-style single coil in the bridge. The volume and tone controls are made of recycled shotgun shells. Yes, shotgun shells. The only plastic in this guitar is found in the pickup covers and the selector switch tip (and you can order these in wood to be 100% plastic free, if you wish). The bridge is a custom Paoletti ashtray Tele-style with three brass saddles, and the uniquely shaped scratch plate is nickel-covered brass too.
The satin neck has a comfortable Medium C profile. You get 22 jumbo frets on that Pau Ferro board, which has a 12” radius and a 25.5” scale length. Meanwhile, at the headstock you get six Kluson Deluxe tuners.
The guitar comes in a wooden Paoletti hard case with plenty of case candy (a strap, strap locks, setup tools, certificate of authenticity, user manual, etc.).
All this comes at a premium price, of course: this specific guitar has an RRP of €4,220. Can the Nancy Loft SP90 be worth it? We’re about to find out! In the video, I put the guitar through its paces in as many musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it! Let me know your thoughts on the Nancy Loft SP90in the comments.
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:23 Introduction to the Nancy Loft SP90 01:34 All about Paoletti Guitars 02:48 Specs and info 06:19 Today’s rig and plan
06:56 Clean tone reference chords on all pickup settings 07:11 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 09:16 Tone control test 10:30 Indie and alt rock tones 13:08 Volume control roll off test 13:35 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 16:00 Hard rock tones 17:31 Alternative rock tones 18:02 Punk rock tones 18:54 Progressive and modern rock tones 19:45 Metal and chugging tones
21:42 My thoughts 22:28 First impressions, case, looks 24:12 Weight 24:45 Build quality and hardware 25:21 Playability and neck 26:15 A Pau Ferro board?! 27:15 Sounds and pickups 30:13 What other similar guitars are out there? 32:25 My conclusions on the Nancy Loft SP90 and why you should buy it
My setup was as follows: I ran the guitar into my Hughes & Kettner Black Spirit 200 head, also using my Marshall 1959 Super Lead and Revv G3 pedals for overdrive and heavy distortion sounds. I recorded it all into my Zoom H6, and then edited it all together in Final Cut Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@paolettiguitars @musikweinTone City Golden Plexi 3 | The best budget Marshall In A Box got even better? In-depth Review & DemoRich. Words. Music.2025-06-06 | This is the Tone City Golden Plexi 3: the latest version of the brand’s iconic budget Marshall In A Box mini overdrive pedal!
The Golden Plexi has become something of a legend in the guitar world: when the original first came out, over 10 years ago now, Rob Chapman and Captain Lee Anderton helped push this unassuming pedal to the masses with some incredible videos on the Andertons YouTube channel.
The Golden Plexi did make it easy: plug it in, switch it on, and your amp becomes a snarling Marshall stack turned up to 11! And it cost less than $50 back in the day too.
Then, in 2022, Tone City released the Golden Plexi 2. This took the original pedal’s DNA and made a couple of key tweaks, offering an easier to use gain control, and a lower noise floor.
Now, for 2025, we have the Golden Plexi V3! Still super cheap, at around $65 this time, the third iteration of this pedal also has a few new tricks up its sleeve. The basics are the same as the last versions, though: you get Volume, Tone and Gain knobs to sculpt your sound, which will take you from pushed cleans to really gnarly classic metal tones, and everything in-between.
New to the Golden Plexi 3 is a Mod switch. This two-way mini switch offers you two gain modes: switch it to the right for lower gain mode, and to the left for higher gain mode. Tone City also say on their website that these two modes give you faithful recreations of the original Golden Plexi and Golden Plexi 2 sounds. They also say that the tonal high frequencies in the new pedal have been tweaked to make it even quieter in operation.
We all know what this pedal is going to do, then… bit just how good is the Golden Plexi 3? Is it the new king of the affordable Marshall In A Box pedals? Is it the new Plexi pedal we all must have in 2025? And, is it the best budget overdrive out there? It’s time to find out! In this video, I put the Golden Plexi 3 through its paces in as many musical styles as possible, from country, folk, blues and pop to rock, punk, indie and even some metal, to hear how it versatile it truly is.
Let me know your thoughts on the Golden Plexi 3 in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Introduction to the Golden Plexi 3 01:06 Pedal controls, features and info 02:46 Today’s rig and plan
03:38 Clean reference tone and turning on the Golden Plexi 3 04:01 Pushed Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 05:46 Indie and alt rock tones 07:37 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 09:52 Hard rock tones 11:37 Alternative rock tones 12:09 Punk rock tones 12:48 Modern progressive and heavy rock tones 13:56 Metal and chugging tones
15:07 Epiphone Les Paul classic rock loop – tone tweaking and Golden Plexi 2 shootout
19:27 My thoughts 19:50 Things I like: tones 21:31 Size, price, build quality 22:23 Things I don’t like 23:26 What other similar pedals are out there? 24:59 My conclusions on the Golden Plexi 3 and why you should buy it
My setup was as follows: I ran the Golden Plexi 3 into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*Mad Professor Simble Mk2 | The ultimate Dumble In A Box pedal in 2025? In-depth Review & DemoRich. Words. Music.2025-06-02 | This is the Mad Professor Simble Mk2: a new, improved take on the Dumble In A Box overdrive pedal type!
The original Simble pedal came out in 2014, and it’s gone down as being one of the best Dumble In A Box style overdrives around. Natural sounding, dynamic and open, the Simble has become something of a standard for achieving the iconic Dumble sound in an affordable, pedal format.
And now, Mad Professor is back with a new take on the classic! The Simble Mk2 was designed by Lassi Ukkonen – who designed the original Simble, and many other Mad Professor classics – and he’s made this new version more open sounding with more headroom, as well as giving the Contour (i.e. the tone control) more brightness.
This should ensure that the Simble Mk2 responds ideally to any guitar, pickup type, pedal or amp situation you throw at it. Coming in at €199, the Simble Mk2 is certainly not the cheapest overdrive out there, but if the original Simble was anything to go by, it’ll be well worth it.
Controlling this beast is a simple affair: you get a Level control for your volume, Sensitivity (this controls the amount of distortion and compression), Contour )that’s your tone, with unity at 12 o’clock) and Accent. The Accent knob controls the tonal range of the distortion and your pick attack. All the way down, it doesn’t do anything, and it becomes more pronounced the more you wind it up.
Being a Dumble type pedal, then, the Simble Mk2 should excel at anything from a sparkly clean boost to lower gain transparent overdrives, some mid-pushed rock tones, and even some throaty harder rock sounds. Of course, the list of top class players who’ve used Dumble amps over the years is impressive, taking in the likes of John Mayer, Larry Carlton, Robben Ford, Stevie Ray Vaughan, Joe Bonamassa, Eric Clapton, Carlos Santana and more – so the Simble Mk2 should cover a whole lot of tonal ground.
How good is it really, though? That’s what we’re about to find out! In this video, I put the Simble Mk2 through its paces in as many musical styles as possible, from country, folk, blues and pop to rock, punk, indie and even some metal, to hear how it handles it all.
Let me know your thoughts on the Simble Mk2 in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Introduction to the Simble Mk2 01:11 Pedal controls, features and info 03:26 What is the Dumble sound anyway? 03:52 Today’s rig and plan
04:35 Clean reference tone and turning on the Simble Mk2 04:51 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 07:18 Indie and alt rock tones 09:49 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 11:48 Hard rock tones 13:12 Alternative rock tones 13:35 Punk rock tones 14:28 Progressive rock tones 15:25 Metal tones
16:59 Fender Telecaster indie rock loop – tone tweaking
20:46 My thoughts 21:17 Things I like: tones and versatility 23:56 Build quality, looks 24:14 Things I don’t like 24:44 What other similar pedals are out there? 25:42 My conclusions on the Simble Mk2 and why you should buy it
My setup was as follows: I ran the Simble Mk2 into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@MadProfessorAmplification @IbanezGermany @IbanezOfficialIbanez Guitar Festival 2025: Picking The Top 3 Vintage Guitars with Andy the Guitar Geek!Rich. Words. Music.2025-05-30 | I was lucky enough to be a guest at the Ibanez Guitar Festival 2025 in Gutenstetten, Germany! While there Andy The Guitar Geek and me perused the museum of vintage Ibanez guitars on display and picked out the three models we’d each take home if we could…
It was an amazing experience to be up close to all these vintage Ibanez guitars in one room – the only improvement would have been the chance to actually try a few out! But we really got to see a who’s who of the best Ibanez electric guitars and basses from the past 50+ years here, which was a huge privilege.
The collection started in the 1960s, with a few proper semi-hollow garage rock looking rarities in the vein of ancient Framus, Teisco and Yamaha guitars (one model in particular was modeled after the Yamaha SA 30).
It then moved to the 1970s – when Ibanez was freely making its own versions of Gibson classics like the Les Paul, Flying V, and Firebird – and the 1980s, when neon colored Steve Vai Pia models were all the rage.
Moving into the 1990s and 2000s, you started to see more streamlined models, and a few tasty George Benson signature guitars. But things also got weirder, in the form of the crazy double neck Xiphos, and a couple of one-off NAMM Show and Frankfurt Musikmesse oddities. Designed to draw the punters’ eyes to the Ibanez booth, they surely got the job done!
In the 2010s, we’re getting more into familiar territory with the Ibanez guitars we know now, although there’s a few really exotic wood choices, and a couple of special signature models for the likes of Joe Satriani, Steve Vai and Paul Gilbert.
Like I mention at the start of the video, the wonderful Dr. Dan from Ibanez Germany took the Thomann video crew round the entire collection in detail. You can see that video here: youtu.be/YLI5lgnTm5U?si=rYOaADKpkE1hqbcz
I hope you enjoy this little tour of the Ibanez museum! Do you agree with the choices Andy and I made? Let me know which guitar was your favorite in the comments!
Here are some links to the various parts of the video:
00:00 Rich picks his top three 02:35 Andy picks his top three 04:40 Late 1960s semi hollows 04:56 1980s neon Steve Vai JEM 777 signature quartet 05:26 1997 RGKB4 NAMM Show special 06:00 Steve Vai 2000 swirly JEM goodness 06:14 Xiphos double neck from 2010 06:46 2016 Satch signature model 07:14 2018 JCRG1801 with blue resin on a buckeye burl top 07:35 2022 Custom Line JCRG2204 with exotic woods 07:45 2023 Limited Edition Pia 08:15 USA Custom Models and Paul Gilbert signature models
I want to send out a massive thanks to Ibanez Germany and everyone from their wonderful team for inviting me to the 2025 festival - I had a blast and can't wait for the next one.
And cheers to the awesome @STEVEROXXMUSIC for filming me here! Make sure you check out Steve’s channel for some incredible guitar videos (in German!).
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@IbanezGermany @IbanezOfficial @TheGuitarGeek @SteveVaiHimself @JoeSatriani @officialgeorgebensonHartwood Pedals | Just how good can this $30 Fuzz, Overdrive, Distortion + Chorus be?! Review & DemoRich. Words. Music.2025-05-23 | Today we’re looking at an extremely affordable set of pedals from Hartwood: we’ve got the Santa Fe Fuzz, the Blue Ridge Overdrive, the Beartooth Distortion and the Collinsville Chorus!
Hartwood is the Gear4Music house brand, and when they contacted me and asked if I wanted to check out these pedals, it was a quick ‘yes’. You can buy the four pedals on their own – each costs around $30/€30/£29 individually – or in a pack, which also includes a Hartwood Multi Power Supply and a set of six patch cables.
Don’t be fooled by the budget nature of these pedals, though. While you can’t expect the world’s best build quality for this price, they’re all housed in nice, solid metal enclosures and the pots and jacks all feel fairly solid and roadworthy.
The most exciting of the four pedals on paper (at least for me!) is the Beartooth, which is clone of the legendary ProCo Rat. You get the same three controls as the original Rat here – Volume, Filter (that’s your tone) and Distortion, but the Beartooth has three modes too: Normal, Turbo and Solo. Three Rat-types in one for $30? Sounds like a bargain to me!
Next up is the Santa Fe fuzz. This is a vintage 60s fuzz face-style fuzz, and it just has two knobs: Volume and Fuzz. Being a fuzz face, though, we can expect it to deliver fuzz styles from classic Hendrix and Gilmour tones, up to 21st century garage sounds a la Jack White and The White Stripes, The Black Keys, and so on.
The third drive on the menu is the Blue Ridge Overdrive, and this is based on the iconic Marshall Bluesbreaker. That means it should serve up a wide range of low and medium gain tones, and some of that much hyped transparent overdrive too! The Blue Ridge has three main controls – Volume, Gain and Tone – plus a two-way mini switch where you can choose between Normal and right modes.
Finally, we have the Collinsville Chorus. Most likely based on the Boss CE-2, the Collinsville features Volume, Speed and Depth controls to set the amount of lush chorus in your tone.
If you buy these pedals in the set, you also get Hartwood’s 12-output power supply. The power supply is made of steel and each output is individually isolated, so it should give us quiet operation at all times. You get 2.2A of power overall, and 10 9V outputs, 1 x 12V output, 1 x 18V output, plus a bonus 5V USB A output that you can use to charge your phone or power a MIDI keyboard or similar.
Finally, the set comes with six colorful patch cables to hook the pedals up.
Coming in at $163/€180/£149, this set offers a whole lot of FX pedal goodness for the money… but just how good can gear this cheap be? That’s what we’re about to find out! In the video, I put each of the four pedals through its paces in a variety of musical styles, and I also stack them together to see how they handle it.
Let me know which of the pedals you like best in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:17 Hartwood Pedals Set info 02:08 Santa Fe Fuzz info 02:40 Blue Ridge Overdrive info 03:20 Beartooth Distortion info 04:04 Collinsville Chorus info 04:21 Hartwood Power Supply info 05:50 Today’s rig and plan
07:00 Santa Fe Fuzz tones 10:17 Blue Ridge Overdrive tones 13:52 Beartooth Distortion tones 17:45 Collinsville Chorus tones 20:29 Stacking the pedals: more tones
24:38 My thoughts 25:19 Price and build quality 25:54 Santa Fe Fuzz opinions 26:43 Blue Ridge Overdrive opinions 27:46 Beartooth Distortion opinions 28:25 Collinsville Chorus opinions 29:20 Stacking pedals is always worth it 30:31 Power Supply opinions 31:34 Is the whole set worth it? 31:55 Which of these pedals should you buy?
My setup was as follows: I ran the pedals into my Hughes & Kettner Black Spirit 200 head – the drive pedals in the front end, and the chorus in the FX Loop. Then I went from the amp’s Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@gear4musicguitarsI made 250 videos about guitars, amps and pedals. These are the 5 best things I played.Rich. Words. Music.2025-05-16 | I’ve been making videos about guitar gear and the music equipment industry on this channel since 2020… and this video marks my 250th!
That’s a surprisingly large number (and one I had no clue I’d ever reach when beginning this channel) and it got me thinking… what are the best guitars, amps, pedals and other pieces of gear I’ve had the fortune to try in that time?
Well, these are they! I’ve gone through all of my videos to date and made a list of the Top 5 products I’ve played on the channel since day one. Have a watch and tell me if you agree with my choices!
There’s also a number of products that almost made the list, and I’ve included them in the shortlist sections here. Plus I talk about the reliable guitar rig that’s got me through the past 250 videos unscathed, and future plans for this channel in 2025 and beyond!
I would love it if you guys could give me some feedback about that too, so please leave your thoughts in the comments as usual. I’m super happy to have had you all along for the ride for the past 250 videos, and naturally I want to make the next 250 even better 😉 Cheers!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 01:57 NUMBER 1 03:30 NUMBER 2 04:50 NUMBER 3 05:44 NUMBER 4 07:07 NUMBER 5 08:30 The shortlist: the guitars that almost made it! 11:45 Pedal shortlist 13:56 Amp shortlist 14:31 Newer gear that might make a future list 15:25 Shoutout to my rig for the past 250 videos! 15:57 What I’ve learned from making 250 gear videos: LESSON 1 16:46 LESSON 2 17:35 The future of my YouTube channel
Grab yourself some of the gear mentioned in this video:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@Pjdguitars. @ikmultimedia @IbanezGermany @IbanezOfficial @GreerAmpsInfo @HarleyBentonOfficialFlattley DG Fuzz V2 | The ultimate boutique Fuzz Face pedal?! Review & DemoRich. Words. Music.2025-05-09 | This is the Flattley Pedals DG Fuzz V2 – a boutique, UK-made David Gilmour-inspired fuzz face-style fuzz with a unique look and some awesome special tricks up its sleeve!
The first thing you notice about the DG Fuzz V2 is that it’s a stunning thing to look at. The sparkly, skull-embossed enclosure design is – like everything else about the pedal – painstakingly crafted by the small Flattley team in their workshop in England.
If it looks expensive, that’s because it is: £259 (about $340/€300 at time of writing, May 2025). But Flattley only use the best of the best parts in all their pedals, and you can pay far more for fuzzes in this day and age. And far less, of course.
The DG Fuzz is based on a fuzz face circuit, but has a simplified version of Flattley’s Ace Tone Booster built in to give us some extra magic. It’s a silicon fuzz, and it features a buffer (although the pedal itself is true bypass), so you can put it anywhere you want in your signal chain without any problems. (Fuzz Face pedals can be notoriously picky in this regard!)
You get four controls on the pedal: Tone, Fuzz, Volume, and Grunt. The first three are pretty self-explanatory. The Grunt controls sits before the fuzz part of the circuit and injects bass frequencies into your signal which really lets you fatten up the fuzz tones. Balancing the Grunt and the Tone, and adding Volume and Fuzz to taste, should offer up a huge variety of fuzzy sounds!
There’s a couple of little extra touches that elevate the DG Fuzz above the ordinary: a halo ring LED On/Off light – not one of those tiny, blinding LED lights that so many pedals suffer from – and an aluminum foot topper, to make the DG Fuzz easier to turn on and off in a hurry!
All this said, it’s still an high-priced pedal… but is it worth it? That’s what we’re about to find out! In the video, I put the DG Fuzz through its paces in as many different fuzzy musical styles as possible – from Hendrix-infused rock to blues, garage punk, doom, metal and more – to see how good it truly sounds.
I also run it into my beloved Paul Cochrane Timmy overdrive pedal as a boost, and we’ll stick my Boss OC-5 octave pedal into the front end for some killer octave down fuzz tones too! Finally, I run a loop into the DG Fuzz where we really get to twist the pedal’s knobs and see how versatile and extreme we can get it to sound.
Let me know your thoughts on the DG Fuzz V2 in the comments!
Here are some links to the various parts of the video:
00:00 Hello! 00:16 Introduction to the DG Fuzz V2 01:22 Pedal controls and features 03:55 Today’s rig and plan
05:13 Clean reference tone and turning on the DG Fuzz V2 05:30 Fuzzy tones ahoy! 10:34 DG Fuzz + Boost (Paul Cochrane Timmy V2) 14:09 DG Fuzz + Octave Pedal (Boss OC-5) and Timmy 16:53 Classic rock guitar loop with pedal tweaking
20:49 My thoughts 21:24 Things I like: tones and versatility 23:03 Boost and Octave are awesome with it 24:28 Looks, build quality 25:27 Anything I don’t like? 26:23 What other similar fuzz pedals are out there? 27:38 My conclusions on the DG Fuzz V2 and why you should buy it
My setup was as follows: I ran the DG Fuzz straight into my Hughes & Kettner Black Spirit 200 head, also using the Timmy pedal and the Boss OC-5 at times. They went from the amp’s Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to play the loop.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@flattleyguitarpedals4694Nobels CHO-Mini | €99 three-mode stereo mini chorus with tap tempo! | In-depth Review & DemoRich. Words. Music.2025-05-02 | This is the Nobels CHO-Mini – a new $99/€99 stereo multi-chorus pedal with tap tempo and more from the ODR-1 overdrive legends themselves!
And the full lowdown at the Nobels site: https://nobels.de/produkte/?lang=en
We all know Nobels for the mighty ODR-1 overdrive pedal, but the cult German brand goes way beyond that. Back in the day they put out numerous delay and modulation pedals, and now we’re seeing an awesome new range of Nobels mini pedals forming in 2025.
After the incredible ODR-mini (and ODR-mini 2) pedals came the $99/€99 DEL-mini, a fantastic mini, 3-mode stereo delay. And now we have the CHO-mini too!
This mini chorus pedal boasts incredible features and specs considering its price and size. You get three Chorus modes here, for starters. Chorus 1 and 2 are both based on vintage analog chorus pedals of yore – think the Boss CE-1, CE-2, maybe an EHX Small Clone and others and you’re in the right ballpark – while the Flanging mode gives you, well, a chorus and a flanger mixed together!
You control the tones via Rate, Width and Mix controls (the Mix goes from full Dry to full Wet, allowing you to use the pedal as a vibrato rather than a chorus too). The On/Off footswitch also doubles as a Tap Tempo switch, which you can use to set your Rate – and it also gives you much faster or slower speed settings than the Rate knob.
The CHO-mini also features stereo In and Out jacks – and I’m running it in stereo today, so get your headphones on for this video! – and mini switches on the top to move between Stereo and Mono mode, and True Bypass or Buffered Bypass mode.
All in all, for $99/€99 this looks like an awful lot of chorus pedal! But how good is it really? Will it nail classic chorus tones, as heard on the likes of Nirvana’s Come As You Are, and Guns N’ Roses’ Paradise City, as well as more modern sounds as utilized by the likes of Sam Fender and Tame Impala?
Will it give us subtle chorus tones to thicken up our guitar sound, as well as more intense, warbly and throbbing tones, almost like a rotary speaker? We’re about to find out! In the video, I put the CHO-mini through its paces in as many different musical styles and settings as I can to see just how good and versatile it really is.
I’ll also run a loop where we really get to twist the knobs and test out the extremes to which you can get the pedal to go, and I’ll do a comparison stereo/mono loop where you really get to hear the difference between a chorus pedal in stereo and mono.
Let me know your thoughts on the CHO-mini in the comments!
Here are some links to the various parts of the video:
00:00 Hello! 00:11 Introduction to the CHO-mini 01:29 Pedal controls and features 03:58 Today’s rig and plan
05:52 Clean reference tone and turning on the CHO-mini 06:35 Chorus 1 mode tones 10:25 Chorus 2 mode tones 14:14 Flanging mode tones 18:42 Overdrive + chorus tones 20:21 Ambient chorus tones + delay and reverb
21:54 Indie rock guitar loop with pedal tweaking 27:48 Stereo comparison loop 29:35 Mono comparison loop
31:18 My thoughts 32:22 Things I like: tones, stereo, versatility, easy to dial in 33:54 Tap Tempo switch extra options 34:32 Size, price, build quality 35:05 Anything I don’t like? 36:22 What other similar chorus pedals are out there? 37:55 My conclusions on the CHO-mini and why you should buy it
My setup was as follows: I ran my ToneX One pedal into the CHO-mini. That went in stereo directly into two channels simultaneously on my Focusrite Scarlett 2i4, which in turn went into Logic Pro X. That’s it. I then added the Nobels ODR-mini 2 overdrive, the Nobels DEL-mini delay and the TC Electronic Hall Of Fame reverb for the drive and ambient sections too. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to record and play the loops. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@nobelsofficial5766ENGL Fireball IR | Not just for metal?! In depth Review & DemoRich. Words. Music.2025-04-25 | This is the ENGL Fireball IR Pedal: a brand new digital preamp “amp in a box” pedal based on the German brand’s legendary Fireball tube amp!
The Fireball IR is an all-digital, all-in-one solution for guitar players: it’s a preamp pedal with a built-in IR loader and cab sims, and it has a headphones output too. This means it really can be the one box you use for silent home practice, recording, and playing live – with consistent tones each time.
And tones are what ENGL is known for! Especially high gain ones. The Fireball (which you can currently get in 100-watt and 25-watt versions) is one of the company’s most well-known metal and hard rock amps, with copious amounts of gain on tap. It has a clean channel too, of course, for when you need it, but even the clean channel crunches up nicely.
The Fireball IR Preamp Pedal replicates the two channels and has a decent control set for them too. You get a three-band EQ (Bass, Middle and Treble), Volume, Gain, Presence and Noise Gate controls, and there’s also a switchable Mid Boost. When you switch channels or turn off the Fireball IR, the pedal remembers your knob positions for next time – which is almost like having a preset for the clean and dirty channels.
On the IR and cab sim side, you can load up to three IRs of your choice into the Fireball IR. The pedal comes stock with three ENGL IRs: the ENGL E212VHB V30 (a 2x12 cab), the ENGL E412VSB V30 (a 4x12), and the ENGL E412XXL V30 (ENGL’s iconic oversized XXL 4x12!). The Fireball IR has a USB-C Out, which you can use to connect to your Mac or PC to hook up the software and load up your own favorite IRs.
Being an ENGL product, the Fireball IR – which is designed and engineered in Germany, but built in China – is built like a tank, and it should set you back around $249/€249 at time of launch.
Is it worth it, though? There’s certainly a lot of preamp pedal competition out there these days from the likes of Strymon, Universal Audio, Friedman Amps, Victory Amps, and so on.
With this video, we’re going to see how the Fireball IR performs. Of course, we’ll wrangle all the heavy tones out of the pedal that we can, but I’m not an exclusively metal player, so we’ll dive into lower gain tones – and the Clean channel – too. I’ll also use the Fireball IR as a pedal platform and see how it handles external overdrive pedals and reverb.
We’ll play riffs in as many genres as I can with the Fireball IR, from metal, hard rock and progressive rock to classic rock, indie and alternative rock, and even some clean blues, folk and pop stuff. I’m using the excellent and versatile 2025 Ibanez AZ Standard HH AZ24 model for the playing here.
After the riffs, I play some loops into the pedal and really get to twist the knobs to hear all the different tones you can get from it. Here, we’ll use my Epiphone Les Paul and my Fender Telecaster to check out the Fireball IR’s two channels in as much depth as we can.
Then, we’ll try the Fireball IR in its alternative usage scenarios: running it into the front end of an amplifier as a standard overdrive/distortion pedal, and then running it into the amp’s FX Loop to act as a preamp.
Let me know your thoughts on the Fireball IR in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:11 Introduction to the Fireball IR 02:20 Specs and features 04:58 Today’s rig and plan
07:23 Clean tone reference and turning on the Fireball IR 08:01 Metal tones 10:46 Hard rock tones 13:43 Punk and alternative rock tones 15:57 Clean tones 18:16 Clean ambient tones with the TC Electronic Hall Of Fame Reverb 19:33 Indie rock tones 20:36 Indie rock tones with the Greer Lightspeed overdrive pedal 22:28 Classic rock tones 24:04 Classic rock tones with the Greer Lightspeed
25:31 Lead Channel loop 31:59 Clean Channel loop 37:04 Fireball IR into front end of amp loop 40:16 Fireball IR as preamp into another amp loop
43:02 My thoughts 44:14 Things I like: tones and versatility 45:05 How good is the Clean channel? 45:49 Tones the Fireball IR can’t do 46:36 Am I bothered that this is a digital pedal? 47:01 The Fireball IR as a drive pedal and as a preamp 47:42 Price, build quality, looks 48:10 Things I don’t like 50:47 What other similar products are out there that you should consider? 53:23 My conclusions on the Fireball IR and why you should buy it
Backing music from the YouTube Audio Library: Duck In The Alley – TrackTribe.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@ENGLampstvEHX Big Muff vs JHS Crimson vs Tone City Matcha Cream vs Joyo vs Ibanez vs Sonicake | Fuzz ShootoutRich. Words. Music.2025-04-18 | Today we’re comparing four affordable Big Muff style pedals – the Tone City Matcha Cream, the Joyo Tiny Huge Fuzz, the Ibanez 850 Mini Fuzz, and the Sonicake Fazy Cream – and the boutique JHS Crimson against the real thing: the iconic EHX Big Muff Nano fuzz!
Every guitar player needs a Big Muff in their setup. It's an awesome and cheap way to start making walls of noisy fuzz distortion with any rig, and also a fantastic option to instantly get tones like Nirvana’s Kurt Cobain, Smashing Pumpkins, The Black Keys, Jack White and The White Stripes, David Gilmour, John Frusciante, Muse’s Matt Bellamy, and so many more!
Muffs come in all shapes and sizes too, and in this video I really want to showcase how good some of the cheaper Muffs are. To that end, we’ve got four of my favorites on the board today.
First up is the Tone City Matcha Cream, which is based on the legendary Green Russian Big Muff fuzz. Coming in at around $50/€55, the Matcha Cream is a mini pedal – so it’ll save you space on your board – and it has the standard trio of Big Muff controls: Volume, Sustain (that’s your amount of fuzz/distortion) and Tone.
Secondly, we have the Joyo Tiny Huge Fuzz. Resplendent and eye-catching in pink and yellow, the Tiny Huge Fuzz comes in at around $40/€40, so it’s a very affordable way to get into the Muff game.
Third is the cheapest of the bunch: it’s the budget Sonicake Fazy Cream, which is mini both in size and in price – it only costs about $29/€29!
Fourth is the Ibanez 850 Mini Fuzz, which is a reissue of the Ibanez OD850 Overdrive - which was a Big Muff circuit! Or so say MusicRadar: “Originally a re-badged Maxon clone of a 1973 ‘violet’ era Ram’s Head Big Muff made for Ibanez with a couple of tweaks, the OD850 had a slightly more useful tone stack and crunchier character that set it apart from its muffy cousins, making it a collector’s piece.” (Source link: musicradar.com/reviews/ibanez-850-fuzz)
The 850 Mini Fuzz shrinks this awesome package of fuzzy fun down into mini format, and it comes with a price tag of around $89/€89.
For reference, of course, we’re shooting out the four budget Muffs against the modern-day flagship: the Electro Harmonix Nano Big Muff. Legendary and iconic among guitar players, it’s the one everyone knows, and the one after which all the other Muff pedals came! Coming it at about $80/€80, it’s pretty darn affordable too (and actually cheaper than the Ibanez!).
But what I also wanted to do today was add a boutique flavor into the mix, and that comes in form of the JHS Pedals Crimson, from the brand’s highly respected Legends Of Fuzz series. The Crimson is a replica of JHS main man Josh Scott’s rare Red Army Overdrive.
So, with all that said, it’s time to hear the six Big Muffs in action, and hopefully this video will help you decide which one might be the best fit for your pedalboard. In the video, I play two fuzzy loops – one on my Epiphone Les Paul’s bridge humbucker, and the other on the bridge single coil pickup of my Fender Telecaster – and this gives me the chance to really tweak the knobs and settings on all six pedals to hear how they compare.
Let me know which one you think sounds best in the comments!
Here are some links to the various playing samples and info bits:
00:00 Intro and what we’re doing today 01:18 Electro Harmonix Nano Big Muff specs and info 01:34 Tone City Matcha Cream Fuzz specs and info 02:03 Joyo Tiny-Huge Fuzz specs and info 02:23 Ibanez 850 Fuzz Mini specs and info 02:56 Sonicake Fazy Cream specs and info 03:20 JHS Crimson specs and info 04:43 Today’s rig and plan
06:08 Epiphone Les Paul rock loop 17:56 Fender Telecaster alternative rock loop
My setup was as follows: I ran the pedals into the front end of my Hughes & Kettner AmpMan Classic pedal amp, then went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to record and play the loops. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@EHX @JoyoPedals1 @jhspedals @IbanezOfficial @IbanezGermany @SONICAKE @tonecityaudio7641Slick SL 56 | A unique and affordable semi-hollow offset with tones for days! In-depth Review & DemoRich. Words. Music.2025-04-11 | This is the Slick Guitars SL 56: an eye-catching, affordable semi-hollow take on the Jazzmaster/Jaguar style of offset electric guitar… with more than a few twists up its sleeve!
Ever since I first came across Slick Guitars, I’ve wanted to try the whole family. My first experience with the brand came when I tested out the wonderful Cabronita Tele-esque SL 55 (video here, if you’ve not seen that yet: youtube.com/watch?v=KKCDbEtjM1M) and, as a natural fan of the offset guitar, I was totally drawn to the SL 56.
This is another unique guitar from Earl Slick (yes, the same Earl Slick who played guitar for David Bowie, John Lennon, and others) and his team. Similar to a Fender or Squier offering on first glance, once you look past the body shape you start to see the quirks and idiosyncrasies that really make this guitar different.
It starts with the stunning Aged Indigo Ash finish on the swamp ash body. Eye-catching in pictures, it’s spectacular in person, and the body’s textured finish really draws you in too – it feels pure and organic to the touch, and I love the fact that the satin finish is kept as thin and unobtrusive as possible throughout. (Note: you can get the SL 56 in a more timeless aged sunburst finish, should you so desire!)
It's also semi-hollow, and you get two f-holes here as well, which really add to the guitar’s visual vibes.
The pickups are also something you’d not expect on a guitar of this nature. In the neck, you get a classic 50s voiced Slick Junior P90, which is contrasted massively in the bridge by an overwound Slick Fullerton Lead Telecaster-style job, for all your biting and twangy Tele goodness.
Meanwhile, the hardware is mostly brass and bronze: the wraparound bridge is milled from a single brass billet, and the knobs (you get one Volume and one Tone) and selector switch are made to match. Up at the headstock, the Slick tuners feature a bronze crown gear and bronze pinion gear and solid brass knobs.
The satin neck is solid Canadian hard rock maple, and it’s topped with a 22-fret jatoba fingerboard. The scale length is 25.5”, and the fingerboard radius is 12”, while the neck is fitted with a 43mm graphite nut.
When you realize that all this comes in at a mere $309/€450 (yes, all Slicks are much cheaper in the USA than anywhere else!) you start to see that we’ve got a serious contender on our hands in the world of the budget offset.
But just how good is the SL 56? Can it match the competition from the likes of Squier, Harley Benton, Vintage Guitars, and more? Or is it simply too different to be compared to any of the others? That’s what we’re about to find out!
In this video, I try the SL 56 in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it!
Let me know your thoughts on the SL 56 in the comments.
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Introduction to the Slick SL 56 01:07 Specs and features 04:40 Today’s rig and plan
05:22 Clean tone reference chords on all pickup settings 05:38 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 08:10 Tone control test 09:13 Indie and alt rock tones 12:45 Volume control roll off test 13:06 Classic rock tones (AC/DC, Hendrix, Airbourne, etc.) 15:30 Hard rock tones 17:30 Alternative rock tones 18:05 Punk rock tones 18:58 Progressive rock tones 19:55 Metal tones
22:11 My thoughts 22:59 First impressions, looks 23:26 Weight 23:51 Build quality and hardware 24:35 Playability and neck 25:56 Sounds and pickups 29:18 What other similar guitars are out there? 32:02 My conclusions on the SL 56 and why you should buy it
My setup was as follows: I ran the SL 56 into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Marshall 1959 Super Lead, Friedman BE-OD Deluxe and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@musikwein @GuitarfetishTVIbanez AZ Standard Shootout | Should you buy the HSS or the HH model? In-depth Guitar ComparisonRich. Words. Music.2025-04-04 | Today, we’re comparing the two models in the 2025 Ibanez AZ Standard range to find out which one could be the best affordable workhorse guitar for you and me!
Ibanez unleashed the AZ Standard in January 2025, and it was about time. Until this year, you couldn’t pick up an AZ guitar between the sub $400 budget entry level guitar AZES (ES = Essentials) and the $1000+ Premium models.
But now, the China-made AZ Standards guitars complete the Ibanez AZ family and, at $549/€549, they’re at a pricepoint that makes them achievable to almost every player.
There are two AZ Standard models: an HSS version (also known as the AZ22), and a double humbucker-equipped HH (aka the AZ24). The guitars share most of their specs, but there are a couple of key differences that will make one more suited to you than the other depending on your personal tastes.
Both AZ Standards feature an alder body with a flame maple top. They also both have a roasted maple neck with a jatoba fingerboard and jumbo stainless steel frets, with locking tuners at the headstock. However, the HH model has 24 frets, whereas the HSS model has 22.
The other big difference is going to be in the tones, as these guitars feature different pickup layouts and types. The HH model has a pair if Ibanez’s Modern Custom alnico humbuckers. The HSS model, on the other hand, features an Ibanez Classic Custom set: these are lower output than the humbuckers in the HH model, and here you get a ceramic bridge humbucker alongside alnico single coil pickups in the middle and neck positions.
Thanks to Ibanez’s dyna-MIX switching system and Alter Switch, you get a whopping 10 different sounds to play with on the HH model, and 9 on the HSS. This lets you split the humbuckers on both guitars, and generally combine pickups in ways you simply couldn’t on more standard instruments.
Being Ibanez guitars, you can expect a top level fit and finish here too, so the AZ Standards look like being an awful lot of guitar for the money. But just how good are they. And, crucially: which model is going to be the best guitar for you? And for me, of course 😉
That’s what we’re about to find out! In the video, I put the two AZ Standards through their paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more. This lets us really hear the differences and the similarities between the two guitars, and hopefully you’ll be able to decide which one would be your top choice.
Let me know if you prefer the HSS or the HH AZ Standard in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:17 Introduction to the AZ Standard range 01:24 HH model specs and info 04:48 HSS model specs and info 07:42 Today’s rig and plan
08:45 Clean tone reference chords on all pickup settings 10:10 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 13:14 Indie and alt rock tones 16:52 Classic rock tones 18:44 Hard rock tones 20:34 Alternative rock tones 20:56 Punk rock tones 22:20 Progressive rock tones 23:00 Metal tones
24:51 My thoughts 25:26 Looks and first impressions 26:21 Price 26:31 Build quality and hardware 27:00 Playability and necks – 22 vs 24 frets 27:50 Weight 28:47 Sounds and pickups discussion 33:45 What other similar guitars are out there? 35:09 My conclusions on the AZ Standard range 35:48 Which AZ Standard model is best? Which should you (and I) buy?
My setup was as follows: I ran the guitars into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Marshall 1959 Super Lead and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@IbanezOfficial @IbanezGermanyHartwood Deytona II | Great specs, unique looks and mini humbuckers for $300? In-depth Review & DemoRich. Words. Music.2025-03-28 | This is the Hartwood Deytona II: a rather unique looking budget offset guitar with a vibe all its own and a pair of mini humbuckers!
Hartwood is a house brand of the Gear4music store, and the Deytona II is the first Hartwood model I’ve ever played. (Note: Gear4music reached out to me to make this video, so consider it sponsored!)
The Deytona II appealed to me instantly. It’s cheap, and looks fantastic – like nothing else out there. This specific guitar is finished in a lovely, sparkly New England Green, but you can also pick up a Deytona II in Tobacco Burst or Solana Bay Gold.
The Deytona has excellent specs on paper considering its $300/€350/£299 price tag. For the money, you get a mahogany body which, with its center block and wings on the sides, is more than a little reminiscent of a Gibson/Epiphone Firebird.
The neck – which is maple, topped with an ebony fretboard – is set into said center block, and gives you 22 medium frets, a 14” fingerboard radius, a 25.5” scale length. You also get a bone nut and no-name vintage-style tuners at the headstock, which is finished in that lovely New England Green.
At the body, you get that pair of mini humbucking pickups. Each pup has its own volume and tone control (the pots are by Alpha), and there’s also a phase invert switch which, when you have both pickups active, can be flicked to give you those thinner, quacky, and nasal tones à la Peter Green. You also get a tune-o-matic bridge here.
That’s a whole lot of guitar for the asking price, then… but just how good is the Deytona II? Is it a new contender in the competitive world of the quirky cheap electric guitar? It’s time to find out! In this video, I put the guitar through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it!
Let me know your thoughts on the Deytona II in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Introduction to the Deytona II and Hartwood Guitars 02:01 Specs and features 04:44 Today’s rig and plan
05:21 Clean tone reference chords on all pickup settings 05:57 Clean tone samples (folk, country, pop, indie, blues, funk, etc.) 07:56 Tone control test 08:56 Indie and alt rock tones 11:55 Volume control roll off test 12:16 Classic rock tones 14:21 Fuzz tones (garage rock, Jack White, Black Keys, Smashing Pumpkins, etc.) 16:14 Hard rock tones 17:51 Alternative rock tones 18:28 Punk rock tones 19:19 Progressive rock tones 20:16 Metal tones
21:39 My thoughts 22:08 First impressions, looks 22:41 Size comparison with my Epiphone SG, Feder Tele and Ibanez Iceman 23:26 How does the guitar balance on a strap? 23:47 Weight 24:20 Build quality and hardware 25:43 Playability and neck 26:19 Sounds and pickups 29:12 What other similar guitars are out there? 30:57 My conclusions on the Deytona II and why you should buy it
My setup was as follows: I ran the Deytona II into my Hughes & Kettner Black Spirit 200 head, also using my Marshall 1959 Super Lead, JHS Bender fuzz and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
Backing music from the YouTube Audio Library: Duck In The Alley – TrackTribe.
#Hartwood #HartwoodGuitars #Gear4music
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@gear4musicguitarsMarshall 1959 Super Lead Pedal vs Friedman, Bogner, Ramble FX + Tone City | Plexi Pedal Shootout!Rich. Words. Music.2025-03-21 | Today we’re comparing five Marshall In A Box Plexi-type overdrive pedals: the new Marshall 1959 Super Lead, the Bogner La Grange, the Tone City Golden Plexi V2, the Friedman Dirty Shirley, and the Ramble FX Marvel Drive V3!
The Marshall rock and roll sound is one of guitar music’s most iconic: thick, rich and powerful, it’s a tone prized among guitarists worldwide for good reason. That’s why so many pedal companies make their own take on the Marshall overdrive sound – even Marshall themselves!
The Marshall 1959 Super Lead pedal came out in early 2025. I bought one, and (spoilers!) love it. It’s a great take on the classic Plexi sound, and super fun, while also being well priced at around $149/€139. And the next natural step was to compare it to my other favorite Plexi pedals!
First up is my favorite, the Bogner La Grange. This – sadly now discontinued – beast of an overdrive pedal has so many different Marshall tones in it, and they’re all great. It goes from low gain crunch to high gain madness with ease, and the Variac control will even give you more of a modded Marshall Eddie Van Halen vibe. The La Grange has myriad other tone shaping controls too, and it also has an independent Boost, which you can run together with the drive side of the pedal, or on its own.
Next up is the baby of the bunch – both in terms of price and size. However, you should underestimate the $60/€60 Tone City Golden Plexi 2 at your peril, because it’s an absolute mini monster of a hot-rodded Plexi! It only has the three controls – Tone, Gain and Volume – but it’s surprisingly versatile and bags of fun for cheap.
Fourth on the list today is the Friedman Dirty Shirley, which is usually thought of as being a flavor of modded Plexi (although you’ll hear internet wisdom that it’s partly based on the JCM 800 and JTM45 amps too). The Dirty Shirley pedal is the stompbox version of the Dirty Shirley amp, and it also provides a massive range of thick rock tones thanks to its versatile control set.
The last pedal in the lineup today is another favorite of mine: it’s the Ramble FX Marvel Drive V3. Like the La Grange, this pedal is no more – Ramble FX closed down a few years ago following the untimely death of owner Tim Krueger – but it’s 100% worth seeking out on the used market if you love this flavor of overdrive. Very similar to the Marshall 1959 in terms of controls, the Marvel Drive V3 also lets you run it at either 9 volts, or 18 volts – for more headroom.
So, the big questions are: how well will the Marshall compare to these other Marshall In A Box pedals? Does it win in terms of tones and flexibility, or do the others beat it? And… is the best Marshall In A Box pedal actually a Marshall now?! That’s what we’re about to find out!
In the video, I run an AC/DC inspired classic rock loop through the pedals and into my Hughes & Kettner AmpMan Classic amp. This gives us the chance to really tweak the knobs on the five pedals and see how they stack up tonally.
Let me know which your favorite is in the comments, and also let me know if you have any other Marshall pedals that I should try next!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 01:07 Marshall 1959 Super Lead specs and info 01:32 Bogner La Grange specs and info 02:50 Tone City Golden Plexi 2 specs and info 03:24 Friedman Dirty Shirley pedal specs and info 04:18 Ramble FX Marvel Drive V3 specs and info 05:08 Today’s rig and plan 06:03 The Loop!
My setup was as follows: I ran the pedals into the front end of my Hughes & Kettner AmpMan Classic pedal amp, then went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to record and play the loops. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@marshall @bogneramplification @tonecityaudio7641 @FriedmanAmplification @RambleFXNUX ’59 Bassguy | Turn your amp into a ‘59 Bassman for $50! In-depth Review & DemoRich. Words. Music.2025-03-14 | This is the NUX ’59 Bassguy: an affordable analogue overdrive pedal based on the legendary 1959 Fender Bassman amplifier!
Leo Fender’s ’59 Bassman is one of the most iconic tube amps in music history. Used by countless incredible guitarists to define their musical genres over the decades, this 45-watt combo – which features four 10” speakers – also became the circuit basis for the equally revered Marshall JTM45.
No surprises, then, that plenty of pedal companies make their own take on a Bassman Amp In A Box. NUX’s ’59 Bassguy is the latest and, coming in at around $49/€49, it’s also one of the most affordable.
The pedal – which NUX have dressed up in an appropriate tweed design complete with chickenhead knobs – has four main controls. You get Gain, Master and Tone knobs, plus a Jump switch. The original ’59 Bassman had two channels – Normal and Bright – with two inputs each. Using a short second cable, players could “jumper” between the two channels to blend them into new and tasty tones.
That’s kind of what the Jump switch on the ’59 Bassguy does. In the down position, you’re just on a single channel, which offers vintage Fender-y tones and some lovely transparent overdrive sounds. Flick the switch up, and you get a big jump in gain, brighter tone and more top end.
The ’59 Bassguy comes in a metal chassis, and you can power it via a 9-volt power supply or a 9-volt battery (the pedal even comes with a battery!).
But, how good does it actually sound? Can this budget overdrive pedal turn your amplifier into a ’59 Bassman? Time to find out! In the video, I put the ’59 Bassguy through its paces in as many different musical styles as possible – from country, folk and indie, to pop, rock, blues, punk, metal and more – to see how it handles my riffs. I use my Fender Telecaster for single coil tones, and my Epiphone Les Paul for humbucking sounds. There’s even a couple of loops where we really twist the knobs of the pedal to see just how versatile it truly is.
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:13 Introduction to the 59 Bassguy and the Bassman 01:37 Pedal controls and features 02:53 Today’s rig and plan
Pushed Clean Tones 03:42 Clean tone reference chords and turning on the ’59 Bassguy 04:33 Classic funky clean riff 04:42 Poppy arpeggios 05:00 Grungey droning chords 05:18 Country ballad arpeggios 05:31 Country lead sound 05:43 Blues progression 06:06 Funk rhythms 06:19 Ascending droning indie chords 06:32 Atmospheric arpeggios
Light and Medium Overdrive Sounds 06:50 Droning alt rock octaves 07:12 Garage rock riff 07:28 Jangly indie riff 07:59 Thick indie rock rhythm chords 08:29 Indie octave chords 08:58 Kings Of Leon inspired riff 09:10 Upbeat indie barre chords 09:34 Art rock riff
09:48 Classic rock riff 10:00 Hendrix inspired riff 10:17 Airbourne inspired riff 10:39 Driving rock riff 10:53 Quacky rock riff 11:02 AC/DC inspired riff 11:19 Groovy classic rock riff
Heavy Overdrive Sounds 11:45 Glam rock riff 12:00 Van Halen inspired riff 12:18 NWOBHM riff 12:38 80s rock riff 12:56 Alternative rock riff 13:19 Pop punk riff 13:43 Pop punk melodic lead riff 13:59 Green Day inspired punk rock riff 14:25 Thrash metal riff 14:35 Progressive rock riff (Drop D tuning) 14:51 Modern rock palm-muted chords (Drop D) 15:15 Rage Against The Machine inspired groovy riff (Drop D)
Heavy Distortion Sounds (all in Drop D) 15:32 Metal chugging riff 15:48 Heavy metal lead sound 16:02 Rammstein inspired industrial metal riff 16:15 Mastodon inspired metal riff with country twang 16:39 Hardcore punk riff
16:50 ‘59 Bassguy as a boost into an overdriven amp
17:40 Fender Telecaster indie rock loop 21:31 Epiphone Les Paul classic rock loop
25:51 My thoughts 26:36 Things I like: sounds and versatility 28:46 Price, build quality, looks 29:35 Things I don’t like 30:10 What other similar Fender In A Box pedals are out there? 31:53 My conclusions on the 59 Bassguy and why you should buy it
My setup was as follows: I ran the pedal straight into my Hughes & Kettner Black Spirit 200 head. That went from the amp’s Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to play the loops.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@nuxaudio2025 Ibanez AZ Standard AZ22S1F | Just how good is this $549 HSS workhorse? IN-DEPTH Review & DemoRich. Words. Music.2025-03-07 | This is the 2025 Ibanez AZ Standard AZ22S1F in Transparent Turquoise Burst: the new, affordable $549/€549 HSS workhorse many of us guitar players have been waiting for!
The China-made AZ Standard guitars – this model has the classic HSS pickup configuration, but there’s also a version available with two humbuckers – complete the Ibanez AZ family for me. Previously, you started out with the sub $400 AZES as a budget entry level guitar… and then it was straight on to the $1000+ Premium models.
The AZ Standard sits at a price point that won’t offend anybody, and when you see the specs, the guitar starts to look even more attractive. The AZ22S1F has an alder body with a beautiful flame maple top (you can also get it in Transparent Black Sunburst).
The 25.5” scale neck is roasted maple, with a jatoba fingerboard and 22 jumbo stainless steel frets. You get Ibanez’s T106 vibrato bridge and locking tuners to keep things stable.
For the sounds, you get an HSS set of Ibanez Classic Custom pickups. Thanks to the dyna-MIX9 switching system with Alter Switch, though, you get nine different pickup switching combinations, from the full-fat bridge humbucker to a mix of classic biting and quacky biting single coil tones.
Being an Ibanez, you can expect a top level fit and finish too, so this looks like an awful lot of guitar for the money. So, just how good is the AZ Standard? Is it set to become the next go-to Super Strat for under $1000?
That’s what we’re about to find out! In the video, I out the guitar through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it! Let me know your thoughts on the AZ Standard in the comments.
Oh, and don’t forget to check out the video where @EytschPi42 and I compare the AZ Standard to the AZES Essential, Premium and Prestige models: youtube.com/watch?v=wwe3m9Pbjqc
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Introduction to the AZ Standard and HSS guitars 01:47 Specs and info 02:47 dyna-MIX9 switching system/Alter Switch explanation 04:34 The neck 05:28 Today’s rig and plan
Clean Sounds 06:03 Clean tone reference chords on all pickup settings 06:42 Funk rhythms 06:55 Grungey droning chords 07:14 Country tones 07:31 Art pop chords 07:43 Blues progression 07:54 Ascending droning indie chords 08:07 Poppy barre chords 08:35 Folk pop chords 08:53 Tone control test 09:53 Atmospheric arpeggios
Light and Medium Overdrive Sounds 10:11 Fat indie rock rhythm chords 10:41 Choppy barre chords 10:50 Southern rock arpeggios 11:10 Strokes-inspired riff 11:29 Garage rock riff 11:45 Alt rock riff 11:59 Upbeat indie barre chords 12:23 Volume control roll off test 12:45 Kings Of Leon inspired riff 12:51 Jangly indie rock riff 13:29 Groovy classic rock riff 13:55 Hendrix inspired riff 14:12 Classic rock riff 14:26 Airbourne inspired rock riff 14:36 More Hendrix stuff 14:56 AC/DC inspired riff 15:15 Quacky rock riff
Heavy Overdrive Sounds 15:23 Van Halen inspired riff 15:42 Hard rock riff 15:58 Single note melodic rock riff 16:19 Alternative rock riff 16:42 Punk rock tones 17:07 Progressive rock riff (Drop D tuning) 17:22 Modern rock palm-muted chords (Drop D) 17:46 Rage Against The Machine inspired riff (Drop D)
Heavy Distortion Sounds (all in Drop D) 18:02 Metal chugging riff 18:20 Mastodon inspired metal riff with country twang 18:31 Hardcore punk sounds 18:59 Classic heavy metal/sludge riff
19:42 My thoughts 20:22 First impressions, looks 20:55 Weight 21:18 Build quality and hardware 22:46 Playability and neck 23:23 Sounds and pickups 25:55 What other similar guitars are out there? 28:09 My conclusions on the AZ Standard HSS and why you should buy it
My setup was as follows: I ran the guitar into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, Marshall 1959 Super Lead and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@IbanezOfficial @IbanezGermanyVintage REVO Series Colt HS | A budget offset with top tones and unique features! | Review & DemoRich. Words. Music.2025-02-28 | This is the Vintage Guitars REVO Series Colt HS: an affordable offset guitar in the style of the Fender/Squier Mustang… but with a few unique twists up its sleeve!
The Vintage REVO Series (REVO stands for Retro Vintage Originals) is a growing family of quirky electric guitars and basses at a very decent budget point. Designed by the Vintage team along with UK designer Alan Entwistle, each REVO Series model gives its owner something new and different to pretty much anything else out there – while also being oddly recognizable and classic too.
The Colt HS is no different. A fairly standard Mustang (or possibly even more like the rarer Fender Cyclone) on first glance – albeit resplendent in this wonderful Blueburst finish – its specs reveal to us a mixture of classic features and modern comfort and playability.
One key feature is the guitar's scale length. Most Mustangs have a shorter 24” scale, but the Colt’s is a standard (the Gibson standard, in fact) 24.75”, or 628 mm. That will make this guitar a more comfy proposition, not to mention an easier switch, for certain players.
The neck on the guitar is maple, and you get 22 frets on the jatoba fingerboard. The nut is Graph Tech, and up at the headstock you get Wilkinson E-Z-Lok tuners. The neck has a rather pleasant medium to slightly chunky C shape, and the fingerboard's fairly flat radius - which feels about 10" to me - should also make playing any kind of music anywhere up the neck a breeze.
At the body (which is made of okoume), the Colt HS is the first Mustang-type I’ve seen with this humbucker/single coil pickup configuration, which should really give us those quirky offset tones alongside an extra layer of versatility.
The pickups are Alan Entwistle models: in the bridge you get the Fender CuNiFe Wide Range Humbucker-resembling HV72, while in the neck there’s a vintage Burns-inspired Astrosonic ETS2. Angled towards the guitar’s bridge, rather like a Strat bridge pickup would be, this pickup promises twangy tones aplenty! Finally, you have a Vintage Combo Bridge-Vibrato for all your wobbly and atmospheric needs.
For around $550/€450, then, this looks like an intriguing package for the money. Offset tones plus a humbucking bridge pickup? Could this be the new HSS versatility king of the offset world? It’s time to find out!
In the video, I test the Colt HS in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more. Let me know your thoughts in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:16 Introduction to the Vintage Colt HS 01:28 Specs and info 04:01 Today’s rig and plan
04:20 Clean tone reference chords on all pickup settings 04:35 Clean tone samples 07:38 Post rock/ambient tones + Source Audio Collider 09:07 Indie and alt rock tones + Marshall 1959 Super Lead pedal 12:06 Classic rock tones + Marshall 1959 SL 13:59 Hard rock tones 15:51 Alternative rock tones 16:14 Punk rock tones 16:55 Modern/progressive rock tones 17:46 Metal tones
19:44 My thoughts 20:09 First impressions, looks 21:15 Weight 21:39 Build quality and hardware 22:49 Playability and neck 23:39 Sounds and pickups 26:43 What other similar guitars are out there? 29:00 My conclusions on the Colt HS and why you should buy it
Here’s the excellent video I mentioned where @MarkB.Guitar really gives the Colt’s vibrato all it’s got: youtube.com/watch?v=UdfawIF18-4
My setup was as follows: I ran the Colt into my Hughes & Kettner Black Spirit 200 head, also using my Marshall 1959 Super Lead and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@VintageGuitarsOfficial @VintageGuitarsUS @musikweinMarshall 1959 Super Lead Pedal | In-depth Review & Demo + All the tones with six different guitars!Rich. Words. Music.2025-02-21 | This is the Marshall 1959 Super Lead Overdrive/Distortion Pedal: a brand new Marshall In A Box (MIAB) style stompbox voiced after the original Plexi amp by the inventors themselves!
At NAMM 2025, Marshall surprised the guitar world with the release of a bunch of new, premium priced modded tube amps. They also released a quintet of “amp in a box” FX pedals for guitarists working on a slightly lower budget.
These pedals are all based on iconic Marshall amp designs: you have this 1959 Super Lead, and there’s also a JCM800, a JCM900, a JVM and a DSL. They all cost (at time of launch) $149/€139, and they all have that distinctive Marshall look, which is a nice touch and certainly feeds on my own brand nostalgia.
Each pedal has four controls, although what they do differs between the various models. On the 1959 Super Lead, you get a High Treble and a Normal – which correspond to the original amp’s two channels – and a Tone and Volume. The original amp had no Master Volume, so what you would do is either use one of the channels, or, more commonly, use a jumper cable to blend both together, and crank it to reveal those legendary Marshall crunch tones.
Happily, this pedal lets you use the two channels independently or together, but we also have that master Volume knob to control the levels. The beauty is in really coaxing a range of overdrive tones out of the pedal by blending the two channels.
I’d seen a few other demos of this pedal before I bought mine, and what I really wanted to show in this video is the extent of 1959 Super Lead’s versatility. So, here I put it through its paces with six of my guitars to really show the variety of the tones you can achieve.
This goes from bluesey pushed cleans to light overdrive sounds for indie and alternative rock, some thick crunch tones for classic rock, heavier rock sounds for hard rock and punk, and even some classic heavy metal and sludgy chugging tones!
The six guitars I’m using today are my Epiphone Les Paul, my Fender Telecaster, my Ibanez Iceman, my Fender Stratocaster, my G&L Doheny Tribute, and my Ibanez AS73FM (which is a Gibson 335-type). Between these six guitars, you get numerous different pickup types and a true smorgasbord of Marshall crunch tones.
Enjoy the riffs, and let me know which guitar you think sounds best with the 1959 Super Lead!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:29 Introduction to the Marshall 1959 Super Lead pedal 02:35 Pedal controls and features 04:21 Today’s rig and plan
25:03 My thoughts 26:04 Tips for the Volume and Tone controls 26:55 Things I like: tones 28:49 Looks, build quality 29:19 Things I don’t like 30:15 What other similar pedals are out there? 31:59 My conclusions on the 1959 Super Lead pedal and why you should buy it
My setup was as follows: I ran the 1959 Super Lead into my Hughes & Kettner Black Spirit 200 head. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@marshallNUX Drive Core Deluxe MKII | 8 great Tube Screamer-type overdrives in 1 sub $99 pedal! Review & DemoRich. Words. Music.2025-02-14 | This is the NUX Drive Core Deluxe MKII (Wasabi Drive): an affordable analogue overdrive pedal featuring eight Tube Screamer-based circuits and more!
We’ve all heard of the Tube Screamer. In fact, most of you probably own at least one Screamer-style pedal already. But there’s always room for more! JHS Pedals proved it with the success of their 9-circuit Bonsai, and now NUX are here to stake their own budget claim on the multi-Tube Screamer circuit pedal.
The Drive Core Deluxe MKII comes in at under $99/€89 (prices are still TBC at time of this video going live in February 2025, but a NUX rep at the 2025 winter NAMM Show told me it’d be around $89), which would be reasonable for a single decent Screamer pedal, let alone eight.
The eight circuits on offer are as follows as you move your way round the 8-way rotary switch that selects them (and which is actually the only digital part of the pedal): you first get an emulation of the Ibanez TS808 and TS9 Tube Screamers. Next up is the SSD mode, which emulates NUX’s own Steel Singer Drive. After that come R. Dirt – a take on the Keeley Red Dirt, itself a boutique modded Screamer – and OD1, which is based on the Boss OD-1, the predecessor to the Tube Screamer.
After that, things change up a little with Dist+, a take on the iconic MXR Distortion Plus. This is a hard clipping overdrive, whereas a Tube Screamer is soft clipping, but other circuit similarities remain. Finally, we have two takes on the Nobels ODR1, which itself is kind of half way between a Tube Screamer and a Bluesbreaker. The ODR mode is the full bass ODR-1 sound, while the NUX MOD is the ODR-1 with a bass cut, as found in the recent ODR-1X and ODR-mini 2 pedals.
You get a Level, Tone and Drive control for tweaking your tones, and there’s also a Post Boost knob. This activates when you hold down the pedal’s on/off footswitch, and it gives you up to 7dB of extra boost – perfect for solos or just when you need a little extra grit in your guitar tone.
That’s a lot of Tube Screamers, then, but how good does the Drive Core Deluxe MKII really sound? And is it worth it over the endless Tube Screamer competition that’s out there? We’re going to answer these questions and more in the video. First, I run the Drive Core Deluxe MKII through a loop with my Fender Telecaster where we move between all eight circuits, tweak the knobs, and really hear how versatile the pedal is. After all, the Tube Screamer is one of the most versatile overdrive pedals around, being ideal for anything from a clean boost to low gain drives, thick rock crunches, and even heavy metal tones.
And, after that, I get out four of my other pedals that the Drive Core Deluxe MKII emulates – namely my Ibanez Tube Screamer Mini, my Nobels ODR-1X, my JHS Overdrive Preamp and my NUX Steel Singer Drive – and we shoot them out together to hear how close the NUX gets to being the best Tube Screamer money can buy!
Here are some links to the various playing samples and info bits:
00:00 Introduction to the Drive Core Deluxe MKII 00:58 Pedal controls and features 02:05 The eight different overdrive circuits 03:47 Today’s rig and plan
05:18 Indie rock loop with all 8 circuits (played on a Fender Telecaster and the amp’s Clean Channel) 18:57 Shootout with Ibanez Tube Screamer Mini (Epiphone Les Paul, amp’s Crunch Channel) 21:56 Shootout with Nobels ODR-1X (Fender Telecaster, amp’s Clean Channel) 26:29 Shootout with JHS Overdrive Preamp (Epiphone Les Paul, amp’s Crunch Channel) 29:24 Shootout with NUX Steel Singer Drive (Fender Telecaster, amp’s Clean Channel)
31:45 My thoughts 32:37 Things I like: sounds and versatility 34:28 Price, build quality 34:46 What don’t I like? 35:09 What other similar pedals are out there? 36:00 My conclusions on the Drive Core Deluxe MKII and why you should buy it
My setup was as follows: I ran the pedals into the front end of my Hughes & Kettner AmpMan Classic pedal amp, then went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to record and play the loops. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@nuxaudio2025 Ibanez AZ Standard AZ24S1F | Incredible tones and quality for $549 | In-depth Review & DemoRich. Words. Music.2025-02-07 | This is the 2025 Ibanez AZ Standard AZ24S1F in Transparent Black Sunburst: the new, affordable $549/€549 workhorse many of us guitar players have been waiting for!
The China-made AZ Standard guitars – this version has two humbuckers, but there’s also an HSS version available – complete the Ibanez AZ family for me. Previously, you could get the sub $400 AZES as a budget entry level guitar… and then it was straight on to the $1000+ Premium guitars.
The AZ Standard sits at a price point that won’t offend anybody, and when you see the specs, the guitar starts to look like a no-brainer. The AZ24S1F has an alder body with a beautiful flame maple top (you can also get it in Transparent Turquoise Burst and Violin Sunburst).
The 25.5” scale neck is roasted maple, with a jatoba fingerboard and 24 jumbo stainless steel frets. You get Ibanez’s T106 vibrato bridge and locking tuners to keep things stable.
For the tones, you get a pair of Ibanez Modern Custom humbuckers. Thanks to the dyna-MIX10 switching system with Alter Switch, though, you get ten different pickup switching combinations, from full-fat humbucking tones to biting single coil sounds, and Ibanez’s Power Tap function.
Being an Ibanez, you can expect a top level fit and finish too, so this looks like an awful lot of guitar for the money. So, just how good is the AZ Standard? Is it set to become the next go-to Super Strat for under $1000?
That’s what we’re about to find out! In the video, I put the guitar through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more – let’s see how it handles it! Let me know your thoughts on the AZ Standard in the comments.
Oh, and don’t forget to check out the video where @EytschPi42 and I compare the AZ Standard to the AZES, Premium and Prestige models: youtube.com/watch?v=wwe3m9Pbjqc
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:20 Introduction to the AZ Standard 01:24 Specs and info 02:21 dyna-MIX10 switching system/Alter Switch explanation 05:22 Today’s rig and plan
Clean Sounds 06:09 Clean tone reference chords on all pickup settings 06:54 Droning grunge chords 07:13 Country tones 07:31 Funk rhythms 07:44 Poppy barre chords 08:16 Strummed folk pop chords 08:34 Smooth arpeggios 08:53 Ringing open indie pop chords 09:06 Art pop chords 09:18 Folk pop chords 09:37 Tone control test
Light and Medium Overdrive Sounds 10:35 Droning alt rock octaves 10:56 Garage rock riff 11:12 Southern rock arpeggios 11:32 Upbeat indie barre chords 11:56 Volume control roll off test 12:16 Fat indie rock rhythm chords 12:46 Choppy barre chords 13:03 Kings Of Leon inspired riff 13:16 Indie rock octaves 13:46 Classic rock riff 13:59 Quacky rock riff 14:08 Driving rock riff 14:22 AC/DC inspired riff 14:40 Airbourne inspired rock riff 14:51 Hendrix inspired riff 15:10 Groovy rock riff
Heavy Overdrive Sounds 15:37 80s rock riff 15:59 Glam rock riff 16:19 ZZ Top inspired riff 16:30 Hard rock riff 16:47 Van Halen inspired riff 17:08 Single note melodic rock riff 17:28 Foo Fighters inspired modern rock riff 17:46 Alternative rock tones 18:24 Punk rock sounds 19:30 Progressive rock riff (Drop D tuning) 19:46 Modern rock palm-muted chords (Drop D) 20:11 Rage Against The Machine inspired riff (Drop D) 20:27 Thrash riff
Heavy Distortion Sounds (all in Drop D) 20:37 Metal chugging riff 20:55 Mastodon inspired metal riff with country twang 21:07 Hardcore punk breakdown 21:22 Rammstein inspired industrial metal riff 21:35 Chug test 21:56 Hardcore punk riff
22:08 My thoughts 22:55 First impressions, looks, price 23:29 Weight 23:53 Build quality and hardware 24:55 Playability and neck 25:31 Sounds and pickups 28:35 What other similar guitars are out there? 30:59 My conclusions on the AZ Standard and why you should buy it
My setup was as follows: I ran the guitar into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed and Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@IbanezOfficial @IbanezGermanyTesting 5 incredible custom Valiant Guitars + Lichtlaerm Audios 3 best new pedals with Leigh Fuge!Rich. Words. Music.2025-02-01 | Today I’m joined by Welsh guitar heartthrob Leigh Fuge to get an introduction to some rather delightful Valiant Guitars and Lichtlaerm Audio pedals!
We’re in boutique territory here, that’s for sure. Valiant’s instruments are painstakingly crafted in Ukraine, while Lichtlaerm Audio pedals are handmade by a small team in the heart of Berlin, Germany – and with both brands preset at 42 Gear Street Six, this was the perfect chance for Leigh and me to try them out in person!
Leigh, being much more familiar with Valiant Guitars than me, was able to give me plenty of info about the different models we tried: the Mercury, Smith, Jupiter, and Soothsayer. Leigh himself is the custodian of a custom Valiant Jupiter in a stunning finish that’s named after him: Purple Welsh Paisley.
The Jupiter is a wonderful offset of a guitar, with many custom options available: we try Jupiters with double humbuckers and HSS pickup configurations here, but you can order every Valiant exactly how you want it.
The newest Valiant on show here is the Mercury. This HSS offset Strat-type beast really reminds me of a Kurt Cobain Fender Jaguar, and it’s perfect for dirty alt-rock and grunge tones. Leigh also showed me the PRS McCarty-inspired Valiant Smith, which really brings something new to the single cutaway, double humbucker game.
The most extraordinary guitar we saw all weekend, though, was the scalloped fret Valiant Soothsayer! This is really a Super Strat shredder lover’s dream of a guitar, and it’s far less intimidating of a guitar than I initially thought.
Powering the tones we had the new Orange Orianthi signature amp, the Oriverb, and for various flavors of dirt and ambience we plugged into a trio of Lichtlaerm pedals: the Aquaria overdrive, the Altar fuzz, and the Untiefe reverb.
All fantastically versatile and high quality pedals, the Lichtlaerms bring their own flavors to some of the most classic circuits in guitar tone history. The Aquaria, for example, is loosely based on the Klon Centaur – but with loads more on offer under the hood.
The Altar, meanwhile, is billed as a “doom/sludge fuzz” and loosely takes its inspiration from the EHX Black Russian Big Muff – but again, with way more options, tone tweaking and filth on offer!
Finally, the Untiefe (which means “Shallow”) is a HUGE sounding ambient reverb with a smorgasbord of modulation and tone sculpting settings. We could probably make an entire video about each of the pedals we showed here… and hopefully one day we will!
Enjoy Leigh and me exploring the guitars and pedals, then, and let me know which your favorites were in the comments! I can try and get some of them in to do more dedicated videos in future.
Here are some links to the various parts of the video:
00:00 Hello and what we’re doing today 01:00 Orange Orianthi amp info 02:27 Leigh introduces us to Valiant Guitars 04:08 Valiant Mercury and Smith 06:51 The Lichtlaerm pedals: Aquaria, Altar, Untiefe 07:34 Valiant Smith clean tones 09:25 Testing the Untiefe’s decay length 11:31 Smith drive tones with the Aquaria 14:42 Smith fuzz tones with the Altar 16:19 Valiant Mercury HSS pickup options 18:50 Mercury clean tones 22:08 Mercury drive tones with the Aquaria 24:08 Mercury fuzz tones with the Altar 25:43 Valiant Jupiter P90 26:59 Jupiter clean tones 28:06 Jupiter drive tones with the Aquaria 30:47 Valiant Soothsayer with scalloped frets! 31:46 Why get a guitar with scalloped frets? 32:55 Some clean playing 34:48 Overdriven tones 35:59 Leigh feeling at home with the scalloped frets 38:43 Valiant Jupiter HH 39:52 Would Leigh go for HH or HSS for gigs? 40:27 Is a signature scalloped Soothsayer for Leigh in the works?! 42:23 Lichtlaerm Untiefe reverb tones 45:15 Final thoughts and goodbye
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@LeighFugeGuitar @valiantguitars9029 @lichtlaermaudio @EytschPi42Shnobel Tone Daily Driver Boost | The ultimate do-it-all boutique overdrive pedal?! Review & DemoRich. Words. Music.2025-01-24 | Today, we’re taking a look at a boutique USA-built dual overdrive/boost: this is the Shnobel Tone Daily Driver Boost from Roman Belonozhko at the legendary Shnobel YouTube channel!
Shnobel’s Daily Driver pedal has become something of a cult in the guitar world. Its original circuit, its tasty range of tones – which move from a sparkly clean boost to transparent overdrive and thick, rich higher gain sounds – and its outstanding build quality have all made it a desirable drive on pedalboards worldwide.
Now, though, Roman and his team have made the Daily Driver even better, by tweaking the circuit slightly, and, more significantly, by adding the Shnobel Tone Boost pedal into the equation!
What we have here, then, is a dual overdrive/boost pedal in the vein of the Analogman King Of Tone, the Wampler Pantheon Deluxe, or similar. The pedal’s Daily Driver side has been altered slightly to give it more headroom (meaning it reacts better to humbucker-equipped guitars at lower gain settings, among other things), but otherwise you get the controls we knew and loved from before: Volume, Gain, Low, High, and a three-way Hi-Cut switch.
The Boost side is identical to the standalone pedal, and its single knob gives you up to 27 dB of clean boost. You can use the Boost and Drive sides of the pedal independently or together, and there’s also an Order switch to let you choose in which order you run them.
As of early 2025, the Daily Driver Boost will set you back $319, which is not cheap in itself. However, when you take into consideration the USA build quality and the features and options you have with this pedal, it starts to make sense. And, if you take into account the fact that the Daily Driver on its own would cost $279, and the Boost standalone pedal is $149, well, we’re getting there now!
Romain designed the Daily Driver to be his go-to overdrive no matter what his rig was, and so in this video, I’ve decided to put the Daily side to the test with a whole week’s worth of riffs and guitars!
I’ve picked seven different guitars (with seven different pickup types) to play in this video, and I’ll cover a different genre with each. This really helps show off the versatility of the pedal, I think – let me know which guitar you think sounds best in the comments!
Here are some links to the various playing samples and info bits:
00:00 Intro and what we’re doing today 00:59 Pedal controls and features 02:26 Today’s rig and plan
03:46 Blues sounds with Ibanez AS73FM 06:08 Metal/high gain sounds with Epiphone Les Paul 08:20 Classic rock sounds with Fender Telecaster 10:06 Indie/alt-rock sounds with G&L Guitars Doheny Tribute 12:26 Hard rock tones with Ibanez Iceman IC420 14:45 Punk rock tones with Epiphone SG Classic Worn P90 17:18 Ambient/chilled out tones with Fender Stratocaster (and Source Audio Collider)
20:01 My thoughts 20:23 Things I like: sounds and versatility 21:37 Build quality, looks, size 22:07 Price 22:25 What other similar pedals are out there? 23:04 My conclusions on the Daily Driver Boost and why you should buy it
My setup was as follows: I ran the Daily Driver straight into my Hughes & Kettner Black Spirit 200 head, also using my Source Audio Collider for some added delay and reverb. That went from the amp’s Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to play the loops.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@shnobeltone2025 Ibanez Artcore guitars | Tones, specs and opinions with Krenar Cilku! Hollow body shootoutRich. Words. Music.2025-01-17 | Today, I’m joined by the incredibly talented guitarist – and all-round top guy – Krenar Cilku to take an exclusive first look at the brand new 2025 Ibanez Artcore lineup of semi-hollow electric guitars!
I often think that the Artcore (and Artcore Expressionist) ranges go quite under the radar, simply because Ibanez is way more known for its more pointy and high gain-appropriate guitars like the RG, AZ, and so on.
But for those after an excellently specced and well-priced alternative to something like a Gibson/Epiphone 335 or 339, the Artcore range is an excellent choice,. I myself have owned an exquisite AS73FM for a number of years, and the 2025 offerings look to have raised the game for the Artcore line considerably.
The first guitars Krenar and I check out are the AS93: specifically, the AS93QMSP in Dark Brown Sunburst, the Black AS93SP, and the AS93FM in Transparent Moss Green. These three guitars share most specs, but the AS93QMSP has a quilted maple top, while the AS93QMSP’s is flamed maple, and the AS93FM’s is linden.
Elsewhere, you get Ibanez’s AS Expressionist 3-piece nyatoh/maple set neck with 22 medium frets and a bound macassar ebony fingerboard. The AS93QMSP and the AS93SP are rocking a pretty bling Tree Of Life inlay, while the AS93FM goes for simple yet classy blocks.
You also get Ibanez’s Super 80 humbucking pickups in the AS93QMSP and the AS93SP – yes, the same ones that are in the IC420 Iceman! – and Super 58s in the AS93FM. All three guitars have Ibanez’s Gibraltar Performer Bridge and Quik Change tailpiece.
These guitars are great for hollow body-approved styles like jazz and blues, but they’re also fantastic all-rounders thanks to their beefy humbuckers and should be at home for anything from pristine clean to heavy rock tones.
After the AS93, we check out the AS73G, which is the slightly more affordable little brother of the AS93 and looks absolutely stunning in a satin Moonstone Silver Flat finish. The AS73 has a linden top and the AS Artcore nyatoh set neck with 22 medium frets on what is a bound rosewood board with block inlays. You also get the Gibraltar Performer Bridge and Quik Change tailpiece here, and for pickups we have a pair of Ibanez’s Classic Elite humbuckers.
Hopefully, by the end of the video you’ll know which one of these beautiful guitars is going to be the right choice for you. Let me know which one you preferred in the comments!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 02:27 AS93QMSP Dark Brown Sunburst specs and info 05:01 Clean tones and discussion 06:29 AS93QMSP in Black 07:02 Overdriven tones and discussion 08:46 AS93FM in Transparent Moss Green 09:52 AS73G in Moonstone Silver Flat 11:35 AS73G tones and discussion 13:48 Which of these would Krenar buy? 15:06 OK, which one of these two? 15:59 Which one would Rich buy?
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@KrenarCilkuGuitar @IbanezOfficial @IbanezGermanyThe best new 2025 Ibanez basses: Multi-scale fanned fret, Talman 5-string + more with Tommy Lee DeppRich. Words. Music.2025-01-13 | Today, I’m joined by bass master Tommy Lee Depp to take a first look at the Ibanez 2025 bass lineup, including the Ibanez Bass Workshop EHB5MSBSP 5-string fanned fret multi-scale in Midnight Arctic Ocean Matte, the super affordable offset Talman TMB425B 5-string in Black Flat, the stunning BTB945 in Cosmic Blue Low Gloss, and the premium, made-in-Japan SR3505 Prestige in Black!
The 2025 Ibanez bass range includes a multitude of new models of all different shapes, sizes, colors and styles, so Tommy and I picked out four models that we think really showcase the best of the launch. Naturally, Tommy is coming from his perspective as a pro bassist, and I’m the opposite – a guitar player on the lookout for a bass to add to my collection for recording, playing, and possibly even play live with at some point.
First up is the monstrous Ibanez Bass Workshop EHB5MSBSP. This multi-scale, fanned fret 5-string is as modern as basses get – and pretty alien for someone who’s used to your standard Fender Precision and Jazz basses!
The EHB5MSBSP is a true all-rounder for the contemporary bassist who wants pro quality for stage and studio at a not too painful price point (the launch pricing is $1,999/€1,899). It has a pair of Fishman Fluence pickups with a 3-band Fishman EQ, single coil split mode and a three-way Voice Select switch.
The bass is also surprisingly light, thanks to its basswood body, pale moon ebony top and the 9-piece panga panga/walnut neck (which features graphite reinforcement rods). For ultimate playing comfort, the multi-scale neck takes you from 33” at the 1st string to 35” at the 5th string, and you get 24 medium stainless steel frets. You also get rock solid appointments like Schaller S-Locks strap pins, and it comes with a gig bag too.
Next up we have the more slightly more traditional Talman, although the TMB425B is a 5-string model in satin Flat Black. This is a load of bass for a great price – the launch pricing is $499/€449 – and simply looks built to rock! Here, you get a Dynamix P and J pickup for classic bass sounds in any style, alongside an okoume body and a 34” scale roasted maple neck with an ebanol fretboard.
As well as being a great choice for a beginner player, I feel the Talman may be a top choice for a guitar player looking to take steps into bass territory – and there’s a 4-string version available too!
Next up is the 5-string BTB945, and this is another real all-rounder. Coming in at $1,399/€1,349 at launch, the BTB945 is equipped with a pair of Nordstrand Big Single pickups and it features 24 medium stainless steel frets on its 35” scale neck-thru-body construction. The body is okoume/ash, and the 5-piece neck is maple/walnut with a rosewood board.
Finally, we take in the top of the range Prestige SR3505. This Japan-made 5-string is top of the line and has everything any pro bassist needs for a lifetime of superlative performance. This is reflected in the appointments and the $2,399/€2,299 launch price!
The SR3505 features an ash body and a 5-piece maple/walnut neck with a rosewood fingerboard housing 24 medium frets. Tones come from two Nordstrand Big Single Coils and an Ibanez Sonitech preamp with 3-Band EQ, plus a three-way mid frequency switch with Hexa Mid system.
So, if you’re looking for a new bass in 2025, hopefully this video will give you some food for thought on which is the best value for you and your needs. Let me know which bass was your favorite in the comments!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 00:59 Bass 1: Ibanez Bass Workshop EHB5MSBSP Multi-scale in Midnight Arctic Ocean Matte 04:07 Bass 2: Talman TMB425B in Black Flat 07:53 Rocking out with the Talman! 09:14 Bass 3: BTB945 in Cosmic Blue Low Gloss 13:17 Bass 4: SR3505 Prestige in Black 19:57 Which bass would Tommy choose? 20:50 Which bass would Rich choose? 22:10 Thanks, check out Tommy and goodbye
@TommyLeeDepp @IbanezOfficial @IbanezGermanyBehringer Fuzz Bender vs JHS Bender, Keeley Fuzz Bender + ToneX Tone Bender capture! Blind ShootoutRich. Words. Music.2025-01-03 | Today we’re comparing four Tone Bender-type fuzzes – the Behringer Fuzz Bender, the JHS Legends Of Fuzz Bender, the Keeley Fuzz Bender… and a free Tone Bender capture I loaded into my ToneX One that sounds amazing!
Oh, and we’re doing the comparison as a blind test too! So your challenge is to see if you can work out which one is which. Place your guesses in the comments and we’ll see how many of you managed to work out which is which.
This video came about after the release of the Behringer Fuzz Bender. This is based on the iconic Sola Sound Tone Bender MK 1.5 – but while it’s a vintage fuzz in terms of build and circuit, it comes with the thoroughly tiny price tag of $69/€59! So, this pedal looks like a great way to get into ‘vintage’ fuzz at a massively affordable price, and this is precisely why I bought myself one.
And, naturally, I wanted to compare it to the other two Benders in my collection: the JHS Bender and the Keeley Fuzz Bender, both of which are USA-built and cost considerably more than the Behringer. They’re also both based on the MKIII Tone Bender, so give you more tonal options, and the Keeley also has a Bias control. This gives you access to the kind of splattery, sputtery, gated, Velcro fuzz tones that are so beloved by modern players like Jack White.
The final pedal in today’s comparison is a Tone Bender capture I stumbled across for the ToneX One pedal. Being digital, it’s a different kettle of fuzz fish to the other three pedals, but it more than holds its own in the shootout here.
Here are the rules of the blind fuzz challenge: I play a succession of riffs with each of the four pedals. Each pedal has a letter: A, B, C or D. Your challenge is to guess which is which!
Let me know if you guess the Behringer correctly, and also tell me which of the pedals you think sounds best in the comments!
Here are some links to the various parts of the video:
00:00 Intro and what we’re doing today 01:13 Behringer Fuzz Bender specs and info 01:53 JHS Bender specs and info 02:56 Keeley Fuzz Bender specs and info 04:20 ToneX One specs and info 05:46 Today’s rig and plan
16:58 The big reveal 18:27 These four pedals are all excellent 18:56 Behringer Fuzz Bender opinions 19:33 JHS Bender opinions 19:56 Keeley Fuzz Bender opinions 20:18 ToneX One opinions 21:05 Why you should buy the Behringer Fuzz Bender
My setup was as follows: I ran the pedals into the front end of my Hughes & Kettner Black Spirit 200 amp, then went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That’s it. No post-processing on the sounds was done. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@behringer @jhspedals @KeeleyElectronicsEdmond @ikmultimediaThe best guitar gear of 2024 | The top six-strings, pedals, amps and more with Leigh Fuge!Rich. Words. Music.2024-12-27 | What was the best guitar gear of 2024? Which guitars, amps and pedals have got us the most excited over the past 12 months?
In this video, I’m joined by my good friend – and professional guitar gear expert and touring musician – Leigh Fuge to talk about exactly that! Leigh and I discuss the best instruments and accessories that we’ve had the fortune to play this year, as well as a few that we haven’t yet tried, but would love to if we had the chance.
01:40:04 It’s the affordable gear that’s impressed most this year 01:41:24 Jack White and why artists are still so relevant in the gear world 01:43:33 Our hopes for new guitar gear in 2025 01:45:47 Harley Benton and Behringer have big plans in 2025 it seems! 01:47:42 Thanks for watching and check out Leigh’s new band, Bad Deeds: youtube.com/watch?v=uLGfE2wswwI
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@LeighFugeGuitarThe one ESSENTIAL piece of new guitar gear in 2024 was… (NOT SPONSORED!)Rich. Words. Music.2024-12-20 | As 2024 draws to a close, I thought I’d reflect on the one piece of guitar gear I’ve bought this year that I think is an essential purchase for basically every guitarist and bass player out there regardless of where you’re at on your musical journey… it’s the humble IK Multimedia ToneX One!
It might be tiny – and cheap at around $170/€149 – but the ToneX One has made me play guitar more this year than I have in… well, many years.
This partly because there’s loads of amazing (and free!) tones and sounds available in the ToneNet software and on the peal itself that cover any style of music for guitar and bass, but also because I’ve found myself able to use the ToneX One in so many different musical and creative settings.
It’s been my entire amp/cab rig. It’s been an overdrive pedal in an otherwise analogue setup. It’s been an audio interface. A tuner. A silent practice device. And an inspiration machine when I’ve been on vacations and business trips and just wanted to jam out in my hotel room.
You can run the ToneX One on its own – you just need a guitar and lead, a power cable, and headphones, and you’re good – or in so many different studio, live and practice combinations that I always find a place for it in my setup.
That said, though, it would all be for nothing if the sounds weren’t good. Thankfully, they are! The ToneX One has been the first modeling device that has convinced me with its tones AND with its dynamic playing feel.
And all this is why I think this humble and affordable mini pedal is 2024’s most essential piece of guitar gear. And I’ll go ahead and say it may well take this honor in 2025 as well! I’d love to hear what your nominations would be for the most essential pieces of guitar gear in 2024, so let me know in the comments!
Here are some links to the various parts of the video:
00:00 Hello! 01:39 THE BIG REVEAL 02:29 Why the ToneX One is so good! Price 03:04 Sounds and playing feel 04:09 Easy to use 04:31 Versatility and usage options 06:10 It’s incredibly inspirational 07:12 The not-so-good stuff 07:50 Final thoughts and goodbye
This is Amalgam Audio (no affiliation!) who have some of the best free ToneX presets I’ve discovered so far: youtube.com/@amalgamaudioLV
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@ikmultimediaHUGE guitar sounds with the Ibanez RG550-EB, Orange Rockerverb MKIII, Fur Coat and Getaway Driver!Rich. Words. Music.2024-12-13 | Today I’m joined by my good friend, the shred-tastic guitarist that is Carsten Stepanowicz, to check out some Orange amps and pedals and a sweet new Ibanez RG550 guitar at 42 Gear Street Six!
Carsten and I are both pretty much newbies when it comes to Orange amps, and so we jumped at the chance to get in the room with the brand’s iconic Rockerverb 50 MKIII head. A UK-made, all-tube beast with two monstrous channels and a genuine spring reverb, the Rockerverb is an absolute tonal weapon.
Alongside the Rockerverb, we plugged into two of Orange’s FX pedals – the criminally underrated Getaway Driver overdrive and the Fur Coat octave fuzz – to see how the Rockerverb would cope with them. The Getaway Driver is a classic “amp in a box” drive pedal voiced after Orange’s rock and roll amplifiers from the 1970s, while the Fur Coat is based on the iconic Foxx Tone Machine fuzz.
Guitar-wise, we’re plugged into the 2024 Ibanez RG550-EB – a perfect axe for someone with the chops of Carsten! This guitar is part of the Ibanez Genesis Collection and it’s outfitted with Ibanez’s fast and slinky Super Wizard neck, 24 jumbo frets and a super versatile HSH pickup configuration. Combined with an Edge bridge and locking nut for divebombs galore, the RG550 is ideal for anyone who takes their riffs – and playing accurately at speed – seriously.
I hope you enjoy watching Carsten and me exploring the various tonal options of this mighty guitar rig! Let me know your thoughts on the tones in the comments, and let whether you think I should try more Orange gear in future!
Here are some links to the various parts of the video:
00:00 Hello and the gear we’re looking at today 01:38 The Ibanez RG550-EB 02:11 Who plays Orange amps? 03:43 The Rockerverb’s Clean Channel 05:56 The Dirty Channel 07:44 The Getaway Driver overdrive discussion and tones (amp’s Clean channel) 11:25 The Fur Coat fuzz discussion and tones (amp’s Clean channel) 14:36 How Rich came to love fuzz 15:36 Rich’s crippling fear of playing guitar in music stores 16:24 Carsten’s weird music store experience 18:29 The Getaway Driver on the amp’s Dirty channel 19:46 “JUST DIME EVERYTHING.” Fur Coat on the amp’s Dirty channel – a Boss HM-2 tone? 21:56 Where to out a fuzz pedal in your signal chain? 22:37 Final thoughts and goodbye
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@CarstenStepanowicz @EytschPi42 @OrangeAmplifiers @IbanezGermany @IbanezOfficialHarley Benton’s 3 best sub €200 guitars! ST-Modern vs TE-62CC vs JA-60CC | Budget Guitar ShootoutRich. Words. Music.2024-12-06 | Today we’re trying to find the best Harley Benton guitar for under €200/$200! I’m comparing the ST-Modern – which is a take on a modern Fender HSS Stratocaster – the Telecaster-inspired TE-62CC and the JA-60CC, which is an offset akin to a Jazzmaster or Jaguar.
When I tried the ST-Modern, I was astounded by how good it is for the €179 asking price. You get a roasted maple neck, locking tuners, a compound radius fingerboard and a great set of HBZ pickups for this price. And the guitar plays, feels, sounds and looks great too!
Having researched this a bit, I’m not sure there’s any other reputable brands offering these features and performance for that price – but please let me know in the comments if you know of any competitors to the budget guitar crown!
In fact, after all my looking, the two guitars I found that I do think might be able to compete with the ST-Modern are also Harley Benton models – and guitars that I paid my own money for.
The TE-65CC is, at €149, even cheaper than the ST-Modern, and it’s an awesome take on the Fender/Squier Telecaster. Featuring a caramelized maple neck with a sleek Modern D profile and Roswell Tele-style pickups, the TE-62CC is a rock solid guitar and provides all the T-style tones I could ever need. It’s got a rather lovely Lake Placid Blue finish too!
Meanwhile, the JA-60CC is – like the ST-Modern – 179, and resplendent in Seafoam Green. Here, you also get a lovely roasted maple neck (this time with a slightly chunkier C shape) with a bound laurel fingerboard and block inlays. It’s a lovely looking guitar, and it sounds beautiful too, thanks to its pair of Roswell JM pickups.
But, can either of these guitars keep up with the ST-Modern? That’s what we’re about to find out! In this video, I play the three guitars in as many musical styles as possible (from country, folk and indie, to pop, rock, punk, metal, and more), so you can really hear how they compare – and hopefully we can decide on which is the best electric guitar out there for under $200!
Let me know which one you think is best in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:14 Intro and what we’re doing today 01:32 Today’s comparison 02:32 ST-Modern specs and info 04:53 TE-62CC specs and info 06:30 JA-60CC specs and info 08:24 Today’s rig and plan
Clean Sounds 09:17 Clean tone reference chords on all pickup settings 10:21 Wolfmother inspired droning riff 10:40 Blues progression 11:14 Funky rhythms 11:39 Strummed country chords 11:58 Country ballad arpeggios 12:21 Country lead sound 12:40 Grungey open chords 13:15 Atmospheric indie arpeggios
Light & Medium Overdrive Sounds 13:34 Fat indie rock rhythm chords 14:04 Alternative rock riffs 14:25 Kings Of Leon inspired riff 14:40 Indie octave chords 15:06 Upbeat indie barre chords 15:25 Indie rhythms 15:49 Choppy barre chords 16:07 Alt rock arpeggios 16:42 AC/DC rock riff 16:56 Quacky rock riff 17:13 Airbourne inspired rock riff 17:47 Hendrix inspired riff 18:04 Groovy classic rock riff
Heavy Overdrive Sounds 18:31 Classic hard rock riff 18:49 80s rock riff 19:10 Foo Fighters inspired modern rock riff 19:28 Alternative rock riff 19:51 Pop punk riff 20:12 Thrash metal riff 20:31 Progressive rock riff 21:00 Modern rock palm-muted chords
Heavy Distortion Sounds (all in Drop D) 21:24 Metal chugging riff 21:59 Hardcore punk breakdown 22:15 Heavy metal lead sound 22:30 Mastodon inspired metal riff with country twang 23:06 Rammstein inspired industrial metal riff 23:19 Hardcore punk riff
23:54 My thoughts 24:39 First impressions and price 25:17 Looks 25:50 Build quality and hardware 26:39 Playability and necks 27:43 Sounds and pickups discussion 30:30 Which guitar is best? Which should you buy?
My setup was as follows: I ran the guitars into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed and my Revv G3 pedals for overdrive and heavy distortion sounds. The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@HarleyBentonOfficial @ThomannsGuitarsBassesNobels ODR-mini 2 | Unbeatable overdrive tones and versatility for $80! In-depth Review & DemoRich. Words. Music.2024-11-28 | This is the Nobels ODR-mini 2 – the new mini flagship in the iconic ODR-1 overdrive pedal family!
And get the full lowdown at the Nobels site: https://nobels.de/produkte/?lang=en
We all know the Nobels ODR-1 these days. An amazing transparent and sparkly overdrive pedal, it was long the secret weapon of the Nashville session pros – but now it’s gained mass acceptance, and the ODR-1 is a staple on pedalboards across the globe and in every conceivable genre of music.
Nobels recently launched the newest ODR-1 pedals – the fully-sized ODR-1X, and its smaller sibling, the ODR-mini 2.
The ODR-mini 2 takes what was great about the original ODR-mini (which was almost everything) and adds a couple of awesome extra features to make it a pedalboard must-have!
The most crucial difference is the addition of the Bass Cut knob. This handy control allows you to wind out any unwanted low end in your signal, tightening up your tone to taste when needed. This comes in extremely handy when thinning out fat-sounding humbuckers, which had a tendency to be way too boomy with the OG ODR-mini.
Alongside the standard Drive, Level and Spectrum (tone) controls, the Bass Cut knob really gives the ODR-mini 2 a whole extra level of tonal versatility compared to its predecessor, and makes it 100% usable 100% of the time.
Nobels have also updated the design of the pedal. It’s a tiny bit wider and chunkier than a standard mini pedal (like the original ODR-mini), and it also now has the black control face of the other Nobels pedals (like the new DEL-mini delay and the full-sized ODR-1 pedals) so it really feels like part of the family. Oh, and it also comes with Nobels’ handy Mounty P mounting plates as standard.
Finally, the ODR-mini 2 is true bypass, and you can also run it at 9-18v – just in case you need the extra headroom 18 volts offers!
That’s a lot of pedal for the €77 the ODR-mini 2 currently costs in Europe… but just how good is it? Is that new Bass Cut really worth it, and is it truly worth buying if you already have the ODR-1 or ODR-mini?
That’s what we’re about to find out! In this video, I put the pedal through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more. You’ll hear single coil tones – courtesy of my Fender Telecaster – and humbucker sounds from my Epiphone Les Paul, and there’s even a loop where I shoot out the two ODR-mini pedals!
And don’t forget to check out my video where I compare the entire Nobels ODR family, including the ODR-1X, the brand new ODR-mini 2, the ODR-1 30th Anniversary Edition, and ODR-1 BC, and the original ODR-mini: youtube.com/watch?v=GyfFRJGlRM4
Here are some links to the various parts of the video:
00:00 Hello! 00:20 Introduction to the ODR-mini 2 02:10 Pedal controls and features 03:55 Today’s rig and plan
04:59 Clean tone reference chords and turning on the ODR-mini 2 05:38 Pushed clean tones 07:46 Indie + alternative rock tones 10:02 Classic rock tones 12:13 Hard rock tones 14:12 Punk rock tones 15:19 Progressive rock tones 16:15 Metal tones 17:23 Bass Cut knob roll off test 19:11 ODR-mini 2 as a boost into an overdriven amp
20:00 Fender Telecaster indie rock loop + ODR-mini comparison 25:04 Epiphone Les Paul classic rock loop + ODR-mini comparison
29:23 My thoughts 30:19 Things I like: sounds, Bass Cut knob, versatility 31:40 Build quality, looks, other features 32:29 What don’t I like? 33:03 Should you get the ODR-mini 2 or the ODR-1X? 34:59 Other great mini transparent overdrive pedals 35:41 Thanks and goodbye
My setup was as follows: I ran the ODR-mini 2 straight into my Hughes & Kettner Black Spirit 200 head. That went from the amp’s Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to play the loops.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@nobelsofficial5766Nobels DEL-mini | €99 three-mode stereo mini delay with tap tempo! In-depth Review & DemoRich. Words. Music.2024-11-26 | This is the Nobels DEL-mini – a new €99 stereo multi-delay pedal with tap tempo from the ODR-1 overdrive legends themselves!
And the full lowdown at the Nobels site: https://nobels.de/produkte/?lang=en
If your memory goes back far enough – or your googling skills do – you’ll know that Nobels have dabbled in delay before, with the quirky DD-800 in the 1990s.
Now they’re back at it with the DEL-mini, a tiny and smart looking pedal that visually is the blue brother of the (also new) ODR-mini 2 overdrive. Green for overdrive, blue for delay… it’s just the way!
The DEL-mini packs plenty into its small enclosure. You get three classic delay modes – Tape, Analog and Digital – and Time, Feedback and Mix knobs to control your repeats. There’s only one footswitch, but hold it down for two seconds and it switches to tap tempo mode. You also have switches to choose between true and buffered bypass (in buffered modes you get delay trails) and Mono and Stereo modes.
Quite a lot for your €99, then, but how good does the DEL-mini sound? That’s what we’re about to find out! In this video, I try the DEL-mini in as many different musical styles and settings as I can to see just how good and versatile it really is.
We'll try everything from subtle slap back delay sounds for country, rock and blues to more ambient indie and alternative rock tones, Edge-esque U2-inspired stadium rock sounds, thickeners for distorted guitar, and I even hook the DEL-mini up to my TC Electronic Hall Of Fame reverb pedal for some proper ambient (and stereo!) walls of sound! I’ll also run a loop where we really get to twist the knobs and test out the extremes to which you can get the pedal to go.
Let me know your thoughts on the DEL-mini in the comments!
Here are some links to the various parts of the video:
00:00 Hello! 00:20 Introduction to the DEL-mini 01:23 Nobels made a delay pedal?! 02:05 Pedal controls and features 03:17 Today’s rig and plan
04:22 Clean reference tone and turning on the DEL-mini 04:45 Tape delay tones 08:14 Analog delay tones 11:23 Feedback knob/self-oscillation test 12:10 Mix knob test 12:55 Time knob test 13:23 Digital delay tones 16:31 Overdrive + delay tones 17:07 Ambient delay tones (with the TC Hall Of Fame reverb)
19:50 Ambient guitar loop with tonal tweaking
26:52 My thoughts 28:32 Digital mode 29:06 Analog mode 29:45 Tape mode 31:07 Other features 31:42 What would I change? 32:54 What other similar delay pedals are out there? 33:48 My conclusions on the DEL-mini and why you should buy it
My setup was as follows: I ran my ToneX One pedal into the DEL-mini. That went in stereo into my TC Electronic Hall Of Fame reverb, which then went directly into two channels simultaneously on my Focusrite Scarlett 2i4, which in turn went into Logic Pro X. That’s it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to record and play the loop. Here’s some links to those bits of gear:
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@nobelsofficial5766Nobels ODR-1X | They just made the world’s best overdrive pedal even better?! In-depth Review & DemoRich. Words. Music.2024-11-25 | This is the Nobels ODR-1X – the new flagship of the iconic ODR-1 overdrive pedal family!
And get the full lowdown at the Nobels site: https://nobels.de/produkte/?lang=en
The Nobels ODR-1 is a legendary overdrive. Once the secret weapon of the Nashville session pros for its transparent tones and its crispy Telecaster twang enhancements, the ODR-1 is now a staple on pedalboards across the globe and in every conceivable genre of music.
And, now, the ODR-1X marks the latest – and possibly greatest – iteration of the Nobels overdrive stable. The ODR-1X looks very similar to previous ODR-1 pedals with its beefy slime green enclosure and its chunky Boss-esque footswitch, but look closer and you’ll see that it offers you more features than any of its predecessors.
Most significantly, it has two awesome extra control features – a variable Bass Cut knob (which lets you gradually wind out any unwanted low end flubbiness in your signal and tighten up your tone), and a Gain Boost switch, which can add up to a whopping 29 dB of gain to your signal!
Together with the ODR-1X’s Drive, Level, and Spectrum (tone) controls, you should really be able to get all sorts of sounds out of this pedal.
Then there’s the other extras: the ODR-1X can also be switched between true and buffered bypass, it takes 9-18v power supplies (so more headroom if you need it) and you can use up to a two-button footswitch with it to remotely control the Gain Boost and turn the pedal on or off. Finally, it comes with a set of Nobels’ cool Mounty-P mounting plates, to help you attach it to your pedalboard.
As of November 2024, the ODR-1X is about €150 in Europe, so we can expect it to be around the $150 mark in the USA too – which I think is extremely reasonable, considering all the pedal offers.
But how good is it really? That’s what we’re about to find out! In this video, I put the ODR-1X through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more. I also try out all of the different features, plus there’s single coil tones – courtesy of my Fender Telecaster – and humbucker sounds from my Epiphone Les Paul.
Let me know your thoughts on the ODR-1X in the comments!
And don’t forget to check out my video where I compare the entire Nobels ODR family, including the ODR-1X, the brand new ODR-mini 2, the ODR-1 30th Anniversary Edition, and ODR-1 BC, and the original ODR-mini: youtube.com/watch?v=GyfFRJGlRM4
Here are some links to the various parts of the video:
00:00 Hello! 00:20 Introduction to the ODR-1X 01:27 Pedal controls and features 03:07 Today’s rig and plan
04:16 Clean tone reference chords and turning on the ODR-1X 05:06 Pushed clean tones 06:50 Indie/alternative rock tones 09:00 Classic rock tones 10:42 Hard rock tones 12:26 Punk rock tones 13:33 Progressive rock tones 14:40 Metal tones
16:17 ODR-1X as a boost into an overdriven amp 17:04 Bass Cut knob roll off test 18:33 True Bypass vs Buffered Bypass test
20:06 Fender Telecaster indie rock loop 25:10 Epiphone Les Paul classic rock loop and ODR-1 BC comparison (feat. TC Spark Booster)
29:30 My thoughts 29:51 Things I like: sounds and versatility 31:03 Gain Boost and Bass Cut controls 31:47 Build quality, looks, bypass options 32:26 I love that Nobels is listening to guitar players 32:46 What don’t I like? 33:09 The price is decent 33:17 The ODR-mini 2 and should you upgrade your ODR-1? 34:05 My conclusions on the ODR-1X and why you should buy it
My setup was as follows: I ran the ODR-1X straight into my Hughes & Kettner Black Spirit 200 head. That went from the amp’s Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done. Oh, and I used my Boss RC-10R to play the loops.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@nobelsofficial5766Line 6 POD Express | This is how easy it is to make presets for beginners (+ the HX One for backup!)Rich. Words. Music.2024-11-22 | Today I’m joined by YouTube guitar gear gurus Leigh Fuge and Jake Leigh to get an introduction to – and dial in some killer presets on – the Line 6 POD Express guitar amp modeler, with a little bit of help from the HX One multi-FX unit!
At 42 Gear Street Six, Jake and I got our first taste of the POD Express, and Leigh – who’s something of an expert on this budget box of wonders – showed us how to make our first sounds and store our own presets.
Despite being a small and startlingly affordable package (it’s around $179/€189), the POD Express has a number of amps, cabs, and effects built in – with tones coming from the more expensive Helix range – plus an array of secondary functions and features to make some surprisingly sophisticated tones.
These are delivered alongside cracking bonus additions like a built-in looper and tuner, so this is really an all-in-one rig for home use, practice, recording and more. (It has a headphones out for silent practice and the POD Express doubles as an audio interface too!) That said, it’s a wonderfully intuitive unit to use, and has clearly been designed so that guitarists of any experience level can get started making music with it straight away.
We began with Jake making himself a nice fat high-gain preset for heavy rock and metal sounds. Next up was Leigh, who wanted to get a raunchy 80s rock tone, and then for me we dialed in a nice ambient indie/alternative sound on a cleaner amp with a big reverb.
What Jake and I learned pretty quickly is that, once you know your way around the unit, you can be cooking up great tones on the POD Express in around five minutes. We then coupled the POD Express with the HX One to add some lush chorus to Jake’s sound… and we were done!
I hope you enjoy this foray into the POD Express. Let me know your thoughts on the tones in the comments, and let whether you think I should get a POD Express in for more videos in future!
Here are some links to the various parts of the video:
00:00 Hello and what we’re doing today 01:10 Who is the POD Express for? 02:09 Amp/cab/DI options 03:36 Other cool hidden POD Express features 05:13 Making a preset for Jake 08:45 High gain sounds with chorus, flanger and phaser 10:36 Adding a bit of delay 12:01 How to save a POD Express preset 12:55 Making a preset for Leigh – 80s rock 19:12 Making a preset for Rich – clean with reverb and tremolo 26:09 Using HX One to find some chorus for Jake’s preset 29:44 POD Express price 30:19 How we would use the POD Express 32:23 Final thoughts and goodbye
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*
@LeighFugeGuitar @JakeLeighGuitar @EytschPi42Harley Benton ST-Modern | The best budget HSS Strat you can buy in 2025?! In-depth Review & DemoRich. Words. Music.2024-11-14 | This is the Harley Benton ST-Modern in Sea Foam Green: a new, super affordable HSS Strat style guitar with great specs alongside modern playability and feel!
I said super affordable… the ST-Modern is €179. That puts it squarely at the same budget price point as the cheapest Squier guitars – the HSS Sonic Strat in this case, which is also €179 in Europe – but what you get for your money here is, frankly, pretty ridiculous!
The ST-Modern has a poplar body and a roasted maple neck for starters. It’s a modern feeling neck, with a comfy modern D profile and a compound 12-16” fingerboard radius. There’s a 42 mm graphite nut, the scale length is 25.5”, and you get 22 medium jumbo nickel silver frets with rounded ends on a laurel board.
At the headstock, you get Sung-Il locking tuners. You also get a double action truss rod with the adjustment wheel at the body – and I love that easy access, especially at this price point.
So far, so good. At the body, we have excellent upper fret access thanks to the deep double cutaway and contouring, and the HSS pickups (the bridge humbucker also has a coil split for even more tones) are Harley Benton’s own HBZ brand. The vibrato bridge is Sung-Il.
All things considered, this is a lot of guitar – on paper – for the money. HSS Stratocaster-types are supposed to be some of the most versatile out there, but just how good can the ST-Modern be for this price? And is it simply worth dropping the extra cash for the extras (like stainless steel frets) you get with the excellent ST-Modern Plus?
That’s what we’re about to find out! In this video, I put the ST-Modern through its paces in as many different musical styles as I can, from country, folk and indie, to pop, rock, punk, metal, and more.
Let me know your thoughts on the ST-Modern in the comments!
Here are some links to the various playing samples and info bits:
00:00 Hello! 00:21 Introduction to the ST-Modern 01:37 Specs and info 04:55 Today’s rig and plan
Clean Sounds 05:35 Clean tone reference chords on all pickup settings 06:06 Grungey droning chords 06:25 Funk rhythms 06:38 Country tones 06:58 Ascending droning indie chords 07:11 Blues progression 07:22 Jangly chords 07:43 Ringing open indie pop chords 07:57 Art pop chords 08:15 Tone control test 09:17 Strummed folk pop chords
Light and Medium Overdrive Sounds 09:34 Kings Of Leon inspired riff 09:40 Fat indie rock rhythm chords 10:13 Southern rock arpeggios 10:32 Garage rock riff 10:49 Choppy barre chords 11:07 Upbeat indie barre chords 11:30 Volume control roll off test 11:52 Indie octave chords 12:18 Airbourne inspired rock riff 12:29 AC/DC inspired riff 12:47 Quacky rock riff 12:56 Classic rock riffs 13:36 Hendrix inspired riff
Fuzz Sounds (JHS Bender) 13:55 Black Keys inspired riff 14:10 Alt rock riff 14:43 Classic fuzz rock 15:11 Indie rock melodic riff
Heavy Overdrive Sounds 15:31 Van Halen inspired riff 15:52 Glam rock riff 16:12 Single note melodic rock riff 16:33 80s rock riff 16:55 Foo Fighters inspired modern rock riff 17:13 Punk rock sounds 18:21 Progressive rock riff 18:36 Modern rock palm-muted chords 19:01 Rage Against The Machine inspired groovy riff 19:17 Thrash riff
Heavy Distortion Sounds (all in Drop D) 19:26 Metal chugging riff 19:43 Mastodon inspired metal riff with country twang 19:55 Heavy metal lead sound 20:10 Hardcore punk riffs 20:58 Rammstein inspired industrial metal riff 21:11 Classic heavy metal/sludge riff
21:56 My thoughts 22:41 First impressions and looks 23:08 Weight 23:39 Build quality and hardware 25:11 Playability and neck 26:06 Volume knob position 26:49 Sounds and pickups 29:51 What other similar HSS guitars are out there? 30:29 Is the ST-Modern Plus worth the extra money? 32:29 Other competitors 34:19 My conclusions on the ST-Modern and why you should buy it
My setup was as follows: I ran the guitar into my Hughes & Kettner Black Spirit 200 head, also using my Greer Lightspeed, JHS Bender and Revv G3 pedals for overdrive and heavy distortion sounds (and a cheeky TC Triple Delay for the lead sound!). The amp went from the Red Box DI straight into my Focusrite Scarlett 2i4, which went into Logic Pro X. That's it. No post-processing on the sounds was done.
*Note: certain links in the description are affiliate links. If you click said links and purchase anything as a result, I will receive a small commission. This doesn’t cost you anything extra, but it does help to support the channel. So, if you do that, thank you very much!*