Al McLean Quartet - Say it Over and Over Again Randy Cole 2019-09-30 | "It' s like the Enchantment Under The Sea Dance, but with Coltrane", remarked Al McLean with a chuckle. The reference was to the iconic scene from "Back To The Future", where Marty McFly introduced the world to Chuck Berry. McLean's doo-wap version of the Coltrane linked ballad, "Say it Over and Over Again" fits as a fabulous proxy for McFly's "Johnny B. Goode", and perhap, with a bit of imagination, explain the giant leap of jazz in the late 1950's, or so the funny analogue goes... Indeed, the '50's doo-wap feel of the tune does, for a moment, pass for the the tune "Blue Moon", but quickly deviates in a surprising turn. The bridge modulates and soars in musical scope, and the listener is quickly reminded that this is in fact jazz music in all its glory. Al McLean has had a comedic fascination with pop culture melodies, fans in Montreal delight in oddball quotes that he sprinkles into his solos, from television jingles, to '80's techno pop, and talkshow themes, McLean has ingested the sounds and melodies of his youth, naturally reproducing them. It could be missed in fact, as he blends the fragments so seamlessly, that they function as integral motives in his solos. You have to be on your toes, but invariably during a McLean show, there are smiles and giggles on the faces of those who are really listening. McLean is playing into a historically significant microphone; a 1931 RCA PB-31. This example is one of 50 made for the Radio City Music Hall in New York. The PB-31 is considered the prototype of the iconic 44 series of microphones, and was RCA's first ribbon microphone. Each of the surviving dozen or so are hand made, and sound fantastic.Al McLean - SaxophoneJim Doxas - DrumsAdrian Vedady - BassKate Wyatt - PianoFilmed and recorded by Randy ColeArthur Plis - second cameraEmily Bowmile - post production consultantFilmed and recorded by Randy Cole at Diese Onze Jazz Club on September 14th, 2019. Special thanks to Gary Tremblay at Diese Onze, and Leo Schaal of Schaal Audio for their support.
The Curiosity Sessions - Introduction Randy Cole 2023-03-09 | Jacob Clarke – bassLu Frattaroli – percussionKyle Jordan – guitarPete Woods – saxophoneVoices:Jacob ClarkeRob DalgleishCaitlin FisherLu FrattaroliKyle JordanCarolyn SutherlandPete WoodsI…. Practiseceaselessly: there isone art: windin the open spacesgrieving, laughingwith us, sayingimprovise-Jan ZwickyThis is a quilt of breath and body, air and touch. It is trust, closed eyes, smiles, silence and friendship. The music both abides and reveals. Practitioners of imagination and justice share a love of curiosity. The songs stitch together so many voices. Wisdom emerges alongside paradox and uncertainty and risk.So many encounters: mobile and studio recordings in Toronto, Hamilton and Ottawa; gigs at Ottawa’s Bar Robo, One Up Room, Options Jazz Lounge, and Toronto’s Emmet Ray; meditative musical gatherings in church sanctuaries (Ottawa, Toronto, Hamilton, Smiths Falls, Brockville); poetic experiments and reflections amongst so many friends. All those moments set the stage for a two-day gathering filled with music and conversationand poetry. All of this was then documented in film and audio recordings at Ottawa’s historic MacKay Church.Randy Cole (filmmaker and audio-recordist) discerned themes and heard resonances as the days unfolded. Ten short meditative films emerged quickly and clearly around curiosity, spirituality and wisdom. The films tell passionate stories of life and artistryrevealed in sounds and images created in a sacred space. The Curiosity Sessions: Live at MacKay affirms curiosity’s place at the heart of spirituality. It also highlights it as a key ingredient in the practice of communal care and art and ministry. ‘Curiosity’, plus ‘compassion’ and ‘community’, where the words placed before everyone (musicians and speakers) involved in the Sessions. Thoughtful riffs and rhythms emerged quickly amongst the musicians; ideas flowed in interviews. Old songs were re-framed, new poetry, fresh energy, bigger choruses. Resonance. Improvisation. It all remained grounded in the specific realities of faith communities in Canada, but something more expansive also broke through. Wonder and surprise… so many beautiful surprises. “Did that just happen?”, we’d ask each other. “Did you hear that?”, we’d say again and again. “How did we actually get here?”
Roddy Ellias Free Spirit Ensemble featuring Kellylee Evans - Prayer Randy Cole 2022-05-05 | Roddy ElliasFree Spirit Ensemble featuring Kellylee Evans"Prayer"Roddy Ellias - acoustic steel string guitar Kellylee Evans - voiceJustin Orok - nylon string guitarChris Pond - bassJose Garcia - percussionPetr Cancura - mandolinRichard Page - bass clarinetAll compositions by Roddy Ellias (music) and Sandra Nicholls (words)Sound recording and mixing - Randy Cole Mastering - Guy Hebert (Karisma Mastering)Recorded September 8 and 9, 2021 at MacKay United Church, OttawaCover photo by Jure Kravanja. Graphic Design by Marilee Townsend.Video by Randy ColeThanks to the Canada Council for the Arts for their generous support.© Roddy Ellias.All Rights Reserved. Unauthorized use of this recording is prohibited by law."Not This Room" CD and vinyl available at:www.roddyellias.comwww.roddyellias.bandcamp.com
Roddy Ellias Free Spirit Ensemble featuring Kellylee Evans - The Street Randy Cole 2022-05-05 | Roddy ElliasFree Spirit Ensemble featuring Kellylee Evans"The Street"Roddy Ellias - acoustic steel string guitar Kellylee Evans - voiceJustin Orok - nylon string guitarChris Pond - bassJose Garcia - percussionPetr Cancura - soprano saxophoneRichard Page - bass clarinetAll compositions by Roddy Ellias (music) and Sandra Nicholls (words)Sound recording and mixing - Randy Cole Mastering - Guy Hebert (Karisma Mastering)Recorded September 8 and 9, 2021 at MacKay United Church, OttawaCover photo by Jure Kravanja. Graphic Design by Marilee Townsend.Video by Randy ColeThanks to the Canada Council for the Arts for their generous support.© Roddy Ellias.All Rights Reserved. Unauthorized use of this recording is prohibited by law."Not This Room" CD and vinyl available at:www.roddyellias.comwww.roddyellias.bandcamp.com
Randy Cole Sizzle Reel Randy Cole 2022-03-21 | For information on video services, please contact:Randy Colerandy@randycolephoto.comwww.randycolephoto.comBarbara Scalesscalesb@latitude45arts.com latitude45arts.com
Yannick Rieu à Orford Musique Randy Cole 2022-01-26 | Pour son nouveau projet, « Génération Quartet », Yannick Rieu revient en formule quatuor (piano, contrebasse, batterie et saxophones). Un pied dans la tradition jazz, l'autre dans l'innovation, ce groupe se caractérise par la grande cohésion de ses membres, qui explorent, dialoguent et échangent ensemble. Outre la spontanéité débridée, l'énergie collective est une autre grande force de ce quartet. La musique qu’ils partagent est empreinte de poésie, de mystère et de beauté, évoque l’expérience humaine et spirituelle sous tous ses aspects. For his new project, « Génération Quartet », Yannick Rieu returns to a quartet formula (piano, double bass, drums and saxophones). One foot in the jazz tradition, the other in innovation, this group is characterized by the cohesion of its members, who explore, dialogue and exchange with each other. In addition to the unbridled spontaneity, the collective energy of this group shines through. The music they share is imbued with poetry, mystery and beauty, evoking the human and spiritual experience in all its aspects.
EPK « Qui Qu’en Grogne » - Yannick Rieu Génération Quartet Randy Cole 2022-01-26 | Pour son nouvel opus, « Génération Quartet - Qui Qu’en Grogne », Yannick Rieu revient en formule quatuor (piano, contrebasse, batterie et saxophones). Un pied dans la tradition jazz, l'autre dans l'innovation, ce groupe se caractérise par la grande cohésion de ses membres, qui explorent, dialoguent et échangent ensemble. Outre la spontanéité débridée, l'énergie collective est une autre grande force de ce quartet. La musique qu’ils partagent est empreinte de poésie, de mystère et de beauté, évoque l’expérience humaine et spirituelle sous tous ses aspects. For his new project, « Génération Quartet », Yannick Rieu returns to a quartet formula (piano, double bass, drums and saxophones). One foot in the jazz tradition, the other in innovation, this group is characterized by the cohesion of its members, who explore, dialogue and exchange with each other. In addition to the unbridled spontaneity, the collective energy of this group shines through. The music they share is imbued with poetry, mystery and beauty, evoking the human and spiritual experience in all its aspects.
Yannick Rieu Génération Quartet - Time Is, Life Was Randy Cole 2022-01-22 | Yannick Rieu « Génération Quartet» Pour son nouvel opus, « Génération Quartet », Yannick Rieu revient en formule quatuor (piano, contrebasse, batterie et saxophones). Un pied dans la tradition jazz, l'autre dans l'innovation, ce groupe se caractérise par la grande cohésion de ses membres, qui explorent, dialoguent et échangent ensemble. Outre la spontanéité débridée, l'énergie collective est une autre grande force de ce quartet. La musique qu’ils partagent est empreinte de poésie, de mystère et de beauté, évoque l’expérience humaine et spirituelle sous tous ses aspects. Musiciens:Yannick Rieu: compositions, saxophones Gentiane Michaud-Gagnon: pianoGuy Boisvert: contrebasseLouis-Vincent Hamel: batterieUn film par Randy ColeYannick Rieu " Generation Quartet For his new opus, "Generation Quartet", Yannick Rieu returns to a quartet formula (piano, double bass, drums and saxophones). One foot in the jazz tradition, the other in innovation, this group is characterized by the cohesion of its members, who explore, dialogue and exchange with each other. In addition to the unbridled spontaneity, the collective energy of this group shines through. The music they share is imbued with poetry, mystery and beauty, evoking the human and spiritual experience in all its aspects. Musicians:Yannick Rieu: compositions, saxophones Gentiane Michaud-Gagnon: pianoGuy Boisvert: double bassLouis-Vincent Hamel: drumsA film by Randy ColeTranslated with www.DeepL.com/Translator (free version)
Yannick Rieu Génération Quartet Randy Cole 2021-12-14 | Yannick Rieu “Génération Quartet ”Résidence de création à Orford Musique20-29 septembre, 2021
Yannick Rieu Génération Quartet - Partie 3 : Résultats Randy Cole 2021-12-14 | Yannick Rieu “Génération Quartet ”Résidence de création à Orford Musique20-29 septembre, 2021
Yannick Rieu Génération Quartet - Partie 1 : Création Randy Cole 2021-12-14 | Yannick Rieu “Génération Quartet ”Résidence de création à Orford Musique20-29 septembre, 2021
Yannick Rieu Génération Quartet - Partie 2 : Silence Randy Cole 2021-12-14 | Yannick Rieu “Génération Quartet ”Résidence de création à Orford Musique20-29 septembre, 2021
Yannick Rieu Génération Quartet - Porta Di Cinese Randy Cole 2021-12-14 | Yannick Rieu « Génération Quartet» Pour son nouvel opus, « Génération Quartet », Yannick Rieu revient en formule quatuor (piano, contrebasse, batterie et saxophones). Un pied dans la tradition jazz, l'autre dans l'innovation, ce groupe se caractérise par la grande cohésion de ses membres, qui explorent, dialoguent et échangent ensemble. Outre la spontanéité débridée, l'énergie collective est une autre grande force de ce quartet. La musique qu’ils partagent est empreinte de poésie, de mystère et de beauté, évoque l’expérience humaine et spirituelle sous tous ses aspects. Musiciens:Yannick Rieu: compositions, saxophones Gentiane Michaud-Gagnon: pianoGuy Boisvert: contrebasseLouis-Vincent Hamel: batterieUn film par Randy ColeYannick Rieu " Generation Quartet For his new opus, "Generation Quartet", Yannick Rieu returns to a quartet formula (piano, double bass, drums and saxophones). One foot in the jazz tradition, the other in innovation, this group is characterized by the cohesion of its members, who explore, dialogue and exchange with each other. In addition to the unbridled spontaneity, the collective energy of this group shines through. The music they share is imbued with poetry, mystery and beauty, evoking the human and spiritual experience in all its aspects. Musicians:Yannick Rieu: compositions, saxophones Gentiane Michaud-Gagnon: pianoGuy Boisvert: double bassLouis-Vincent Hamel: drumsA film by Randy ColeTranslated with www.DeepL.com/Translator (free version)
Roddy Ellias Free Spirit Ensemble featuring Kellylee Evans - Not This Room Randy Cole 2021-11-01 | Roddy ElliasFree Spirit Ensemble featuring Kellylee Evans"Not This Room"Roddy Ellias - acoustic steel string guitar Kellylee Evans - voiceMarc Copland - pianoJustin Orok - nylon string guitarChris Pond - bassJose Garcia - percussionPetr Cancura - soprano saxophone, tenor saxophone, clarinets, mandolinGuy Pelletier - bass flute, C fluteRichard Page - bass clarinetPierre-Yves Martel - viola da gambaAll compositions by Roddy Ellias (music) and Sandra Nicholls (words)Sound recording and mixing - Randy Cole Mastering - Guy Hebert (Karisma Mastering)Recorded September 8 and 9, 2021 at MacKay United Church, OttawaCover photo by Jure Kravanja. Graphic Design by Marilee Townsend.Video by Randy ColeThanks to the Canada Council for the Arts for their generous support.© Roddy Ellias.All Rights Reserved. Unauthorized use of this recording is prohibited by law."Not This Room" CD and vinyl available at:www.roddyellias.comwww.roddyellias.bandcamp.com
Jean-Michel Pilc @ Montreal Originals! Dec. 10, 2020 Randy Cole 2020-12-08 | To enjoy the show, buy your tickets here! thepointofsale.com/tickets/pilcsolo
Yannick Rieu & Generation Quartet - Prétexte Randy Cole 2020-11-30 | Yannick Rieu Génération QuartetPrétexteComposition : Yannick RieuMusiciens :Yannick / saxophoneGuy Boisvert / contrebasseGentiane Michaud-Gagnon / pianoLouis-Vincent Hamel / batteriePhotos crédit : Mercedes-Benz « Star Music Stage » - HefeiRandy ColeProductions Yari 2020
Al McLean Trio @ Diese Onze - Youve Changed Randy Cole 2020-08-18 | Film and audio by Randy Cole2nd camera Eve DufaudOn this second outing in three weeks, Al McLean recaps his July show with an encore performance of the same trio. Drummer Andre White and bassist Adrian Vedady join McLean as he plays a freshly restored Selmer saxophone dating to 1922. This instrument is among the first Selmer saxophones, and as you can hear, it possesses an enchanting tone in the hands and musical conception of Al McLean.
Neil Swainson - 49th Parallel Reissue Randy Cole 2020-08-04 | Legendary Canadian Bassist Neil Swanson speaks candidly about the reissue of his 1988 album 49th Parallel, featuring Joe Henderson, Woody Shaw, Jerry Fuller and Gary Williamson. 49th Parallel was one of the last recordings of virtuoso trumpet player Woody Shaw, and represents the fantastic chemistry shared by Shaw and tenor legend Henderson, a chemistry that is shared with the Canadian rhythm section and band leader.
Jazz, Period. Al McLean Trio - Lets Cool One Randy Cole 2020-08-01 | Al McLean TrioLet's Cool OneComp. Thelonious MonkAl McLean - SaxophoneAdrian Vedady - BassAndre White - DrumsFilmed and recorded July 24th, 2020at Diese Onze Jazz Club, MontrealSpecial thanks to Gary Tremblay© 2020 IntofocusVs2
Al McLean Trio Live at Diese Onze - Gingerbread Boy Randy Cole 2020-07-27 | Al McLean Trio - Gingerbread BoyComp. Jimmy HeathAl McLean - SaxophoneAdrian Vedady - BassAndre White - DrumsFilmed and recorded July 24th, 2020 at Diese Onze Jazz Club, MontrealSpecial thanks to Gary Tremblay© 2020 IntofocusV3
Al McLean - Selmer Mark VI Soprano Saxophone S.N. 295489 Randy Cole 2020-05-07 | Al McLean - Selmer Mark VI Soprano Saxophone S.N. 295489"Minor Mishap" by Tommy FlanaganFilmed from a distance, May 6, 2020 by Randy ColeSaxophone build by Al McLean
Vintage 1934 Martin 000-18 Acoustic Guitar Randy Cole 2020-03-13 | This 1934 Martin 000-18 is in superb playing and cosmetic condition. I took the time to make a little demo video of it following a piano & saxophone session at Piano Esmonde White in Montreal. Although I'm a bit rusty, I think the gorgeous voice of the guitar comes through.Finish is original, and may be described in Very Good condition, with some normal signs of age such as pick marks, dings and wear. There is only one stabilized crack, located along the treble side of the fingerboard, on the top, that continues to the edge of the sound hole. This was there for decades, and is stable.After I acquired it, the instrument was brought for neck re-set by an expert luthier, who properly reshaped the dovetail joint and dry fit at full string tension, prior to final assembly with hot hide glue. Fingerboard has been dressed and re-fretted, and the result is a truly amazing instrument. The guitar has an unbelievable power and resonance, and plays beautifully up and down the neck, with an even, throaty volume in all registers, and no buzzing. Truly a masterful instrument. The original tuners have a bit of play in them, but I've been able to make-do with them just fine.
Marianne Trudel & John Hollenbeck - Dédé Java Espiritu (Short Clip) Randy Cole 2020-03-05 | Marianne Trudel & John Hollenbeck - Dédé Java Espiritu (Short Clip)Marianne Trudel: piano, compositionJohn Hollenbeck : batterie/ drumsA piano, a drum set, a thousand ideas. The happy and creative encounter of pianist and composer Marianne Trudel with drummer and composer John Hollenbeck.Dédé Java Espiritu plunges the listener into an infinite panorama of colours and grooves. This project wishes to invite beauty, intuition, dreams, mystery, and poetry. Where catchy grooves, enchanting melodies, surprising sonorities, and joyous spontaneity go hand in hand.Un piano, une batterie, milles idées. La rencontre heureuse et créative entre la pianiste et compositrice Marianne Trudel et le batteur et compositeur John Hollenbeck.Le projet Dédé Java Espiritu plonge l’auditeur dans un panorama infini de couleurs et de rythmes. Il se veut un appel à la beauté, à l’intuition, au rêve, au mystère et à la poésie sonore. Grooves accrocheurs, mélodies envoûtantes, sonorités surprenantes et spontanéité joyeuse se côtoient ici pour le plaisir des oreilles curieuses. Bios:Marianne Trudel is a multi-talented pianist, composer, improvisor, and arranger. A generous and engaging artist, a veritable powerhouse in Quebec and Canada’s instrumental music scene, Marianne Trudel has presented multiple artistic projects that not only bring her considerable skills to the fore but also her keen sense of creativity. At once energetic and passionate, her music cross-cuts a wide swath of musical interests. Her moving, spellbinding music is not easily labelled, one of its many strengths. At once sophisticated and catchy, authentic and uniqueMarianne Trudel est pianiste, compositrice, improvisatrice, et arrangeuse. Artiste généreuse et attachante, véritable dynamo sur la scène de musique instrumentale québécoise et canadienne, elle a démontré maintes fois ses talents et son sens aiguisé de la créativité. Sa musique, qui transporte et émeut, peut difficilement être cataloguée, ce qui en fait une de ses forces. À la fois sophistiquée et accrocheuse, authentique et unique, elle témoigne de son regard ouvert sur l’univers infini de la musique.John Hollenbeck is a composer of music uncategorizable beyond the fact of being always identifiably his. A conceptualist able to translate the traditions of jazz and new music into a fresh, eclectic, forward-looking language of his own invention, intellectually rewarding yet ever accessibly vibrant. A drummer and percussionist possessed of a playful versatility and a virtuosic wit. Most of all, a musical thinker – whether putting pen to paper or conjuring spontaneous sound – allergic to repetition, forever seeking to surprise himself and his audiences.http://www.mariannetrudel.com
Marianne Trudel & John Hollenbeck - Dédé Java Espiritu Randy Cole 2020-03-04 | Marianne Trudel & John Hollenbeck - Dédé Java EspirituMarianne Trudel: piano, compositionJohn Hollenbeck : batterie/ drumsA piano, a drum set, a thousand ideas. The happy and creative encounter of pianist and composer Marianne Trudel with drummer and composer John Hollenbeck.Dédé Java Espiritu plunges the listener into an infinite panorama of colours and grooves. This project wishes to invite beauty, intuition, dreams, mystery, and poetry. Where catchy grooves, enchanting melodies, surprising sonorities, and joyous spontaneity go hand in hand.Un piano, une batterie, milles idées. La rencontre heureuse et créative entre la pianiste et compositrice Marianne Trudel et le batteur et compositeur John Hollenbeck.Le projet Dédé Java Espiritu plonge l’auditeur dans un panorama infini de couleurs et de rythmes. Il se veut un appel à la beauté, à l’intuition, au rêve, au mystère et à la poésie sonore. Grooves accrocheurs, mélodies envoûtantes, sonorités surprenantes et spontanéité joyeuse se côtoient ici pour le plaisir des oreilles curieuses. Bios:Marianne Trudel is a multi-talented pianist, composer, improvisor, and arranger. A generous and engaging artist, a veritable powerhouse in Quebec and Canada’s instrumental music scene, Marianne Trudel has presented multiple artistic projects that not only bring her considerable skills to the fore but also her keen sense of creativity. At once energetic and passionate, her music cross-cuts a wide swath of musical interests. Her moving, spellbinding music is not easily labelled, one of its many strengths. At once sophisticated and catchy, authentic and uniqueMarianne Trudel est pianiste, compositrice, improvisatrice, et arrangeuse. Artiste généreuse et attachante, véritable dynamo sur la scène de musique instrumentale québécoise et canadienne, elle a démontré maintes fois ses talents et son sens aiguisé de la créativité. Sa musique, qui transporte et émeut, peut difficilement être cataloguée, ce qui en fait une de ses forces. À la fois sophistiquée et accrocheuse, authentique et unique, elle témoigne de son regard ouvert sur l’univers infini de la musique.John Hollenbeck is a composer of music uncategorizable beyond the fact of being always identifiably his. A conceptualist able to translate the traditions of jazz and new music into a fresh, eclectic, forward-looking language of his own invention, intellectually rewarding yet ever accessibly vibrant. A drummer and percussionist possessed of a playful versatility and a virtuosic wit. Most of all, a musical thinker – whether putting pen to paper or conjuring spontaneous sound – allergic to repetition, forever seeking to surprise himself and his audiences.http://www.mariannetrudel.com
Peter Hum - The Greater Good Randy Cole 2020-01-31 | Peter Hum - electric pianoKenji Omae - tenor saxophoneDavid Smith - trumpetMike Rud - guitarAlec Walkington - bassTed Warren - drums Ordinary Heroes: Noted Canadian music writer Peter Hum shares his talent as a pianist on this new album of 10 original jazz compositions. Here, Hum combines his love of music with powerful social commentary, building tunes around the themes of justice, truth and activism, and sparking the imaginations of listeners. Rendered by an all-star band, these pieces are meant to inspire through a parallel language, and they access a different pathway to our conscience, to sound a rallying cry. All in all, Ordinary Heroes is a refreshing and seldom heard mode of activism... and great music in its own right. The piece Cassandra takes its name from the figure in Greek mythology who was cursed to utter prophecies that were true but which no one believed. It's a shout-out to those who have warned all too correctly about the ills the future holds. The album Ordinary Heroes was made possible by the support of the City of Ottawa and Ontario Arts Council. It is available at http://www.peterhum.bandcamp.com More info about Peter Hum: http://www.peterhum.com Peter Hum will tour in support of his album in March 2020, thanks to support from the Canada Council for the Arts and the Ontario Arts Council. Details: http://www.peterhum.band.com/gigs
Peter Hum - The Get-Together Randy Cole 2020-01-31 | Peter Hum - pianoKenji Omae - tenor saxophoneDavid Smith - trumpetMike Rud - guitarAlec Walkington - bassTed Warren - drums Ordinary Heroes: Noted Canadian music writer Peter Hum shares his talent as a pianist on this new album of 10 original jazz compositions. Here, Hum combines his love of music with powerful social commentary, building tunes around the themes of justice, truth and activism, and sparking the imaginations of listeners. Rendered by an all-star band, these pieces are meant to inspire through a parallel language, and they access a different pathway to our conscience, to sound a rallying cry. All in all, Ordinary Heroes is a refreshing and seldom heard mode of activism... and great music in its own right. The piece Rabble Rouser was written in 2016, before that year's US general election, as a protest piece against the candidate who whipped up the rabble by appealing to racism, xenophobia, conspiracy theories and backward thinking-- and, to everyone's detriment, even won. The album Ordinary Heroes was made possible by the support of the City of Ottawa and Ontario Arts Council. It is available at http://www.peterhum.bandcamp.com More info about Peter Hum: http://www.peterhum.com Peter Hum will tour in support of his album in March 2020, thanks to support from the Canada Council for the Arts and the Ontario Arts Council. Details: http://www.peterhum.band.com/gigs
Peter Hum - Crises and Reckonings Randy Cole 2020-01-31 | Peter Hum - pianoKenji Omae - tenor saxophoneDavid Smith - trumpetMike Rud - guitarAlec Walkington - bassTed Warren - drums Ordinary Heroes: Noted Canadian music writer Peter Hum shares his talent as a pianist on this new album of 10 original jazz compositions. Here, Hum combines his love of music with powerful social commentary, building tunes around the themes of justice, truth and activism, and sparking the imaginations of listeners. Rendered by an all-star band, these pieces are meant to inspire through a parallel language, and they access a different pathway to our conscience, to sound a rallying cry. All in all, Ordinary Heroes is a refreshing and seldom heard mode of activism... and great music in its own right. The piece Crises and Reckonings kicks off the album with a jolt, quickly building to a full-band tumult in which the overlapping improvising of saxophonist Kenji Omae and trumpeter David Smith lead the charge. The song is a nod to the feeling of being buffeted by one scandal or controversy or disaster after another.Hopefully through it all there will be positive progress to a better place.The album Ordinary Heroes was made possible by the support of the City of Ottawa and Ontario Arts Council. It is available at http://www.peterhum.bandcamp.com More info about Peter Hum: http://www.peterhum.com Peter Hum will tour in support of his album in March 2020, thanks to support from the Canada Council for the Arts and the Ontario Arts Council. Details: http://www.peterhum.band.com/gigs
Peter Hum - Naming the Unnameable (full) Randy Cole 2020-01-31 | Peter Hum - pianoKenji Omae - tenor saxophoneDavid Smith - trumpetMike Rud - guitarAlec Walkington - bassTed Warren - drums Ordinary Heroes: Noted Canadian music writer Peter Hum shares his talent as a pianist on this new album of 10 original jazz compositions. Here, Hum combines his love of music with powerful social commentary, building tunes around the themes of justice, truth and activism, and sparking the imaginations of listeners. Rendered by an all-star band, these pieces are meant to inspire through a parallel language, and they access a different pathway to our conscience, to sound a rallying cry. All in all, Ordinary Heroes is a refreshing and seldom heard mode of activism... and great music in its own right. The piece Crises and Reckonings kicks off the album with a jolt, quickly building to a full-band tumult in which the overlapping improvising of saxophonist Kenji Omae and trumpeter David Smith lead the charge. The song is a nod to the feeling of being buffeted by one scandal or controversy or disaster after another.Hopefully through it all there will be positive progress to a better place.The piece Cassandra takes its name from the figure in Greek mythology who was cursed to utter prophecies that were true but which no one believed. It's a shout-out to those who have warned all too correctly about the ills the future holds. The piece Rabble Rouser was written in 2016, before that year's US general election, as a protest piece against the candidate who whipped up the rabble by appealing to racism, xenophobia, conspiracy theories and backward thinking-- and, to everyone's detriment, even won. The album Ordinary Heroes was made possible by the support of the City of Ottawa and Ontario Arts Council. It is available at http://www.peterhum.bandcamp.com More info about Peter Hum: http://www.peterhum.com Peter Hum will tour in support of his album in March 2020, thanks to support from the Canada Council for the Arts and the Ontario Arts Council. Details: http://www.peterhum.band.com/gigs
Peter Hum - Naming the Unnameable (short) Randy Cole 2020-01-13 | Peter Hum - pianoKenji Omae - tenor saxophoneDavid Smith - trumpetMike Rud - guitarAlec Walkington - bassTed Warren - drums Ordinary Heroes: Noted Canadian music writer Peter Hum shares his talent as a pianist on this new album of 10 original jazz compositions. Here, Hum combines his love of music with powerful social commentary, building tunes around the themes of justice, truth and activism, and sparking the imaginations of listeners. Rendered by an all-star band, these pieces are meant to inspire through a parallel language, and they access a different pathway to our conscience, to sound a rallying cry. All in all, Ordinary Heroes is a refreshing and seldom heard mode of activism... and great music in its own right. The piece Crises and Reckonings kicks off the album with a jolt, quickly building to a full-band tumult in which the overlapping improvising of saxophonist Kenji Omae and trumpeter David Smith lead the charge. The song is a nod to the feeling of being buffeted by one scandal or controversy or disaster after another.Hopefully through it all there will be positive progress to a better place.The album Ordinary Heroes was made possible by the support of the City of Ottawa and Ontario Arts Council. It is available at http://www.peterhum.bandcamp.com More info about Peter Hum: http://www.peterhum.com Peter Hum will tour in support of his album in March 2020, thanks to support from the Canada Council for the Arts and the Ontario Arts Council. Details: http://www.peterhum.band.com/gigs
Dr. Kate Bevan-Baker - Fiddle Randy Cole 2019-12-21 | Dr. Kate Bevan-Baker PhD Concordia University, MMus McGill University FiddleDr. Bevan-Baker is playing on a fine Markneukirchen violin, made Circa 1930. The instrument was stored, and left un-strung until late 2019, when it was set up and strung by Montreal Luthier David Desbois. The Littlest Doyle (Andrew Finn Magill)The Stride (Winifred Horan)The Moving Pint (Charlie Lennon)Filmed and recorded by Randy Coleat Concordia University, Montreal, QuebecDecember 17, 2019
Les Chants du Phoenix - mouvement IV - Mireille Boily et l’Orchestre national de jazz de Montréal Randy Cole 2019-10-15 | Les Chants du PhœnixComposition et arrangements - Mireille BoilyUn film de Randy ColeSous la direction de Philippe Côté et commandée par l’ONJ, l’œuvre de Mireille Boily nous invite à un parcours initiatique inspiré par la légende du phœnix, oiseau fabuleux de la mythologie grecque et symbole de renouveau. Pour évoluer, il doit se consumer et renaître de ses cendres. Commande d'oeuvre de l'Orchestre national de jazz de MontréalInterprétée en concert à L'Astral le 17 mai 2018Chef d’orchestre : Philippe CôtéChanteuse : Mireille BoilySaxophonistes : Jean-Pierre Zanella, Samuel Blais, André Leroux, Frank Lozano, Alexandre CôtéTrompettistes : Jocelyn Couture, Aron Doyle, David Carbonneau, Bill MaharTrombonistes : Jean-Nicolas Trottier, Taylor Donaldson, Alex Desjardins, Jean-Sébastien VachonPianiste : Gentiane MGGuitariste : François JalbertContrebassiste : Rémi-Jean LeBlancBatteur : Kevin Warren
YANNICK RIEU – MachiNations EPK Randy Cole 2019-10-08 | A film by Kristina Wagenbauer"MachiNations", Yannick Rieu's latest album proves beyond any doubt that he no longer belongs solely to the "jazz" niche. He here reaffirms his openness towards other genres. This new album stands out for the multiplicity of its musical influences, without being a mere patchwork. The various musical forays and inspirations are well assimilated, and delivered with much maturity. As a whole, "MachiNations" bears the signature of an artist, always in pursuit of originality and balance.On this new album, Yannick Rieu surrounds himself with four of the most talented musicians of their generation: Samuel Joly, drums and percussion (Kevin Warren on tours); Rémi-Jean Leblanc, double bass and electric bass ; Jérôme Beaulieu, keyboards and piano; François Jalbert, guitar. In addition to these musicians, Alexandre Lapointe, Érika Angel and François Lafontaine join the group on an intermittent basis.
Jazz, Period. MIC CHECK - MWL B-V 30a Condenser & RCA PB-31 Ribbon Microphone Randy Cole 2019-10-03 | For a full tune recorded with the Maihak B-V 30a, click here: youtu.be/jVTrtVSGMPAFor a full tune recorded with the RCA PB-31, click here: youtu.be/kM2dxsLMVBQThis episode of MIC CHECK features two classic vintage microphones. The mic are tried out back to back in a live recording, the first RCA ribbon microphone, the PB-31 (1931) goes head to head with an early West German tube condenser, the MWL Maihak B-V 30a (1947).Recorded live at Diese Onze Jazz Club in MontrealSeptember 14, 2019Recorded and filmed by Randy ColeSecond Camera - Arthur PlisPost production consultant - Emily BowmileAl McLean - SaxophoneJim Doxas - DrumsAdrian Vedady - BassKate Wyatt - Piano
Al McLean Quartet - Theme For Ernie Randy Cole 2019-10-01 | This lesser known Bebop ballad by is the perfect canvas upon which Al McLean paints a moody portrait. Written by little known guitarist Fred Lacey in 1958, the piece pays homage to saxophonist Ernie Henry (Thelonious Monk, Charles Mingus, Kenny Dorham, Dizzy Gillespie), who died of a heroin overdose on December 29, 1957. The obscure piece found its way onto the Coltrane record, "Soultrane" in early 1958, ensuring its survival. Al McLean is playing into a rare post-war West German tube microphone, a MWL Maihak BV-30a (Circa 1947), which was the only post-war West German bottle microphone made. Although the mic looks like a classic prewar Neumann bottle mic, its innards are more akin to a Neumann M49, making it a prototype of the iconic Neumann. This example was restored by Leo Schaal of Schaal Audio.Filmed at Dièse Onze, September 14, 2019Al McLean - SaxophoneJim Doxas - DrumsAdrian Vedady - BassKate Wyatt - PianoFilmed and recorded by Randy ColeSecond camera - Arthur PlisPost production consultant - Emily BowmileMore information on Al McLean: http://www.almclean.comMore information on Leo Schaal: http://www.schaal-audio.com
Al McLean Quintet plays Neptune - a Jazz, Period. film Randy Cole 2019-07-10 | A heady, sold out crowd at Montreal's Diese Onze jazz club took in two blazing sets by tenor man Al McLean. Joined on stage by New Zealand trumpet phenom Lex French, the band let loose on Bob Berg's "Neptune". The rhythm section includes McLean's regular drummer and bassist Jim Doxas and Adrian Vedady, and the charismatic Taurey Butler joined the band for his first Jazz, Period. recording.As usual for a Jazz, Period. film, some interesting vintage pieces have found their way into the proceedings; Lex French is playing into an RCA 44-BX ribbon microphone, circa 1945, and Al McLean is being picked up by an incredibly rare 1932 Neumann CMV-3A condenser microphone. The Neumann has been meticulously restored by the German equipment designer Leo Schaal, and has a wonderful and unique sound.For more information about Schaal Audio, visit: http://www.schaal-audio.com
Lex French Solo - I Hear a Rhapsody Randy Cole 2019-05-24 | "I Hear a Rhapsody" - Lex French playing a '56 Bach Stradivarius... Thanks to Lex and the team at Montreal's Twigg Musique for hosting Lex French (Lex French Music ) for some filming.This little film features a vignette of the Twigg repair shop, with all of the artisans working away on wind and brass. Many of my own instruments are brought back to life there. Indeed, I hear a rhapsody...
Lex French Solo - Stella By Starlight on a No. 3 Bore Martin Committee Trumpet Randy Cole 2019-05-22 | Lex French demos a rare Large Bore 1961 Martin Committee trumpet. This horn was made famous by Miles Davis, who preferred this exact iteration of the storied Committee. The piece is played beautifully by New Zealand native Lex French, who currently makes his home in Montreal.
Jason Davis, Double Bass - Footsteps in Snow Randy Cole 2019-03-06 | Jason Davis, Double BassFootsteps in SnowFilmed and recorded by Randy ColeFootsteps in Snow features the voice of Iñupiat elder John Sinnok of Shishmaref, Alaska speaking about the effects of the rapidly changing climate on his hometown. It is inspired by elements of Inuit music, including the drum dance song Siipinngua.http://www.climatestoriesproject.org
La Copa del Amor - Union Gibara Randy Cole 2018-12-22 | Gibara, Cuba: The 19th Century legend 'La Copa del Amor' is shrouded in mystery. Versions of the romantic sea-shanty are told and retold in the coastal village of Gibara, and the mystery is unveiled in this film. The young Adolfo is lost at sea, his lover Ignacia grieves. Adolfo finds his way to Ignacia's door, but the shock of seeing him is too much for the grieving woman, and she falls dead. Adolfo cuts a lock of hair from his true love's head, and crafts a tableau... a tableau depicting her burial site. Set to the casual performances of local musicians, we journey from seaside to tombstone, and en route we begin to perceive the romantic heart of Gibara.
Jean-Michel Pilc - Improv Workshop Project Randy Cole 2018-12-18 | This unique project is based at the Schulich School of Music of McGill University in Montreal, and explores the practice of paperless musical improvisation. Unlike other forms of improvised music, players in the Improv Workshop Project do not rely on written music or pre-determined harmonic structures or song forms, but rather, they quite literally compose on the spot. Featuring an ever-changing group of musicians of all musical backgrounds, the project puts a focus on the exploration of the tradition of jazz as “improvised chamber music” based on collective improvisation. Weekly playing sessions assemble different casts of musicians to try new ideas and techniques brought by project lead Jean-Michel Pilc and other participants.Pianist Prof. Jean-Michel Pilc is the de-facto organizer of the ensemble, but in practice, it is rigorously egalitarian, with a deliberate lack of hierarchy amongst members; some of whom are in the midst of music study, and others are acclaimed veterans like Pilc, trumpeter Kevin Dean, and saxophonists Remi Bolduc and Christine Jensen. Luckily for the Montreal jazz scene, this project expands an already rich culture of improvised music, adding an essential incubator for creativity.http://www.improvworkshopproject.com
Al McLean - Dream a Little Dream of Me Randy Cole 2018-11-21 | Jazz, Period.Dream a Little Dream of MeFabian Andre & Wilbur SchwandtAl McLean - 1927 Buescher straight alto saxophoneAdrian Vedady - Bass / contrabasseGeoff Lapp - PianoRecorded by / Enregistré parRandy Cole @ Studio PM, Montréal Canada 11-6-2018Film by / par Randy ColeAssistant Sound Engineer / Assistant ingénieur du son Jon Kaspy
Jazz, Period. - November, Whatever Randy Cole 2018-11-12 | Jazz, Period.November, WhateverComp. Al McLeanPresented by / Présenté par TwiggAl McLean - SaxophoneLex French - FlugelhornJim Doxas - Drums / BatterieAdrian Vedady - Bass / contrabasseGeoff Lapp - PianoRecorded by / Enregistré parRandy Cole @ Studio PM, Montréal Canada 11-6-2018Film by / par Randy Cole& Josh HansenAssistant Sound Engineer / Assistant ingénieur du sonJon Kaspy
Benjamin Deschamps - No Codes 2 Randy Cole 2018-08-29 | Second act of a three part documentary I made of of saxophonist Benjamin Deschamps' project, "No Codes". This clip features Deschamps in CBC Radio Canada's Studio 12 in Montreal, a soon to be dismantled Mecca of Quebec recording. Deschamps was nominated ''Révélation Radio-Canada Jazz'' for the year 2017-2018, and this session was the last, and perhaps most memorable of the many subventions Benjamin received from the CBC.Joined by saxophonist Frank Lozano, drummer Louis-Vincent Hamel, and bassist Sébastien Pellerin, Deschamps explores 'non-standard' ways of playing standards. By reordering the expected structure of a piece, and applying other inventive 'code-breaking' treatments, the group effectively morphs the more traditional American Song Standard into contemporary, angular pieces that bear little resemblance to their traditional origin.The band though, still gets to revel in their jazz roots, playing off of the well-worn chord progressions of the source material, and making a new musical commentary on the old jazz tropes. Clearly one of the new guard of Canadian jazz, Deschamps stands toe to toe with the greatest of his Montreal peers. From leading an A-list big band, to teaching at a local music college, to his work as a small group leader, it doesn't get any better than this.
Benjamin Deschamps - No Codes 3 Randy Cole 2018-08-29 | Third act of a three part documentary I made of of saxophonist Benjamin Deschamps' project, "No Codes". This clip features Deschamps in CBC Radio Canada's Studio 12 in Montreal, a soon to be dismantled Mecca of Quebec recording. Deschamps was nominated ''Révélation Radio-Canada Jazz'' for the year 2017-2018, and this session was the last, and perhaps most memorable of the many subventions Benjamin received from the CBC.Joined by saxophonist Frank Lozano, drummer Louis-Vincent Hamel, and bassist Sébastien Pellerin, Deschamps explores 'non-standard' ways of playing standards. By reordering the expected structure of a piece, and applying other inventive 'code-breaking' treatments, the group effectively morphs the more traditional American Song Standard into contemporary, angular pieces that bear little resemblance to their traditional origin.The band though, still gets to revel in their jazz roots, playing off of the well-worn chord progressions of the source material, and making a new musical commentary on the old jazz tropes. Clearly one of the new guard of Canadian jazz, Deschamps stands toe to toe with the greatest of his Montreal peers. From leading an A-list big band, to teaching at a local music college, to his work as a small group leader, it doesn't get any better than this.
Lana Stamen & Gentiane Michaud-Gagnon : Stranger in Paradise Randy Cole 2018-08-27 | In this instalment of Jazz, Period., we hear Montreal based vocalist Lana Stamen reinterpret "Stranger in Paradise". The singer pays a unique homage the the original Slavic source material of the Broadway show tune (Kismet, 1953). Instead of the piece's original Russian (Alexander Borodin's Prince Igor, 1890), Stamen has delicately translated the English lyric to her native Bulgarian, giving us a remarkable and compelling version. The modern American lyric is distinctly more romantic than the original, and it is sung now in a language seldom heard by fans of the American Popular Songbook.Lana Stamen is accompanied by the talented young jazz pianist, Gentiane Michaud-Gagnon, recent recipient of CBC Radio Canada's "Révélation Radio-Canada en jazz" award 2018/19.Stamen is singing into a rare pre-war Telefunken microphone that has been meticulously restored for such a performance by Leo Schaal of Schaal Audio, http://www.schaal-audio.com.
Lex French & Gentiane Michaud-Gagnon - Wrap your Troubles in Dreams Randy Cole 2018-08-24 | A Jazz, Period. film...In this instalment of Jazz, Period., we are privy to a chamber performance by Montreal musicians Lex French (cornet), and Gentiane Michaud-Gagnon (piano). The duo are performing in a quiet daytime setting at La Sala Rosa, a popular Montreal dance hall. The tune is "Wrap your Troubles in Dreams", and suitably, French is playing an older instrument. The rare John Heald cornet dates to approximately 1910, and has the perfect, period sound for this traditional tune.Michaud-Gagnon is the recent recipient of CBC Radio Canada's "Révélation Radio-Canada en jazz" award 2018/19. She is the perfect foil for French's traditional romp, with a ever-present contemporary flare to her seemingly traditional stride-piano accompaniment.French is being recorded by a rare RCA 44-BX "Tuxedo" microphone, dating to approximately 1939, and we get the full nuance of his cornet performance.
François Bourassa Number 9 (Full) Randy Cole 2018-08-19 | François Bourassa Number 9Frozen18 Rue de l'Hotel de VilleCarla Und KarlheinzComposé par François BourassaLe pianiste québécois François Bourassa discute de la liberté implicite que l'on retrouve dans la musique jazz et de la façon dont les membres de son quartet de longue date sont ceux qui expriment le mieux son travail.Bourassa, compositeur, improvisateur et pianiste de renom, étend les frontières du jazz dans une œuvre originale, à la fois libre et très détaillée dans sa conception.Bourassa est largement considéré comme l'un des mentors principaux dans la communauté musicale de Montréal, inspirant d'innombrables musiciens avec son riche mélange d'harmonie classique européenne et une approche imaginative au piano. Il incarne peut-être le mieux la scène jazz francophone au Québec.//Frozen18 Rue de l'Hotel de VilleCarla Und KarlheinzComposed by François BourassaQuebec pianist François Bourassa discusses the implicit freedom found in jazz music, and how his longstanding ensemble best expresses his work.A noted composer, improviser and pianist, Bourassa stretches the boundaries of jazz in an original oeuvre that is both free, and highly detailed in its conception.Bourassa is widely regarded as a principal mentor in the Montreal music community, inspiring countless musicians with his rich blend of European classical harmony and an imaginative approach to the piano. He perhaps best embodies the Francophone jazz scene in Quebec.Francois Bourassa avec / withGuy Boisvert, André Leroux, Greg RitchieEnregistré à / Recorded at Lion d'OrLa 18ème édition de l'OFF Festival de Jazz de Montréal18th Edition of the OFF Festival of Jazz Montreal11.10.2017Enregistrement audio par / Audio recording by Randy ColeUn film de / a film by Randy Cole
Benjamin Deschamps - No Codes Randy Cole 2018-08-19 | This film features saxophonist Benjamin Deschamps in CBC Radio Canada's Studio 12 in Montreal, a soon to be dismantled Mecca of Quebec recording. Deschamps was nominated ''Révélation Radio-Canada Jazz'' for the year 2017-2018, and this session was the last, and perhaps most memorable of the many subventions Benjamin received from the CBC.Joined by saxophonist Frank Lozano, drummer Louis-Vincent Hamel, and bassist Sébastien Pellerin, Deschamps explores 'non-standard' ways of playing standards, and discusses the mythic reputation of Studio 12. Deschamps' 'code-breaking' treatment yields an innovative and fresh approach to traditional jazz. The group effectively morphs the more traditional American Song Standard into contemporary, angular pieces that bear little resemblance to their traditional origin.The band though, still gets to revel in their jazz roots, playing off of the well-worn chord progressions of the source material, and making a new musical commentary on the old jazz tropes. Clearly one of the new guard of Canadian jazz, Deschamps stands toe to toe with the most accomplished of his Montreal peers. From leading an A-list big band, to teaching at a reputed music college, to prolific work as a small group leader, Deschamps has become a significant member of the Montreal jazz scene.
Benjamin Deschamps - No Codes 1 Randy Cole 2018-07-31 | First act of a three part documentary I made of of saxophonist Benjamin Deschamps' project, "No Codes". This clip features Deschamps in CBC Radio Canada's Studio 12 in Montreal, a soon to be dismantled Mecca of Quebec recording. Deschamps was nominated ''Révélation Radio-Canada Jazz'' for the year 2017-2018, and this session was the last, and perhaps most memorable of the many subventions Benjamin received from the CBC.Joined by saxophonist Frank Lozano, drummer Louis-Vincent Hamel, and bassist Sébastien Pellerin, Deschamps explores 'non-standard' ways of playing standards. By reordering the expected structure of a piece, and applying other inventive 'code-breaking' treatments, the group effectively morphs the more traditional American Song Standard into contemporary, angular pieces that bear little resemblance to their traditional origin.The band though, still gets to revel in their jazz roots, playing off of the well-worn chord progressions of the source material, and making a new musical commentary on the old jazz tropes. Clearly one of the new guard of Canadian jazz, Deschamps stands toe to toe with the greatest of his Montreal peers. From leading an A-list big band, to teaching at a local music college, to his work as a small group leader, it doesn't get any better than this.
Jazz, Period. Al McLean & Lex French - My Ideal Randy Cole 2018-06-19 | A beautiful ballad from trumpeter Lex French. Based in Montreal, French has been game to play on some early cornets and trumpets in a number of Jazz, Period. films. Here he is playing on a 1947 Holton 25 cornet. The instrument has a gorgeous, mellow voice, somewhat like a flugelhorn, and French makes great use of it on this Sinatra ballad, "My Ideal". French is joined on stage at Diese Onze Jazz Club by Al McLean, Al Bourgeois and Jonathan Chapman. Both Lex French and Al McLean are being recorded by rare vintage Japanese ribbon microphones: McLean by a Toshiba Type A, and French by a Toshiba Type B from the NHK Japanese Broadcasting Company.
