HIM Short Film Behind The Scenes | LUMIX GH5S & Atomos Ninja V Rowe Films 2021-07-09 | In Collaboration with Atomos & Panasonic Lumix, here's the 'Behind The Scenes' Feature for the short film 'Him', produced in ProRes RAW on the LUMIX GH5S & Atomos Ninja V.Watch the 'Him' Short Film here: youtube.com/watch?v=ayVYNv5Acy8 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeIt was an absolute pleasure to work with the guys at Atomos & LUMIX again, this time to produce something for the release of new firmware enabling ProRes RAW recording on the GH5S paired up with the Ninja V.Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021'Him' Short film production info:Camera - LUMIX GH5SMonitor/Recorder - Atomos Ninja VAll footage shot in 12 bit ProRes RAW, 24p & 60pBTS production info:All BTS video footage & stills shot on the LUMIX GH5BTS video content captured by Sean Hodge BTS stills photography content captured by Alex TozeEdited by Tommy Rowe in FCPX All content produced in partnership with Panasonic Lumix & Atomos Global.Music licensed via audiio. Use the following link and promo code SAVE100 to get $100 off your lifetime music membership: audiio.com/pricing?oid=1&affid=203
A FILM FOR FERRARI (LUMIX S5IIX) Rowe Films 2023-08-03 | A promo film produced for Ferrari, showcasing the exclusive UK launch event for the newest prancing horse - the Ferrari Roma Spider. A bit of Italian pedigree....Shot in ProRes RAW on the Panasonic LUMIX S5IIX and GH6, via the Atomos Ninja V+Follow: Store: https://rowe-films.sellfy.store YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023
THE HOAX | LUMIX S5IIX + ATLAS MERCURY ANAMORPHIC LENSES Rowe Films 2023-06-10 | I was privileged recently to have been provided with a demo set of the awesome new Mercury Series anamorphic lenses by Atlas Lens Co. With the recent release of the Panasonic S5IIX, I wanted to pair them up to see how special this camera/lens combo could be.I only had the lenses for a few days, and actually only had two evenings available in my schedule to shoot something. I was very limited as to what I could realistically do in such a short timeframe, so I called upon my good friends the Bishops to help me out. This is a piece with a specific message that I’ve wanted to put out there for a while now. As I was hoping, the camera lens combo is stunning and they worked together perfectly. The anamorphic functions in both the S5IIX and Ninja V+ made the setup a dream to work with, even in a run and gun environment like this. I shot the footage completely solo, with no supplementary lighting whatsoever. Just whatever was there. After only a couple of days hands on, I think the Atlas Mercury Series may be my favourite lenses I’ve had the privilege of using to date. As someone that loves a vintage look, what Atlas have achieved here is quite remarkable. Contemporary cinema anamorphic lenses, with character by the bucket load. They really are beautiful - the flares, the distortion, the enhanced bokeh, color rendition, everything. The term 'cinematic' has become a bit of a meaningless catchall but it may well be the best way to describe in one word, the look that you get out of them. Not just that, but they have managed to develop (relatively) small and lightweight anamorphics that can genuinely be used in a run and gun style setup, which is amazing. They also very much brought out the best in the new LUMIX S5IIX too. Given this footage was shot in a completely uncontrolled environment and with natural light only, you can only imagine the kind of performance you would get from this setup in a more controlled setting.I hope you enjoy this little piece, with a poignant message from my favourite philosopher, the legendary Alan Watts. It’s an outlook on life that’s quite personal to me, and something I try to live by as much as I can, so I hope someone out there connects with it also.I’d like to say a massive thanks to the Bish family, and my partner Del, for allowing me to stick a camera on them yet again. You guys are the best, and I love you all. A huge thanks also goes to the guys at @PanasonicLumixVideo , Dan at @AtlasLensCo and @SmallRigGlobal for supplying me with the bits I needed to throw together a workable rig in just a few days. Check out the Mercury Series here:atlaslensco.com/mercury-series As always, questions welcome in the comments and I'll reply to as many as I can! Production notes:Camera: Panasonic LUMIX S5 mark II XLenses: Atas Lens Co Mercury Series anamorphic lenses - 36mm, 42mm, 72mmMonitor/Recorder: Atomos Ninja V+Rigging: SmallRig12 bit ProRes RAW recorded externally via the Atomos Ninja V+5.9K 23.98p 4K DCI 60pEdited natively in FCPX Film emulation & grade: Dehancer Pro - Kodak 250D + 2383 print stockAspect Ratio 2.66:1 - Image has not been cropped as I wanted to show the full image you get with a 1.5x desqueeze with all that anamorphic goodness. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: Store: https://rowe-films.sellfy.store YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023MB01YEFKXITPQKA
A MASSIVE PARTY | LUMIX GH6 WEDDING FILM Rowe Films 2023-05-24 | A few highlights and favourite moments from a recent wedding film I produced for my friend Sophie and her new husband, Alex. An epic day at Pynes House in Devon, UK. Shot on the LUMIX GH6 and GH5S.Music sourced for Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: Store: https://rowe-films.sellfy.store YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023MB01WP5IEUCMYU3
RECREATING 1917 | REAL MOVIE LOCATION Rowe Films 2023-05-23 | Recreating the iconic opening and ending sequences of 1917, at the actual locations used in the movie. I’ve actually been sat on this for over two years now, so I thought it was about time I put something together!When you work in video production full time, sometimes work takes over and you end up with less time for fun. I’ve always believed it’s important to make time to do things not just for clients, but also play time for YOU, in order to keep the flame burning and basically remind yourself what it is you love so much about filmmaking. When it comes to movies, I’m a proper geek, as this little thing aptly demonstrates. I love travelling to real movie locations and walking in the footsteps of those that inspire me. It's a fun thing to do.So back in April 2021 myself and my pals Alex and Sean took a trip to the actual location used to shoot both the opening and ending of the epic Universal Pictures movie, 1917.Having spent a pretty ridiculous amount of time trying to actually find the real location they used here in southern England, I managed to twist Alex and Sean’s arms into taking a trip to the lone tree, in order to do our own recreation of the iconic ending sequence. Armed with just a Panasonic BGH1 and Ronin gimbal, we tried to get as close as we could with what we had. Of course we'd never be able to replicate it frame for frame, but I'd be happy if we could get even remotely close to the world class cinematography seen in the movie. This was just a really fun day. A great experience, and I even learnt a thing or two, too. It also goes without saying but if you haven’t seen the movie ‘1917’ before, I highly recommend it. It is a genuine filmmaking and storytelling masterpiece. This content is a bit different for the Rowe Films channel, so if you enjoy it, please do let me know in the comments because I have other ideas, and would love to do more of it!Disclaimer: All 1917 footage and audio excerpts featured in this video are property of Universal Pictures and its affiliates. Music is audible from The official motion picture soundtrack “Come Back To Us” by Thomas Newman. The content is featured under fair use, for the purposes of reviewing the movie production and studying how it was created from a technical perspective.1917 Behind The Scenes Featurette: youtube.com/watch?v=3hSjs2hBa94Follow Me:YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com 00:00 A Mad Idea02:30 Finding the location04:27 To the tree we go!10:20 Our Intro Sequence Recreation11:48 Getting the Ending Right15:15 The Ending Recreation
LUMIX S5 Mark II X | Test Footage | London Launch Event Rowe Films 2023-05-07 | A few test shots & footage from the Panasonic Lumix S5 mark II X launch event in London, UK a couple of days ago. A huge thanks to Lumix for the invite and putting on an awesome event! Special shoutout to my man @JoshCameron who lost his bet. Sorry chap, better luck next time 😝All shot on the brand new LUMIX S5II X. I didn't get too much footage on the night because, well, let's just say the drinks were flowing. First impressions; Super impressed with the low light performance, color, and dynamic range. The IBIS is fantastic too. This footage was all shot at the high native 4000ISO, and it came out super clean. Pretty impressive given the (very) dark venue used for the launch event. It turned out to be a very good test and it will make for a fantastic music video and live event camera, that's for sure.More to come on this one and something exciting lined up, so stay tuned!Tommy Rowe is a partner and ambassador for Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: Store: https://rowe-films.sellfy.store YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023MB01K2XSDBKNTJT
Cinematic Colour Grading with Dehancer Pro | The Film Look Tutorial Rowe Films 2023-03-13 | If you haven’t seen my full review and overview of Dehancer Pro yet, check it out here;youtube.com/watch?v=aWvbUWQ4Hxw&t=479sGet 10% off Dehancer Pro for Final Cut Pro X using promo code ‘ROWEFILMS’dehancer.com/store/video/final_cut Dehancer Pro is now available for Final Cut Pro X, bringing powerful cinematic colour grading and film emulation tools to FCPX. In a nutshell, this is the most powerful film emulation plugin I’ve ever used, with the most convincing results I’ve ever seen. Get an analog film look for your films and videos using Dehancer Pro!Rowe Films Color Grading LUT's available here:https://rowe-films.sellfy.storeTommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: Store: https://rowe-films.sellfy.storeYT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023MB01Z9AL3NSY7OZ
THE BEST Film Emulation For Filmmakers Rowe Films 2023-03-09 | Dehancer Pro is a cinematic film emulation plugin and color grading tool now available for Final Cut Pro X. Here’s my little review of the product, giving a general overview of it as well as my thoughts. I can highly recommend this one!As a filmmaker I’ve always been a lover of the analog film look. There’s something magical about it that’s hard to put your finger on, something that can sometimes be slightly lacking in the digital equivalent. This is how to get the film look! In my experience, Dehancer Pro is easily the most powerful film emulation and filmic colour grading tool that I’ve ever personally used. One plugin that gives you all the tools you could want or need to emulate a genuinely convincing and authentic ‘film look’ in your films and videos. The plugin includes features such as over 60 different film negatives, print emulation including the popular Kodak 2383, film compression, analog CMY color correction, grain, halation, bloom, vignette, gate weave, film breath, LUT export and more. When you pump your footage through this pipeline, it genuinely looks incredible. Without a doubt, this is the closest to the look of true analog film that I have ever been able to get with my own images.It’s genuinely fantastic that these powerful tools are now available from within Final Cut Pro.So if like me, you use Final Cut and like to emulate analog film characteristics in your digital video footage, you will definitely want to check this one out.Get 10% off Dehancer Pro for FCPX using the Promo Code: ROWEFILMSCheck it out here: dehancer.com/store/video/final_cut Their awesome blog: blog.dehancer.com/articles Rowe Films Color Grading LUTs available here:https://rowe-films.sellfy.store Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: Store: https://rowe-films.sellfy.storeYT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023MB0146KLKBZCWGC0:00 - Example Footage3:09 - Introduction to Dehancer Pro7:06 - Plugin Features & Settings12:12 - My Thoughts & Promo Code
A Quick Sunset | DJI Mavic 3 Classic Rowe Films 2023-03-03 | Editing all day yesterday and looked out the window to see the sky turning. When you gotta go, you gotta go! A rapid trip out with the Mavic 3 Classic.Shot in Exmouth, Devon, UK. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2023#shorts #djimavic3classic MB019OZGM9CYZEC
A Stranger Things Inspired Video For My Own Band! | LUMIX S5II + GH6 Rowe Films 2023-02-19 | Something a bit different from me. Anyone that knows me personally knows that filmmaking aside, my other massive love/passion in life is music. I don't really make much of that side of me on this channel, but I've been in a covers band here in the UK now for over half of my life. I helped form this particular band when I was 15 years old, to be exact. Music has played a huge part in my life, even earlier than that, since I was just a wee lad. Prior to 2020, we were a band that did 60+ gigs and shows per year, so it was somewhat of a way of life for me. Pretty much every weekend, out with some of your best pals, having a laugh, drinking too much, but doing something you love doing productively and getting paid for it. Let's just say it ticked a lot of boxes for me, for many years, and I've missed it.After a bit of a hiatus, we've now built this band back from the ground up, and are finally ready to get back on the road again. It's taken a lot of time and effort from all involved, basically starting again, but I literally can't wait to get back behind the kit and performing live again. To coincide with the announcement of our return to live performances, we decided to produce a live performance video. Something a bit fun and not too serious, and something that would give those that follow us around here in England a little glimpse of what's to come in what will hopefully be a new chapter.Those that do know me personally also know that I'm a bit of a nerd when it comes to film, TV series, movies etc. It all massively inspires my film work, as Im sure you know. I happen to be a big fan of the Netflix series 'Stranger Things' (beautiful filmmaking and I always love 80's vibes). When I heard them do a cinematic remix of Journey's 'Separate Ways' in the last season, I had an idea. That song is one of my favourite Journey tracks ever, so I proposed it to the lads. Thankfully they are top guys and extremely tolerant of my geeky ways, so they agreed to put our own spin on the track, inspired by Stranger Things. The 'cinematic' style intro you hear, I produced myself in Logic Pro X. Using digital instruments, I put together a backing piece with the same vibe as the Stranger Things remix of the track, and I would trigger that live, using the Roland SPD-SX. The rest of the track after the intro sequence, we perform fairly close to Journey's original, but in our own little way.Of course the band's video production falls in my lap, however it's pretty tricky to be both behind the kit and the cameras at the same time. So once again I called in the help of my good mate and fellow camera guy Alex Toze, to operate for me on the shoot.Video wise, I'm sure you will see some of the inspiration I've taken from the show. The titles were animated myself in Final Cut Pro. All in all, this was a really fun little project that combines my two loves in life, and I'm pretty happy with how it came out.The track was performed completely live (excluding the pre-produced intro soundscape I made) and recorded at Tazma Studios in Exeter, UK. As a bit of a side note this time (for a change), we shot all of this footage using both the Panasonic LUMIX S5II, GH6, and GH5S, side by side. As you can see, they work wonderfully together, and cut together beautifully. A fantastic little setup, and great for music video work.Anyway, I hope you enjoy this video and if you have any questions about the work that went into putting this together (there was quite a lot of it!), feel free to smash them in the comments. Oh. We do intend to do more stuff like this going forward and have some big ideas, so if that's your thing, and you'd like to follow the band, please do, that would be totally awesome; @eventineband Thanks guys! Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022
A CASTLE ON A HILL | DJI MAVIC 3 CLASSIC Rowe Films 2023-02-15 | Some test footage from my very first trip out with the DJI Mavic 3 Classic. Thanks to DJI for getting in touch! Stay tuned for more to come. This is just a very quick piece thrown together from my initial flight.My first impressions of this drone are....fantastic. Not only is the functionality incredible, but for me, we are now finally getting to the point where "the drone look" isn't so much of a thing anymore. The footage out of this camera looks generally incredible, and will match well with ground based cameras. Overall the colours, dynamic range, and feel of the footage have improved massively from previous models, and the price represents amazing value too.So these are my very first test shots captured with the Mavic 3 Classic. Myself and Mr Toze took a trip out early on a cold and foggy morning to a local spot that I love. Lawrence Castle in Devon, UK. A 17th century tower built atop of a hill, surrounded by forest. It's an epic spot that gets some awesome weather conditions. Perfect for giving this new drone a test run.Follow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022
THE ICE DAY | LUMIX S5II Rowe Films 2023-02-13 | A stylised, filmic short piece from a winter's day last month, here in the UK. Shot on the new LUMIX S5 mark II, I decided to take a heavily stylised approach to this little piece, in terms of the overall filmic look and heavy film grain emulation. Dare I say, "cinematic"? I also shot it all with one single lens, the vintage 35mm f/2 FD, which is a real beauty and probably my favourite lens that I personally own. Beautifully imperfect! All in all I’ve used a combination of things here that create a look that I personally love. Putting this piece together really helped me test out the new Panasonic camera fully, properly push it around a bit, and see what it's really capable of. I feel like with any new camera, it takes you a while to really get to know it. For me, I find I need to get out and shoot with it, numerous times, in the real world, and in a range of different conditions, before I can really pass judgement. That actually happens to be my only problem with many traditional "reviews", many of which are often limited to studios, with very limited time hands on, and yet findings are often presented as conclusive. That's just not the reality of my experience. Personally I feel like I've got to know the S5II quite well now, and what a great camera it is. Genuinely a fantastic all rounder. The images are beautiful, and so versatile. You really can push it around big time, as I have done in this film, and it holds up beautifully. The images are extremely clean, even in low light, so much so that I find myself actually wanting to rough it up a bit. But that's often the way with me!Anyway I hope you enjoy this little piece. Myself and my mate Mr Toze decided to take some time out and make the most of the wintry conditions by hitting Dartmoor for a hike. One of my favourite things to do. Also happened to provide great conditions to test the camera. Specifically dynamic range, as it was super harsh light and the light/colour changed literally every 30 seconds.Some info below. And as always, feel free to smash any questions in the comments.Camera: Panasonic LUMIX S5 Mark 2Lens: Canon FD 35mm f/2Settings: 4K DCI 24p & 60p 10 bit 422, VLog picture profileFollow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022
LUMIX S5 Mark II + Helios 44M Rowe Films 2023-01-11 | Just a quick one. Driving home yesterday through some local woods, the last of the day’s light was looking quite nice, and there’s no more of it on the cards here, for a while now, so I decided to pull over to catch the last of it. I had some gear with me, including the new LUMIX S5 Mark II so I thought I’d try it out with another vintage lens, this time the Helios 44M.I was on my own and didn’t have a subject to film, so I just had to use the van, otherwise, it’s just trees 😂! This was just a quick test before getting home for dinner, but I got some interesting results, so thought I’d drop some of the footage on here as a quick upload, in case anybody finds it interesting. One of my favourite things to do with any new camera is pair it up with different lens combinations, especially my vintage collection. You can get so many unique and interesting looks with old glass and its always good to see how different cameras handle the more vintage film look that results from using them. It's also sometimes nice to think that I might be the first, and only one to have tried this specific combination, so far. That way you never know what to expect! The Helios is a little diamond in the rough. I’m sure most of you know of it, but for those that don't its an old Soviet era lens that’s famous for it’s interesting character and swirly bokeh. For me, the best thing about vintage lenses is the unique looks you can get. Every single lens is different. Often technically imperfect, but with so much character. And character is what I'm all about. This is very different to what you usually get with many modern lenses, with their optical 'advancement' and superior coatings. Vintage lenses aren't suitable for all commercial work of course, but perfect for those times when you want to get a little more arty, which for me, is pretty often. Like. All the time.This particular lens cost me about 100 smackers all in, and thats including a few mods I’ve made such as an EF conversion, gears, 80mm cine ring, a clean and re-grease. For that money, it really is ridiculous what you’re getting and I recommend you pick one up if you’re interested in dipping your toe into the vintage lens world. If a stylised, characterful film-like look is your thing, this little lens is hard to beat.So I'm pleased to say the S5II + Helios combo works great. Lovely colour. The bokeh looks amazing too, very painterly, and to me its a stronger effect on the full frame sensor, as opposed to what you get with m43 cameras. Another thing I noticed is when the lens is opened right up, it doesn’t just flare wildly, but you also get an interesting light leak too. You don’t get this in the same way on m43 bodies. I reckon this could be quite aesthetically pleasing, used at the right time and in the right way!A nice little test. Hopefully more to come. Feel free to smash questions in the comments. Cheers!Camera: Panasonic LUMIX S5 Mark 2Lens: Helios 44M 58mm f/2Filter: Freewell VNDSettings: C4K 24p, 10 bit 422, VLogEdited in FCPX and a quick grade using Dehancer Pro film emulation (more on this to come soon!).Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022MB01QO4MT4VHARD
A New Year | LUMIX S5 II Rowe Films 2023-01-04 | A few quick test shots/footage from the new Panasonic LUMIX S5 Mark 2. I didn't have time to produce anything more substantial this time, but I did manage to pick it up a couple of times over the holidays, so here's a quick one! All footage shot on the LUMIX S5ii, in Vlog, 24p and 60p. Edited in FCPX and graded with film emulation (video to come on this soon). Lenses wise, most of these shots were on the Canon FD 55mm f/1.2, because I'm all about the vintage look, with all of its character and imperfection. The reason I've always shot Panasonic Lumix, is because footage from their cameras always has character.A few shots at the beginning, everything up to 0:36, were on the Panasonic 20-60mm. Despite not really being my bag in terms of general look (modern, very sharp and clinical), I decided to include a few shots as I know many shooters like the clean and sharp, contemporary look. It is a great lens if that's your thing. I haven't had much hands on time with the camera yet, but here's my initial thoughts and feelings;Everything that was great about the original S5, plus more. Amazing image. Extremely versatile image quality, allowing you to dial in your look as desired.Fantastic dynamic range.Impressive low light performance.Very good IBIS with the new 'active' system. I need to play with this more to get my head around how it performs in different settings.Impressively small and light form factor for a body that has a full frame sensor crammed into it.Clever incorporation of a cooling fan in the EVF housing. No worries about overheating then.Auto Focus is not my thing as I prefer to focus manual lenses, however I did try it out. To my eyes, the new Phase Detect system performs extremely well. The shots at the beginning of the dancing and dogs were shot using human and animal tracking. It locked on and stayed with them. Despite not being a priority for me, I'm sure there will be lots of happy people out there. The big one for me is the price. It's a lot of camera for the money. The most important thing for me being image quality, which at this price point, is seriously top notch. Perhaps even unrivalled. So fair play to Panasonic for making such a fantastic product accessible to more people.I look forward to spending some more time with the camera and getting to know it better. As always, any questions, feel free to smash them in the comments. Oh, and happy new year everyone! 🤙Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022MB01QTYIANJWPJP
A CELTIC LOVE STORY | LUMIX GH6 Rowe Films 2022-12-28 | I haven't shared a wedding film for some time, so thought I'd drop this one! A couple of days before Christmas, I had the pleasure of shooting the Celtic inspired wedding of Lizzie, and fellow Cornishman, James, on the stunning Westcountry coast. As a chap with Celtic blood myself, this was right up my street. All the vibes!I don't shoot many weddings these days, but I've been thoroughly enjoying using the LUMIX GH6 on those that I have worked on. It really is the perfect wedding cinematography camera. For this film, I decided to go with a 2383 film emulation and generally filmic vibe, inspired by the good old days of cinema proper.A huge thanks to @XiomaraCrystal for allowing me to use her stunning track in this preview film. It really is perfect for what I needed. Check out her incredible talent here and please give her some love:youtube.com/@UCB63yRS4AUsSai1IjGR-3CQ All footage featured in this film was shot on the LUMIX GH6, and LUMIX GH5S. Lenses used: Panasonic Leica 25-50mm f/1.7Panasonic 12-35mm f/2.8 II Panasonic 35-100mm f/2.8As always, feel free to smash any questions in the comments section.Merry Christmas to all and Happy New Year!Follow: YT: youtube.com/@RoweFilms IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022
THE HORIZON LOOK! CREATIVE COLOUR GRADE Rowe Films 2022-10-16 | Creative Colour Grading LUT's by Rowe Films! This one is 🔥I have recreated the look from my short film 'Horizon' and it's now available to purchase here:https://rowe-films.sellfy.store#shorts #colorgrading #luts #colourgradingtutorial #cinematic #colorgrade #colourgrading Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022MB01LUX51NSZG7Z
THE STORM LOOK! CREATIVE LUT BY ROWE FILMS Rowe Films 2022-10-11 | 🚨 Attention filmmakers! Get 'The Storm' look for your next project!Check it out on my online store:https://rowe-films.sellfy.store You asked for it, so here it is. Due to popular demand, I have now made available the unique colour grade I used in my short film 'The Storm', produced in collaboration with Panasonic for the release of the LUMIX GH6. It's a special look, and now you can use it too 🔥#shorts #colorgrading #luts #colourgrading #cinematic Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2022
LUMIX GH6 | The Perfect Wedding Cinema Camera! Rowe Films 2022-09-23 | I don't shoot that many weddings these days, but I have done a handful since the release of the LUMIX GH6. So I thought I'd throw together a little montage of a few shots that I've captured during real wedding shoots, in case anyone would like to see how capable it really is. If there's any wedding filmmakers / cinematographers out there considering the GH6, all I can say is, it's pretty much perfect for weddings. So powerful, amazing imagery, and so much fun to use. No matter the conditions, it just performs. What more can you ask for?Any questions, feel free to smash them below.All footage shot on the LUMIX GH6 and recorded internally. Mostly 4K 60p 10 bit. I use quite a few lenses depending on how I'm feeling but pretty sure the glass used in these shots were mostly;Panasonic Leica 25-50mm f/1.7Canon FD 55mm & 35mmHelios 44MGraded using my own custom LUTs and FilmConvertLike what you see? Check out my online store for custom LUTs and stay tuned for much more to come!https://rowe-films.sellfy.storeTommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
GET LOST IN ORDER TO BE FOUND | LUMIX GH5S Rowe Films 2022-08-23 | A short commercial I actually produced quite some time ago now. Almost two years ago in fact. For one reason or another, including the state of the world at the time, it never got shared. A lot has changed since then, including my filmmaking kit and set up, grading techniques and pretty much everything, but I thought it would still be worth a quick share!Produced on the LUMIX GH5S in 2020. A short narrative piece shot on Dartmoor National Park, UK.🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeTommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB0135XQ4IQHNEH
LUMIX GH6 | Behind The Scenes (Short Film) Rowe Films 2022-08-16 | The making of 'THE STAGE'. A full Behind The Scenes Feature and breakdown of my recent short film, shot on the LUMIX GH6 & Atomos Ninja V+. Produced in collaboration with Panasonic LUMIX and Atomos, for the release of new firmware opening up ProRes RAW shooting to this camera/recorder combo. In this video I breakdown the film and key moments of the production, to show how it was produced. I've tried to include as much detail and information as is possible without making the video hours long! If you have any questions not covered here, or want further details, please feel free to drop it below.0:00 Intro0:36 The Concept & Pre-Production2:27 Scene Breakdown10:15 Camera Settings13:02 Post-Production16:28 Final Thoughts'The Stage' film produced by Tommy Rowe of Rowe Films, commissioned by Panasonic LUMIX. BTS footage shot by Sean Hodge & Alex Toze, on the LUMIX GH5 and GH5 mark II.'THE STAGE' production info:Camera: LUMIX GH6Recorder: Atomos Ninja V PlusLenses used: Sirui 'Mars' Anamorphic 24mm T2.9Sirui 'Mars' Anamorphic 35mm T2Sirui 'Mars' Anamorphic 50mm T2Sirui 'Mars' Anamorphic 75mm T2Helios 44M Canon FD 55mm f/1.2Canon FD 35mm f/2Hardware:DJI Ronin STilta Nucleus N 8sinn & SmallRig rigging Lighting:Godox headsNanlite PavotubesAudio:Rode NTG5 & Tascam DR100 Mark IIICamera Settings:12 bit ProRes RAW5.7K @ 24p & 60p4K DCI @ 120pEdited in FCPX and graded manually using my custom LUTs, and then finished with FilmConvert. Sound design edited in Logic Pro.Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: fm.pxf.io/c/3556316/1347628/16252Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB01S4WF8LYYHST
THE STAGE | LUMIX GH6 (Short Film) Rowe Films 2022-07-05 | A short film produced in collaboration with Panasonic LUMIX & Atomos, for the release of firmware V2.0 opening up ProRes RAW to the LUMIX GH6 and Atomos Ninja V / V+. Check out the full Behind The Scenes and breakdown here:youtube.com/watch?v=Cy6V4UGG9Ro 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeHaving been released only a few months ago, the GH6 was already a powerhouse of a camera with specs pretty much unrivalled at its price point. But now it just got even more powerful again. 4K 120p in 12 bit RAW? Give me some of that!One recent feature film release in particular has made waves in the world of cinematography and like many others, I found myself massively inspired by it from a visual and creative perspective. So it was a bit of inspiration for certain aspects of this piece, in terms of the cinematic approach, how it was shot, and certain cinematography techniques. More on that in the BTS!Kit and settings:Shot on the LUMIX GH6 and Atomos Ninja V+Settings: 12 bit ProRes RAW - 5.7K 24p, 5.7K 60p, 4K DCI 120pLenses: Mostly anamorphic with some shots captured using vintage spherical lenses (more on that in the BTS). Sirui Mars anamorphic set; 24mm, 35mm, 50mm, 75mmOther lenses used; Cine-modded 58mm Helios 44M, Canon FD 55mm f/1.2 & 35mm f/2The combination of modern anamorphic lenses and vintage sphericals seemed to work for me. It was also my first time shooting anamorphic on the GH series cams, so that was a nice change. Graded this one manually based on the Kodak 2383 look, and then finished with FilmConvert Super 35 film grain.Written, shot and edited by Tommy Rowe. Featuring lyrics written by Kris Barras for the Kris Barras Band.Production Assistants; Alex Toze, Sean HodgeSpecial thanks to Kris @KrisBarrasBand for being a total legend. Follow his band here you won't regret it:krisbarrasband.com © Rowe Films 2022In partnership with Panasonic LUMIX & Atomos GlobalMB01S4WF8LYYHST
THE STORM | LUMIX GH6 Rowe Films 2022-02-22 | Get 'The Storm' custom LUT by Rowe Films here:https://rowe-films.sellfy.store/p/the-storm/Check out my latest film produced in collaboration with LUMIX here:youtube.com/watch?v=FJPyiJn3Vbs It's finally here! The highly anticipated Panasonic LUMIX GH6. Here is my short film produced for the official announcement. After attending the pre-disclosure event in London at the beginning of the month, I've now had my hands on the camera for a couple of weeks and used it to put together this short film. It was a real pleasure to be involved in the announcement and release of this one, so thanks for the guys at LUMIX for giving me a shout.As soon as it arrived a couple of weeks ago, I shot some test footage and could instantly see that this camera and I are going to get on very well. What a powerhouse the GH6 is. Genuinely fire. The footage has a beautifully cinematic quality, filmic character, everything that I love about the LUMIX look. But more to come on that...As is the nature of this kind of work, I only had a couple of weeks to come up with an idea, plan, shoot, edit and deliver, ready for the announcement tonight. Initially it didn't look like there was much in the way of good shooting conditions for the foreseeable. But then my brother, music for film composer Life In Colour happened to mention he had a new composition in the works, titled 'The Storm'. Low and behold, a matter of hours after we floated the idea, the UK received its first two named storms, both of them in the same week (we actually had a third last night). So, the stars aligned, and it was meant to be.The film was shot entirely on the GH6. We had to brave some brutal (if not slightly treacherous) conditions. In doing so, shooting this piece I have genuinely put the camera through the ultimate test. Storm force winds, torrential rain, hail, angry seas and sea spray by the tonne. Of course the GH6 took it all in its stride, and managed it like an absolute boss. Speaks for itself!It was a lot of fun to produce. Very wet. Very cold. Pretty miserable and borderline savage at times. Working in these conditions is seriously hard work. But fun all the same. Some production info:Camera: Panasonic LUMIX GH6Lenses: Panasonic Leica 10-25mm f/1.7Panasonic Leica 25-50mm f/1.7Panasonic LUMIX 35-100mm f/2.8Canon FD 35mm f/2Canon FD 55mm f/1.2Metabones FD to m43 speedboosterSettings: All footage was shot internally on the LUMIX GH6VLog 5.7K 24p (ProRes 422)5.7K 60pC4K DCI 120p HD 240p Other kit used:Freewell Variable NDTiffen Black Pro MistAtomos Ninja V (as a monitor only)DJI Ronin SMost of the footage was shot handheld, with a handful of gimbal shots. Edited in FCPX. Graded using one of my custom LUTs and finished with FilmConvert. Featuring the brand new track 'The Storm' by Life In Colour. If you have any questions before my hands-on vid, feel free to smash them in the comments and I'll try to answer. Cheers!Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com Video Production: © Rowe Films 2022Music: © Life In Colour 2022Audio excerpt of weather forecast: © Crown copyright, UK Met Office
THE HORIZON FILM COLOUR GRADE Rowe Films 2021-12-23 | 🔥Get 'The Horizon Look' for your next film or video! 🔥The custom LUT developed by Tommy can now be purchased from the Rowe Films store here: https://rowe-films.sellfy.store/p/horizon/Watch the film here: youtube.com/watch?v=izmAzcA2_Wk&t=3s Watch the full Behind The Scenes Feature here: youtube.com/watch?v=IksRypqFShM See my ProRes RAW color grading workflow here (very similar approach to how I color graded these scenes:youtube.com/watch?v=tt_Gbbo-4Kw 'Horizon' short film production info:Camera - LUMIX BS1HMonitor/Recorder - Atomos Ninja VCodec - ProRes RAW Settings - 5.9K 23.98p, 4K DCI 60pLenses Used - LUMIX S 24-105mm f/4, LUMIX S PRO 50mm f/1.4, Canon FD 24mm f/2.8, Canon FD 35mm f/2, Canon FD 55mm f/1.2Edited in FCPX and manually graded with my own custom LUTs. Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
LUMIX BS1H Behind The Scenes (Horizon Short Film) Rowe Films 2021-12-17 | Behind The Scenes & Breakdown of the latest Rowe Films short film 'Horizon', produced in collaboration with Atomos & LUMIX. I tried to pack this one with as much info as possible, so be sure to watch until the end! 🔥Get 'The Horizon Look' for your next film or video! 🔥The custom LUT developed by Tommy can now be purchased from the Rowe Films store here: https://rowe-films.sellfy.store/p/horizon/'Horizon' is a contemplative look at the recent journey of Royal Marine turned Filmmaker, Sean Hodge. Shot entirely on the LUMIX BS1H & Atomos Ninja V, in ProRes RAW. Watch the film here: youtube.com/watch?v=izmAzcA2_WkIn this BTS I dive deep into the production of the film, breaking down the scenes and showing exactly how we went about it, whilst also explaining how the BS1H & Ninja V made it all possible. Needless to say I'm impressed by the BS1H and Ninja, which together open up the power of Full Frame 5.9K 12 bit footage, in a RAW codec. Mega! One of the best things about this setup was the rigging possibilities. We even managed to rig the system onto an FPV drone platform, to create some seriously cool aerials. Plenty of good stuff in here!If you have any questions, smash them in the comments.'Horizon' short film production info:Camera - LUMIX BS1HMonitor/Recorder - Atomos Ninja VCodec - ProRes RAW Settings - 5.9K 23.98p, 4K DCI 60pLenses Used - LUMIX S 24-105mm f/4, LUMIX S PRO 50mm f/1.4, Canon FD 24mm f/2.8, Canon FD 35mm f/2, Canon FD 55mm f/1.2Edited in FCPX and manually graded with custom LUTs. BTS footage shot on the LUMIX GH5 & Panasonic LUMIX 12-35mm f/2.8, by Alex Toze. BTS Feature edited by Tommy Rowe. Special thanks:Chris at Technical Filmshttp://www.technicalfilms.com Alex drone ops:youtube.com/designtuneoperate instagram.com/alex.designtuneoperate Sean Hodge, Alex Toze, Lewis Hendrie & Jamie FAtomos Global & LUMIX UKFollow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
HORIZON Short Film | LUMIX BS1H Rowe Films 2021-12-06 | A cinematic mini-documentary, produced in collaboration with Atomos & Panasonic. Shot on the ew LUMIX BS1H & Atomos Ninja V, in ProRes RAW. 🔥Get 'The Horizon Look' for your next film or video! 🔥The custom LUT developed by Tommy can now be purchased from the Rowe Films store here: https://rowe-films.sellfy.store/p/horizon/Watch the full Behind The Scenes Feature showing the making of this film here: youtube.com/watch?v=IksRypqFShM Sean Hodge left the UK Royal Marines in March 2020, to pursue his love for filmmaking. Shortly afterwards, the world turned upside down. During difficult times, Sean's release was his motorbike. This short film touches on his journey over the last couple of years. If you subscribe to my channel, you may well have seen Sean before, as a friend of mine and fellow LUMIX shooter himself, he has assisted me on various projects, including previous jobs with LUMIX and Atomos. I'm a big fan of his work and I'd like to say a huge thanks to him for allowing me to make this film all about him! I have a full 'Behind The Scenes' feature coming shortly, so keep an eye out for that. For now though, feel free to smash any questions in the comments.Shot entirely in 12 bit ProRes RAW, on the LUMIX BS1H and Atomos Ninja V. We went all out on this one and tried to step up the production value with some different tech solutions. Even going as far as mounting the setup on an FPV drone, taking the Ninja along for the ride. It required a custom build and a lot of fiddling to make it work. But as far as we're aware, it hasn't been done like this before, so that's cool. Pulling focus wirelessly from a drone was also a new experience for me, so that was fun!Credits:Director/DP - Tommy RoweTalent - Sean HodgeProduction Crew - Alex Toze, Lewis Hendrie, Jamie FarquharsonDrone Operations by Technical FilmsDrone Pilot - Alex JohnstonDrone Gimbal Operator - Chris WattsDrone Camera Operator & 1st AC - Tommy RoweSpecial thanks to Paschoe House, Devon. And thanks also to Atomos, for continuing to provide us with such awesome filmmaking kit. Pleasure working with you as always! Tommy Rowe is a proud Musicbed Ambassador. The best music for film going! Check out the Rowe Films Playlist for my latest recommendations and sign up for your free account here: http://share.mscbd.fm/rowefilmsplaylistFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
Just A Winter Sunrise | LUMIX BS1H Rowe Films 2021-12-05 | 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeJust a short one. Made the effort to get out bright and early this morning to catch a sunrise. Took the LUMIX BS1H with me and grabbed a few shots. What a beaut of a morning!Tommy Rowe is a proud Musicbed ambassador. The place to go for the best music for film around. Sign up for your free account here: http://share.mscbd.fm/rowefilmsShot on the LUMIX BS1H & Atomos Ninja V in ProRes 422. LUMIX S PRO 50mm f/1.4 & Freewell VND mist. Camera settings: 5.9K 24p, V-LogGraded with manual adjustments & FilmConvert Follow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB01TPUTQMA1JXE
THE DYING OF THE LIGHT | LUMIX BS1H Rowe Films 2021-11-09 | 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeThe Ottery St Mary Tar Barrels is an annual event here in Devon, UK. A tradition that has been going for literally hundreds of years, the exact origins are unknown, but every year on November 5th (Guy Fawkes Night to us Brits), locals get together to burn barrels of tar and parade them through the town. It certainly makes for fun shooting, that's for sure. The odd little burn here and there and everything 🔥The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilmsPoem credit: 'Do Not Go Gentle' by Dylan Thomas. Read by Tommy Rowe.Camera: LUMIX BS1HLenses: LUMIX S 24-105mm f/4, LUMIX S PRO 50mm f/1.4Recorder/Monitor: Atomos Ninja VSettings: Vlog, 60p & 24p, 10 bit ProRes 422 Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB01YMK6UJH7WAQ
ROWE FILMS OFFICIAL CINEMATOGRAPHY REEL 2021 Rowe Films 2021-10-29 | Here's the official Rowe Films cinematography showreel for 2021. Generally speaking I'm not a massive fan of reels, usually being little more than montages of random footage and pretty shots, and usually lacking in 'story' or narrative. It's tough to make it 'feel' something. So I tried to approach mine a little differently, to perhaps give it a bit more substance than just a montage. I dunno. But anyway, it's been a cracking year, and I've been blessed to take on some incredible projects. More to come of course and I'm hoping to add to this before the year is out, so watch this space 😉Cheers Al! Voiceover by Alan Watts. 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeThe best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilmsGeneral Production info:Cameras featured in the footage, in order of approximate frequency:LUMIX GH5SLUMIX BGH1LUMIX GH5LUMIX S1HBlackmagic Pocket Cinema Camera 4KFuji X-T4LUMIX BS1H 🤫😉Lenses featured are too numerous to list but mostly Canon FD vintage, Samyang cine and LUMIX native m43 lenses. Most of the footage featured was shot at 24p & 60p in 10 bit ProRes 422 and ProRes RAW, via the Atomos Ninja V monitor/recorder. All of the footage featured was lit, shot, edited and colour graded by Tommy Rowe of Rowe Films.Any questions about anything you see featured, smash it in the comments and I'll happily answer as soon as I can. Production credits for some of the featured footage:Panasonic Lumix & Atomos GlobalStudio In The Sticks, DevonKris Barras Band & Mascot Label Group Life In Colour MusicVSimulators & Exeter UniversitySharps Brewery UKFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB015KS2BDUXNZW
A FUTURISTIC COMMERCIAL FILM | LUMIX GH5S | VSimulators Rowe Films 2021-10-19 | 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeHere's a futuristic styled commercial promo I produced earlier in the year, for a company called VSimulators in the UK. They wanted an edgy, dynamic edit and 'cinematic' feel for the promo, which was a lot of fun to put together! I don't have any BTS content for this one but smash any questions in the comments! Shot entirely on the LUMIX GH5S & Atomos Ninja V. Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB013IAR3WLPH2W
Commercial Product Film | LUMIX GH5S | Sharps Brewery Rowe Films 2021-10-13 | Earlier in the year I was commissioned to produce some promo and advertising material for a new Sharp's Brewery product. Mostly for social media use. The project was called 'Cold River', and involved working underwater and also in the studio. It was fun and a nice change to work on something a bit different as I tend not to take on a huge amount of product videography work. So I thought I'd give it a share!Here's a couple of cuts. My own 'director's cut' and then the full length client deliverable follows immediately after. All footage was shot by myself in camera, no third party assets or stock footage. The brief was to focus on the elements and water - where the river meets the sea. So the imagery focused on quite abstract shots on location, and the edit needed to be dynamic. Quite a focus on sound design also. All the featured footage was shot in camera with no third party or stock assets used. Mostly on the LUMIX GH5S and BGH1, with a lot of the underwater work at 120 & 180 fps on the GH5S. There's a little bit of GH5 footage in there, and we also used a Sony FS7 for a couple of the studio shots. Oh and a Phantom 4 of course. I don't have any BTS stuff from this project unfortunately but as always questions welcome in the comments! 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
Is this the perfect Variable ND solution? Rowe Films 2021-10-11 | 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeThanks to Freewell for sending over their new magnetic variable ND filter system looked pretty innovative and I was interested to give it a try. Get yours here: indiegogo.com/projects/world-s-1st-versatile-magnetic-vnd-camera-filter/reft/13493183/rowefilms The Magnetic VND filter package is an all in one filter system that covers Variable Neutral Density, Circular Polariser and ‘Mist’ diffusion. There are lots of filter products on the market but this seems pretty unique in that it provides you with a solution for various filtration types, boasting 7 features and 20 different functions, plus its magnetic too. Personally I’ve always struggled with screw on ND filters. They can be fiddly and cumbersome, not to mention suffer with issues such as vignetting, colour shifts, and of course the dreaded X pattern. So how does this one stack up and is it something I will be making use of? Is this the best option out there for those that like to use screw on VND? In this video I provide my thoughts and provide some test footage. Full disclosure: Freewell did sent me the product for free, but they are not paying me for a review and will not be seeing it before posting. The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilmsFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021 MB014DWCF3AJ6RU
ITS FINALLY HERE! Official Music Video | LUMIX GH5 Rowe Films 2021-09-02 | 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeThis is a special one for me. My own brother's very first official music video! CJ Rowe, AKA 'Life In Colour' (British spelling of course) is a brand new music for film project, composing cinematic scores for use by filmmakers in video production. His debut EP 'Flares' has just released and he's already working on the next one. So watch this space! Please help a brother out and give him a follow: IG: instagram.com/lifeincolourmusic YT: youtube.com/channel/UCwXuTUjSUAYl-o45KHubvpgFB: facebook.com/lifeincolourofficial So late last year we decided to shoot an official music video for the first single on the EP, 'Flares'. It's taken some time for the music to be ready for release, so it's a pleasure to finally be able to share it with you. We had a lot of fun on the shoot, but it was a huge challenge to pull everything together and shoot everything in just two days. If you'd like to see a Behind The Scenes feature for this music video production to see how we went about the shoot, let me know in the comments!Production Info: LUMIX GH5 & GH5SAtomos Ninja VPanasonic LUMIX, Samyang cine lenses. Shot in ProRes 422 10 bit VLog, at 24p & 60p. Edited in FCPX and graded using a custom Rowe Films LUT & FilmConvert Follow Rowe Films: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
Panasonic Leica 25-50mm f/1.7 | Test Footage Rowe Films 2021-08-09 | 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeThanks to LUMIX for sending over a pre-production Panasonic Leica 25-50mm f/1.7 for me to try. This was a lens I was looking forward to getting my hands on. I managed to get out briefly yesterday for a mooch on the beach and brought it along with me to give it a test. It was a quick blast so I’ll try to put something more comprehensive together, but for now, I thought I’d share a bit of test footage and a few shots. My initial thoughts on the lens, in a nutshell: ✅ Perfect companion to the 10-25mm f/1.7✅ Very useful & versatile coverage at approx 50-100mm FF equivalent ✅ Smooth, clickless aperture ✅ Nice shallow DOF & compression at f/1.7 ✅ Very sharp and contemporary look✅ Nicely controlled flaring✅ Internal zoom that doesn’t extend ✅ Solid build quality and high quality feel ✅ Not heavy at all for what is a large unit✅ Decent minimum focus at 0.92ft/28cm✅ Minimal focus breathing 😬 Focus by wire, no hard stops, very short focus throw ❌ No IS, but really wasn’t needed with GH5 IBIS, even at 50mmOverall, the 10-25 paired with the 25-50 would be an amazing combo and you could even get away with using that as a two lens set up which could cover all bases. The 25-50 produces a very sharp, contemporary look, which is amazing if that’s your thing. Info: Camera: LUMIX GH5 Recorder: Atomos Ninja V Lens: Panasonic Leica DG Vario-Summilux 25-50mm f/1.7ND: Freewell 6-9 stop VND Frame rates: 24p & 60pCodec: ProRes 422Profile: V-Log LThe best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilmsFollow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021 MB01B0VYNTVS40J
The War Horse House | LUMIX BGH1 & NINJA V | PRORES RAW Rowe Films 2021-06-28 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeShot on the LUMIX BGH1 & Atomos Ninja V in ProRes RAW. A quick video thrown together from a recent trip to Dartmoor. Myself and a few local photographers hiked out into the middle of nowhere to visit the house used in Steven Spielberg's 'War Horse'. This is the location they used for the farm in the movie. It looks a little different to how it looks in the film, as the production added a thatched roof etc which is all gone now. But even so it was really cool to see the location that was used for some of the key scenes. After that we hiked up to a nearby Prehistoric monument. A stone row and burial mounds from the Stone Age. Pretty cool stuff. I had the BGH1 and Ninja V with me, so decided to grab some shots. At this point I was still playing with ProRes RAW as a codec so it was a good little test. So instead of letting the shots go to waste, I did a quick cut and grade, and threw this little video together. Camera: LUMIX BGH1Recorder: Atomos Ninja VLens: Samyang 35mm T1.5 cine (EF mount) Settings: 24p & 60p 12 bit ProRes RAWGrade: RAW to V-Log conversion, custom LUT & FilmConvertAll shot handheld with SmallRig cage & accessories Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021MB01S7CQNSYP2SR
‘HIM’ Short Film | LUMIX GH5S & Ninja V | ProRes RAW Rowe Films 2021-06-09 | A cinematic short film by Tommy Rowe in collaboration with Panasonic Lumix & Atomos Global. Shot in ProRes RAW on the LUMIX GH5S & Atomos Ninja V.See the 'Behind The Scenes' Feature here:youtube.com/watch?v=k1Iuxh9K8Dk 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeIt was a pleasure to work with LUMIX and Atomos again, this time to produce some content for the release of new firmware opening up ProRes RAW to the mighty GH5S. I was lucky enough to get my hands on it a couple of weeks ago now and managed to put together this short film in what was a very very short period of time. I’ve been using the GH5 & GH5S for a few years now, and with this upgrade, the mighty GH5S is even mightier. A huge thanks to the guys at Atomos & LUMIX, for continuing to update their products with killer features. So what’s coming next? Well there’s the GH6 cameras of course. But for me, this update makes the GH5S a strong performer for a few more years yet! For this short film, I decided to go for a filmic, vintage look, to really show the versatility of the set up and demonstrate what can be achieved. I decided to shoot it all on Canon FD vintage lenses, for that lovely character you just don’t get with modern glass. Finishing with FilmConvert, I’m a massive fan of that nostalgic cinema, film-like look.I hope you like the short. Do stay tuned for the BTS feature coming up in the next few days. Music licensed via audiio. Use the following link and promo code SAVE100 to get $100 off your lifetime music membership: audiio.com/pricing?oid=1&affid=203 Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
LUMIX BGH1 & BMPCC 4K MUSIC VIDEO | SONS OF LIBERTY - DAMAGED REPUTATION (OFFICIAL) Rowe Films 2021-05-04 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeThe LUMIX BGH1 has slotted into my setup like a dream alongside the Blackmagic Pocket Cinema Camera 4K, GH5S and GH5. If you'd like to know more about the production of this video, let me know in the comments!I recently shot this music video with the BGH1 as my primary camera, backed up by the BMPCC. At the time I didn't plan on using it as my main camera, but I was surprised how well the BGH1 footage matched the Blackmagic, and the box format works so well rigged up as a 'cinema camera' when shooting in a controlled environment. Original music 'Damaged Reputation' by UK rockers Sons of Liberty:sonsoflibertyband.com Video shot in Bristol, UK. Cameras used:LUMIX BGH1Blackmagic Pocket Cinema Camera 4K Monitor/Recorders used: Atomos Ninja VLenses used:Panasonic Leica 10-25mm f/1.7Panasonic 12-35mm f/2.8 IIPanasonic 35-100 f/2.8 IISamyang 35mm T1.5 cine lens (EF mount) Settings:All shot in ProRes 422 10 bit, 24 & 60 fpsV-Log & BM FilmLighting:Godox SL60W, SL200WAputure LS Mini 20dAputure AL-MCNanlite PavotubeEdited and graded in FCPX using a custom LUT I produced to match the two cameras.Directed, shot and edited by Tommy Rowe with camera assistance from Alex Toze. Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
Colour Grading ProRes RAW | Tutorial & Walkthrough Rowe Films 2021-04-08 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFurther to my last BTS video, here's how I colour graded the short film 'KERNOW', produced in partnership with Panasonic Lumix and Atomos, shot on the BGH1 & Ninja V, which now support ProRes RAW. This was my first time working with ProRes RAW footage, and it was an absolute dream. As someone who is used to working with normal ProRes codecs as well as Panasonic V-Log, I was surprised how familiar it felt, being able to quickly convert the RAW footage to V-Log/V-Gamut directly in the settings of Final Cut Pro X. Now I'm looking forward to doing more experimentation and working directly with the RAW footage, to see what results I can get without doing the Log conversion. It will be interesting to see if it changes my color grading workflow. The BGH1 produces a beautifully cinematic image, it's an absolute beast paired up with Ninja V and has slotted straight into my setup. 12 bit ProRes RAW, what more could you ask for?Watch the KERNOW short film here: youtube.com/watch?v=dhy-T87VjVU Behind The Scenes: youtube.com/watch?v=jiwnIPONK8M#ProResRAW #ColorGrading #Colourgrading #LUMIX #AtomosFootage shot on the LUMIX BGH1 and the Ninja V, BTS footage shot on the LUMIX GH5. All edited in FCPX.Music by audiio. * Get 10% off lifetime membership by using the link below and promo code ROWEFILMS10audiio.com/pricing?oid=1&affid=203 Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
The Setup | LUMIX BGH1 & Atomos Ninja V Rowe Films 2021-04-01 | Video sponsored by Panasonic LUMIX & Atomos Global.Here's a short set up video showing my Lumix BGH1 & Atomos Ninja V rig. Now capable of shooting in 12 bit ProRes RAW! Tidy. The Setup:LUMIX BGH1Atomos Ninja VAngelbird Atom X SSDPanasonic LUMIX 35-100mm f/2.8 IISmallRig camera & monitor cages, mounts and side handle Shot on the LUMIX GH5S & GH5, Panasonic 12-35mm f/2.8 II & Panasonic 42.5mm f/1.7Lighting - Godox SL-200W & P120L, Aputure LS Mini-20d, Aputure AL-MC Edited in FCPX & graded using a Rowe Films custom LUT🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021
KERNOW Behind The Scenes with LUMIX & Atomos | ProRes RAW Rowe Films 2021-03-24 | I recently produced the short film ‘KERNOW’ for Panasonic LUMIX & Atomos, for the up coming release of new firmware that brings ProRes RAW to the LUMIX BGH1 & Ninja V. Here’s a short Behind The Scenes film, featuring some BTS footage from the shoot, as well as my general thoughts on working with ProRes RAW, the BGH1 and Ninja V. Colour grading video coming next, so stay tuned for that and be sure to subscribe so you don’t miss it!🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeWhen LUMIX & Atomos got in touch to discuss the production of a short film, I decided to take the kit to my home county of Cornwall, UK, to put it through its paces. The perfect place to throw some challenging shooting environments at it and also come up with some nice cinematic imagery to show what the set up can do. I now have a new favourite run and gun set up! Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2021‘KERNOW’ Short film production info:Camera - LUMIX BGH1Monitor/Recorder - Atomos Ninja VSSD: Angelbird Atom X Lenses used: Panasonic Leica 10-25mm f/1.7, Panasonic Lumix 12-35mm f/2.8 II, Panasonic Lumix 35-100mm f/2.8 IIRigging: SmallRig Filters: Tiffen Black Pro Mist & Variable NDGimbal: DJI Ronin SAll footage shot in ProRes RAW, 12 bit VLogL, 24p & 60pProRes RAW post-production workflow used standard RAW to VLog conversion and then graded as per my normal workflow, for SDR. Edited and colour graded in Final Cut Pro X using a custom LUT & finished with FilmConvert. Colour grading video coming soon. BTS production info:Music by 'Life in Colour'All BTS video footage & stills shot on the LUMIX GH5BTS video content captured by Sean Hodge BTS stills photography content captured by Alex TozeLenses used: Panasonic Leica 10-25mm f/1.7, Panasonic Lumix 12-35mm f/2.8 II, Panasonic 42.5mm f/1.7Edited by Tommy Rowe in FCPX All content produced in partnership with Panasonic Lumix & Atomos Global.#ProResRAW #LUMIXBGH1 #AtomosNinjaV #RoweFilms #BehindTheScenes Life in Colour - instagram.com/lifeincolourmusicSean Hodge - seanhodgeproductions.co.ukAlex Toze - alextoze.co.uk
KERNOW | Short Film with LUMIX & Atomos | BGH1 & Ninja V Rowe Films 2021-03-18 | Produced in partnership with Panasonic LUMIX & Atomos. ‘Kernow’ is a short film created by Tommy Rowe. A film about a part of the world that is very special. It was a true honour to work with the guys at Panasonic LUMIX & Atomos in the run up to the official announcement of new firmware that opens up ProRes RAW to the BGH1 & Ninja V. The already awesome BGH1, goes full on BEAST mode! Except the handful of drone shots, all footage was shot on the BGH1 and Ninja V in ProRes RAW. As a GH5 & GH5S shooter, I found this combo an absolute delight to use. As for my thoughts on working with ProRes RAW, well, I have more on this coming shortly in a Behind The Scenes video, plus other content, so stay tuned for all that good stuff. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow:IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com Special thanks to Cornish Poet Clive Blake for allowing me to use his poem 'Cornwall Explored' in this piece.www.cliveblake.co.uk This production is sponsored by Panasonic UK & Atomos Global. © Rowe Films 2020
THERES ALWAYS MUSIC | Short Film by Tommy Rowe | AUDIIO Rowe Films 2021-03-01 | Thanks to audiio for sponsoring this video. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeAudiio are an up and coming music licensing platform helping filmmakers discover rising artists, awesome music and SFX to use in their work, at a genuinely incredible price. They recently reached out to collaborate on a short video. As a musician myself, music has always been a huge inspiration for me, so I decided to try and communicate that in this short film. It can quite literally trigger inspiration for new video projects, and it also completely sets the tone of any video. As you will see in this video, it’s a tale of two halves, so be sure to watch to the end. I recommend some headphones for this one and crank that volume to 11!Follow: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com Kit used:Lumix GH5S, GH5, Blackmagic Pocket Cinema Camera 4KPanasonic 12-35 f/2.8 II, Samyang cine 35mm T1.5, Olympus Pro 25mm f/1.2, Olympus Pro 45mm f/1.2, Olympus Pro 12mm f/2, Canon 50mm f/1.4Atomos Ninja VDJI Ronin SShot in 24/60p, 10 bit ProRes 422Graded using custom Rowe Films LUT & FilmConvert, edited in FCPX © Rowe Films 2021
A VALENTINES STORM | LUMIX GH5 Rowe Films 2021-02-14 | Cold. Wet. Brutal. Colourless. No music needed, just a representation of the savage elements. I hope you can feel it. Here's a very quick Valentine's Day short, from a locked down England.🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeI decided to go very minimalist with this short. No music and nothing fancy, just replicating what it truly looked and felt like out on the UK west coast today. Gale force winds and freezing cold rain, it was pretty much grey and colourless, so I have emphasised that in the grade, for almost a monochrome look. Follow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com Shot entirely handheld on the LUMIX GH5 and Atomos Ninja V. One lens used, the trusty all-rounder Panasonic 12-35mm f/2.8 II, and a Tiffen variable ND filter. Edited in FCPX, graded using one of my custom LUT's & FilmConvert.Settings:Picture profile: V-LogL24 & 60p 10 bit ProRes 422© Rowe Films 2021
BMPCC 4K | My First Shoot (Cinematic Test Footage) Rowe Films 2020-12-30 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeYou may have seen that I recently picked up a Blackmagic Pocket Cinema Camera 4K to add to my set up. I had a load of old gear knocking around so decided to have a clear out, trade it all in and pick one of these up. I was pretty sure I'd make good use of it and I've always been a fan of the Blackmagic look. As a MFT shooter, I decided the 4K was probably a better fit for me over the 6K. So far so good.Here's some test footage from my first trip out with the camera. I have a lot to say about it but my first impressions are great - I love the look of the footage, and I think we are going to get on very well. My good friend and I, Alex Toze (he's a Sony Photographer but we won't hold it against him), headed up to Dartmoor National Park during some wild wintry weather and it was a great opportunity for me to bring the Pocket along and shoot my very first shots with the camera. In a nutshell, I'm really glad I decided to pick one of these up. The cinema camera format seems to work well for me and I think it will slot into my LUMIX micro four thirds set up perfectly.I have to say, the Blackmagic Design look really is lovely. The colours are a bit different to what I'm used to grading, so I'm going to need a bit of time doing tests and getting used to how the footage behaves before I'll be happy with the look. I'll be tweaking my custom LUT's but for a quick first attempt, this will do.Let me know what you think in the comments! Settings:ProRes 422, 24 & 60 fps Edited in FCPX and graded with one of my custom LUT's.Lenses:Samyang 35mm T1.5, Olympus Pro 25mm f/1.2, Olympus Pro 45mm f/1.2Tiffen Black Pro Mist & VNDIG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020MB01TSQLWAUMWIY
BELLEVER | LUMIX GH5 (Cinematic Short) Rowe Films 2020-12-16 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeA short film shot on the LUMIX GH5 with Atomos Ninja V. Episode 2 of my cinematic video diary series, perhaps? I'm not really too sure of the purpose of these films, all I know is I enjoy producing them. A break away from client work and back to back edit sessions. I recently took an evening walk with my better half to a place called Bellever Forest, Dartmoor National Park in the UK. I decided to bring the GH5 along with me and I'm glad I did, because we had some incredible conditions - beautiful golden light and a stunning mist descended in the valley and above the river. Those who follow my work know how much I love Dartmoor and there are so many spots I want to explore over the winter, so more like this to come I'm sure. Shot on the LUMIX GH5, all handheld. 24/60fps 10 bit ProRes 422, V-Log, Atomos Ninja V. Samyang 35mm T1.5 (EF mount), Tiffen VND & Black Pro Mist Edited in FCPX, graded with custom LUT & FilmConvert The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilmsFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020MB012YSJYZTBQGN
KRIS-MAS | CINEMATIC TRAILER BY ROWE FILMS | LUMIX GH5S Rowe Films 2020-12-07 | The LUMIX GH5S shows off its low light muscles in this short teaser trailer I produced for the awesome Kris Barras Band. Kris wanted a highly cinematic trailer for his upcoming 'Kris-Mas' show, an online ticketed event. Using some footage we shot at one of his live shows last year, plus a little impromptu night shoot in Torquay, England, I put together this little promo for him. As the shoot was quite last minute, we had very little in the way of lighting to make use of, apart from a couple of little Aputure MC's, so it was all about finding some good practical lights on location. The trailer video is all about hyping up the show, which I hope it does. Anyway, I hope you like it. As always, questions and comments most welcome. All footage shot on the LUMIX GH5S. If you're interested, you can find out more about the Kris Barras Band, plus info and tickets for the upcoming live event, at krisbarrasband.com 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020Camera: LUMIX GH5SLenses: Panasonic 12-35mm f/2.8 II, Panasonic 35-100mm f/2.8 II, Samyang 35mm T1.5 cine lens, Canon 50mm f/1.4 USMFilters: Tiffen Black Pro Mist Edit: Final Cut Pro XGrading: Rowe Films' Custom LUTs MB01HEVVVKGR5ZH
The Start of a New Journey | Life in Colour Official Trailer Rowe Films 2020-12-02 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeHere's a cinematic trailer I produced for the upcoming debut EP 'FLARES' by Life In Colour. Watch to the end for a sneaky peak at some of the Official Music Video footage we've shot! Years in the making, this is the start of a new story for an amazingly talented, up and coming music film composer, who also just so happens to be my brother. I know I might be a little biased, but his music is insanely good. So we produced this short trailer/mini-documentary for the release of his very first official release, which is coming soon. Official Music Video and buckets of BTS content also coming very soon!Follow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020Footage predominantly shot on the LUMIX GH5S and GH5. Edited in FCPX and graded with my own custom LUT's. Enjoy. TR
BEHIND THE SCENES | OFFICIAL MUSIC VIDEO | LIFE IN COLOUR Rowe Films 2020-11-24 | It's a wrap! I have a full BTS feature for the production of the 'Life In Colour' Official Music Video coming really soon, to show you all everything that went into producing it. We've just wrapped up the location shooting and we proper smashed it. Post production is in full swing and it's coming on beautifully. It's been an absolute pleasure to direct and produce this video project and one of the best things has been working with an amazing little crew of incredibly creative people. Missing them all already. Here's a sneak peak at what's to come. Stay tuned as you don't want to miss this!🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020
LIFE IN COLOUR | Official Music Video | TEASER #2 Rowe Films 2020-10-28 | Work continues on the first official 'Life In Colour' music video. An up and coming music for film composer who just also happens to be my extremely talented brother. I can now tell you that the track in question is called 'Flares'. I've been in my absolute element producing this music video. An epic piece of cinematic music with hints of post rock, a strong story, amazing actor, and insane visuals. My idea was to make it a bit more than just a music video, a bit of a short film at the same time. I think you're going to love it! Be sure to subscribe if you haven't already, as the official video will land soon, along with stacks of behind the scenes content. I intend to share a full behind the scenes feature, possibly in two parts, with the second being for the video/film people out there and those who want to know how we went about it all. Watch this space! 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020
TEASER | Coming Soon | New Music Video by Rowe Films! Rowe Films 2020-10-25 | 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeI've been working on a very exciting project. An awesome music video production and I can't wait to show you because we've gone all out and the visuals are truly epic. I also have a ton of Behind The Scenes content, so I intend to share a fully in depth BTS feature along with it. Let's just say this one is quite special, as it's a true 'Rowe' collaboration. I think you're going to love it. Watch this space! The first Official Music Video for music-for-film artist 'Life in Colour' - Coming Soon!Follow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020
THE BOAT DAY | Cinematic Video Diary (GH5 & Ninja V) Rowe Films 2020-10-09 | So I thought I'd start doing a little cinematic video diary now and then. Let me know in the comments if you'd like to see more. Here's episode 1, October 2020. A mega chill day bopping about on my friend's boat off the coast of south west England. We went looking for dolphins, as Mike has seen them several times over the summer. Sadly wasn't to be this time, but still amazing to be out on the water, where I feel at home. Enjoy lads and lasses.🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.storeFollow Me: IG: instagram.com/rowefilms FB: facebook.com/rowefilmsV: vimeo.com/rowefilmsW: rowefilms.com © Rowe Films 2020Shot on the Lumix GH5 with Atomos Ninja V. Shot predominantly 4K 60p 10 bit, ProRes 422. MB017SBGEIP4FRG
