A time traveler tries to find his way back home... Watch the trailer at vimeo.com/127926958
Music Department: Elvis Bates - Score Technical Consultant & Sample Development Daniel Ciurlizza - Synthesizer Programmer & Violin Soloist & Percussionist Nestor Estrada - Music Assistant Jaime Lew - Score Technical Engineer Corin Neff - Synthesizer Programmer
Score produced by Outlier Studios
Special Thanks to: Director Joel Guelzo Sound Designer & Trailer Mixer Jonah GuelzoWho Is Film Composer Daniel Ciurlizza?Daniel Ciurlizza2023-03-21 | danielciurlizza.com
I've been sending presentations to filmmakers for a very long time.
First, they started as emails with a couple of sentences that said, "I love your work, and I'd love to work together sometime."
Then I outright started to make music for projects before I even reached out to them. I just wanted to send them the work and show them how passionate I was about it.
Eventually, I started sending podcast-style "Audio Journals," where I'd record an explanation of my connection and vision for their project. The whole thing would have music in the style of what I thought their film should sound like.
A few years ago, I started adding in videos like this so that they could see me talk and hear my passion for what they were doing (and for what I was doing!).
I'm not sure what the next iteration of my pitching process is, though. Maybe I'll start going to people's houses with a small orchestra. Something like:
"🗣️📢 HEY BIG FAN OF YOUR WORK, HERE'S MY IDEA FOR YOUR NEXT FILM. OKAY HIT IT BOYS 🎻🎺🥁🎸🎶🎵🎶"
If you've ever wondered what I've done and where I'm going, this is for you.Game of Thrones Main Title (Reimagined) - VisualizerDaniel Ciurlizza2023-03-06 | A reimagining of the main theme of Game of Thrones for HOUSE OF THE DRAGON.
Initially written in 2014 and inspired by the man himself, J. Robert Oppenheimer.Ive always wanted to write music for a Western | Great Sacrifices by Daniel CiurlizzaDaniel Ciurlizza2022-02-08 | I've always wanted to write music for a Western.
Just released today is an album that's full of those Western-sounding experiments; you're hearing one of them right now.
I particularly love the action tracks on this album.
If you wanna listen to the rest of the adventure, go to my Spotify profile and find it there.
I've been holding onto this story for a long time. But, for every Chinese New Year that passes by since I made this, I think about my hunger to get this out into the world. Not predominantly because I want to share the music or my ideas—that material has already made its way to the appropriate people. More so because it contains a story that's personal to who I am.
Also, I've done a handful of these "audio journals" and they feel very representative of how I see myself and my career. I love telling stories—not limited to just music—in hopes that it might change the way people see the world around them.
In September of 2019, I sent my music ideas for Shang-Chi and the Legend of the Ten Rings to the people at Marvel Studios. I've shared that music before, but now I'd like to share one of my favorite parts about that presentation...
This is my Audio Journal for Shang-Chi and the Legend of the Ten Rings.
Lastly, I know the inevitable question is "So, what happened after you sent it?"
Well, let's just save that story for another time.
Happy new year, friends and fam.
0:00 - The Shang-Chi Audio Journal 0:23 - Who is Daniel Ciurlizza? 2:44 - Musical Influences: Spirited Away / Princess Mononoke / Kung Fu Hustle 3:12 - Inspiration for The Ten Rings 3:54 - The Mandarin and Chinese Opera 5:00 - Shang-Chi's Greatest Power is His Ability to Choose Good 5:34 - Shang-Chi Main Theme 6:22 - Closing Thoughts
Music Department RYAN SPRATT - Bells & Rings Instrument Development ROLAND BINGAMAN - Sample Development QIANQIAN JIN - Guzheng, Flutes, & Pipa WILLIAM ARNOLD - Suona & Vocals STEVEN C. CHIU - Erhu & Violins JONI FULLER - Violins & Viola
Music Consultants QIANQIAN JIN TYLER GLOVER NESTOR ESTRADA BILL SNYDER III ADAM LUKAS LUNA Y. PAN RHYAN D'ERRICO
Storytelling Consultants JORDAN PASSMAN JAKE WEINREB JARED PELLETIER MICHAEL CHWASTIAK SIMU LIU ERIC COOK
Special Thanks To FORMAT ENTERTAINMENT MARVEL STUDIOSSTAR WARS | 08. There Is No Light | Dark Empire Soundtrack | Music Produced by Daniel CiurlizzaDaniel Ciurlizza2021-02-05 | I write music for movies: imdb.com/name/nm3792999
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This music was written for the @WilkinsAnimations adaptation of DARK EMPIRE of the Star Wars Extended Universe.
The music was composed by Daniel Ciurlizza, Bill Snyder III, and Roland Bingaman as an experiment—and in preparation—for incorporating traditional Star Wars music with unique scoring styles on future Star Wars projects. Working with Lucasfilm and Disney is a particularly big goal for me.
Within these experiments, we explored using both original themes and styles that John Williams used on the Star Wars feature films, as well as themes and styles that Williams and George Lucas might have had as reference music when creating the original Star Wars films.
This is 1 of 8 pieces of music, and you can find the rest here: youtube.com/playlist?list=PLM-qXhHuYG-XM4XDBmKiOU9da7WjF_S87Continuing my journey of writing STAR WARS music and made this | Music Producer Daniel CiurlizzaDaniel Ciurlizza2021-01-31 | BEFORE vs AFTER—piano sketch to full orchestration in the style of John Williams. Or... somebody in the classical world, at least...?
I'm enjoying taking advantage of livestreaming my work sessions while there aren't any NDAs involved.
Thanks to Roland Bingaman for starting the bulk of the idea off.
Website: www.danielciurlizza.com Music: fanlink.to/danielciurlizzaMARCH OF THE RESISTANCE by John Williams | Film Composer Daniel CiurlizzaDaniel Ciurlizza2021-01-21 | More Star Wars experiments. Learning how to do the John Williams thing. Starts with original work, then merges into March of the Resistance from The Force Awakens, then back to original work.
Doing this for @WilkinsAnimations' Dark Empire animated series.
0:00 - Norman Promo 0:09 - Background on the question I was asked 0:24 - My thoughts on "what would you say to someone wanting to work in film?"
This is what happens when we work with people we love. I trusted this crew so much that I even now continue to work with them.
This is from an interview I did hours before the cast/crew premiere of NORMAN. In the room with me were the director Joel Guelzo, lead sound guy Jonah Guelzo, lead actor Stephen Birge, and art director Jason Pecor.
A time traveler tries to find his way back home... Watch the trailer at youtu.be/hHrJv8ZTVSU
Music from NORMAN, a feature-length sci-fi film about a time traveler and his A.I. companion. Norman becomes trapped and isolated in the past, jeopardizing life in both the past and the future. He must invent a way back to the future before the world collapses.
NORMAN: THE ORIGINAL MOTION PICTURE SOUNDTRACK will be released on January 1, 2021.
NORMAN the film will be released on all major domestic (United States) VOD, retail, and digital platforms on February 3, 2021
NORMAN Directed by Joel Guelzo
Music Department: Elvis Bates - Score Technical Consultant & Sample Development Daniel Ciurlizza - Synthesizer Programmer & Violin Soloist & Percussionist Nestor Estrada - Music Assistant Jaime Lew - Score Technical Engineer Corin Neff - Synthesizer Programmer
Score produced by Outlier Studios
Special Thanks to: Director Joel GuelzoThe First Voyager | FIRST LOOK: NORMAN (2021) SciFi Time Travel Movie Soundtrack by Daniel CiurlizzaDaniel Ciurlizza2020-12-18 | Every share and pre-order counts towards putting the soundtrack and the film itself in the best place it can possibly be. And it's on ME to get YOU to take those actions. Here's why...
It's not about the money—it's actually more important than that....
Sharing and buying Norman-related content will help the music/video streaming algorithms know that people enjoy what we're making. Because if the algo thinks people enjoy it... it'll recommend it to even MORE people!
Here's the first look at THE FIRST VOYAGER from NORMAN. (I even made this little thumbnail in hopes of getting your attention.)
We're just 13 days away from the release of the entire album, which has A LOT of music in it. If you're enticed by this music, consider pre-ordering the album here: bit.ly/NormanSoundtrack
A time traveler tries to find his way back home... Watch the trailer at youtu.be/hHrJv8ZTVSU
Music from NORMAN, a feature-length sci-fi film about a time traveler and his A.I. companion. Norman becomes trapped and isolated in the past, jeopardizing life in both the past and the future. He must invent a way back to the future before the world collapses.
NORMAN: THE ORIGINAL MOTION PICTURE SOUNDTRACK will be released on January 1, 2021.
NORMAN the film will be released on all major domestic (United States) VOD, retail, and digital platforms on February 3, 2021
NORMAN Directed by Joel Guelzo
Music Department: Elvis Bates - Score Technical Consultant & Sample Development Daniel Ciurlizza - Synthesizer Programmer & Violin Soloist & Percussionist Nestor Estrada - Music Assistant Jaime Lew - Score Technical Engineer Corin Neff - Synthesizer Programmer
Score produced by Outlier Studios
Special Thanks to: Director Joel GuelzoI spent 3.5 years writing music for this | NORMAN (2021) SciFi Time Travel Film - DIRECTOR INTERVIEWDaniel Ciurlizza2020-12-14 | Follow me on Spotify and my other channels to make sure you catch the release of this soundtrack: bit.ly/NormanSoundtrack
Our film has gone through so much through the years. More recently, it finished its run at festivals around the world, it won awards, it got acquired, and it finally got domestic distribution.
You will be able to watch Norman anywhere you can rent or buy films—even in stores!
I'm also excited that we finally get to release the soundtrack to this thing. I specifically asked Joel to talk about the soundtrack in this video so that I could say, "I specifically asked Joel to talk about the soundtrack in this video" in this post.
And he obliged! Now you can watch the video and get a glimpse at what I did those 3.5 years.
More updates to come soon.
A time traveler tries to find his way back home... Watch the trailer at youtu.be/hHrJv8ZTVSU
This video features music from NORMAN, a feature-length sci-fi film about a time traveler and his A.I. companion. Norman becomes trapped and isolated in the past, jeopardizing life in both the past and the future. He must invent a way back to the future before the world collapses.
NORMAN: THE ORIGINAL MOTION PICTURE SOUNDTRACK will be released on January 1, 2021.
NORMAN the film will be released on all major domestic (United States) VOD, retail, and digital platforms on February 3, 2021
NORMAN is directed by Joel Guelzo
Music Department: Elvis Bates - Score Technical Consultant & Sample Development Daniel Ciurlizza - Synthesizer Programmer & Violin Soloist & Percussionist Nestor Estrada - Music Assistant Jaime Lew - Score Technical Engineer Corin Neff - Synthesizer Programmer
This music was written for @WilkinsAnimations animated series, "Dark Empire." It appears in the trailer for "Dark Empire Episode II: Devastator of Worlds", which you can watch here: bit.ly/3g0TAgI
I'll also be writing music for the actual episode, which comes out early 2021.
In a time of increasing chaos in the Galaxy, divided Imperial forces contend ferociously for control of the Empire.
The Rebel Alliance is quick to take advantage of the upheaval, spreading the cry of rebellion far and wide — and inflicting stinging blows against the feuding Imperials.
At the height of the growing anarchy, a captured Star Destroyer piloted by Luke Skywalker, Lando Calrissian and Wedge Antilles is shot down over the Imperial City.
In an attempt to rescue their fallen comrades, Princess Leia and Han Solo, together with the Wookiee Chewbacca and protocol droid C-3PO, fly the Millennium Falcon into the heart of the conflagration.
But Skywalker, now a Jedi of the highest order, refuses to be saved. Instead he chooses to face a mysterious energy storm that sweeps him, along with R2-D2, toward certain destruction.
Meanwhile, at a secret rebel base, Alliance leader Mon Mothma receives disturbing information: a Dark Side power has emerged from hiding, reunifying the feuding Imperials and gathering the technological might of the Empire for a major assault on the worlds of the Rebellion.Happiness is 73 Notes | Inspired by Debussys Clair De LuneDaniel Ciurlizza2020-11-13 | I write music for movies: imdb.com/name/nm3792999
Amazing to think that these 73 notes are one of my most listened-to pieces of music.
This track helped me realize that becoming well known comes from people putting you on, rather than any craft-related complexities.
The film I wrote this for went through a few festivals, then disappeared from public attention.
This song could have gone with it, but I uploaded it online and it was "pirated" and used on a Star Wars fan edit which got tons of views (over a million as of posting this) on YouTube. (The guy that made that video is now a friend!)
That's the only reason why it lives on as of right now. It's also why it's one of my highest earning tracks on streaming platforms.
As an artist, sometimes the things we work the hardest on die fast, while the things that come easy live longer than we thought they would.FIVE songs with ONE melodyDaniel Ciurlizza2020-10-29 | Let's talk about how a composer can use the same melody multiple times within a film's score.
Score Produced by Outlier Studios Soundtrack released by People First RecordsVigilante Cop (From Good Guy With A Gun Soundtrack)Daniel Ciurlizza2020-10-25 | I write music for movies: imdb.com/name/nm3792999
Score Produced by Outlier Studios Soundtrack released by People First RecordsGood Guy With A Gun [Soundtrack] by Film Composer Daniel CiurlizzaDaniel Ciurlizza2020-10-14 | I write music for movies: imdb.com/name/nm3792999
0:00 - A Nice Guy 0:52 - Good Guy With A Gun (Main Theme Piano Sketch) 1:06 - Vigilante Cop 2:30 - A Twisted View of Romance 5:14 - Arms of Justice (Written & Performed by Matthew Kelly) 5:59 - My Dusty Partner 8:04 - Militaristic Ambitions 9:14 - I Know Who I Am Now 9:55 - My Epiphany
Score Produced by Outlier Studios Soundtrack released by People First RecordsTHE SWITCH - 48HR Film Festival | Audience Award WinnerDaniel Ciurlizza2020-09-24 | I write music for movies: imdb.com/name/nm3792999
MUSIC DEPARTMENT Daniel Ciurlizza - Synthesizer Programmer Tato Ciurlizza - Vocalist Nestor Estrada - Sample Development Travis W. Hendrix - Flute Soloist Jaime Lew - Score Technical Engineer Mitch Del Rosario - Ambient Sound Design
Directed by Joel Guelzo & James BanksThe Otherside [Extended] - Mysterious fantasy music in the style of Danny ElfmanDaniel Ciurlizza2020-08-08 | I write music for movies: imdb.com/name/nm3792999
Music Department Mozart's Lacrimosa performed by THE LEO SYMPHONY ORCHESTRA at PREMIUMBEAT HIL JAEGER - Vocal Performance & Manipulation JONI FULLER - String Performance BRANDON LAU - Synthesizer Programmer
This track, featuring the BINARY SUNSET theme is an experiment in the Star Wars universe and its composer, John Williams. The goal for this piece was to play with a new kind of Star Wars sound and research different ways of merging genres and styles. In place of traditional orchestral elements like strings, I used synthesizers designed to sound like strings. But I also wanted to ground it in a world where the "star wars" were a real thing, so using a singular real violin - which may represent how these wars have affected real individuals - was important to me.Joe Hisaishis Princess Mononoke: The Legend of Ashitaka [Orchestra + Huge Choir] - MIDI MockupDaniel Ciurlizza2020-04-27 | I write music for movies: imdb.com/name/nm3792999 Arranged and Re-Orchestrated by DANIEL CIURLIZZA Original Music by JOE HISAISHI Website: danielciurlizza.com Music: fanlink.to/danielciurlizza
THE STORY
A few weeks ago, I wrote a piece of music that made me feel inadequate.
It was one of those moments where everything I did made me feel like I wasn't good enough at my job.
I realized that, while I was happy with my music production and composition skills (big/clear sounds, good melodies, and solid grasp on harmonies) my orchestral arranging skills were comparatively imbalanced.
For those of you that don't know what orchestration is exactly: - 𝘊𝘰𝘮𝘱𝘰𝘴𝘪𝘵𝘪𝘰𝘯 is creating melodies from (seemingly) thin air. Just pure musical ideas. - 𝘖𝘳𝘤𝘩𝘦𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯 is giving those melodies (and harmonies) to different instruments in the orchestra.
If I could offer an analogy, great composition without solid orchestration is a delicious meal that's haphazardly thrown onto a plate...
It tastes pretty good, but it would have been a lot better if they'd put everything in its place. (And if you're really good at plating, then you can charge a lot of money for that meal.)
So I dug in...
I chose one of my favorite composers, Joe Hisaishi. And I went into this with the goal of recreating his piece, "The Legend of Ashitaka" from Princess Mononoke, from scratch.
MY PROCESS: TREAT IT LIKE A WORKOUT (I.E. DON'T CUT CORNERS BECAUSE EVERY LITTLE BIT COUNTS)
To extract the most out of this exercise, I listened to his piece a million times, and did a simple piano reduction by ear. I also cross-referenced a couple of fan-written scores online.
I limited the piano reduction to 4 voices (essentially, the notes that make up the melody and chords) because this is how I'd previously started my compositions.
I've enjoyed this way of working because it helps me establish a very basic structure. And it instantly allows me to see voicings "horizontally" (melodically, from left to right), in addition to "vertically" (harmonically, from top to bottom). A lot like regular sheet music does.
Once I'd finished the piano reduction, my next step was to blow it back up into all the different parts: Woodwinds, Brass, Strings, Harp, Percussion, and some Synthesizers for added color. Actually...
That's the biggest thing I got out of this—orchestration is purely about color. It's not really about size or volume—that's music production/mixing.
My issue was that I had a hammer (confidence in production skills), and everything I saw (including orchestration) was a nail.
Finally, I finished orchestrating everything according to how Hisaishi did it—including playing with tempo so that I could give it more movement and life.
But I knew that wouldn't be enough for me. To truly get as much as I could out of this "workout," I added instruments to see if I could supplement without making things messy (my original problem)—and not rely on any mixing AT ALL.
In fact, I never touched a single fader on this piece, which is testament to how great all of these sample libraries are, and to how effective good orchestration can be. Good orchestration can often take the role of a good mix.
Speaking of samples, here are all the...
SAMPLE LIBRARIES AND TOOLS I USED
- Spitfire Symphonic Brass and Woodwinds - CineBrass Core, Pro, and Descant Horn - Cinematic Studio Strings and Solo Strings - 8dio's 8diOboe - East West Symphonic Orchestra Gold Percussion - CineHarp - Spitfire Hans Zimmer Perc - u-he's Zebra for texture - Audio Imperia for a few booms
THE RESULTS OF DIVING DEEP
Ultimately, it took me about 55 hours of deep work across 13 days to finish this. Honestly, it made me think back on why I chose this profession...
Using every second of each hour—intentionally—was invigorating. I could feel my musical muscles grow stronger with every technical challenge I overcame. And covering Hisaishi's music allowed me to reach down into my childhood roots, which helped me remember the fundamental things I enjoy about writing music.
I already want to do it again.
Here's the result of my journey...Horrifying Moments from An Apocalypse — Performed by 9 Cellos: SICKNESS SPREADSDaniel Ciurlizza2020-04-17 | I write music for movies: imdb.com/name/nm3792999
Believe it or not, I wrote this (and came up with the title) TWO years ago, on this very day. Who knew we'd be in the middle of a pandemic 2 years later. 😐
Written and produced on April 24, 2018. Inspired by Krzysztof Penderecki's Threnody to the Victims of Hiroshima.ETERNALS [Soundtrack] - Avengers Theme Reimagined by Daniel CiurlizzaDaniel Ciurlizza2020-03-03 | The end of an era snapped back into existence, and the start of a new story. I write music for movies: imdb.com/name/nm3792999
For the past many years, I've seen the Marvel Studios team tell engaging stories, with a major focus on spectacular entertainment. Offering that kind of work to the world is exciting to me, and seeing what it can do for people is what drives me every second of the day.
It's the Lunar New Year, and I thought today was perfect for revealing a piece of music that I consider to be my first step in achieving the goal of being part of the Marvel Cinematic Universe.
THE TEN RINGS is my take on the MCU's Ten Rings terrorist group.
Music Department RYAN SPRATT - Bells & Rings Instrument Development ROLAND BINGAMAN - Sample Development QIANQIAN JIN - Guzheng, Flutes, & Pipa WILLIAM ARNOLD - Suona & Vocals STEVEN C. CHIU - Erhu & Violins JONI FULLER - Violins & Viola
Music Consultants QIANQIAN JIN TYLER GLOVER NESTOR ESTRADA BILL SNYDER III ADAM LUKAS LUNA Y. PAN RHYAN D'ERRICO
Storytelling Consultants JORDAN PASSMAN JAKE WEINREB JARED PELLETIER MICHAEL CHWASTIAK SIMU LIU ERIC COOKUnofficial Soundtrack Experiments for Shang-Chi and the Legend of the Ten Rings - RISING SPIRITDaniel Ciurlizza2020-01-25 | Here's an unofficial soundtrack experiments for Shang-Chi and the Legend of the Ten Rings.
For the past many years, I've seen the Marvel Studios team tell engaging stories, with a major focus on spectacular entertainment. Offering that kind of work to the world is exciting to me, and seeing what it can do for people is what drives me every second of the day.
It's the Lunar New Year, and I thought today was perfect for revealing a piece of music that I consider to be my first step in achieving the goal of being part of the Marvel Cinematic Universe.
RISING SPIRIT is my take on Shang-Chi's main theme.
Music Department QIANQIAN JIN - Guzheng, Flutes, & Pipa WILLIAM ARNOLD - Suona & Vocals STEVEN C. CHIU - Erhu & Violins JONI FULLER - Violins & Viola ROLAND BINGAMAN - Sample Development RYAN SPRATT - Bells & Rings Instrument Development
Music Consultants QIANQIAN JIN TYLER GLOVER NESTOR ESTRADA BILL SNYDER III ADAM LUKAS LUNA Y. PAN RHYAN D'ERRICO
Storytelling Consultants JORDAN PASSMAN JAKE WEINREB JARED PELLETIER MICHAEL CHWASTIAK SIMU LIU ERIC COOKSTILL HEREDaniel Ciurlizza2020-01-22 | I write music for movies: imdb.com/name/nm3792999
Music Department MAHMOUD ALTAF - Vocals WILLIAM ARNOLD - Lead Vocals NESTOR ESTRADA - Vocals + Additional Programming JONI FULLER - Vocals SABRE HANNAH - Additional Lead Vocals TRAVIS W. HENDRIX - Flute RYAN SPRATT - Sample Development / VocalsWhatever it TakesDaniel Ciurlizza2019-09-16 | I write music for movies: imdb.com/name/nm3792999
Sample Development by NESTOR ESTRADA BILL SNYDER IIIOld Oak [An Original Song by Roland Lewis]Daniel Ciurlizza2019-09-16 | I write music for movies: imdb.com/name/nm3792999
Outlier Studios Sample Development Team Credits: Ryan Spratt Joni Fuller Matt Kelly Stephen Tanksley Travis W. Hendrix Elvis Bates Tom Anderson Timothy Williams Tom AndersonGTA Style Heist Music - Well Lose Everything [Heist Experiments]Daniel Ciurlizza2019-06-13 | I write music for movies: imdb.com/name/nm3792999
Outlier Studios Sample Development Team Credits: Joni Fuller Ian LeCheminant Hil Jaeger Matt Kelly Bill Snyder III Ryan Spratt Stephen TanksleyGTA Style Heist Music - Reckless Abandon [Heist Experiments]Daniel Ciurlizza2019-06-10 | I write music for movies: imdb.com/name/nm3792999
Outlier Studios Sample Development Team Credits: Joni Fuller Ian LeCheminant Hil Jaeger Matt Kelly Bill Snyder III Ryan Spratt Stephen TanksleyHometown ArcadesDaniel Ciurlizza2019-06-08 | I write music for movies: imdb.com/name/nm3792999
Music by DANIEL CIURLIZZA Website: danielciurlizza.com Music: fanlink.to/danielciurlizzaHouse of the Dragon (Reimagined) by Daniel CiurlizzaDaniel Ciurlizza2019-04-22 | A reimagining of the main theme of Game of Thrones for HOUSE OF THE DRAGON.