![[xForza] Sig. Dante vs Scontrino @palanzana](https://i.ytimg.com/vi/rNXFrP4Zz3E/sddefault.jpg)
Uploaded October 2016 | Updated September 2026, 2 weeks ago
★Sig. Dante vs Scontrino
➜ Il primo video di una lunga serie facente parte di un network senza ancora un'identità
♜Dispositivo dell'art. 1491 Codice Civile
Fonti → Codice Civile → LIBRO QUARTO - Delle obbligazioni → Titolo III - Dei singoli contratti (artt. 1470-1986) → Capo I - Della vendita → Sezione I - Disposizioni generali
Non è dovuta la garanzia se al momento del contratto il compratore conosceva i vizi della cosa; parimenti non è dovuta, se i vizi erano facilmente riconoscibili, salvo, in questo caso, che il venditore abbia dichiarato che la cosa era esente da vizi.
Il primo video di una lunga serie facente parte di un network senza ancora un'identità
★Sig. Dante vs Scontrino
➜ Il primo video di una lunga serie facente parte di un network senza ancora un'identità
♜Dispositivo dell'art. 1491 Codice Civile
Fonti → Codice Civile → LIBRO QUARTO - Delle obbligazioni → Titolo III - Dei singoli contratti (artt. 1470-1986) → Capo I - Della vendita → Sezione I - Disposizioni generali
Non è dovuta la garanzia se al momento del contratto il compratore conosceva i vizi della cosa; parimenti non è dovuta, se i vizi erano facilmente riconoscibili, salvo, in questo caso, che il venditore abbia dichiarato che la cosa era esente da vizi.
Il primo video di una lunga serie facente parte di un network senza ancora un'identità
![[xForza] Sig. Dante vs Scontrino](https://i.ytimg.com/vi/rNXFrP4Zz3E/mqdefault.jpg "[xForza] Sig. Dante vs Scontrino
★Sig. Dante vs Scontrino
➜ Il primo video di una lunga serie facente parte di un network senza ancora unidentità
♜Dispositivo dellart. 1491 Codice Civile
Fonti → Codice Civile → LIBRO QUARTO - Delle obbligazioni → Titolo III - Dei singoli contratti (artt. 1470-1986) → Capo I - Della vendita → Sezione I - Disposizioni generali
Non è dovuta la garanzia se al momento del contratto il compratore conosceva i vizi della cosa; parimenti non è dovuta, se i vizi erano facilmente riconoscibili, salvo, in questo caso, che il venditore abbia dichiarato che la cosa era esente da vizi.
Il primo video di una lunga serie facente parte di un network senza ancora unidentità")
![Martino,Scofield & DeFrancesco - SUNNY [High Quality]](https://i.ytimg.com/vi/syercy760YQ/mqdefault.jpg "Martino,Scofield & DeFrancesco - SUNNY [High Quality]
Pat Martino Trio In Umbria Jazz 2002 (Italy) with Joey De Francesco and guest John Scofield
Pat Martino - Guitar
Joey Defrancesco - Hammond B-3 Organ
Byron Landham - Drums
John Scofield - Guitar")
![[GALAM] Buon Anno 2021](https://i.ytimg.com/vi/tnSnT8VnODo/mqdefault.jpg "[GALAM] Buon Anno 2021
Inauguro il ritorno in attività del mio storico account YouTube con un auspicio di Buon Anno !
I grandi classici non tramontano mai 🔥🔥")
![[TUBISCO: Best Solo Collection] - 13# DOUBLE BASS - Niels-Henning Pedersen - You Look Good To Me](https://i.ytimg.com/vi/w9VJMPdhkDo/mqdefault.jpg "[TUBISCO: Best Solo Collection] - 13# DOUBLE BASS - Niels-Henning Pedersen - You Look Good To Me
🎵 Welcome to TUBISCO: The Ultimate Best Instrumental Solo Collection! 🎵
Join us on a captivating musical journey celebrating the brilliance of instrumental solos. From awe-inspiring guitar riffs to heart-rending piano melodies, each track is carefully curated for an unforgettable experience. Subscribe now for a soul-stirring adventure that will leave you inspired. Hit that notification bell, like, and share to spread the magic of TUBISCO with fellow music enthusiasts. Let the journey begin! 🎸🎹
🎷 Niels-Henning Ørsted Pedersen - You Look Good To Me (Live at MontreuxJazz Festival 1977)
Niels-Henning Ørsted Pedersen was a Danish jazz bassist known for his exceptional talent and contributions to the world of jazz. He was born on May 27, 1946, in Osted, Denmark, and passed away on April 19, 2005.
Pedersen began playing the piano at a young age before transitioning to the double bass. He quickly gained recognition for his technical virtuosity and melodic improvisations. His playing style combined elements of bebop, post-bop, and Scandinavian folk music, creating a unique and captivating sound.
In the 1960s, Pedersen joined the Jazzhus Montmartre in Copenhagen, where he had the opportunity to collaborate with renowned musicians like Dexter Gordon and Ben Webster. He gained international recognition when he joined the Oscar Peterson Trio in the 1970s, becoming an integral part of the group and showcasing his remarkable skills as a bassist.
Throughout his career, Pedersen performed and recorded with numerous jazz luminaries, including Joe Pass, Bill Evans, and Kenny Drew. He was known for his deep sense of swing, lyrical phrasing, and ability to provide a solid and supportive foundation for the music.
Pedersen released numerous albums as a leader, including The Bass, which is considered one of his most influential recordings. His compositions often showcased his melodic sensibility and showcased his versatility as a musician.
Niels-Henning Ørsted Pedersens talent and dedication to his craft earned him international acclaim and made him one of the most respected bassists in jazz history. His innovative playing style and remarkable contributions continue to inspire and influence bassists and jazz musicians worldwide.")
![[TUBISCO: Best Solo Collection] - 7# HAMMOND - Bobby Ray Sparks II - Frankestein](https://i.ytimg.com/vi/yCJjXUBwDEg/mqdefault.jpg "[TUBISCO: Best Solo Collection] - 7# HAMMOND - Bobby Ray Sparks II - Frankestein
🎵 Welcome to TUBISCO: The Ultimate Best Instrumental Solo Collection! 🎵
Join us on a captivating musical journey celebrating the brilliance of instrumental solos. From awe-inspiring guitar riffs to heart-rending piano melodies, each track is carefully curated for an unforgettable experience. Subscribe now for a soul-stirring adventure that will leave you inspired. Hit that notification bell, like, and share to spread the magic of TUBISCO with fellow music enthusiasts. Let the journey begin! 🎸🎹
🎷 Bobby Ray Sparks II - Frankestein (Live in Tokyo)
Bobby Ray Sparks II, born in February 1973 in Corsicana, Texas, showed his musical talent at a young age. He began playing the organ at the age of three and received private music lessons from his mother and Mrs. Anna Joyce Whitehead. Bobbys versatility in music was influenced by his parents, both educators and musicians. His mother introduced him to church music, while his father, a jazz enthusiast and musician, exposed him to jazz legends like Duke Ellington, Count Basie, Dexter Gordan, and Miles Davis.
After graduating from Corsicana High School in 1991, Bobby moved to Mesquite, Texas, to study music at Eastfield College. During his time in Mesquite, he connected with other aspiring musicians, including Kirk Franklin. Bobby became an original member of the Kirk Franklin band and served as Kirks music director from 1992 to 2005, performing for large audiences across the United States and in foreign countries.
Bobby Sparks is a multi-talented musician, proficient in drums, bass guitar, and primarily keyboards. In addition to his work with Kirk Franklin, he has collaborated with renowned artists such as Prince, Herbie Hancock, Stanley Clarke, George Duke, Tower of Power, Marcus Miller, Ray Charles, and many more in various genres. In the gospel world, Bobby has worked with Fred Hammond, John P. Kee, Bishop Paul Morton, CeCe Winans, and other well-known gospel artists.
He has also played with the Dallas-based Emerald City Band for a Christmas party held at the White House. Bobby has contributed his musical talents to radio and television commercials, including Tyra Banks Top Model reality show. He has been involved in producing soundtracks for movies such as Kingdom Come and The Prince of Egypt.
When not touring, Bobby remains active in creating music, producing projects, and performing locally. He serves as an organist at Pathway of Life Church in Dallas and plays at upscale clubs, private parties, and exclusive events in the DFW Metroplex. Bobbys musical journey has taken him back to Eastfield College for a concert, where his jazz improvisational skills greatly improved. He received recognition for his achievements, including the Key to the City of Corsicana, and has received Grammy certificates for his work as a producer on projects by Kirk Franklin and Fred Hammond.
Recently, Bobby returned to his hometown of Corsicana to present a concert at the Palace Theatre, which received high praise for its exceptional musicianship. Bobby Sparks continues to showcase his immense talent and contribute to the world of music.")
![[TUBISCO: Best Solo Collection] - 25# DOUBLE BASS - Victor Wooten & Edgar Meyer - Lonesome Specials](https://i.ytimg.com/vi/zD-Q0kx_iI0/mqdefault.jpg "[TUBISCO: Best Solo Collection] - 25# DOUBLE BASS - Victor Wooten & Edgar Meyer - Lonesome Specials
🎵 Welcome to TUBISCO: The Ultimate Best Instrumental Solo Collection! 🎵
Join us on a captivating musical journey celebrating the brilliance of instrumental solos. From awe-inspiring guitar riffs to heart-rending piano melodies, each track is carefully curated for an unforgettable experience. Subscribe now for a soul-stirring adventure that will leave you inspired. Hit that notification bell, like, and share to spread the magic of TUBISCO with fellow music enthusiasts. Let the journey begin! 🎸🎹
🎷 Victor Wooten & Edgar Meyer - Lonesome Pine Specials - The Lonesome Pine Specials - 91
Victor Wooten is an American bassist, composer, and producer known for his groundbreaking skills and innovative playing style. Born in 1964 in Idaho, Wooten comes from a musical family and began playing bass at an early age. He rose to prominence as a member of the Grammy-winning band Bela Fleck and the Flecktones.
Wooten is celebrated for his exceptional technical abilities, unique slap bass technique, and melodic improvisations. He has released several solo albums, earning critical acclaim for his adventurous and genre-defying compositions.
Wooten is also a highly regarded educator and author, sharing his knowledge and insights through instructional books and workshops. He emphasizes the importance of groove, musicality, and self-expression, inspiring countless bass players around the world.
On the other hand, Edgar Meyer is an American bassist, composer, and Grammy Award-winning musician. Born in 1960 in Tennessee, Meyer began playing the bass at a young age and quickly developed exceptional skills. He is known for his virtuosic playing across a variety of genres, including classical, bluegrass, and jazz.
Meyer has collaborated with numerous renowned musicians, including Yo-Yo Ma and Bela Fleck, and has performed with prestigious orchestras worldwide. He is admired for his innovative approach to the double bass, pushing its boundaries and exploring new possibilities.
In addition to his performance career, Meyer is a prolific composer, creating a diverse range of works for solo bass, chamber ensembles, and orchestras. His compositions blend elements of classical, folk, and improvisation, showcasing his versatility as a musician.
Both Victor Wooten and Edgar Meyer are influential figures in the world of bass playing. Their virtuosity, creativity, and contributions to their respective genres have earned them widespread recognition and admiration.")
