Uploaded October 2011 | Updated September 2026, 3 hours ago
Xentrix were a British thrash metal band of the late 1980s/early 1990s hailing from Preston, Lancashire. Xentrix were one of the leading lights of the British Thrash movement. The band gained notoriety when its demo gained interest, and a 5 star rating from Kerrang magazine. Roadrunner Records then contacted the band asking them why they had not been sent a copy, and arranged an audition with the band. After the audition to band was signed to the label and recorded their first album Shattered Existence in the summer of 1989 and toured with Sabbat to support the album.
They had videos for their songs For Whose Advantage and their cover of Ray Parker, Jr's Ghostbusters theme. They had regular air time on Headbangers Ball. Xentrix's biggest show was at Wembley in 1991, opening for Slayer. Xentrix had never gained global notoriety, but had many underground performances with audiences of over 2000 to 5000 people. In the For Whose Advantage tour they were touring with thrash metal band Sabbat. In the most of the shows they were playing as an opening band to Sabbat.
The Sweden Rock magazine said that songs like "For Whose Advantage" and "Questions" were Thrash metal classics.
Xentrix were a British thrash metal band of the late 1980s/early 1990s hailing from Preston, Lancashire. Xentrix were one of the leading lights of the British Thrash movement. The band gained notoriety when its demo gained interest, and a 5 star rating from Kerrang magazine. Roadrunner Records then contacted the band asking them why they had not been sent a copy, and arranged an audition with the band. After the audition to band was signed to the label and recorded their first album Shattered Existence in the summer of 1989 and toured with Sabbat to support the album.
They had videos for their songs For Whose Advantage and their cover of Ray Parker, Jr's Ghostbusters theme. They had regular air time on Headbangers Ball. Xentrix's biggest show was at Wembley in 1991, opening for Slayer. Xentrix had never gained global notoriety, but had many underground performances with audiences of over 2000 to 5000 people. In the For Whose Advantage tour they were touring with thrash metal band Sabbat. In the most of the shows they were playing as an opening band to Sabbat.
The Sweden Rock magazine said that songs like "For Whose Advantage" and "Questions" were Thrash metal classics.










![Hurdy Gurdy -06- Spaceman (HD)
Hurdy Gurdy formed from the Danish group Peter Belli and the Boom Boom Brothers (aka The B.B. Brothers) in June 1967. Three of the B.B. Brothers, guitarist Claus Bohling, drummer Jens Otzen and British vocalist and bassist Mac MacLeod formed the power trio. Inspired by Cream but with more psychedelic leanings they split from Peter Belli to form the band named by MacLeod Hurdy Gurdy. They had considerable success in Scandinavia breaking many attendance records for their live shows. The band moved to England in early 1968, after MacLeod had been deported from Denmark.
In Denmark, on the 19th of December 1967 MacLeod wrote to Donovans manager Ashley Kozak to ask if he could help the band in any way. Donovan wrote The Hurdy Gurdy Man for them as a gift for MacLeod. MacLeod came back to the U.K. in the new year to see Donovan and a few weeks later the rest of the band followed. After hearing Donovans demo tape the band set up outside his Little Berkhamsted cottage and played their version of the song. Donovan did not like the heavy take on the track they played as he wanted a softer, acoustic arrangement. Soon after he released his own version of the song which became a hit, his version in the end had a similar arrangement to the Hurdy Gurdy version. Donovan told Keith Altham of the NME (and Hit Parader)in December 1968, Hurdy Gurdy Man, was originally written for a Danish group by that name,, There is a friend of mine in the group — Mac MacLeod — whom I looked to in the early days to learn how to pick the guitar. I wrote the song especially for them but then we got into a disagreement over how it was to be produced. I wanted to do it one way and they another. So I said, `Right then - Ill do it myself because I think its good enough for a single. So I did it. And its out.[1][2]
Whilst in the UK they did some recordings produced by Chris White and Rod Argent of The Zombies. Two tracks by the MacLeod era of Hurdy Gurdy, Tick Tock Man and Neo Camel are on the Mac MacLeod anthology The Incredible Musical Odyssey of the Original Hurdy Gurdy Man, and showcase the free-flowing power trio psychedelic rock sound that rivalled The Jimi Hendrix Experience in their live performances.
Otzen and Bohling had to return to Denmark shortly after those recordings, as they were unable to secure work permits from the Musicians Union. A new bassist (Torben Forne) was recruited to replace MacLeod, and in the early 1971 they released a self-titled album for CBS which has recently been reissued on CD. MacLeod briefly joined the post-Zombies group Argent. Hurdy Gurdy -06- Spaceman (HD)](https://i.ytimg.com/vi/DNvtOWicV38/mqdefault.jpg)