Uploaded November 2021 | Updated September 2026, 1 week ago
The Uralic languages form a language family of 38 languages spoken by approximately 25 million people, predominantly in Northern Eurasia. The Uralic languages with the most native speakers are Hungarian (which alone accounts for more than half of the family's speakers), Finnish, and Estonian. Other significant languages with fewer speakers are Erzya, Moksha, Mari, Udmurt, Sami, Komi, and Vepsian, all of which are spoken in northern regions of Scandinavia and the Russian Federation.
The name "Uralic" derives from the family's original homeland (Urheimat) commonly hypothesized to have been somewhere in the vicinity of the Ural Mountains.
Finno-Ugric is sometimes used as a synonym for Uralic, though Finno-Ugric is widely understood to exclude the Samoyedic languages. Scholars who do not accept the traditional notion that Samoyedic split first from the rest of the Uralic family may treat the terms as synonymous.
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The Uralic languages form a language family of 38 languages spoken by approximately 25 million people, predominantly in Northern Eurasia. The Uralic languages with the most native speakers are Hungarian (which alone accounts for more than half of the family's speakers), Finnish, and Estonian. Other significant languages with fewer speakers are Erzya, Moksha, Mari, Udmurt, Sami, Komi, and Vepsian, all of which are spoken in northern regions of Scandinavia and the Russian Federation.
The name "Uralic" derives from the family's original homeland (Urheimat) commonly hypothesized to have been somewhere in the vicinity of the Ural Mountains.
Finno-Ugric is sometimes used as a synonym for Uralic, though Finno-Ugric is widely understood to exclude the Samoyedic languages. Scholars who do not accept the traditional notion that Samoyedic split first from the rest of the Uralic family may treat the terms as synonymous.
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Get my merchandise: shop.spreadshirt.com/100033598
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![Boy in the mountains
Actor: Smatrick Pith
The earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a strong connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive. Ancient Greek architecture is based on this view of symmetry and proportion.
Plato considered beauty to be the Idea (Form) above all other Ideas. Aristotle saw a relationship between the beautiful (to kalon) and virtue, arguing that Virtue aims at the beautiful.
Classical philosophy and sculptures of men and women produced according to the Greek philosophers tenets of ideal human beauty were rediscovered in Renaissance Europe, leading to a re-adoption of what became known as a classical ideal. In terms of female human beauty, a woman whose appearance conforms to these tenets is still called a classical beauty or said to possess a classical beauty, whilst the foundations laid by Greek and Roman artists have also supplied the standard for male beauty in western civilization.[citation needed] During the Gothic era, the classical aesthetical canon of beauty was rejected as sinful. Later, Renaissance and Humanist thinkers rejected this view, and considered beauty to be the product of rational order and harmonious proportions. Renaissance artists and architects (such as Giorgio Vasari in his Lives of Artists) criticised the Gothic period as irrational and barbarian. This point of view of Gothic art lasted until Romanticism, in the 19th century.
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