Uploaded July 2025 | Updated September 2026, 2 days ago
Source:
podbean.com/eau/pb-45xia-1901ba7
In this episode of The Writing Life, prize-winning poet and writer Michael Pedersen shares his experience writing between genres, and how pushing the boundaries of literary categories can enhance your writing.
Michael Pedersen is a prize-winning poet and author of the memoir Boy Friends, which was a Sunday Times Critics Choice and shortlisted for the Saltire Scottish National Book Awards. He was awarded a Robert Louis Stevenson Fellowship and is the current Writer in Residence at the University of Edinburgh, and Edinburgh’s Makar (Poet Laureate). Muckle Flugga is his debut novel.
He sits down with NCW Chief Executive Peggy Hughes to discuss Muckle Flugga, a lyrical, windswept novel of a lighthouse keeper and his son, whose lives are turned upside down by a stranger’s arrival. Together, they discuss the beauty of fusing elements from different genres in one work of writing, his decision to heighten the fantastical elements of a real-world setting in his fiction, and the importance of being excited about what you are writing.
Source:
podbean.com/eau/pb-45xia-1901ba7
In this episode of The Writing Life, prize-winning poet and writer Michael Pedersen shares his experience writing between genres, and how pushing the boundaries of literary categories can enhance your writing.
Michael Pedersen is a prize-winning poet and author of the memoir Boy Friends, which was a Sunday Times Critics Choice and shortlisted for the Saltire Scottish National Book Awards. He was awarded a Robert Louis Stevenson Fellowship and is the current Writer in Residence at the University of Edinburgh, and Edinburgh’s Makar (Poet Laureate). Muckle Flugga is his debut novel.
He sits down with NCW Chief Executive Peggy Hughes to discuss Muckle Flugga, a lyrical, windswept novel of a lighthouse keeper and his son, whose lives are turned upside down by a stranger’s arrival. Together, they discuss the beauty of fusing elements from different genres in one work of writing, his decision to heighten the fantastical elements of a real-world setting in his fiction, and the importance of being excited about what you are writing.
