Uploaded March 2019 | Updated September 2026, 2 weeks ago
Gary received a private message from a wedding photographer who was recently sued by a bride and the judge sided with the bride, unfairly as you'll see in this video, and awarded damages against the photographer.
How To Shoot A Wedding: bit.ly/2TYxSye
The reason I wanted to make this video is to discuss wedding photographer contract laws and how much of a wild-west it is in small claims court, and what to do about it.
SONY CAMERA COURSES
Sony a6400 Course: bit.ly/2TWI7TE
Sony a7iii Course: bit.ly/2TYyFiG
Sony a7Riii Course: bit.ly/2TUqNhW
Sony a9 Course: bit.ly/2TYyIuS
Sony a6500 Course: bit.ly/2ThAOWf
Sony a6300 Course: bit.ly/2TXKvcA
Sony a7Rii Course: bit.ly/2TY9KLR
Sony a7Sii Course: bit.ly/2U332Vf
Sony a6000 Course: bit.ly/2TY8Yyz
Sony a7ii Course: bit.ly/2TWHOIu
Sony RX10ii Course: bit.ly/2U4JU8Y
Sony RX100iv Course: bit.ly/2TTcNVS
Sony a7 Course: bit.ly/2U4K4gA
Sony a7S Course: bit.ly/2TWvoQP
Sony a7R Course: bit.ly/2TTkwTz
Sony a77 Course: bit.ly/2TZzIyI
Sony a77ii Course: bit.ly/2TWOTZz
Sony a99ii Course: bit.ly/2TYGuVk
Sony a99 Course: bit.ly/2TWXThp
EDUCATIONAL COURSES
Sony Mirrorless Cinema Series: bit.ly/2TX0UOJ
How To Shoot A Wedding: bit.ly/2TYxSye
An In-Depth Discussion About sRgb and AdobeRGB: bit.ly/2TTkFX7
How To Setup Your Sony Wireless Flash: bit.ly/2TVO96N
Gary received a private message from a wedding photographer who was recently sued by a bride and the judge sided with the bride, unfairly as you'll see in this video, and awarded damages against the photographer.
How To Shoot A Wedding: bit.ly/2TYxSye
The reason I wanted to make this video is to discuss wedding photographer contract laws and how much of a wild-west it is in small claims court, and what to do about it.
SONY CAMERA COURSES
Sony a6400 Course: bit.ly/2TWI7TE
Sony a7iii Course: bit.ly/2TYyFiG
Sony a7Riii Course: bit.ly/2TUqNhW
Sony a9 Course: bit.ly/2TYyIuS
Sony a6500 Course: bit.ly/2ThAOWf
Sony a6300 Course: bit.ly/2TXKvcA
Sony a7Rii Course: bit.ly/2TY9KLR
Sony a7Sii Course: bit.ly/2U332Vf
Sony a6000 Course: bit.ly/2TY8Yyz
Sony a7ii Course: bit.ly/2TWHOIu
Sony RX10ii Course: bit.ly/2U4JU8Y
Sony RX100iv Course: bit.ly/2TTcNVS
Sony a7 Course: bit.ly/2U4K4gA
Sony a7S Course: bit.ly/2TWvoQP
Sony a7R Course: bit.ly/2TTkwTz
Sony a77 Course: bit.ly/2TZzIyI
Sony a77ii Course: bit.ly/2TWOTZz
Sony a99ii Course: bit.ly/2TYGuVk
Sony a99 Course: bit.ly/2TWXThp
EDUCATIONAL COURSES
Sony Mirrorless Cinema Series: bit.ly/2TX0UOJ
How To Shoot A Wedding: bit.ly/2TYxSye
An In-Depth Discussion About sRgb and AdobeRGB: bit.ly/2TTkFX7
How To Setup Your Sony Wireless Flash: bit.ly/2TVO96N




![Sony 135mm f1.8 EF Gmaster - NEW - shooting demo and Lightroom
Pre-Order The Sony 135mm f1.8 Lens: https://bhpho.to/2BOgntl
Unleash The Power Of your Sony a9: http://bit.ly/2TYyIuS
Unleash The Power Of Your Sony a6400: http://bit.ly/2TWI7TE
Pre-Order the Sony a6400 Camera: https://bhpho.to/2C4lllZ
Check out the latest in autofocus technology. Fast autofocus performance relies on not only the cameras ability to detect and track a subject, but also the lenss ability to keep up. With the new Sony EF135mm f1.8GM, it has four direct-drive motors in two groups that move the glass elements so that they meet in the middle. Additionally, because they are direct drive and do not turn like a screw, the lens can land on the sweet spot much faster.
SAN DIEGO — Feb. 26, 2019 —Sony Electronics Inc today introduced a highly anticipated addition to their acclaimed G Master series of full-frame E-mount interchangeable lenses – a 135mm F1.8 full-frame,large-aperture telephoto prime lens (model SEL135F18GM).
Equipped with Sony’s most advanced optical technologies, the new lens is built to meet the extremely high standards of Sony’s G Master series. The new FE 135mm F1.8 GM offers exceptionally high resolution and exquisite bokeh, two qualities that are signature attributes of Sony’s flagship G Master brand. The new lens combines rapid autofocus (AF) acquisition with a lightweight, portable design and a variety of professional functions, making it a versatile, high-performance tool for professional portrait photographers, wedding photographers, sports photographers and a wide variety of imaging enthusiasts.
“Sony’s commitment to growing our lensline up remains stronger than ever,” said Neal Manowitz, vice president of imaging solutions at Sony Electronics. “Our 31st native full-frame FE lens and 49th overall E-mount lens, the highly anticipated 135mm prime brings the acclaimed G Master quality to another popular focal length for both professionals and enthusiasts to enjoy. We will continue to drive market-leading innovation in all aspects of our imaging business, giving our customers the opportunity to capture and create like they never have before.”
Realizing consistently high resolution across the entire frame, even at F1.8, the FE 135mm F1.8GM boasts an innovative optical design that places XA (extreme aspherical) and Super ED (Extra-low Dispersion) glass elements in the front group to effectively suppress all common telephoto lens aberrations. Additionally, the Super ED element plus one ED glass element are strategically positioned to compensate for axial chromatic aberration, minimize color fringing and maximize overall resolution, ensuring outstanding image quality. For impressive clarity, Sony’s unique Nano AR Coating is applied to reduce flare and ghosting that can occur when shooting backlit portraits.
The new telephoto prime lens utilizes its XA element, refined with Sony’s latest bokeh simulation technologies during the design and manufacturing stages, to control spherical aberration and achieve exquisite bokeh. In addition, an 11-bladed circular aperture mechanism contributes towards achieving extremely natural and beautiful background defocus. The exciting new model also features dual-autofocus groups in a floating focus arrangement for improved close-up capability, allowing a minimum focus distance of just 0.7 meters and a maximum magnification of 0.25x.
To ensure that this lens can keep up with fast-moving portrait or sports subjects, the FE 135mm F1.8 GM has been equipped with a total of four of Sony’s proprietary XD linear motors—two for each group—that achieve rapid, reliable and speedy AF tracking and performance. There is also a control algorithm that helps to maximize control response and ensure quiet, low-vibration AF. All of this exceptional performance is packaged in a compact, lightweight body weighing in at 33.6 oz.
The FE 135mm F1.8 GM includes a number of professional controls that enhance ease of operation for both stills and movie shooting. These include an aperture ring that allows direct, intuitive aperture control and a focus ring that features Linear Response MF for fine, responsive manual focus control. There is also a focus range limiter switch, two customizable focus hold buttons, and a focus-mode switch that makes it possible to quickly select auto or manual focus to match changing shooting conditions.
New Circular Polarizing Filters
In addition to the new FE 135mm F1.8 GM Lens, Sony has also announced a new lineup of Circular Polarizing Filters. The new filters, including models for lens diameters 49mm, 55mm, 62mm, 67mm, 72mm, 77mm and 82mm, preserve image quality and resolution about twice[i]as effectively as Sony’s existing circular PL filter lineup, making them a perfect partner for Sony’s flagship G Master series lens. They also feature a ZEISS® T* Coating to minimize flare and a slim filter design to prevent image vignetting and maximize overall performance. Sony 135mm f1.8 EF Gmaster - NEW - shooting demo and Lightroom](https://i.ytimg.com/vi/ww8HT_FbL1g/mqdefault.jpg)





