Uploaded February 2026 | Updated September 2026, 2 weeks ago
This is another song Mrs Hammer use to sing on gigs with the band back in my wedding band gigging days! I never had Simmons drums back then, but always wanted them. This track is actually a LinnDrum machine! Enjoy!
“Words Get in the Way" is a song written by Gloria Estefan and released as the third single from her band, Miami Sound Machine, on their second English language album, and ninth overall, Primitive Love. The song is a ballad and became the highest-charting song off the album.
As a ballad, "Words Get in the Way" marked a change in sound from the band's earlier singles and foreshadowed Estefan's later success.
The song was their first to crack the Top 5 on the U.S. Billboard Hot 100, peaking at #5, and became their first number-one hit on Billboard's Adult Contemporary chart in 1986.[1] They didn't achieve the same success internationally, but still managed to reach the Top 20 in other countries. The single was certified Gold by the ARIA for its sales of 35,000 copies.[2]
The band re-recorded the song in Spanish under the title "No Me Vuelvo a Enamorar" ("I Won't Fall in Love Again"), although not a direct translation. The Spanish version entered the "Hot Latin Songs" in the Top 20, becoming the band's first entrance on the chart. This version was available on international pressings of the album and on its inclusion on Estefan's Spanish compilation Exitos de Gloria Estefan.
A live version with a different arrangement was included as a B-side to the single, "Always Tomorrow," and as a bonus track on international editions of Into the Light. It was taken from Estefan's Homecoming Concert in Miami from her 1988 Let it Loose Tour, released on VHS.
The song was featured in 1986 episodes of the daytime soap operas All My Children and Another World.
Now available Earldrum's Spring Store
my-store-d51346.creator-spring.com
Basic Equipment:
Gretsch - 14x22
Ludwig Black Beauty - 6.5x14 Snare Drum
Simmons Drum Pads
SPDSX Sample Pad for SDS V Samples
Paiste - 14" 505 Medium Bottom/2000 Regular SE Bottom HH, 16” 2002 crash, 20" Giant Beat, 22" 2002 Big Beat, 18" Giant Beat Thin, 18" 2002 China
Logic Pro X
Focusrite 18i20 Interface
Please check me out on Instagram @earldrum
Please check out my series on how to make a drum cover in this playlist youtube.com/playlist?list=PLGfPcwZGZAaWPBcf94n4py0UWD-RyyF2o
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s).
This is another song Mrs Hammer use to sing on gigs with the band back in my wedding band gigging days! I never had Simmons drums back then, but always wanted them. This track is actually a LinnDrum machine! Enjoy!
“Words Get in the Way" is a song written by Gloria Estefan and released as the third single from her band, Miami Sound Machine, on their second English language album, and ninth overall, Primitive Love. The song is a ballad and became the highest-charting song off the album.
As a ballad, "Words Get in the Way" marked a change in sound from the band's earlier singles and foreshadowed Estefan's later success.
The song was their first to crack the Top 5 on the U.S. Billboard Hot 100, peaking at #5, and became their first number-one hit on Billboard's Adult Contemporary chart in 1986.[1] They didn't achieve the same success internationally, but still managed to reach the Top 20 in other countries. The single was certified Gold by the ARIA for its sales of 35,000 copies.[2]
The band re-recorded the song in Spanish under the title "No Me Vuelvo a Enamorar" ("I Won't Fall in Love Again"), although not a direct translation. The Spanish version entered the "Hot Latin Songs" in the Top 20, becoming the band's first entrance on the chart. This version was available on international pressings of the album and on its inclusion on Estefan's Spanish compilation Exitos de Gloria Estefan.
A live version with a different arrangement was included as a B-side to the single, "Always Tomorrow," and as a bonus track on international editions of Into the Light. It was taken from Estefan's Homecoming Concert in Miami from her 1988 Let it Loose Tour, released on VHS.
The song was featured in 1986 episodes of the daytime soap operas All My Children and Another World.
Now available Earldrum's Spring Store
my-store-d51346.creator-spring.com
Basic Equipment:
Gretsch - 14x22
Ludwig Black Beauty - 6.5x14 Snare Drum
Simmons Drum Pads
SPDSX Sample Pad for SDS V Samples
Paiste - 14" 505 Medium Bottom/2000 Regular SE Bottom HH, 16” 2002 crash, 20" Giant Beat, 22" 2002 Big Beat, 18" Giant Beat Thin, 18" 2002 China
Logic Pro X
Focusrite 18i20 Interface
Please check me out on Instagram @earldrum
Please check out my series on how to make a drum cover in this playlist youtube.com/playlist?list=PLGfPcwZGZAaWPBcf94n4py0UWD-RyyF2o
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s).
![In a Little While - Amy Grant (Revisited Drum Cover)
Happy Sunday! This week has been a week of reflection about life and where life is moving toward. All things change and life moves forward. Some change is huge, some subtle, but change is always happening. This song really speaks about disappointment which helps us to yearn a deeper need for “there will be no sorrow” Rev 21:4-7 life’s little foxes make us miserable and can cause us to want to quit trying. But these “little foxes” are really an opportunity to turn toward God and look for that embrace and know that it’s all going to be alright. I’m living in God’s loving embrace today knowing that one day the “little foxes” of life won’t really matter anymore. Life is truly about loving the people in life that matter. Enjoy!
Age to Age is the fourth studio album by Christian music singer Amy Grant, released in 1982 on Myrrh Records.
Age to Age was Amy Grants breakthrough album, finally earning her serious recognition within the burgeoning Contemporary Christian music community as it ushered her into stardom, and also contributed to the creation of the mold for the modern Contemporary Christian music star. The hit success of the albums first two singles, Sing Your Praise to the Lord, featuring a piano intro based on J.S. Bachs Fugue No. 2 in C Minor from The Well Tempered Clavier, Book 1, and El Shaddai, saw its sales take off, selling well over a million copies. It became the first Christian music album by a solo artist to be certified gold in 1983, and the first ever platinum Christian music album in 1985.
The album was listed at No. 92 in the 2001 book, CCM Presents: The 100 Greatest Albums in Christian Music[4] and it was one of the fastest-selling specifically Christian albums ever released. It sold about 5,000 to 6,000 copies a week on average, which was unheard of for a Christian album at the time. Dan Harrell, one of Grants managers, claimed that it was the fastest selling record in her record companys history. It became so popular that it topped Billboards Christian albums chart for 85 weeks, including the entire year of 1983, and was named Gospel Album of the 1980s by Billboard. The album title comes from a prominent lyric in one of the albums most prominent tracks, El Shaddai.
Personnel
Amy Grant – lead vocals
Michael W. Smith – keyboards
Shane Keister – keyboards
Jon Goin – guitars
Mike Brignardello – bass
Paul Leim – drums
Terry McMillan – percussion
Farrell Morris – percussion
Sheldon Kurland – strings
Gene Meros – saxophone
Denis Solee – saxophone
Bobby Taylor – woodwinds
Cindy Reynolds – harp
Lori Brooks – backing vocals
Jackie Cusic – backing vocals
Diana DeWitt – backing vocals
Phil Forrest – backing vocals
Gary Chapman – backing vocals
Pam Mark Hall – backing vocals
Dennis Henson – backing vocals
Alan Moore – backing vocals, arrangements, vocal arrangements (5, 9)
Gary Pigg – backing vocals
Kathy Troccoli – backing vocals
Original Video - https://youtu.be/dmCNw6FynmA?si=izu4j6PbvxfDJTLf
Gretsch - 14x20, 8x10, 8x12, 9x13, 10x14, 14x14
Ludwig Black Beauty - 5x14
Paiste - 14 505 Bottom/2000 Regular SE Bottom, 16 2002 Thin Crash (2), 20 Giant Beat Multi, 22 2002 Ride, 2002 18 Crash, 18 PSTX Medium
Logic Pro X
Focusrite 18i20
Behringer ADA 8200
Seventh Circle Audio Preamps (J-99 (2), N-72, A-12)
Now available Earldrums Spring Store
https://my-store-d51346.creator-sprin...
Please check out my series on how to make a drum cover in this playlist
• How I Make A Drum Cover (Series)
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s). In a Little While - Amy Grant (Revisited Drum Cover)](https://i.ytimg.com/vi/x2xVlSlBmGw/mqdefault.jpg)

![Son of a Preacher Man - Dusty Springfield (Drum Cover)
This suppose to be my alternate take because I got in it and started going for fancy fills. I thought I flubbed the first fill so I just let go the rest of the song and played as many fills and licks as I could think of and it was cool, but maybe over the top. But sometimes “over the top” is very cool and as I listened to this one the next day, I realized this was in the pocket and very cool to me. So I’m choosing to let you see me having fun with classic simple groove song! I have other subdued takes, but this one stood out! Enjoy!
“Son of a Preacher Man is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album Dusty in Memphis.
Springfields version was produced by Jerry Wexler, Tom Dowd, and Arif Mardin for her first album for the Atlantic Records label. The single, released in late 1968 and credited as Son-of-a Preacher Man on UK, US and other releases, became an international hit, reaching No. 9 in the UK singles chart and No. 10 on Billboards Hot 100 in January 1969. The album Dusty in Memphis was released in stereo, though its singles were remixed and released in mono.
Son of a Preacher Man was Springfields last Top 30 hit until 1987, when her collaboration with UK synthpop duo the Pet Shop Boys yielded the huge hit What Have I Done to Deserve This?. Son of a Preacher Man found a new audience when it was included on the soundtrack of Quentin Tarantinos 1994 film Pulp Fiction; a re-release of the single reached number one in Iceland in 1995.
Origins
In 1968, songwriters John Hurley and Ronnie Wilkins (who had recently had a hit with Love of the Common People) wrote the song with Aretha Franklin in mind, according to a 2009 interview with Wilkins. Atlantic Records producer and co-owner Jerry Wexler, who was recording Dusty Springfields first Atlantic album in Memphis at the time, liked the song and suggested it to Springfield for the Dusty in Memphis album.
Following Springfields top-10 single release, the song was recorded in 1969 by Franklin for her This Girls in Love with You album. Franklins version also appeared as the B-side of her hit single Call Me. Franklins older sister Erma Franklin also recorded the song and included it on her 1969 Brunswick album Soul Sister.
Cash Box said that Springfield shows a new soul and that the song is brim-full of the special southern-combo sound and a vocal strongly influenced by Aretha [Franklin].
The writers of Rolling Stone magazine placed Dusty Springfields recording at number 77 among The 100 Best Singles of the Last 25 Years in 1987. The record was placed at number 43 among the Greatest Singles of All Time by the writers of New Musical Express in 2002, and in 2004, the song was on the Rolling Stone list of The 500 Greatest Songs of All Time.[5]
In 1994, the song was featured in a scene of the film Pulp Fiction.[6] Son of a Preacher Man helped to sell more than two million units of the films soundtrack and to help it reach number six on the charts, according to SoundScan. Quentin Tarantino has been quoted, on the Collectors Edition DVD of Pulp Fiction, as saying that he probably would not have filmed the scene in which the song is featured had he not been able to use it.
In 2001, Emma Wilkinsons UK television performance of Son of a Preacher Man won the Grand Final of the talent show Stars in Their Eyes garnering the most votes from 15 million television viewers.
Samples from Son of a Preacher Man were used on Cypress Hills Hits from the Bong on their album Black Sunday. The song is also featured in the 2016 video game Mafia III.
Gretsch - 14x20, 8x12, 10x14, 16x16
Ludwig Black Beauty - 6.5x14
Zildjian 14 Armand Hi Hats
Paiste - 12 2002 Splash, 16 2002 Thin Crash (2), 24 Giant Beat, 18 Giant Beat, 18 PSTX.Medium
Avenir WackStack Alloy Clap Effect Cymbal Stack 11/13/15
Logic Pro X
Focusrite 18i20
Behringer ADA 8200
Seventh Circle Audio Preamps (J-99 (2), N-72, A-12)
Now available Earldrums Spring Store
https://my-store-d51346.creator-sprin...
Please check out my series on how to make a drum cover in this playlist
• How I Make A Drum Cover (Series)
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s). Son of a Preacher Man - Dusty Springfield (Drum Cover)](https://i.ytimg.com/vi/yNPm12BLkOw/mqdefault.jpg)




![Girls Just Want to Have Fun - Cyndi Lauper (Drum Cover) (AKA, Earl Just Wants to Have Fun)
I saw my friend @waltonbrownlostambores playing a great Latin inspired shirt of this song and thought it might be fun to let this one go today. I also thought about calling this “Earl Just Wants To Have Fun” 😂😂😂😂 Anyhow, enjoy the Simmons drums!
“Girls Just Want to Have Fun is a single written in 1979 by Robert Hazard and made famous in 1983 by the American singer-songwriter Cyndi Lauper, who changed some of the lyrics. It was released by Portrait Records as Laupers debut single from her first solo album, Shes So Unusual (1983), which was released four days earlier. Laupers version gained recognition as a feminist anthem and was promoted by an MTV Video Music Award–winning music video directed by Edd Griles. It has been covered by more than 30 other artists.
The single was Laupers breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Laupers signature songs and was a popular song during the 1980s.
The lists Rolling Stone and MTV: 100 Greatest Pop Songs: 1–50, Rolling Stone: The 100 Top Music Videos and VH1: 100 Greatest Videos ranked the song at No. 22, No. 39 and No. 45, respectively.[9][10][11] The song received Grammy nominations for Record of the Year and Best Female Pop Vocal Performance at the 27th Annual Grammy Awards.
Lauper released a new version, Hey Now (Girls Just Want to Have Fun), as the first single from her 1994 compilation album Twelve Deadly Cyns...and Then Some. It reached the top 10 in several countries. In 2013, Girls Just Want to Have Fun was remixed by Yolanda Be Cool for the 30th-anniversary reissue of Shes So Unusual.
The song was written in 1979 by rock musician Robert Hazard, who performed it with various bands in the Philadelphia area, and enjoyed some local college radio airplay with a demo recording he made. Hazard wrote it as a rock song coming from the male perspective. Hazards friend, producer Rick Chertoff, brought it to Cyndi Lauper to record as a pop-electronic song. Lauper flipped the script and made it carry a feminist attitude by subtly changing some of the lyrics at the suggestion of Chertoff, and she had her own suggestions about how her version should sound. For the recording sessions, Chertoff brought in two longtime musician friends from the Hooters: keyboardist Rob Hyman and guitarist Eric Bazilian. Lauper later said that the Hooters were my band before I had a band. The song appeared on Laupers 1983 debut record Shes So Unusual.
The track is a synthesizer-backed anthem, from a feminist perspective, conveying the point that all women really want is to have the same experiences that men can have. Gillian G. Gaar, author of Shes a Rebel: The History of Women in Rock & Roll (2002), described the single and corresponding video as a strong feminist statement, an anthem of female solidarity and a playful romp celebrating female camaraderie. The song is in the key of F♯ major.
The songs success overshadowed Hazards own music career. His 1984 album Wing of Fire was a sales disappointment at the same time that Laupers version of Girls Just Want to Have Fun was going Gold, making him a millionaire. After Lauper claimed in interviews to have co-written the song, Hazard served her with a cease and desist letter. He was able to buy a New Jersey lake house and a horse farm from the songs royalties, although he said that federal taxes took most of the money.
Now available Earldrums Spring Store
https://my-store-d51346.creator-spring.com/
Basic Equipment:
Gretsch - 14x22
Ludwig Black Beauty - 6.5x14 Snare Drum
Simmons Drum Pads
SPDSX Sample Pad for SDS V Samples
Paiste - 14 505 Medium Bottom/2000 Regular SE Bottom HH, 16” 2002 crash, 20 Giant Beat, 22 2002 Big Beat, 18 Giant Beat Thin, 18 2002 China
Logic Pro X
Focusrite 18i20 Interface
Please check me out on Instagram @earldrum
Please check out my series on how to make a drum cover in this playlist https://youtube.com/playlist?list=PLGfPcwZGZAaWPBcf94n4py0UWD-RyyF2o
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s). Girls Just Want to Have Fun - Cyndi Lauper (Drum Cover) (AKA, Earl Just Wants to Have Fun)](https://i.ytimg.com/vi/zqIiEkKVBhQ/mqdefault.jpg)