Uploaded August 2026 | Updated September 2026, 1 week ago
Re-recording mixers Larry Benjamin, CAS and Tim Hoogenakker, CAS discuss their Emmy-nominated work on Widow’s Bay, describing the show’s ethereal, fluid sound built from New England coastal nature ambience, storms, and dark, metaphysical horror elements.
They explain how the mix supports rapid shifts between comedy and drama through subtle choices like Foley footstep texture and dialogue perspective, while intentionally blurring the boundary between sound design and score using manipulated strings, brass, and evolving wind and drone layers. They detail the team’s search with showrunner Katie Dippold for the “sound of the island,” testing pitched and treated vocals, loop group approaches, and reverse-reverb techniques before arriving at a heavier final design that builds to the island “speaking” in episode five.
They also describe the creative satisfaction of layering dialogue, Foley, music, and design to help clients tell the story clearly and emotionally.
00:00 Meet the Mixers
00:40 Defining the Sound
00:55 New England Atmosphere
01:43 Comedy Meets Drama
02:52 Blurring Score and Design
03:15 Island Unease Builds
04:35 Creating the Island Voice
06:31 Trials and Treatments
09:04 Final Layers and Mix
10:59 Why Mixing Matters
11:43 Helping Tell the Story
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#emmys #widowsbay #audiopost
Re-recording mixers Larry Benjamin, CAS and Tim Hoogenakker, CAS discuss their Emmy-nominated work on Widow’s Bay, describing the show’s ethereal, fluid sound built from New England coastal nature ambience, storms, and dark, metaphysical horror elements.
They explain how the mix supports rapid shifts between comedy and drama through subtle choices like Foley footstep texture and dialogue perspective, while intentionally blurring the boundary between sound design and score using manipulated strings, brass, and evolving wind and drone layers. They detail the team’s search with showrunner Katie Dippold for the “sound of the island,” testing pitched and treated vocals, loop group approaches, and reverse-reverb techniques before arriving at a heavier final design that builds to the island “speaking” in episode five.
They also describe the creative satisfaction of layering dialogue, Foley, music, and design to help clients tell the story clearly and emotionally.
00:00 Meet the Mixers
00:40 Defining the Sound
00:55 New England Atmosphere
01:43 Comedy Meets Drama
02:52 Blurring Score and Design
03:15 Island Unease Builds
04:35 Creating the Island Voice
06:31 Trials and Treatments
09:04 Final Layers and Mix
10:59 Why Mixing Matters
11:43 Helping Tell the Story
▶️ avid.com/pro-tools
Follow Avid Pro Tools:
youtube.com/avidprotools
facebook.com/avidprotools
instagram.com/avid.protools
twitter.com/avidprotools
linkedin.com/showcase/avid-pro-tools
snapchat.com/add/avidtechnology
tiktok.com/@avid.protools
#emmys #widowsbay #audiopost
