Ryan Hollinger | Why is In A Violent Nature so Messed Up? @RyanHollinger | Uploaded September 2024 | Updated October 2024, 3 hours ago.
Try Rocket Money for free: RocketMoney.com/ryanh #rocketmoney #personalfinance
Sponsored by Rocket Money
Patreon / Discord ► patreon.com/ryanhollinger
Twitter ► twitter.com/ryanhollinger
Instagram ► instagram.com/horrorhollinger
Business ► ryanhollinger@solaromgmt.com
ABOUT THE SHOW:
This show celebrates Ryan's love for genre, film, games, art and entertainment through personal retrospective analysis that aims to explore what made them so good or even misunderstood.
SOURCES:
SHAFFER, Marshall. (2024). Interview: Chris Nash on Taking Stylistic Risks in Horror with ‘In a Violent Nature’. Slate Magazine: slantmagazine.com/film/chris-nash-interview-in-a-violent-nature
FOREMAN, Alison. (2024). How Ultra-Vi*lent ‘In a Vi*lent Nature’ Captured the Vibe of a Comfort Watch: ‘It’s a Mesmerizing Effect’. Indie Wire: indiewire.com/features/interviews/in-a-violent-nature-chris-nash-ry-barrett-mesmerizing-slasher-1234974162
MCCLUSKEY, Megan (2024) The Director of In a Violent Nature on Giving Viewers a Slasher ’Spectacle They Hadn’t Seen Before’. Time: time.com/6983140/in-a-violent-nature-director-chris-nash-interview
MUSIC:
Hydra by Huma-Huma
Floating Home by Brian Bolger
Badlands by ELPHNT
What Could Appear by Puddle of Infinity
Beyond the Lows by The Whole Other
Hopeless by Jimena Contreras
The Black Fly Song by Tracy Newman
Air Prelude by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. creativecommons.org/licenses/by/4.0
Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100337
Artist: incompetech.com
Try Rocket Money for free: RocketMoney.com/ryanh #rocketmoney #personalfinance
Sponsored by Rocket Money
Patreon / Discord ► patreon.com/ryanhollinger
Twitter ► twitter.com/ryanhollinger
Instagram ► instagram.com/horrorhollinger
Business ► ryanhollinger@solaromgmt.com
ABOUT THE SHOW:
This show celebrates Ryan's love for genre, film, games, art and entertainment through personal retrospective analysis that aims to explore what made them so good or even misunderstood.
SOURCES:
SHAFFER, Marshall. (2024). Interview: Chris Nash on Taking Stylistic Risks in Horror with ‘In a Violent Nature’. Slate Magazine: slantmagazine.com/film/chris-nash-interview-in-a-violent-nature
FOREMAN, Alison. (2024). How Ultra-Vi*lent ‘In a Vi*lent Nature’ Captured the Vibe of a Comfort Watch: ‘It’s a Mesmerizing Effect’. Indie Wire: indiewire.com/features/interviews/in-a-violent-nature-chris-nash-ry-barrett-mesmerizing-slasher-1234974162
MCCLUSKEY, Megan (2024) The Director of In a Violent Nature on Giving Viewers a Slasher ’Spectacle They Hadn’t Seen Before’. Time: time.com/6983140/in-a-violent-nature-director-chris-nash-interview
MUSIC:
Hydra by Huma-Huma
Floating Home by Brian Bolger
Badlands by ELPHNT
What Could Appear by Puddle of Infinity
Beyond the Lows by The Whole Other
Hopeless by Jimena Contreras
The Black Fly Song by Tracy Newman
Air Prelude by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. creativecommons.org/licenses/by/4.0
Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100337
Artist: incompetech.com