Why “Chromatic Mediants” sound so good!  @nohjoh08
Why “Chromatic Mediants” sound so good!  @nohjoh08
Noel Johnston | Why “Chromatic Mediants” sound so good! @nohjoh08 | Uploaded March 2024 | Updated October 2024, 3 hours ago.
Enter the rabbit hole and learn pitch class inversion and the Ionian/Phrygian relationship.
It works with any scale, btw.

Also, this explains the sonically interesting things that “Negative Harmony,” and “Modal Interchange” try to explain, just in a different way. I think this “pitch-class-inversion” stuff does a better job explaining it, imo. Chromatic Mediants, Coltrane changes, Tadd Dameron turnaround, and other cool and stuff make a lot of sense with the “flippening!”

Follow-up video idea:
Dorian (symmetrical)
Ionian & Phrygian (inverted)
Locrian & Lydian (inverted)
Aeolian & Mixolydian (inverted)

Mixolydian b6 (aka Aeolian-Major) is the symmetrical set related to Melodic minor.

Double-Harmonic Major (symmetrical)

Harmonic minor (not symmetrical, flips to V of Harmonic major, Mixolydian b2)

If you’d like to check out my books and dig into this stuff further, I briefly mention this concept in my book, “Voicing Modes” but it’s a bigger part of my book “The 4-Note Universe”
noeljohnston.com/merch.html

Thanks!
Why “Chromatic Mediants” sound so good!Modal Etude Lydian#2#6All The Things You Are. Modal Reharmonization2nd inversion diminished triad arpeggio #guitarVoicing Modes: Aeolian Etude #1Schaefer Jazz Guitar3-key 7th chord, triad and scale shape workout SUMMARYRevisiting Italian, French and German Augmented 6th chordsBlues lick exists in Melodic Minor?!Night & Day3 keys workout with 7th chord/triad/scale shapesModal Etudes - 7 Modes of Harmonic Major

Why “Chromatic Mediants” sound so good! @nohjoh08

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