Uploaded July 2025 | Updated September 2026, 1 hour ago
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In 1961, architects and engineers gathered around an enormous steel carousel in a Seattle parking lot to witness the birth of the American revolving restaurant. This was the mechanism for the Eye of the Needle restaurant, perched atop Seattle's futuristic Space Needle, promising diners a miniature journey into space. It made an enormous impact on visitors, leading to over a hundred similar restaurants spinning up across America.
But these attractions alienated people from the very cities they celebrated while promising an escape from everyday life. This reinforced divides between visitors and locals, high and low culture, and technology and humanity.
This video explores the history of revolving restaurants, tracing their origins in railroads and space-age optimism, examining their social implications, and reflecting on what their rise and fall says about our relationship with cities, novelty, and each other.
#Architecture #RevolvingRestaurants #SpaceNeedle #DesignHistory #UrbanDesign #NoveltyArchitecture #Seattle #Atlanta #SunDial #SpaceAge
Sources:
Banham, Reyner. *The Architecture of the Well-tempered Environment.* London: Architectural Press, 1969.
Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994. Originally published 1981.
Berner, Richard C. Seattle 1921–1940: From Boom to Bust. Seattle: Charles Press, 1991.
Budds, Diana. The Revolving Restaurant Is Back Again (and Again). New York Times, April 2025.
Debord, Guy. The Society of the Spectacle. Translated by Fredy Perlman. Detroit: Black & Red, 1977. Originally published 1967.
Dickson, Paul. Sputnik: The Shock of the Century. New York: Walker & Company, 2001.
Findlay, John M., and Paul W. Hirt. Atomic Frontier Days: Hanford and the American West. Seattle: University of Washington Press, 2011.
Frampton, Kenneth. Modern Architecture: A Critical History. London: Thames & Hudson, 1980 (multiple subsequent editions).
Ghirardo, Diane. "Architecture of Deceit." Journal of Architectural Education 38, no. 2 (1984): 25–29.
Hine, Thomas. Populuxe: The Look and Life of America in the '50s and '60s. New York: Alfred A. Knopf, 1986.
Jackson, Kenneth T. Crabgrass Frontier: The Suburbanization of the United States. New York: Oxford University Press, 1987.
Jencks, Charles. The Language of Post-Modern Architecture. New York: Rizzoli, 1977.
Koolhaas, Rem. *Delirious New York: A Retroactive Manifesto for Manhattan.* New York: Oxford University Press, 1978.
Lange, Alexandra. "Googie: Architecture of the Space Age." Design Observer,* February 2012. designobserver.com/feature/googie-architecture-of-the-space-age/32797.
Nye, David E. American Technological Sublime. Cambridge, MA: MIT Press, 1994.
Pine, B. Joseph, and James H. Gilmore. The Experience Economy: Work Is Theater & Every Business a Stage. Boston: Harvard Business School Press, 1999.
Randle, Chad. Revolving Architecture: A History of Buildings that Rotate, Swivel, and Pivot. Princeton: Princeton Architectural Press, 2008.
Ritzer, George. The McDonaldization of Society. Thousand Oaks, CA: Sage Publications, 1993.
Schwartz, Vanessa R. Jet Age Aesthetic: The Glamour of Media in Motion. New Haven: Yale University Press, 2020.
Sorkin, Michael, ed. Variations on a Theme Park: The New American City and the End of Public Space. New York: Hill and Wang, 1992.
Stein, Alan J. "The Space Needle: Symbol of Seattle." HistoryLink.org Essay 1424 (2002). historylink.org/File/1424.
__About Me__
Stewart Hicks is an architectural design educator that leads studios and lecture courses as an Associate Professor in the School of Architecture at the University of Illinois at Chicago. He also serves as an Associate Dean in the College of Architecture, Design, and the Arts and is the co-founder of the practice Design With Company. His work has earned awards such as the Architecture Record Design Vanguard Award or the Young Architect’s Forum Award and has been featured in exhibitions such as the Chicago Architecture Biennial and Design Miami, as well as at the V&A Museum and Tate Modern in London. His writings can be found in the co-authored book Misguided Tactics for Propriety Calibration, published with the Graham Foundation, as well as essays in MONU magazine, the AIA Journal Manifest, Log, bracket, and the guest-edited issue of MAS Context on the topic of character architecture.
__Attributions__
Stock video and imagery provided by Getty Images, Storyblocks, and Shutterstock.
Music provided by Epidemic Sound and includes music from Chromatic by Tom Fox
youtube.com/@tomfoxcatalog"
#architecture #urbandesign
Watch my next video about bomb-proof buildings right now! nebula.tv/videos/stewarthicks-how-bombproof-buildings-work
Get Nebula using my link for 40% off an annual subscription: go.nebula.tv/stewarthicks
In 1961, architects and engineers gathered around an enormous steel carousel in a Seattle parking lot to witness the birth of the American revolving restaurant. This was the mechanism for the Eye of the Needle restaurant, perched atop Seattle's futuristic Space Needle, promising diners a miniature journey into space. It made an enormous impact on visitors, leading to over a hundred similar restaurants spinning up across America.
But these attractions alienated people from the very cities they celebrated while promising an escape from everyday life. This reinforced divides between visitors and locals, high and low culture, and technology and humanity.
This video explores the history of revolving restaurants, tracing their origins in railroads and space-age optimism, examining their social implications, and reflecting on what their rise and fall says about our relationship with cities, novelty, and each other.
#Architecture #RevolvingRestaurants #SpaceNeedle #DesignHistory #UrbanDesign #NoveltyArchitecture #Seattle #Atlanta #SunDial #SpaceAge
Sources:
Banham, Reyner. *The Architecture of the Well-tempered Environment.* London: Architectural Press, 1969.
Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994. Originally published 1981.
Berner, Richard C. Seattle 1921–1940: From Boom to Bust. Seattle: Charles Press, 1991.
Budds, Diana. The Revolving Restaurant Is Back Again (and Again). New York Times, April 2025.
Debord, Guy. The Society of the Spectacle. Translated by Fredy Perlman. Detroit: Black & Red, 1977. Originally published 1967.
Dickson, Paul. Sputnik: The Shock of the Century. New York: Walker & Company, 2001.
Findlay, John M., and Paul W. Hirt. Atomic Frontier Days: Hanford and the American West. Seattle: University of Washington Press, 2011.
Frampton, Kenneth. Modern Architecture: A Critical History. London: Thames & Hudson, 1980 (multiple subsequent editions).
Ghirardo, Diane. "Architecture of Deceit." Journal of Architectural Education 38, no. 2 (1984): 25–29.
Hine, Thomas. Populuxe: The Look and Life of America in the '50s and '60s. New York: Alfred A. Knopf, 1986.
Jackson, Kenneth T. Crabgrass Frontier: The Suburbanization of the United States. New York: Oxford University Press, 1987.
Jencks, Charles. The Language of Post-Modern Architecture. New York: Rizzoli, 1977.
Koolhaas, Rem. *Delirious New York: A Retroactive Manifesto for Manhattan.* New York: Oxford University Press, 1978.
Lange, Alexandra. "Googie: Architecture of the Space Age." Design Observer,* February 2012. designobserver.com/feature/googie-architecture-of-the-space-age/32797.
Nye, David E. American Technological Sublime. Cambridge, MA: MIT Press, 1994.
Pine, B. Joseph, and James H. Gilmore. The Experience Economy: Work Is Theater & Every Business a Stage. Boston: Harvard Business School Press, 1999.
Randle, Chad. Revolving Architecture: A History of Buildings that Rotate, Swivel, and Pivot. Princeton: Princeton Architectural Press, 2008.
Ritzer, George. The McDonaldization of Society. Thousand Oaks, CA: Sage Publications, 1993.
Schwartz, Vanessa R. Jet Age Aesthetic: The Glamour of Media in Motion. New Haven: Yale University Press, 2020.
Sorkin, Michael, ed. Variations on a Theme Park: The New American City and the End of Public Space. New York: Hill and Wang, 1992.
Stein, Alan J. "The Space Needle: Symbol of Seattle." HistoryLink.org Essay 1424 (2002). historylink.org/File/1424.
__About Me__
Stewart Hicks is an architectural design educator that leads studios and lecture courses as an Associate Professor in the School of Architecture at the University of Illinois at Chicago. He also serves as an Associate Dean in the College of Architecture, Design, and the Arts and is the co-founder of the practice Design With Company. His work has earned awards such as the Architecture Record Design Vanguard Award or the Young Architect’s Forum Award and has been featured in exhibitions such as the Chicago Architecture Biennial and Design Miami, as well as at the V&A Museum and Tate Modern in London. His writings can be found in the co-authored book Misguided Tactics for Propriety Calibration, published with the Graham Foundation, as well as essays in MONU magazine, the AIA Journal Manifest, Log, bracket, and the guest-edited issue of MAS Context on the topic of character architecture.
__Attributions__
Stock video and imagery provided by Getty Images, Storyblocks, and Shutterstock.
Music provided by Epidemic Sound and includes music from Chromatic by Tom Fox
youtube.com/@tomfoxcatalog"
#architecture #urbandesign






![Crazy Colorful LOST Mansion by Barragán [Menil House, Houston, TX]
In 1984, the Menil Museum in Houston, Texas commissioned the Mexican architect Luis Barragan to build a 3000 sf guest house to be located across the street from the famous Rothko Chapel. The architect came back with a design for a dazzling purple, pink, and orange 8000 sf mansion that looked to be more at home in Mexico City than a Houston residential suburban lot. So, due to the ensuing conflict between client and architect, the house would never get built, only displayed as an exhibition within the Menil’s galleries. This video explores this palatial display of vibrant colors and complex interconnected spaces with a virtual walkthrough and a history lesson. Explore what it would have been like if this lost design by the Pritzker Prize winning architect had been built and learn more about this house and its architect .
Enscape Link
https://api2.enscape3d.com/v1/view/9ed8552c-8c95-4fa4-bf53-1c0fd8420e43
Membership
Join this channel to get access to perks like downloading the 3D file:
https://www.youtube.com/channel/UCYAm24PkejQR2xMgJgn7xwg/join
Chapters
00:00 Introduction
01:49 Timeline
04:35 Analysis
06:45 3D Modeling
07:21 Exploration
10:35 Takeaways
About the Channel
Architecture with Stewart is a YouTube journey exploring architecture’s deep and enduring stories in all their bewildering glory. Weekly videos and occasional live events breakdown a wide range of topics related to the built environment in order to increase their general understanding and advocate their importance in shaping the world we inhabit.
About Me
Stewart Hicks is an architectural design educator that leads studios and lecture courses as an Associate Professor in the School of Architecture at the University of Illinois at Chicago. He also serves as an Associate Dean in the College of Architecture, Design, and the Arts and is the co-founder of the practice Design With Company. His work has earned awards such as the Architecture Record Design Vanguard Award or the Young Architect’s Forum Award and has been featured in exhibitions such as the Chicago Architecture Biennial and Design Miami, as well as at the V&A Museum and Tate Modern in London. His writings can be found in the co-authored book Misguided Tactics for Propriety Calibration, published with the Graham Foundation, as well as essays in MONU magazine, the AIA Journal Manifest, Log, bracket, and the guest-edited issue of MAS Context on the topic of character architecture.
Contact
FOLLOW me on instagram: @architecturewithstewart @stewart_hicks & @designwithco
Design With Company: https://designwith.co
University of Illinois at Chicago School of Architecture: https://arch.uic.edu/ Crazy Colorful LOST Mansion by Barragán [Menil House, Houston, TX]](https://i.ytimg.com/vi/pieQ0aGTWZ4/mqdefault.jpg)



![How Westworld Uses Architecture [Season 1 Analysis]
In this video, architecture professor Stewart Hicks reacts to the architecture, sets, and spaces in the first season of HBO’s Westworld. From the lawless town of Sweetwater, to the tightly controlled offices of Delos, Westworld uses architecture precisely to establish its intricate worlds and settings. While the show is set within a theme park of the near future, books like Michael Sorkin’s Variation on a Theme Park argue that we are already treating the cities we live in — in real life — as theme parks. So, while Westworld shares a number of architectural strategies with places like Disneyland, it is also not too far away from places like Chicago, New York, or London. After all, it was the architect Charles Moore that declared Disneyland the most influential urban environment built after World War 2. Getting to the bottom of this rabbit hole includes lots of train rides and an introduction to Michel Foucault’s concept of heterotopia, which helps explain what happens when worlds collide inside and outside Westworld.
FOLLOW me on instagram: @stewart_hicks & @designwithco
Design With Company: https://designwith.co
University of Illinois at Chicago School of Architecture: https://arch.uic.edu/
All clips used for fair use commentary, criticism, and educational purposes.
music attribution:
Atlantean Twilight by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100322
Artist: http://incompetech.com/
#westworld #westworldarchitecture #architecture How Westworld Uses Architecture [Season 1 Analysis]](https://i.ytimg.com/vi/qIOPietAZio/mqdefault.jpg)