Uploaded August 2022 | Updated September 2026, 2 weeks ago
This is my video essay reviewing the icon that is Tintin and his adventures put to television by French animation studio Ellipse Programme and Canadian studio Nelvana Limited.
Unlike other shows and films that have a terrible book-to-screen adaption, the cartoon series of Tintin manages to faithfully adapt the original spirit of the comicbooks while also building upon it with all those elements that video and audio can do compared to a written format.
It’s the one show that does justice to Hergé’s beloved creation and it needs to be learned from.
This is my video explaining why.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
Website:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
What is Tintin?
The Adventures of Tintin is an animated television series co-produced, written, and animated by French animation studio Ellipse Programme and Canadian studio Nelvana Limited. The series is based on the comic book series of the same name by Belgian cartoonist Hergé. 39 half-hour episodes were produced over the course of three seasons, which originally aired from 1991 to 1992 in France, Canada, and the United States.
The television series was directed by French director Stéphane Bernasconi, with Peter Hudecki as the Canadian unit director. Hudecki was the primary director but could not be credited as such due to co-production restrictions. It was produced by Ellipse (France) and Nelvana (Canada) on behalf of the Hergé Foundation. It was the second television adaptation of Hergé's books, following the Belgian animation company Belvision's Hergé's Adventures of Tintin. The series' writers included Toby Mullally, Eric Rondeaux, Martin Brossolet, Amelie Aubert, Dennise Fordham, and Alex Boon.
The series used traditional animation techniques and adheres closely to the original books, going so far as to transpose some frames from the original books directly to the screen. In the episodes "Destination Moon" and "Explorers on the Moon," 3D animation was used for the moon rocket—an unusual step in 1989. Each frame of the animation was then printed and recopied onto celluloid, hand painted in gouache, and then laid onto a painted background.
Artistically, the series chose a constant style, unlike in the books. In the books, the images had been drawn over the course of 47 years, during which Hergé's style developed considerably. However, later televised episodes, such as the "Moon" stories and "Tintin in America", clearly demonstrate the artists' development throughout the production of the television series. The series' original production language was English, but all visuals (road signs, posters, and settings) remained in French.
The underscore music and the main title theme for the series were written by Ray Parker and Tom Szczesniak, and recorded by engineer James Morgan. Excerpts from the score were released by Lé Studio Ellipse on CD and cassette in conjunction with Universal Music Group on the StudioCanal label. It is now out of print in both formats.
The Adventures of Tintin is a series of 24 bande dessinée albums created by Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth in 1907, Tintin had been published in more than 70 languages with sales of more than 200 million copies, and had been adapted for radio, television, theatre and film.
The series first appeared in French on 10 January 1929, in Le Petit Vingtième (The Little Twentieth), a youth supplement to the Belgian newspaper Le Vingtième Siècle (The Twentieth Century). The success of the series led to serialised strips published in Belgium's leading newspaper Le Soir (The Evening) and spun into a successful Tintin magazine. In 1950, Hergé created Studios Hergé, which produced the canonical versions of 11 Tintin albums.
The series is set during a largely realistic 20th century. Its hero is Tintin, a courageous young Belgian reporter and adventurer aided by his faithful dog Snowy (Milou in the original French edition). Other allies include the brash and cynical Captain Haddock, the intelligent but hearing-impaired Professor Calculus, incompetent detectives Thomson and Thompson and the opera diva Bianca Castafiore.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod
This is my video essay reviewing the icon that is Tintin and his adventures put to television by French animation studio Ellipse Programme and Canadian studio Nelvana Limited.
Unlike other shows and films that have a terrible book-to-screen adaption, the cartoon series of Tintin manages to faithfully adapt the original spirit of the comicbooks while also building upon it with all those elements that video and audio can do compared to a written format.
It’s the one show that does justice to Hergé’s beloved creation and it needs to be learned from.
This is my video explaining why.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
Website:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
What is Tintin?
The Adventures of Tintin is an animated television series co-produced, written, and animated by French animation studio Ellipse Programme and Canadian studio Nelvana Limited. The series is based on the comic book series of the same name by Belgian cartoonist Hergé. 39 half-hour episodes were produced over the course of three seasons, which originally aired from 1991 to 1992 in France, Canada, and the United States.
The television series was directed by French director Stéphane Bernasconi, with Peter Hudecki as the Canadian unit director. Hudecki was the primary director but could not be credited as such due to co-production restrictions. It was produced by Ellipse (France) and Nelvana (Canada) on behalf of the Hergé Foundation. It was the second television adaptation of Hergé's books, following the Belgian animation company Belvision's Hergé's Adventures of Tintin. The series' writers included Toby Mullally, Eric Rondeaux, Martin Brossolet, Amelie Aubert, Dennise Fordham, and Alex Boon.
The series used traditional animation techniques and adheres closely to the original books, going so far as to transpose some frames from the original books directly to the screen. In the episodes "Destination Moon" and "Explorers on the Moon," 3D animation was used for the moon rocket—an unusual step in 1989. Each frame of the animation was then printed and recopied onto celluloid, hand painted in gouache, and then laid onto a painted background.
Artistically, the series chose a constant style, unlike in the books. In the books, the images had been drawn over the course of 47 years, during which Hergé's style developed considerably. However, later televised episodes, such as the "Moon" stories and "Tintin in America", clearly demonstrate the artists' development throughout the production of the television series. The series' original production language was English, but all visuals (road signs, posters, and settings) remained in French.
The underscore music and the main title theme for the series were written by Ray Parker and Tom Szczesniak, and recorded by engineer James Morgan. Excerpts from the score were released by Lé Studio Ellipse on CD and cassette in conjunction with Universal Music Group on the StudioCanal label. It is now out of print in both formats.
The Adventures of Tintin is a series of 24 bande dessinée albums created by Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth in 1907, Tintin had been published in more than 70 languages with sales of more than 200 million copies, and had been adapted for radio, television, theatre and film.
The series first appeared in French on 10 January 1929, in Le Petit Vingtième (The Little Twentieth), a youth supplement to the Belgian newspaper Le Vingtième Siècle (The Twentieth Century). The success of the series led to serialised strips published in Belgium's leading newspaper Le Soir (The Evening) and spun into a successful Tintin magazine. In 1950, Hergé created Studios Hergé, which produced the canonical versions of 11 Tintin albums.
The series is set during a largely realistic 20th century. Its hero is Tintin, a courageous young Belgian reporter and adventurer aided by his faithful dog Snowy (Milou in the original French edition). Other allies include the brash and cynical Captain Haddock, the intelligent but hearing-impaired Professor Calculus, incompetent detectives Thomson and Thompson and the opera diva Bianca Castafiore.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod










![Why This Film Felt Weird
There’s a certain element of mystique and wit in Saltburn that makes it different from other British comedies. In a lot of ways, you enter in a world full of over-the-top rich people who feel more like caricatures of the wealthy yet also don’t feel that far from the truth.
Or at least, what it could be like it.
For me, the best parts about this film are how we actually meet and follow these people. This is a story where we watch someone from a lower class meet someone who dazzles him and at first, I thought that this was going to be a love story like Call Me By Your Name. The first 30 minutes lead you to believe it’s going to be a romantic drama between someone poor and lonely and someone rich and popular.
But that’s not what it turns out to be at all.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley and ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
https://www.patreon.com/motioninart
For more of my reviews, analyses, and other articles:
https://motioninartmedia.com/
Twitter:
https://twitter.com/motion_in_art
Reddit:
https://www.reddit.com/user/motioninart
What is Saltburn?
Saltburn is a 2023 black comedy psychological thriller film written, directed, and co-produced by Emerald Fennell, starring Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver, and Archie Madekwe. Set in Oxford and Northamptonshire, it focuses on a student at Oxford who becomes fixated with a popular, aristocratic fellow student at his university, who later invites him to spend the summer at his eccentric familys estate.
Saltburn premiered at the 50th Telluride Film Festival on 31 August 2023, then was released theatrically in the United Kingdom on 17 November 2023, and in the United States via a limited theatrical release on the same day. The film had its wide release on 22 November before its streaming release by Amazon Prime Video on 22 December, on which it became one of the most-streamed films. It received generally positive reviews from critics and several accolades, including nominations for two Golden Globe Awards and five BAFTA Film Awards.
The film focuses on excess and obsession. Fennell stated I drew from my own experience of being a human person, who has felt that thing we all feel at that time in our life which is that absolute insane grip of obsessive love...But obviously I didnt quite go to the lengths that some of the people [in the film] do.
Discussing the films influences, Fennell has cited A Clockwork Orange (1971), Cruel Intentions (1999), Daphne du Mauriers Rebecca (1938), and the novel The Go-Between (1953) by L.P. Hartley and its 1971 film adaptation. She commented, I think that I was sort of looking more at that British Country House tradition of The Go-Between and that sort of very specific British... sort of Joseph Losey world, where class and power and sex all kind of collide in one specific place. Fennell cited Loseys The Servant (1963) as an influence because of its undeniable erotic power that relies entirely on the threat of violence — not just literal violence, but a complete chaotic upending of the status quo.
Patricia Highsmiths novel The Talented Mr. Ripley (1955) and its film adaptation (1999) have been oft-cited as an influence by critics due to the common themes of social class and the similarities between Oliver and Tom Ripley, though Fennell herself has downplayed these comparisons. Richard Brody of The New Yorker also found similarities to the novel Brideshead Revisited by Evelyn Waugh.
Other critics have found similarities to Pier Paolo Pasolinis film Theorem (1968) and Stanley Kubricks Barry Lyndon (1975), which also addressed themes of class, power, desire, and seduction. Fennell described her satire of the British class system as Barry Lyndon meets indie sleaze.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. https://www.copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod Why This Film Felt Weird](https://i.ytimg.com/vi/_ynmTg0dN-A/mqdefault.jpg)