What Every Ambient Composer Wants to Know @AdrianEarnshawMusic
What Every Ambient Composer Wants to Know  @AdrianEarnshawMusic
Uploaded August 2026 | Updated September 2026, 1 week ago
A broad-reaching AMA aimed at the questions most ambient and electronica composers share, from organic texture design to evolving tonal material and everyday sound design workflow. Useful whether you're a hobbyist producer or a working composer, with chapters to jump straight to what's relevant to you.

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Chapters:

00:00 - Opening words
00:28 - Have you ever started a project and felt like it was not going especially well and deleted it?
01:09 - With so many libraries and sounds to choose from, what is your approach to sound selection when you produce?  
02:13 - What is the most under-utilized feature in Omnisphere?
03:45 - May I ask what got you into music composing and production, all those years ago?
05:25 - When you compose do you have a structured approach or do you free form jam until an interesting theme emerges?
06:55 - Do you use your hardware synths in composition or are they primarily new sources for preset packs?
08:22 - Have you got any current musical goals e.g. big preset pack project like Abbey, recording an album, performing at a specific venue etc?
09:46 - 1-to-1 Coaching Sessions
10:46 - Closing Thoughts
What Every Ambient Composer Wants to KnowThis Pigments 7 Library Sounds Like a Film Score — And I Didnt Expect ThatInstalling Omnisphere Patches: The Ultimate Guide!Omnisphere 3 Just Got The Ultimate Vangelis LibraryOmnisphere 3 Tribal Organic Drums Without the LoopsThe Most Organic Omnisphere 3 Ambient LibraryOmnisphere Secrets: How to Synthesize a Perfect Hi-HatPigments Ambient Presets That Actually Inspire MusicThis Synth Changed How I Hear Sound — TETRAD ReviewOmnisphere Like Youve Never Heard Before – Convergence!Hans Zimmer Level Film Scoring with Serum 2 — Is This Library Worth It?
Adrian Earnshaw |

What Every Ambient Composer Wants to Know

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