Uploaded January 2026 | Updated September 2026, 2 weeks ago
How are highly sensitive sharks and other aquatic animals impacted by noise from aquarium visitors? Working with Loveland Living Planet Aquarium, BYU acoustics students used specially designed underwater microphones to test the levels and frequency of sound waves that make it through the acrylic tank walls.
More from BYU News:
How loud is life behind the glass? BYU study measures sound in shark tanks
Sharks at the Loveland Living Planet Aquarium in Draper, Utah, glide silently behind glass walls — but just how silent is their world? A team of BYU researchers set out to discover how much of the aquarium’s daily bustle filters into the shark tank, and whether that noise is affecting the animals who call it home.
The aquarium welcomes nearly one million visitors each year. While facility managers carefully control visitor noise and background music, the aquarium has never been able to accurately measure how much sound passes through the glass and water. The uncertainty posed a real question: Could even well-managed human noise still disrupt the natural environment of aquatic animals?
“While we have tools for measuring sound in the air, the behavior of sound underwater is totally different,” Ari Fustukjian, the vice president of zoological operations at the aquarium, said. “We want to really understand how sound works in this space and interacts with the animals.”
In collaboration with the aquarium and the BYU Acoustics Research Group, led by Professor Traci Neilsen, BYU student researchers confirmed that although noise does travel into the fish tanks, the sound levels remain well within a healthy range for the animals.
To measure sounds within the tanks, BYU researchers couldn’t use standard microphones, which are designed for air. Because sound travels faster and more intensely in water, they used specialized hydrophones that detect sound pressure in liquids and convert it into electrical signals.
“A hydrophone is an underwater microphone. These were placed very close to the acrylic walls and then in the water. On the other side, we had sound level meters that were reading the level in the rooms that could then be compared to the levels in the tank,” Neilsen explained.
BYU students placed hydrophones at various locations in the tank to track the distance sounds traveled underwater. They played a variety of noises in the viewing area — from white noise to high-pitched chirps — to see which sounds carried into the habitat.
Fish don’t hear the way humans do — and sharks are especially unique. They detect lower-frequency sounds and “hear” with their whole bodies. A network of sensory cells along their sides enables them to detect vibrations and movement in the water.
“With their unique hearing, sharks can detect animals in the water from miles away,” Madilyn Randall, the lead student researcher, said. “Because of their heightened senses, they would be the first animals to key into any disruptive sounds.”
Randall and her team found that sound from both the viewing area and the tank’s maintenance system did, in fact, travel through the water. Their hydrophones primarily picked up lower-frequency sounds, suggesting that higher-pitched noises don’t make it into the tanks. Interestingly, the low-frequency sounds that traveled best through water lie within the same range as human speech and the sharks’ natural hearing range.
With few aquarium-based studies that have been done, Neilsen recognized that this was a unique opportunity to partner with the aquarium.
“Our findings were a tool that the director of the aquarium was able to use in building a new, large tank in their new facility. He was able to use this as evidence that the filtration system in the new tank should be higher quality and have a lower background noise level,” Neilsen said.
Fustukjian says the goal of the project wasn’t just to congratulate themselves for maintaining safe noise levels at the aquarium, but to gather insights that would help them continue raising the standard of animal care.
“At our heart, we are an educational organization,” Fustukjian said. “It is our mission to facilitate education and pursue scientific investigation. This type of scientific collaboration with groups like BYU is really the whole point.”
That collaborative spirit also opened doors for BYU students like Randall, who was one of the few undergraduate students nationwide to present her findings at the 2025 Acoustical Society of America Conference.
“I hope that in my future career I can continue making an impact using acoustics,” Randall said. “Acoustics crosses over into almost every type of science. It affects how we feel — how happy we are.”
The research was sponsored by the College High Impact Research Proposal Funding (CHIRP) and College support for the undergraduate research assistants provided by generous alumni donations.
How are highly sensitive sharks and other aquatic animals impacted by noise from aquarium visitors? Working with Loveland Living Planet Aquarium, BYU acoustics students used specially designed underwater microphones to test the levels and frequency of sound waves that make it through the acrylic tank walls.
More from BYU News:
How loud is life behind the glass? BYU study measures sound in shark tanks
Sharks at the Loveland Living Planet Aquarium in Draper, Utah, glide silently behind glass walls — but just how silent is their world? A team of BYU researchers set out to discover how much of the aquarium’s daily bustle filters into the shark tank, and whether that noise is affecting the animals who call it home.
The aquarium welcomes nearly one million visitors each year. While facility managers carefully control visitor noise and background music, the aquarium has never been able to accurately measure how much sound passes through the glass and water. The uncertainty posed a real question: Could even well-managed human noise still disrupt the natural environment of aquatic animals?
“While we have tools for measuring sound in the air, the behavior of sound underwater is totally different,” Ari Fustukjian, the vice president of zoological operations at the aquarium, said. “We want to really understand how sound works in this space and interacts with the animals.”
In collaboration with the aquarium and the BYU Acoustics Research Group, led by Professor Traci Neilsen, BYU student researchers confirmed that although noise does travel into the fish tanks, the sound levels remain well within a healthy range for the animals.
To measure sounds within the tanks, BYU researchers couldn’t use standard microphones, which are designed for air. Because sound travels faster and more intensely in water, they used specialized hydrophones that detect sound pressure in liquids and convert it into electrical signals.
“A hydrophone is an underwater microphone. These were placed very close to the acrylic walls and then in the water. On the other side, we had sound level meters that were reading the level in the rooms that could then be compared to the levels in the tank,” Neilsen explained.
BYU students placed hydrophones at various locations in the tank to track the distance sounds traveled underwater. They played a variety of noises in the viewing area — from white noise to high-pitched chirps — to see which sounds carried into the habitat.
Fish don’t hear the way humans do — and sharks are especially unique. They detect lower-frequency sounds and “hear” with their whole bodies. A network of sensory cells along their sides enables them to detect vibrations and movement in the water.
“With their unique hearing, sharks can detect animals in the water from miles away,” Madilyn Randall, the lead student researcher, said. “Because of their heightened senses, they would be the first animals to key into any disruptive sounds.”
Randall and her team found that sound from both the viewing area and the tank’s maintenance system did, in fact, travel through the water. Their hydrophones primarily picked up lower-frequency sounds, suggesting that higher-pitched noises don’t make it into the tanks. Interestingly, the low-frequency sounds that traveled best through water lie within the same range as human speech and the sharks’ natural hearing range.
With few aquarium-based studies that have been done, Neilsen recognized that this was a unique opportunity to partner with the aquarium.
“Our findings were a tool that the director of the aquarium was able to use in building a new, large tank in their new facility. He was able to use this as evidence that the filtration system in the new tank should be higher quality and have a lower background noise level,” Neilsen said.
Fustukjian says the goal of the project wasn’t just to congratulate themselves for maintaining safe noise levels at the aquarium, but to gather insights that would help them continue raising the standard of animal care.
“At our heart, we are an educational organization,” Fustukjian said. “It is our mission to facilitate education and pursue scientific investigation. This type of scientific collaboration with groups like BYU is really the whole point.”
That collaborative spirit also opened doors for BYU students like Randall, who was one of the few undergraduate students nationwide to present her findings at the 2025 Acoustical Society of America Conference.
“I hope that in my future career I can continue making an impact using acoustics,” Randall said. “Acoustics crosses over into almost every type of science. It affects how we feel — how happy we are.”
The research was sponsored by the College High Impact Research Proposal Funding (CHIRP) and College support for the undergraduate research assistants provided by generous alumni donations.


![Gates Of Paradise Unveiled at BYU MOA
The BYU Museum of Art has unveiled a rare original cast of the iconic 18-foot-tall Florence baptistery gates, beautifully restored and gilded, for public display. The stunning Renaissance-era panels, which depict 10 scenes from the Old Testament, took 27 years for artist Lorenzo Ghiberti to create. When he saw the completed doors, Michelangelo said they were truly worthy to be the Gates of Paradise.
The free exhibition titled “Gilded Paradise: Recasting Lorenzo Ghibertis Baptistery Doors” runs through October 2026. See moa.byu.edu for museum hours.
After decades in storage and nearly 10 years of restoration by BYU conservators, the Gates are now ready for display. With fewer than a dozen of these replicas still intact and even fewer on display, this replica stands as an important addition to BYU.
This piece isn’t just anywhere,” Samantha Atzbatch, a former student assistant who helped restore the piece, said. “There arent many copies of it, so for BYU to have [one] is very unique and important. It will be a great educational resource for the entire region.
Art historian Elliott Wise, Head Fabricator John Adams and MOA Director Janalee Emmer were instrumental in the restoration and celebration of the Gates.
“It is a profound honor to be entrusted with this plaster cast of Ghiberti’s Gates of Paradise,” Emmer said. “We have accepted this responsibility with humility . . . and we hope visitors will be inspired and amazed by the remarkable story of its journey from Florence to Provo for generations to come.”
The panels were transferred to Provo 10 years ago, and the long restoration process began. This included repairing damage, restoring lost detail, applying gold leaf, building custom structural support and prepping for installation.
Much of this work was made possible by students who contributed an estimated 13,000 hours of work over the course of a decade under the direction of a professional team led by Adams.
Students from a variety of majors gained hands-on experience and developed specialized skills while helping bring the sculptures back to life.
“As a student, . . . theres always something due in my classes, and things have to be rushed,” previous student assistant Rachel Maughan said. “But here I get to [make] sure that these relief sculptures, the figures, the plaster molds themselves are correct. . . . Its really nice to . . . focus on growing those skills and treating it like Ghiberti would.”
The original Gates of Paradise were created by Ghiberti between 1425 and 1452 as the doors of the Florence Baptistery. The Gates were considered revolutionary for their realism and depth and stood 18 feet tall with 10 ornate panels — a scale and detail not easily recreated.
To preserve the design, molds were taken shortly after World War II, and the replica currently displayed at the MOA was cast from those molds in the 1980s. After being acquired by BYU Hawaii and stored in crates for 32 years, they were rediscovered by former BYU art education professor and current service missionary for the Church of Jesus Christ of Latter-day Saints Sharon Gray.
With so few replicas of the Gates of Paradise remaining in the world, the exhibition represents a rare opportunity. Its display — made possible by years of dedicated student work — ensures that this Renaissance masterpiece will educate and inspire visitors for generations to come. Gates Of Paradise Unveiled at BYU MOA](https://i.ytimg.com/vi/zf1ZJD9udJg/mqdefault.jpg)


