Uploaded March 2025 | Updated September 2026, 1 week ago
Listen to the new album: aam.co.uk/product/john-weldon-the-judgment-of-paris
"Perkins’s performance with AAM and the Cambridge Handel Opera Company is in all ways a winner — an exceptional (and exceptionally well-recorded) performance worthy of a listen. Wonderfully, the physical CD of this short, 75-minute work is packaged with an informative 70-page booklet." – Early Music America
Movement No. 32: Symphony for Venus
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Academy of Ancient Music (AAM) and Cambridge Handel Opera Company (CHOC) follow their Gramophone-nominated recording of Eccles’ Semele with a world-premiere recording of John Weldon’s masque The Judgment of Paris.
In 1700 the Earl of Halifax decided England needed all-sung opera. He offered a ‘Musick Prize’ of 100 guineas for the best setting of the libretto of The Judgement of Paris by William Congreve, with entries by composers like John Eccles and Daniel Purcell. Weldon’s setting, which won the competition but was never published, is recorded here for the first time.
Released as a hardback mediabook, the CD is accompanied by a host of fascinating essays written specially by historians, musicologists and other experts – finally giving this winning masque the attention it deserves.
~~~
Academy of Ancient Music
Cambridge Handel Opera Company
Julian Perkins, director
Thomas Walker | Jonathan Brown | Helen Charlston | Kitty Whately | Anna Dennis | Anna Cavaliero | Aksel Rykkvin
Listen to the new album: aam.co.uk/product/john-weldon-the-judgment-of-paris
"Perkins’s performance with AAM and the Cambridge Handel Opera Company is in all ways a winner — an exceptional (and exceptionally well-recorded) performance worthy of a listen. Wonderfully, the physical CD of this short, 75-minute work is packaged with an informative 70-page booklet." – Early Music America
Movement No. 32: Symphony for Venus
~~~
Academy of Ancient Music (AAM) and Cambridge Handel Opera Company (CHOC) follow their Gramophone-nominated recording of Eccles’ Semele with a world-premiere recording of John Weldon’s masque The Judgment of Paris.
In 1700 the Earl of Halifax decided England needed all-sung opera. He offered a ‘Musick Prize’ of 100 guineas for the best setting of the libretto of The Judgement of Paris by William Congreve, with entries by composers like John Eccles and Daniel Purcell. Weldon’s setting, which won the competition but was never published, is recorded here for the first time.
Released as a hardback mediabook, the CD is accompanied by a host of fascinating essays written specially by historians, musicologists and other experts – finally giving this winning masque the attention it deserves.
~~~
Academy of Ancient Music
Cambridge Handel Opera Company
Julian Perkins, director
Thomas Walker | Jonathan Brown | Helen Charlston | Kitty Whately | Anna Dennis | Anna Cavaliero | Aksel Rykkvin


![Michael Collins conducts Mozart | Academy of Ancient Music [Full Concert]
Join us at our next concert: https://www.aam.co.uk
Distinguished instrumentalist Michael Collins makes his AAM conducting debut in a concert of Mozart, Salieri and Amalia, joined by clarinetist Nicola Boud and soprano Soraya Mafi. Audio recorded live at Milton Court Concert Hall, 29 November 2018.
Download the concert programme here: https://issuu.com/academy-of-ancient-music/docs/aam_programme_mozart_issuu
PROGRAMME:
SALIERI:
00:00:00 Symphony in D major Sinfonia Veneziana (1786)
MOZART:
00:09:27 Symphony No. 27 in G major, K199 (c1773-75)
00:23:44 Ruhe sanft, mein holdes Leben from Zaide (1779)
00:29:52 Nehmt meinen Dank, K383 (1782)
00:33:22 Aer tranquillo e dì sereni from Il rè pastore (1775)
DA SILVA PEREIRA
00:41:22 Sinfonia in D
AMALIA:
00:44:49 Overture from Erwin und Elmire (1776)
00:49:44MOZART: Symphony No. 16 in C major, K128 (1772) Clarinet Concerto (1791)
01:03:05 Clarinet Concerto (1791)
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Academy of Ancient Music
Director: Michael Collins
Clarinet: Nicola Boud
Soprano: Soraya Mafi
Leader: Bojan Cicic
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![Handel: Messiah | Voces8 and Academy of Ancient Music [Full Concert]
Join us at our next concert: https://www.aam.co.uk
Internationally acclaimed vocal group VOCES8 headline the Academy of Ancient Musics performance of Handels beloved oratorio Messiah, recorded live at the Chapel of Trinity College, Cambridge.
Academy of Ancient Music
VOCES8 and Apollo5
VOCES8 Foundation Choir
Conductor: Barnaby Smith
Leader: Bojan Čičić
PROGRAMME:
George Frideric Handel (1685 - 1759)
Messiah HWV56
PART THE FIRST
00:00 - Symphony
03:25 - Comfort Ye My People (Blake Morgan, tenor)
06:49 - Evry Valley Shall Be Exalted (Euan Williamson, tenor)
10:28 - And The Glory Of The Lord
13:19 - Thus Saith The Lord (Christopher Moore, bass)
14:42 - But Who May Abide The Day Of His Coming (Katie Jeffries-Harris, alto)
19:05 - And He Shall Purify
21:33 - Behold, A Virgin Shall Conceive (Katie Jeffries-Harris, alto)
22:10 - O Thou That Tellest Good Tidings To Zion (Katie Jeffries-Harris, alto)
27:28 - For Unto Us A Child Is Born
31:47 - Pastoral Symphony
32:55 - There Were Shepherds Abiding In The Field (Eleonore Cockerham, soprano)
33:53 - And Suddenly There Was With An Angel (Eleonore Cockerham, soprano)
36:04 - Rejoice Greatly, O Daughter Of Zion (Penelope Appleyard, soprano)
40:45 - Then Shall The Eyes Of The Blind (Katie Jeffries-Harris, alto)
41:21 - He Shall Feed His Flock (Katie Jeffries-Harris, alto & Eleonore Cockerham, soprano)
46:51 - His Yoke Is Easy
PART THE SECOND
49:26 - Surely He Hath Borne Our Griefs
51:07 - And With His Stripes We Are Healed
53:02 - And We Like Sheep Have Gone Astray
56:53 - All They That See Him, Laugh Him To Scorn (Euan Williamson, tenor)
57:33 - He Trusted In God
01:00:05 - Why Do The Nations So Furiously Rage Together? (Frederick Long, bass)
01:02:38 - Let Us Break Their Bonds Asunder
01:04:33 - He That Dwelleth In Heaven (Oliver Martin-Smith, tenor)
01:04:47 - Thou Shalt Break Them (Oliver Martin-Smith, tenor)
01:07:02 - Hallelujah
PART THE THIRD
01:11:01 - I Know That My Redeemer Liveth (Andrea Haines, soprano)
01:17:50 - Since By Man Came Death
01:20:18 - Behold, I Tell You A Mystery (Frederick Long, bass)
01:21:03 - The Trumpet Shall Sound (Frederick Long, bass)
01:25:19 - Worthy Is The Lamb That Was Slain
01:28:58 - Amen
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![Purcell - Trumpet Tune from King Arthur, Act 5
Full-length recording of the Trumpet Tune from Act 5 of Purcells opera King Arthur, performed by AAM principal trumpeters, David Blackadder and Philip Bainbridge.
This trumpet tune heralds Arthur and the Britons preparing to storm the castle, in Act 5 of the opera.
Arthur and the Britons are getting ready for their assault when Oswald (King of Kent, a Saxon and a heathen) emerges to challenges Arthur, his rival, in a duel for the hand of Emmeline (daughter of Conon, King of Cornwall and Tributary to King Arthur) and the crown. They fight, and Arthur disarms Oswald. Arthur spares Oswald, and insists that he and his Saxons return to Germany (Britons brook no Foreign Power/ To Lord it in a Land, Sacred to Freedom.)
Arthur is reunited with Emmeline and Purcells King Arthur then concludes with a celebratory masque.
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MUSIC
Trumpet Tune, Act 5
from King Arthur (or, The British Worthy), Z.628 [c.1690-1691]
music by Henry Purcell, libretto by John Dryden
ACADEMY OF ANCIENT MUSIC
director: Richard Egarr
leader: Kati Debretzeni
trumpets: David Blackadder, Philip Bainbridge
Recorded at All Saints, Tooting, London
September 2017
Music Producer: Tim Oldham
Balance Engineer: Andrew Mellor
Filming: Guy Wigmore
Project: Season Sessions 17-18
with grateful thanks to the AAM Strategic Recording Fund Purcell - Trumpet Tune from King Arthur, Act 5](https://i.ytimg.com/vi/mTIVPkpJa5E/mqdefault.jpg)
