Uploaded March 2024 | Updated September 2026, 2 weeks ago
US-based Prog Stoner/Psych Rock band 'we broke the weather', hailing from Boston, signs to Argonauta Records to release their second full-length album, 'Restart Game'.
Says the band: "Forged in the depths of their basement lair, fueled by the scrumptious nectar of a thousand beers, honed on the killing floors of Boston’s diners and dives, we broke the weather summons forth its tempest to the shores of Genoa to join forces with Argonauta records. Together we shall propel the eddies and vortices of our garage prog musings, from our hearts to your ear holes."
In celebration of the partnership, the band released their first single, entitled 'Marionette', which is now available on all streaming platforms:
ingrv.es/marionette-57p-s
Two years after releasing their self-titled debut album, Boston “garage prog” five-piece we broke the weather sit in a place far above what they imagined when they began jamming in a basement as strangers with no musical agenda in 2018. Critics and fans alike have praised the band for their bold fusion of disparate genres and influences - progressive rock, jazz fusion, psych rock, math rock, stoner rock, doom metal, and beyond - and while few seem to know how to actually categorize them, they agree that wbtw are onto something special.
we broke the weather features two multi-instrumentalists - Nick Cusworth and Scott Wood - who share vocal duties, play sax, and key/synth and guitar, respectively. Taken with drummer and third vocalist Andrew Clark, the band finds every opportunity to insert bits of jazz, math-y trickiness, and general skronk into a rock framework. Lead guitarist Kevin DiTroia injects the group with a necessary amount of raw energy to balance out what could easily become something stuffy and fussy, and rounding things out is bassist/guitarist/synth wizard Steve Muscari to keep things weird.
The result is an eclectic set of sounds that continues to evolve, spanning the classic progressive rock of King Crimson, Yes, and Rush, contemporary prog of The Dear Hunter and Thank You Scientist, modern stoner, psych, and garage from the likes of Elder, King Gizzard, and Ty Segall, contemporary jazz fusion of Portico Quartet, The Physics House Band, and Colin Stetson, math rock, post-rock, and so much more.
Now signed to Argonauta Records, we broke the weather are ready to take things to the next level with their sophomore album Restart Game. Musically, the album distills the most interesting aspects of their self-titled and pushes them in new directions. Lead single “Marionette” is a relentless head-banger that traipses through sax and guitar-led mathy prog riffs, flamenco-infused psychedelic landscapes, and cosmically heavy stoner grooves. Elsewhere, album opener “Vestige” is epic in every meaning of the word, as it takes the listener on a voyage through dark and twisting chords and melodies, a miasma of synth and djent-leaning guitars, and resolves on a triumphant fuzzed out bass riff and ripping guitar solo. Meanwhile, second single “Heavens Were a Bell” and album centerpiece “Sevenseas” continue the band’s affinity for and exploration of spacey synth-led themes and heavy emotion, with the latter serving as a meditation on wringing any shred of hope in a time when the impacts of climate change are being felt on a daily basis.
Ultimately, Restart Game is an album about living with fears, anxieties, and doubts that can consume us but hopefully not define us. In a time when the world is erupting in flames, a global pandemic has yet to be fully contained, democracies across the world are backsliding further into embracing fascism, authoritarianism, and ethno-nationalism, and America is struggling to keep its entire foundation from crumbling into a sinkhole, this band and this music have been both a life-raft and a megaphone, therapy and an act of rebellion. But at the end of the day, they’re just a group of 5 guys with wives, kids, and jobs who are most likely yelling into the void and are just trying to have some fun while doing so. So come join them down in the hole. It's nice.
For more info:
webroketheweather.com
argonautarecords.com
#progressiverock #progrock #jazz #stonerrock #postrock #argonautarecords
US-based Prog Stoner/Psych Rock band 'we broke the weather', hailing from Boston, signs to Argonauta Records to release their second full-length album, 'Restart Game'.
Says the band: "Forged in the depths of their basement lair, fueled by the scrumptious nectar of a thousand beers, honed on the killing floors of Boston’s diners and dives, we broke the weather summons forth its tempest to the shores of Genoa to join forces with Argonauta records. Together we shall propel the eddies and vortices of our garage prog musings, from our hearts to your ear holes."
In celebration of the partnership, the band released their first single, entitled 'Marionette', which is now available on all streaming platforms:
ingrv.es/marionette-57p-s
Two years after releasing their self-titled debut album, Boston “garage prog” five-piece we broke the weather sit in a place far above what they imagined when they began jamming in a basement as strangers with no musical agenda in 2018. Critics and fans alike have praised the band for their bold fusion of disparate genres and influences - progressive rock, jazz fusion, psych rock, math rock, stoner rock, doom metal, and beyond - and while few seem to know how to actually categorize them, they agree that wbtw are onto something special.
we broke the weather features two multi-instrumentalists - Nick Cusworth and Scott Wood - who share vocal duties, play sax, and key/synth and guitar, respectively. Taken with drummer and third vocalist Andrew Clark, the band finds every opportunity to insert bits of jazz, math-y trickiness, and general skronk into a rock framework. Lead guitarist Kevin DiTroia injects the group with a necessary amount of raw energy to balance out what could easily become something stuffy and fussy, and rounding things out is bassist/guitarist/synth wizard Steve Muscari to keep things weird.
The result is an eclectic set of sounds that continues to evolve, spanning the classic progressive rock of King Crimson, Yes, and Rush, contemporary prog of The Dear Hunter and Thank You Scientist, modern stoner, psych, and garage from the likes of Elder, King Gizzard, and Ty Segall, contemporary jazz fusion of Portico Quartet, The Physics House Band, and Colin Stetson, math rock, post-rock, and so much more.
Now signed to Argonauta Records, we broke the weather are ready to take things to the next level with their sophomore album Restart Game. Musically, the album distills the most interesting aspects of their self-titled and pushes them in new directions. Lead single “Marionette” is a relentless head-banger that traipses through sax and guitar-led mathy prog riffs, flamenco-infused psychedelic landscapes, and cosmically heavy stoner grooves. Elsewhere, album opener “Vestige” is epic in every meaning of the word, as it takes the listener on a voyage through dark and twisting chords and melodies, a miasma of synth and djent-leaning guitars, and resolves on a triumphant fuzzed out bass riff and ripping guitar solo. Meanwhile, second single “Heavens Were a Bell” and album centerpiece “Sevenseas” continue the band’s affinity for and exploration of spacey synth-led themes and heavy emotion, with the latter serving as a meditation on wringing any shred of hope in a time when the impacts of climate change are being felt on a daily basis.
Ultimately, Restart Game is an album about living with fears, anxieties, and doubts that can consume us but hopefully not define us. In a time when the world is erupting in flames, a global pandemic has yet to be fully contained, democracies across the world are backsliding further into embracing fascism, authoritarianism, and ethno-nationalism, and America is struggling to keep its entire foundation from crumbling into a sinkhole, this band and this music have been both a life-raft and a megaphone, therapy and an act of rebellion. But at the end of the day, they’re just a group of 5 guys with wives, kids, and jobs who are most likely yelling into the void and are just trying to have some fun while doing so. So come join them down in the hole. It's nice.
For more info:
webroketheweather.com
argonautarecords.com
#progressiverock #progrock #jazz #stonerrock #postrock #argonautarecords

![THE LAST SOUND REVELATION - Source of Frequency (official video) [Octopus Rising / Argonauta]
➡️ Subscribe to Argonauta Records for more heavy music: https://www.youtube.com/argonautarecords
➡️ Stream: https://song.link/tlsr_sof
➡️ INFO:
https://www.facebook.com/TLSRband
https://www.facebook.com/ArgonautaRecords
🎬 Watch the official video for “Source of Frequency”, the latest single from Rome-based instrumental post-metal band The Last Sound Revelation! Experience their signature blend of progressive metal, post-rock atmospheres, bluesy grooves, and heavy riffs that take listeners on a powerful sonic journey.
💿 Album Update: The upcoming album The Proximity Effect is now scheduled for release on January 16, 2026 in CD and Digital formats. THE LAST SOUND REVELATION - Source of Frequency (official video) [Octopus Rising / Argonauta]](https://i.ytimg.com/vi/O-_01d-MLEs/mqdefault.jpg)
![SLEEPING GIANT - Conqueror (lyric video) [Octopus Rising / Argonauta Records]
➡️ Subscribe to Argonauta Records for more heavy music: https://www.youtube.com/argonautarecords
➡️ Stream: https://song.link/sleepingiant_cr
➡️ INFO:
https://www.facebook.com/SleepingDoomPungur/
https://www.instagram.com/sleeping.doom.giant/
Icelandic stoner doom metal psychonauts SLEEPING GIANT proudly announce their signing with Octopus Rising / Argonauta Records, marking a powerful new chapter in the band’s journey through crushing riffs and cosmic heaviness. To celebrate this partnership, the band unleashes their debut single “Conqueror”.
Emerging from the volcanic underground of Iceland, SLEEPING GIANT channel the raw spirit of Stoner and Doom Metal, enriched by elements of Thrash, Death and Sludge. Their sound is a fierce blend of massive grooves, razor-sharp drumming, and roaring vocals, a true tour-de-force of heavy metal energy.
Originally formed in 2009, the band’s debut performance erupted just steps away from Iceland’s “pots-and-pans revolution.” Quickly earning a cult reputation for their visceral sound and onstage ferocity, SLEEPING GIANT became one of Iceland’s most intriguing underground acts. After a decade of hibernation, the giant finally awoke in 2023, returning to the stage at Reykjadoom and Norðanpaunk festivals, and entering the studio to craft their long-awaited first official release, soon to be revealed through Octopus Rising / Argonauta Records.
SLEEPING GIANT are:
Oddur Freyr Þorsteinsson – Vocals
Finnbogi Jökull Pétursson – Guitars, Backing Vocals
Árni Björn Björnsson – Guitars
Guðmundur Hrannar Eiríksson – Guitars
Einar Darri Einarsson – Bass
Ásmundur Jóhannsson – Drums SLEEPING GIANT - Conqueror (lyric video) [Octopus Rising / Argonauta Records]](https://i.ytimg.com/vi/ODyXTZnI9LQ/mqdefault.jpg)

![SHADOW WITCH - Tell Me (official single) /// ARGONAUTA Records
2024 should be one helluva year for Shadow Witch, given the potency of their upcoming fourth release, “Eschaton (The End Of All Things)”, coming on ARGONAUTA Records.
[Band info courtesy of David LaMay] Those already familiar with the bands signature mix of dark 70s hard rock, doom, stoner, and hints of proto-punk will absolutely not be disappointed, but all is not as it was before.
This time around, a great many nuances from the past are brought to the fore, and this is certainly what should be considered their most dynamic, and, dare I say, accessible effort yet. The catchy hooks that were once reigned in are now literally everywhere, and the choruses, also plentiful, are absolutely huge, with the latter often carrying a strong gospel flavoring. The dark grooves of old sound quite comfortable sharing time with the sunlight freshly peeking through the bands oft-drawn curtains. This new album is denser than the others, and Lundy delivers what Id say is his most varied, colorful, and soulful vocals to date. No easy feat.
Its obvious, at least to this listener, that Shadow Witch wanted a new, perhaps intentionally unexpected infusion of something adventurous, and they have proven themselves more than up to the sizable task on this fourth trip to the studio.
This is a remarkable listen, from start to finish.
Need more proof? Check out the lead-off single “Tell Me” to get a tasty little nibble of whats going on with the band in the present. Its AC/DC-influenced anthemic intro and subsequent uptempo groove is not to be denied, just.... enjoyed:
https://ingrv.es/tell-me-854-9
Founded 2015 in New Yorks Hudson Valley, SHADOW WITCH is an enigmatic beast of a band, harnessing decades of varied influences with a decidedly vintage rock sensibility. Beginning with their first release ‘Sun Killer’ in 2016, and ‘Disciples Of The Crow’ in 2017, the band has garnered excellent reviews from the international heavy music community. After signing to Italy’s ARGONAUTA RECORDS, the band returned in 2020 with their brooding occult-rock ode to obsession Under The Shadow of a Witch. This year, again with ARGONAUTA, SHADOW WITCH release their highly anticipated fourth album ESCHATON (The End of All Things).
For more info:
https://www.facebook.com/shadowwitch.band
https://www.facebook.com/ArgonautaRecords
#stonerrock #stonermetal #heavymetal #rock #metal SHADOW WITCH - Tell Me (official single) /// ARGONAUTA Records](https://i.ytimg.com/vi/PRIFlOFUIzM/mqdefault.jpg)



![TIGERLEECH - Otoshimae (official video) [Octopus Rising / Argonauta Records]
➡️ Subscribe to Argonauta Records for more heavy music: https://www.youtube.com/argonautarecords
➡️ Stream: https://album.link/TigerleechBicephalous
➡️ INFO:
https://www.facebook.com/Tigerleechband
https://www.instagram.com/tigerleech_band/
French sludge-core force TIGERLEECH have just released their brand new video “Otoshimae”, taken from their praised album Bicephalous, released in April 2025 by Octopus Rising / Argonauta Records.
With Bicephalous, TIGERLEECH have taken a huge step forward in their evolution. The album delivers an intense and raw sludge metal sound, heavy with emotion, groove and confrontation.
It marks a clear move away from their earlier stoner influences, revealing a sharper and more aggressive identity.
Recorded at Hybreed Studios by Andrew Guillotin, Bicephalous captures the band’s most focused and energetic work to date.
Massive riffs, haunting vocals, and dense atmospheres come together in a mix that feels both punishing and deeply cathartic.
“Otoshimae” perfectly showcases this new direction. The track hits with unstoppable energy, while its visuals reflect the band’s vision of duality, conflict and redemption.
Formed in 2013, TIGERLEECH have built a solid reputation in the French heavy scene. They have played Hellfest Off, Napalm Fest and shared stages with many underground heavyweights. Each release has shown a new side of their sound, combining sludge, punk energy and raw emotion.
Bicephalous stands as their most complete and ambitious record so far. Every track carries its own identity, from the explosive “321 Ignition” to the slow-burning “…Again”.
Lyrically, the band faces political, social and personal struggles with no filter.
With Otoshimae, TIGERLEECH confirm their place among the most exciting names in today’s European sludge scene. TIGERLEECH - Otoshimae (official video) [Octopus Rising / Argonauta Records]](https://i.ytimg.com/vi/Ptc9hkQTNek/mqdefault.jpg)

![GURNSLINGER - The Lizards (official video) - [Octopus Rising / Argonauta Records]
Emerging from the rugged shores of Jersey, apocalyptic rockers Gurnslinger are set to unleash their second single, The Lizards, accompanied by an official music video. The track is taken from their highly anticipated debut album, Who Killed the World?, scheduled for release on May 2nd, 2025, via Octopus Rising / Argonauta Records in CD and digital formats.
Recorded in the depths of a bleak January at a remote farm in Rozel Bay, Jersey, the band locked themselves away in an isolated landscape that perfectly mirrored the themes of doom and decay explored throughout the album. Under the watchful eye of local shaman Lucas Saunter, the recording process was raw, immersive, and fuelled by a steady supply of ale, herbal inspiration, and a relentless loop of Mad Max: Fury Road playing in the background. The result? A genre-defying fusion of stoner rock, progressive structures, and punk attitude, capturing the essence of a world teetering on the edge of oblivion.
The finishing touches on the mix were handled by London-based producer Steve Sears Jr (Gallows, Conjurer, The Hell, WACO), ensuring that the album’s apocalyptic energy is as visceral as it is immersive.
Who Killed the World? - Tracklist
The Lizards (5:20)
Back To Joes (5:47)
A War Chant (1:50)
Capable (5:42)
The Altar Of The Cult Of The V8 (5:26)
Gurnslinger began their journey in late 2022, forging their sound amidst the crumbling ruins of civilization. Hailing from Jersey—a mere forty-five square mile rock off the north coast of France—their music reflects themes of environmental destruction and societal collapse. But Gurnslinger is no exercise in nihilism; instead, they deliver a final battle cry, a raw and unrelenting burst of energy that demands to be heard before the world burns.
BAND MEMBERS:
Bissell - Drums, Vocals
Spars - Bass, Vocals
Marty - Guitars
Davidian - Guitars
Facebook: www.facebook.com/gurnslinger
Instagram: www.instagram.com/gurnslinger
Bandcamp: https://gurnslinger.bandcamp.com/
Label: https://www.facebook.com/ArgonautaRecords GURNSLINGER - The Lizards (official video) - [Octopus Rising / Argonauta Records]](https://i.ytimg.com/vi/QJsSQ3IMfsc/mqdefault.jpg)