The New York Times | Watch Natalie Portman Study Julianne Moore in ‘May December’ | Anatomy of a Scene @nytimes | Uploaded 10 months ago | Updated 13 hours ago
Two women apply makeup in front of a mirror.
In the hands of some directors and performers, a moment like this might feel perfunctory. But when the director is the critically acclaimed Todd Haynes, and the performers are the Oscar winners Julianne Moore and Natalie Portman, this kind of scene takes on layers of meaning.
The moment happens in “May December” (streaming on Netflix), which tells the story of an actress, Elizabeth Berry (Natalie Portman) whose latest job is to portray Gracie Atherton-Yoo (Julianne Moore), a woman who became known for a scandal more than two decades ago involving a sexual relationship with a seventh-grader, whom she would eventually marry.
Elizabeth has gone to Savannah to spend time with Gracie and her family, and study her for the part. In this scene, Gracie shares her makeup routine while the two stand at a mirror. It’s one of several sequences in the film involving mirrors and long takes.
In an interview discussing those decisions, Haynes said that he wanted to “let the camera just hold and observe what goes on in these people’s lives, and this actress’s entree into their life, shattering the protection and castle walls that they’ve built around this family since that scandal occurred.”
Haynes said that while most scenes with Elizabeth frame her as the interrogator, this is one of the few times when Gracie asks Elizabeth questions.
With the mirrors and the merging of personalities in this shot, Haynes cited Ingmar Bergman’s “Persona” as an influence. And he praised his performers for pulling it off.
“A shot like this is a great idea, but it doesn’t work unless you have Julianne Moore and Natalie Portman.” he said.
Read the New York Times review: https://nyti.ms/3t0PyzP
Subscribe: http://bit.ly/U8Ys7n
More from The New York Times Video: http://nytimes.com/video
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
Two women apply makeup in front of a mirror.
In the hands of some directors and performers, a moment like this might feel perfunctory. But when the director is the critically acclaimed Todd Haynes, and the performers are the Oscar winners Julianne Moore and Natalie Portman, this kind of scene takes on layers of meaning.
The moment happens in “May December” (streaming on Netflix), which tells the story of an actress, Elizabeth Berry (Natalie Portman) whose latest job is to portray Gracie Atherton-Yoo (Julianne Moore), a woman who became known for a scandal more than two decades ago involving a sexual relationship with a seventh-grader, whom she would eventually marry.
Elizabeth has gone to Savannah to spend time with Gracie and her family, and study her for the part. In this scene, Gracie shares her makeup routine while the two stand at a mirror. It’s one of several sequences in the film involving mirrors and long takes.
In an interview discussing those decisions, Haynes said that he wanted to “let the camera just hold and observe what goes on in these people’s lives, and this actress’s entree into their life, shattering the protection and castle walls that they’ve built around this family since that scandal occurred.”
Haynes said that while most scenes with Elizabeth frame her as the interrogator, this is one of the few times when Gracie asks Elizabeth questions.
With the mirrors and the merging of personalities in this shot, Haynes cited Ingmar Bergman’s “Persona” as an influence. And he praised his performers for pulling it off.
“A shot like this is a great idea, but it doesn’t work unless you have Julianne Moore and Natalie Portman.” he said.
Read the New York Times review: https://nyti.ms/3t0PyzP
Subscribe: http://bit.ly/U8Ys7n
More from The New York Times Video: http://nytimes.com/video
----------
Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
