Uploaded January 2018 | Updated September 2026, 1 week ago
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Japanese and Indian themes.
Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.
In the 1890s, he contributed half-tone illustrations to monthly magazines such as Strand Magazine, Pearson's Magazine, and The Boy's Own Paper. In 1893, he was exhibiting at the Royal Academy. In 1896, he began illustrating books.In 1898, he was the first to illustrate H. G. Wells's The War of the Worlds, having illustrated it for Pearson's Magazine in 1897. He briefly continued with scientific romance themes.
In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for The Water Babies, Green Willow, and Other Japanese Fairy Tales, The Complete Poetical Works of Geoffrey Chaucer, Stories from the Pentamerone, Folk Tales of Bengal, The Fairy Book, and The Book of Fairy Poetry. During World War I, he was employed in the drawing office of Woolrich Arsenal, and volunteered for service with the Red Cross in France. He worked occasionally for New York MacMillan, and produced editions of Treasure Island and Kidnapped. Goble gradually gave up illustration to pursue sculling, cycling, and travelling. He died in his Surrey home in 1943
[from Wikipedia]
Music: Harold Budd "Templar"
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Japanese and Indian themes.
Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.
In the 1890s, he contributed half-tone illustrations to monthly magazines such as Strand Magazine, Pearson's Magazine, and The Boy's Own Paper. In 1893, he was exhibiting at the Royal Academy. In 1896, he began illustrating books.In 1898, he was the first to illustrate H. G. Wells's The War of the Worlds, having illustrated it for Pearson's Magazine in 1897. He briefly continued with scientific romance themes.
In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for The Water Babies, Green Willow, and Other Japanese Fairy Tales, The Complete Poetical Works of Geoffrey Chaucer, Stories from the Pentamerone, Folk Tales of Bengal, The Fairy Book, and The Book of Fairy Poetry. During World War I, he was employed in the drawing office of Woolrich Arsenal, and volunteered for service with the Red Cross in France. He worked occasionally for New York MacMillan, and produced editions of Treasure Island and Kidnapped. Goble gradually gave up illustration to pursue sculling, cycling, and travelling. He died in his Surrey home in 1943
[from Wikipedia]
Music: Harold Budd "Templar"
![Franz Sedlacek
Franz Sedlacek (1891–1945) was an Austrian painter who belonged to the tradition known as New Objectivity (neue Sachlichkeit), an artistic movement similar to Magical Realism. At the end of the Second World War he disappeared as a soldier of the Wehrmacht somewhere in Poland.
Franz Sedlacek was born in Breslau on 21 January 1891, and moved with his family to Linz in 1897. In 1909 he graduated from the Royal High School at the Fadingerstraße. A year later, he moved to Vienna and studied architecture and chemistry. After serving in World War I, he completed his studies and in 1921 began working at the Technical Museum of Vienna.
In 1923, Sedlacek married Maria Albrecht. The couple raised two daughters.
In 1913, Sedlacek founded an artistic association in Linz with Anton Lutz, Klemens Brosch, Franz Bitzan, and Heinz Bitzan. Sedlacek began as a graphic artist, and later turned to oil painting.
In 1925 he produced a number of watercolours for Claire Annabel Caroline Grant Duffs Book The Unicorn.
In 1927, Sedlacek joined the Viennese Secession, an association of artists that was founded by Gustav Klimt and others in 1897.
A collection of his works is on exhibition at the Leopold Museum in the Museumsquartier in Vienna, Austria, including the 1931 painting, Lied in der Dämmerung (Song in the Twilight), as well as in the Albertina Museum.
[from Wikipedia]
Music: Goldmund Turncoat Franz Sedlacek](https://i.ytimg.com/vi/FSVyR2ApITI/mqdefault.jpg)
![Claude Verlinde
Claude Verlinde is a French painter who works in the vein of fantastic realism, sometimes called magic realism, and his work shows the lineage of fantastical art from Bruegel and Bosch to the Surrealists and contemporary magic realists.
His often darkly themed works employ the dark earth tones of the early Renaissance, as well as some of the visual staging and precise rendering characteris.
[from: https://www.askart.com/artist_bio/Cla...]
Music: Robin Guthrie & Harold Budd Smiling Apart Claude Verlinde](https://i.ytimg.com/vi/FUVXyonn4ok/mqdefault.jpg)
![Harry Clarke
Harry Clarke (17 March 1889 – 6 January 1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.
Henry Patrick (Harry) Clarke was born 17 March 1889, younger son and third child of Joshua and Brigid Clarke (née MacGonigal).Church decorator Joshua Clarke moved to Dublin from Leeds in 1877 and started a decorating business Joshua Clarke & Sons, which later incorporated a stained glass division. Through his work with his father, Clarke was exposed to many schools of art but Art Nouveau in particular.
Clarke was schooled at Model Schools, Marlborough St. and subsequently Belvedere College, although he left that college in 1905 following the death of his mother in 1903.Clarke was then apprenticed into his fathers studio, whilst also attending evening classes in the Dublin Art School. It was during this time that his The Consecration of St Mel, Bishop of Longford, by St Patrick won the gold medal for stained glass work in the 1910 Board of Education National Competition.
Whilst studying at the Dublin Art School, Clarke met fellow artist and teacher Margaret Crilley. They married on 31 October 1914 and moved into a flat at 33 North Frederick Street, and went on to have three children, Michael, David and Ann.
Having completing his education, Clarke moved to London, where he sought employment as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridges The Rime of the Ancient Mariner (his work on which was destroyed during the 1916 Easter Rising) and an illustrated edition of Alexander Popes The Rape of the Lock.
Difficulties with these projects made Hans Christian Andersens Fairy Tales by Hans Christian Andersen his first printed work, however, in 1916—a title that included 16 colour plates and more than 24 halftone illustrations. This was closely followed by an illustrations for an edition of Edgar Allan Poes Tales of Mystery and Imagination: the first version of that title was restricted to halftone illustrations, while a second iteration with eight colour plates and more than 24 halftone images was published in 1923.
The latter of these made his reputation as a book illustrator, and this was during the golden age of gift-book illustration in the first quarter of the twentieth century: Clarkes work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac. It was followed by editions of The Years at the Spring, containing 12 colour plates and more than 14 monotone images; (Lettice DO. Walters, ed., 1920), Charles Perraults Fairy Tales of Perrault, and Goethes Faust, containing eight colour plates and more than 70 halftone and duotone images (New York: Hartsdale House,1925). The last of these is perhaps his most famous work, and prefigures the disturbing imagery of 1960s psychedelia. Two of his most sought-after titles include promotional booklets for Jameson Irish Whiskey: A History of a Great House (1924, and subsequent reprints) and Elixir of Life (1925), which was written by Geofrey Warren. His final book, Selected Poems of Algernon Charles Swinburne, was published in 1928.
Both Harry and his brother Walter were plagued with ill health, in particular problems with their lungs. Clarke had been diagnosed with tuberculosis in 1929, and had begun to spend time in a sanatorium in Davos, Switzerland. With his health continuing to decline, and fearing that he would die in a foreign country, Clarke began his journey back to Dublin in 1931. Clarke died on this journey on 6 January 1931 in Chur, where he was buried.
[from Wikipedia]
Music by Robert Rich Harry Clarke](https://i.ytimg.com/vi/FW_m6Fmcjqo/mqdefault.jpg)
![Antonio Nunziante
Italian painter Antonio Nunziante is one of the most important and celebrated painters in Italy today. He was born in Naples 1956, considered an artistic prodigy, having repeatedly experimented with oil paintings at 8 years old. After attaining a secondary school Art diploma in Asti, while demonstrating the maturity of his own painterly hand, he entered at the Fine Arts Academy for two years.
In 1975 his career began to flourish as a professional painter and he returned to Turin, where he completed restoration techniques in Florence. His visits to Italian and Europeans museums enriched his experience bringing him in contact with masterpieces of distinguished painters like Rembrandt and Vermeer.
Originally his painting were characterized by figurative moments expressed with still life, landscapes, female nudes and other more surreal approches inspired by the fantasy worlds of Boris and the visions of Dalì. In some work, the romantic and Metaphysical component is extremely prevalent, fascinated by the artistic theories of Bocklin and De Chirico, who remained a constant reference throughout his career.
In 1983 he had the chance to make himself known in United States, exhibiting at the Artexpos in Los Angeles and New York. He also attended the atelier of Riccardo Tommasi Ferroni and in 1985 exhibited in Spello with Pietro Annigoni. The years are characterized by research and experimentation, through conceptual works signed under the pseudonym of Rascal Babaloo. He took part in Bergamo Biennale between 1986-1990. His participation in exhibitions in Tokyo (1990) and at New York Artexpo (1991) furthered his success and international recognition.
There was growing consideration of his paintings in many important institutions through the 90’s and increasingly qualified critics took an interest in him. Nunziante went forward with his research and in those years painted, “Nature Silenti”, an eternal masterpiece of Flemish art, testified in his first monograph printed in 1994. In 1996, at the exhibition “Il valore della figura” his works were shown with some Italian masters such as Boeri, Cascella, De Chirico, Guttuso, Modigliani, Morandi, Marino Marini, Severini and Sironi. Elements that were to become some of the constants in his work emerged: Metaphysics, Symbolism and Romanticism. That’s the period of “Farmacie Italia”, “Le stanze”, “Gli oggetti” and appears in “The isle od the dead” of Arnold Böcklin, a masterpiece which Nunziante will turn into an isle of love as an ideal space for mind and spirit. Simultaneously he exhibited in Florence, and afterwards in Lugano and Venice twice. The new millenium starts with the painting “Dimensioni parallele”, exhibiting in 2001 at the Boussex-Meaux museum in Paris, on the occasion of the exhibition “Hommage a l’Ile Des Morts”, together with works of Salvador Dalì and Max Ernst.
The works from these last four exhibitions in 2011 are considered the highest goals of his career. At the end of 2012 some of these masterworks, together with new ones, won over New Yorkers at the exhibition in Soho, titled Works. At the opening, besides many leading figures of the art field, the Italian General Consule in New York attended, who chose five important works which will be exhibited at the Consulate until June 2013.
[from: https://www.tuttartpitturasculturapoesiamusica.com/2013/09/Antonio-Nunziante.html]
Music: Vidna Obmana Before Mutual Grace Antonio Nunziante](https://i.ytimg.com/vi/GLHCI9QrSko/mqdefault.jpg)
![Adrienne Segur
Adrienne Segur (23 November 1901 – 11 August 1981) was a French childrens book illustrator. Segurs illustrations were made known by the publishing house Flammarion in the 1950s and 1960s and appeared particularly in The Fairy Tale Book, the English translation of Il Etait Une Fois published in 1958 by Golden Books | Simon and Schuster.
Segur was born in Athens, Greece, in the family of French writer Nicolas Segur. Around 1932 she married the Egyptian poet and thinker Mounir Hafez.In 1934, The Fairy Tales of Perrault by Adrienne Segur was published. In 1936–1939, Segur was the director of the childrens column in Le Figaro where she made all the illustrations.
[from Wikipedia]
Music: Sergej Rachmaninov Symphony No. 2 in E Minor op.27 Adrienne Segur](https://i.ytimg.com/vi/H3bvqA82pro/mqdefault.jpg)
![Carel Willink
Albert Carel Willink (Dutch: [ˈɑlbərt ˈkaːrəl ˈʋɪlɪnk]; 7 March 1900 – 19 October 1983) was a Dutch painter who called his style of Magic realism imaginary realism.
Albert Carel Willink was born on 7 March 1900 in Amsterdam in the Netherlands. He was the eldest son of the mechanic Jan Willink and Wilhelmina Altes. His father was an amateur artist who encouraged his son to paint.
After briefly studying medicine, in 1918-19 Willink studied architecture at the Technische Hogeschool in Delft. Afterwards he left for Germany, where he failed to get into the academy in Düsseldorf. He later studied for a short time at the Staatliche Hochschule in Berlin.
Willinks earliest paintings were in an expressionist manner, although he also painted abstract works at the time that he exhibited with the November group in 1923. By 1924 he had adopted a figurative style influenced by Picassos neoclassical paintings of the early 1920s, and especially by Léger. Later in the decade, Willink developed a magic realist style related to the metaphysical paintings of Giorgio de Chirico.
From 1935 until his death Willink lived in Amsterdam. His realistically rendered paintings frequently depict slightly disquieting scenes taking place in front of imposing buildings. He also painted many portraits.
Willink married four times. His first marriage in 1927 with Mies van der Meulen (1900-1988) dissolved after a year, but his second in 1930 with Wilma Jeuken (1905-1960) lasted until her death of a brain tumor. In 1962 he started a relationship with the 38-year younger Mathilde de Doelder, whom he married in 1969. Their eccentric relationship made them a mainstay in the Dutch gossip columns of the time. In 1975 Willink started an affair with the 44-year younger sculptor Sylvia Quiël [nl]. In 1977 he divorced De Doelder, who either committed suicide or was murdered 4 months later. The same year he married Quiël.
Willink died, at the age of 83, in Amsterdam on 19 October 1983. A small park in Amsterdam, near the Rijksmuseum, is named in his honour.
[from Wikipedia]
Music: Robert Rich & Steve Roach The Grotto Of Time Lost Carel Willink](https://i.ytimg.com/vi/HHFDnwpsyeI/mqdefault.jpg)

![Yaroslav Gerzhedovich
Russian artist Yaroslav Gerzhedovich paintings are classically dark often monochrome and surreal creations. Featuring barren fields, ancient structures, and fantastical compositions Gerzhedovichs paintings transfix the viewer. The haunting imagery is created on paper with acrylic, pencil, ink and occasional digital manipulation. Inspired by the European masters from the 14-17th centuries Gerzhedovichs work reads as a detailed and dark surreal dreamworld.
[from: http://www.darkartandcraft.com/blog/yaroslav-gerzhedovich]
Music: John Serrie The Sum Over Histories Yaroslav Gerzhedovich](https://i.ytimg.com/vi/IBlpnvklJSo/mqdefault.jpg)
![Yoshitaka Amano
Yoshitaka Amano (born July 28, 1952) is a Japanese artist known for his illustrations for Vampire Hunter D and for his character designs, image illustrations and title logo designs for the Final Fantasy video game series developed by Square Enix (formerly Square).
Amano was born in Shizuoka, Japan; as a young adolescent, he was fascinated with drawing. In 1967, he began working for Tatsunoko Productions in the animation department, where he was introduced to the early Japanese anime movement.His first paid project was for the Speed Racer anime franchise (also known as Mach GoGoGo). He worked in character design for anime shows such as the Time Bokan series, the Gatchaman series, Tekkaman and the Honey Bee.
In the 1960s, Amano was exposed to Western art styles through comic books and their Japanese Western-influenced counter parts, and believes Western comics to be his artistic roots. He has cited Neal Adams as his favorite comic book artist, noting that he would often purchase used comics based on his cover artwork, only to be disappointed that the interior artist was different. Amano was also fascinated by the art styles of psychedelic art and pop art of the West, particularly the work of American Pop artist Peter Max.In the 1970s, Amanos intrigue led him to the study of the artworks of the late 19th century and early 20th century European movement of Art Nouveau, as well as the ancient Japanese hand woodblock printing work of Ukiyo-e. While concentrating on illustration, he was still at Tatsunoko Productions until he left in 1982.
In the early 1980s, he concentrated on illustrations for Science Fiction and Fantasy, while still keeping the influence of his animation and other illustration works from the 1960s and 1970s. This in turn created a unique personal style, which was influenced by both modern surrealism as well as realism fluent in many classic and modern techniques.
In 1983, he was behind the illustrations for the novel Demon City Shinjuku and the first of Hideyuki Kikuchis novel series Vampire Hunter D.This was adapted to a movie in 1985 for which Amano worked as character designer. The film was one of the first anime movies to be released outside of Japan. In interviews, however, Amano has stated that he was not pleased with the final product of the movie. More involvement in illustration had led to the creation of collections of his artwork being published, such as Maten in 1984.
In 1989, he had his first exhibition called Hiten at Yurakucho Mullion in Tokyo, Japan.He continued to work with Square and their Final Fantasy series, and in 1990 he started to work as an artist for stage theater. His first work for theater was Tamasaburo Bandos Nayotake, which was in the same year.During this time while working as illustrator, character designer and set designer, he had exhibitions of his becoming well-known for his printing works.
In 1994, after Final Fantasy VI, he was no longer the main character, image and graphic designer of the series (he started to provide promotional and character artwork for the next games, as well as working on the title logo designs for most of the games), but in 1995 he started to become better known world wide with his work at the Biennale dOrléans in France, and then in his newly established workshop and exhibition Think Like Amano in New York in 1997, which followed another exhibition in New York at the Angel Orensanz Foundation entitled Hero. Amano also appeared in the 1998 movie New Rose Hotel which is loosely based on the William Gibson short story with the same name, in which he played the character Hiroshi.
In 2008, Amano created an illustrated adaptation of Wolfgang Amadeus Mozarts The Magic Flute, published by Radical Comics. He also collaborated with Christopher mink Morrison of Quentin Tarantinos A Band Apart production company, providing illustrations for the novel Shinjuku and Shinjuku Azul, as well as a third unannounced follow up and an online game, Shinjuku Nexus. He was the character designer for the 2009 Jungle Emperor (Kimba the White Lion) TV special, directed by Gorō Taniguchi, to commemorate both the 50th anniversary of Fuji Television and the 80th anniversary of Osamu Tezukas birth.
In 2010, following a small solo art exhibition tour titled Devaloka it was announced that Amano had established a film production company, Studio Devaloka, and would be directing a 3D anime titled Zan, with additional projects to be announced in the future. On December 15, 2010, the official website for the film, now titled Deva Zan, was unveiled, along with information concerning an upcoming press conference, to be held on December 21, 2010. The roughly ten-minute-long conference revealed details about the project, including staff, as well as a short trailer for the film, which stylistically emulates the look of Amanos paintings.
[from: https://en.wikipedia.org/wiki/Yoshitaka_Amano#]
Music: Steve Roach Since We Are Away Yoshitaka Amano](https://i.ytimg.com/vi/IGBON1FaiUo/mqdefault.jpg)
![Jacek Yerka
Jacek Yerka is a surrealist who paints nature and material things that we see every day and produces images of them in a surprising way. Expressing his own reality of the imagination has won Yerka prestigious awards and honors in his native Poland, as well as exposure across the world. His paintings encourage the mind to drift to another place, and to imagine the impossible. Since 1980, he has been painting exclusively, completing commissioned works, as well as cooperating with several art galleries in Warsaw.
Jacek was born in Torun, Northern Poland, and both his mother and father were students of the local Fine Arts Academy. His earliest memories are of the smell of paints, which were a part of his childhood. His father was the source of imaginative ideas, and his mother made them work through artistic means. Yerka’s paternal grandmother was his source of play and awareness of nature, while his parents were busy creating his awareness of the artistic world.
Jacek was often preoccupied during his school-age years, and chose to immerse himself in his own little world, by sketching and sculpting. His social interactions often consisted of being bullied, and he would sketch these bully peers instead of interacting socially. In an attempt to choose a different path than his parents, Jacek was going to attend college to study astronomy or medicine initially, but before taking the entrance exams, he turned to painting.
Jacek initially tried to develop contemporary painting styles from impressionism to abstraction. He found himself fascinated with colors, and therefore with artists such as Cezanne and Paul Klee. The fifteenth century artists and Dutch tablet paintings were also a great influence in his painting evolution. Artists such as Hieronymus Bosch and Jan van Eyck were great inspirations to Yerka. Jacek attended the Faculty of Fine Arts at Nicolaus Copernicus University in Torun, and found himself also interested in graphic design.
Yerka was able to create clear and interesting messages, and enjoyed success on local and international levels as a poster designer. In 1972, his first poster won a prize, and he created many more successful posters before graduation. In 1980, Yerka painted exclusively, and fulfilled many commissioned works of art. In 1996, he added pastels to his typically acrylic works. Also in the mid 1990’s, Yerka was approached to do a science fiction film “Strawberry Fields”, which he designed art for. In a way the film was a depiction of his life as an artist.
Jacek Yerka draws on childhood memories and dreams for his subjects. The memories, places, and fragrances are displayed in pieces such as Between Heaven and Hell, A Hack at Dawn, Summer in the City, and Paradise in the Yard. Symbolic of his dreams are works such as New Age Manhattan, Metropolis, Strawberry Tree, Swimming Lesson, Cathedral, and Sonnet. Trips and visits to Polish countryside inns inspired the paintings Amok Harvest, Space Barn, Express Package, Full Bowl, and Jalousie.
Yerka typically begins his paintings with a graphite sketch, proceeding to a crayon drawing. Pastels are used before finally applying acrylic paints. His art is filled with vivid color, and is rich with imagination. The central figures in his art consist of trees, towns, houses, and water. Imagination is used to change the natural places of objects. Mountains may become waves, or rivers may run upwards. Yerka believes that nature is the determining force in human existence. His Flemish technique, sharply-focused acrylic application, and surreal placement of subjects make his style reminiscent of others, yet very unique as well.
Yerka’s art is exhibited and displayed in fine art museums in Poland, Germany, Monaco, France, and the United States. In 1995, Yerka was awarded the World Fantasy Award for Best Artist, and in 2008, an honorary plate by the city of Torun. With his father’s gift for unlimited imagination, Yerka is bound to keep viewers intrigued. He has named himself the Surrealist Cagliostro, yet his imagination is all his own, to continue to produce stimulating art.
[from:https://totallyhistory.com/jacek-yerka/]
Music: Alio Die, Remco Helbers The Garland Of Dissolution Jacek Yerka](https://i.ytimg.com/vi/IKbcvgTTEjo/mqdefault.jpg)
![Erik Satie - Gymnopédie No.2
Alfred Eric Leslie Satie (Honfleur, 17 May 1866 Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.
Satie was introduced as a gymnopedist in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a phonometrograph or phonometrician (meaning someone who measures (and writes down) sounds) preferring this designation to that of musician, after having been called a clumsy but subtle technician in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term furniture music to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps due to John Cages interpretation of them.
[from Wikipedia]
Artwork:Leonora Carrington
Played by:Daniel Varsano, Philippe Entremont Erik Satie - Gymnopédie No.2](https://i.ytimg.com/vi/IM54ja7p86U/mqdefault.jpg)