Uploaded August 2026 | Updated September 2026, 2 weeks ago
Built to hunt. Designed to destroy.
Framestore’s Melbourne and Mumbai teams brought the formidable War Machine to life for Netflix’s sci-fi action thriller, War Machine.
Led by VFX Supervisor Joao Sita, the teams developed an animalistic digital creature, complete with fluid, predatory movement, battle-worn textures and an atmospheric scanning system. Across 252 shots, the work spans intense chase sequences, expansive battlefield environments and explosive FX, culminating in a high-stakes quarry showdown.
Go behind the scenes and discover what it took to bring this beast to life.
Read the full case study here: framestore.com/work/war-machine
🔔 Subscribe for more behind-the-scenes VFX content: @FramestoreOfficial
🌐 See more of our work: framestore.com
📲 Follow us:
Twitter/X: @Framestore
Instagram: @framestore
LinkedIn: linkedin.com/company/framestore
Built to hunt. Designed to destroy.
Framestore’s Melbourne and Mumbai teams brought the formidable War Machine to life for Netflix’s sci-fi action thriller, War Machine.
Led by VFX Supervisor Joao Sita, the teams developed an animalistic digital creature, complete with fluid, predatory movement, battle-worn textures and an atmospheric scanning system. Across 252 shots, the work spans intense chase sequences, expansive battlefield environments and explosive FX, culminating in a high-stakes quarry showdown.
Go behind the scenes and discover what it took to bring this beast to life.
Read the full case study here: framestore.com/work/war-machine
🔔 Subscribe for more behind-the-scenes VFX content: @FramestoreOfficial
🌐 See more of our work: framestore.com
📲 Follow us:
Twitter/X: @Framestore
Instagram: @framestore
LinkedIn: linkedin.com/company/framestore
