Uploaded March 2016 | Updated September 2026, 3 weeks ago
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Wanda Koop is a 2016 winner of the Governor General's Awards in Visual and Media Arts.
Directed by Mike Maryniuk
Co-production of the Canada Council for the Arts and the Winnipeg Film Group
Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance
The Canada Council for the Arts is a federal, arm's-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) "to foster and promote the study and enjoyment of, and the production of works in, the arts."
For more information, visit: ggavma.canadacouncil.ca
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Transcript:
For me I start often with a very tiny sketch. Post-it Notes, that kind of thing.
And if I take these drawings, notes and observations and I use the thing that I have, I often think about the power of the arts in the world and that it’s a bigger army than any army that is out there. In a way this is something that I can do, that can perhaps change the world to make it a little better. Even if it’s better just for the moment, then I’ve done something.
I always call it the democracy of painting. I’m working really hard, I’ve spent a lifetime collecting, observing, I’m pulling it all together.
It’s not about me in the end, it’s really about the viewer. And interestingly enough, I become the viewer also. Once I’ve finished a painting or body of work, I become the viewer. So I am in a way painting it for me also, but I’m painting it in a way that it becomes this powerful vehicle that is outside of me.
I think for me my studio is, in a way, like my brain. I have all the drawings and the notes, the drawers… I have photo collections and on my tables are objects and books and residue of experience that I bring in from the outside world, newspaper clippings. It’s a complete resource for me. Not to mention my past work that I’m also drawing on.
I think the work is an ongoing narrative and every single painting, every single note, every single drawing, every film, everything compels me to continue and to see things differently.
Not a day goes by that I think that I’m finished. I have so much work to do.
Please subscribe to support the arts in Canada.
Wanda Koop is a 2016 winner of the Governor General's Awards in Visual and Media Arts.
Directed by Mike Maryniuk
Co-production of the Canada Council for the Arts and the Winnipeg Film Group
Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance
The Canada Council for the Arts is a federal, arm's-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) "to foster and promote the study and enjoyment of, and the production of works in, the arts."
For more information, visit: ggavma.canadacouncil.ca
*********************
Transcript:
For me I start often with a very tiny sketch. Post-it Notes, that kind of thing.
And if I take these drawings, notes and observations and I use the thing that I have, I often think about the power of the arts in the world and that it’s a bigger army than any army that is out there. In a way this is something that I can do, that can perhaps change the world to make it a little better. Even if it’s better just for the moment, then I’ve done something.
I always call it the democracy of painting. I’m working really hard, I’ve spent a lifetime collecting, observing, I’m pulling it all together.
It’s not about me in the end, it’s really about the viewer. And interestingly enough, I become the viewer also. Once I’ve finished a painting or body of work, I become the viewer. So I am in a way painting it for me also, but I’m painting it in a way that it becomes this powerful vehicle that is outside of me.
I think for me my studio is, in a way, like my brain. I have all the drawings and the notes, the drawers… I have photo collections and on my tables are objects and books and residue of experience that I bring in from the outside world, newspaper clippings. It’s a complete resource for me. Not to mention my past work that I’m also drawing on.
I think the work is an ongoing narrative and every single painting, every single note, every single drawing, every film, everything compels me to continue and to see things differently.
Not a day goes by that I think that I’m finished. I have so much work to do.






![Portrait of Dana Claxton, #GGARTS2020 winner
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Dana Claxton is a 2020 winner of the Governor General’s Awards in Visual and Media Arts. Directed by Eric Pauls.
Co-production of the Canada Council for the Arts, Eric Pauls Productions and Six Two Six Productions. Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit ggarts.ca
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Transcript:
[Background conversation]
My name is Dana Claxton and I’m a visual artist as well as a filmmaker, video artist, performance artist and professor.
I got an old Canon AE1 when I was sixteen and started taking photos.
I don’t know. My mother was a pretty cool woman. Both of my parents . . . my father liked photography.
You know when you’re young and people ask you, what do you want to be when you grow up?
And I specifically remember the moment. I was four or five years old and I said, ‘I want to be a filmmaker . . .
[ACTOR] The elders speak, for us to listen
. . . and I want to live in New York.’ So I did both of those things.
Art for a New Understanding, thats what Indigenous art is all about: art for a new understanding. If I want to say anything, that’s what it’s about.
Which one is that? You just never know what’s here . . . with all of the . . . oh, that’s beautiful.
Looking at the object, it allows the viewer to think about who they are in relation to what they’re looking at. So, certainly, contemporary Indigenous art and historical art has opened people up. And sometimes that openness can be kind of de-centering, because we have had a very dynamic history in Canada.
It’s interesting how many Indigenous artists I know who initially thought, ‘Oh god, I have to be a lawyer! Oh god, I have to be a social worker! Oh, I have to do something to look at these oppressive frameworks that [are] happening in Canada.’ You know, my mother never got to vote in her own country. In Quebec, Indian people couldn’t vote until 1970.
I mean, it’s slippery. There’s some slippery stuff going on here. And art, because it’s such a site of freedom, is able to question all this stuff.
The future is an interesting place. I always think that artists never retire. We keep making work. But I
know that sometimes I think I should just move over now for a while, but still, I have a zillion ideas. I’ll
just continue to make and I don’t know where it’s going.
But I have said all of this publicly anyhow, so this is what people expect from me. This is what I’m known for.
[DIRECTOR] Yeah, that’s true . . .
It’s what I’m known for, to speak my mind. Otherwise, what’s the point, if you can’t speak your mind?
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Website - https://en.ccunesco.ca/ Portrait of Dana Claxton, #GGARTS2020 winner](https://i.ytimg.com/vi/TxCK03zUNsM/mqdefault.jpg)



