Uploaded August 2018 | Updated September 2026, 2 weeks ago
Wagner...reimagined for violin & piano!
Stream our new album - "Between the Notes: Music for Violin & Piano"
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Richard Wagner’s unassuming Ein Albumblatt WWV94 (1861) for solo piano was dedicated to one of his most important promoters, Princess Pauline von Metternich. It was only after his friend and violin virtuoso August Wilhelmj recomposed it for violin and piano that it assumed its larger-than-life character—a quality with which Wagner’s music is replete. This underscores the vital role of the violinist-arranger. Simple arpeggiations and limited use of register in the original work are transformed into grand-scale virtuosity and drama. Like Wilhelmj, violinists of the late-19th and early-20th centuries such as Fritz Kreisler, Jascha Heifetz, Paul Kochanski, Nathan Milstein and others frequently breathed new life into existing music by reworking it to suite their unique and virtuosic playing styles.
Daniel Kurganov, Violin
kurganov.io
Constantine Finehouse, Piano
cfinehouse.com
Futura Studios, Boston.
Wagner...reimagined for violin & piano!
Stream our new album - "Between the Notes: Music for Violin & Piano"
hyperurl.co/5tbpdm
Follow me on Facebook:
facebook.com/dkviolin
Richard Wagner’s unassuming Ein Albumblatt WWV94 (1861) for solo piano was dedicated to one of his most important promoters, Princess Pauline von Metternich. It was only after his friend and violin virtuoso August Wilhelmj recomposed it for violin and piano that it assumed its larger-than-life character—a quality with which Wagner’s music is replete. This underscores the vital role of the violinist-arranger. Simple arpeggiations and limited use of register in the original work are transformed into grand-scale virtuosity and drama. Like Wilhelmj, violinists of the late-19th and early-20th centuries such as Fritz Kreisler, Jascha Heifetz, Paul Kochanski, Nathan Milstein and others frequently breathed new life into existing music by reworking it to suite their unique and virtuosic playing styles.
Daniel Kurganov, Violin
kurganov.io
Constantine Finehouse, Piano
cfinehouse.com
Futura Studios, Boston.
![Fritz Kreisler - Liebesleid [excerpt] Kurganov-Finehouse Duo](https://i.ytimg.com/vi/JFVOzyOsPBI/mqdefault.jpg "Fritz Kreisler - Liebesleid [excerpt] Kurganov-Finehouse Duo
Fritz Kreisler - Liebesleid [excerpt] Kurganov-Finehouse Duo")
![2-finger exercise for shifting, vibrato, sound production & high positions [violin technique]](https://i.ytimg.com/vi/JSRAw0Gb7Ts/mqdefault.jpg "2-finger exercise for shifting, vibrato, sound production & high positions [violin technique]
Today we’re looking at 3 versions of a favorite violin exercise of mine. I practice this everyday to warm up my technique and expand my abilities. It’s incredibly helpful for honing vibrato, shifts, sound production and more. The idea of playing only with 2 fingers at a time is game-changing! See which of these 3 variations (by Hrimaly, Yost and Gola) you like the most. By the way, most of my videos have accurate Spanish captions available now thanks to my student Rocio. All videos will have captions soon.
CHAPTERS
00:00 Intro
00:42 Announcements
01:33 Summary of Hrimaly, Yost, Gola
02:22 HRIMALY
06:30 YOST
08:16 GOLA
15:13 **How to Practice these exercises**
16:26 Shifting
17:47 Role of the different parts of the arm
19:26 Sound production
20:05 Waves exercise
21:24 Intonation
22:01 High Positions: how-to
24:31 Vibrato
26:06 Dynamics
28:13 Dexterity Variation
28:53 Scroll Support Method
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VIDEOS MENTIONED:
“The Waves”
https://youtu.be/dyioiqAUugw
Scroll Support:
https://youtu.be/OSi3H676qAU
Vibrato Series
Part 1 - https://youtu.be/KT7gvjm9Zq0
Part 2 - https://youtu.be/OSi3H676qAU
Part 3 - https://youtu.be/PZHzVDdDIgA
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Rhythm & The Borrowed Past
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![The Best Paganini Cadenza - Philippe Hirschhorn [Live, 1967]](https://i.ytimg.com/vi/LUKxJlsKkkc/mqdefault.jpg "The Best Paganini Cadenza - Philippe Hirschhorn [Live, 1967]
The complete Sauret cadenza from the Violin Concerto No. 1, Op. 6, composed by Niccolò Paganini. Hirschhorn had an amazing combination of intensity, sensitivity, taste, obsession and elegance.
Things to notice:
- Look at how low his right arm is, especially when acquiring the G string. Made even more extreme by the fact that his instrument is very flat on his shoulder. I think hes the most extreme of anyone Ive seen in that regard. Notice how his hand/fingers sink into the string as a result of this right arm anticipation.
- Is he tense or is he loose? Of course, hes loose, otherwise, you wouldnt hear what you hear. But, look at how immovable his violin appears. On first glance you might think hes tense and gripping the violin for dear life. After all, there isnt much in the way of organic swaying up/down/sideways with the instrument. The violin is sitting on an immovable cloud, and then hands are dancing around it in perfect harmony. You can see the result of an absolute obsession with the fundamentals of technique. Putting everything in its place without force.
Live recording with enhanced audio. Brussels 1967, after he won the gold medal at the Queen Elisabeth Competition.
Footage provided by MeloClassic. They have amazing selections of restored rare recordings. Check out their website here: https://www.meloclassic.com/")
