Del Vivaldi | VIVALDI | Introdutione al Miserere | Filiae maestae Jerusalem RV 638 | Original manuscript @DelVivaldi | Uploaded March 2020 | Updated October 2024, 13 hours ago.
For solo alto, strings and basso continuo
0:00 I. Filiae maestae Jerusalem
1:46 II. Sileant zephiri
7:49 III. Sed tenebris diffusis
Composed: probably between 1713 and 1717
Turin source: Giordano 33
This "Introdutione al Miserere" is made of two short recitatives framing a central aria, on a text of unknown autorship. As the title says, and the last page of the manuscript shows, it was to be followed by a setting of the Miserere. It is not known if Vivaldi ever composed a Miserere, but if so, it is now lost. The introduction was probably composed while Vivaldi served as "maestro di coro" in interim, when Francesco Gasparini abruptly left Venice in 1713.
Accademia Bizantina: ‘Musica sacra per alto’
Delphine Galou, alto
Ottavio Dantone, direzione
Naïve OP 30569
Images provided by www.internetculturale.it - non-commercial use only.
For solo alto, strings and basso continuo
0:00 I. Filiae maestae Jerusalem
1:46 II. Sileant zephiri
7:49 III. Sed tenebris diffusis
Composed: probably between 1713 and 1717
Turin source: Giordano 33
This "Introdutione al Miserere" is made of two short recitatives framing a central aria, on a text of unknown autorship. As the title says, and the last page of the manuscript shows, it was to be followed by a setting of the Miserere. It is not known if Vivaldi ever composed a Miserere, but if so, it is now lost. The introduction was probably composed while Vivaldi served as "maestro di coro" in interim, when Francesco Gasparini abruptly left Venice in 1713.
Accademia Bizantina: ‘Musica sacra per alto’
Delphine Galou, alto
Ottavio Dantone, direzione
Naïve OP 30569
Images provided by www.internetculturale.it - non-commercial use only.
