Uploaded May 2024 | Updated September 2026, 1 week ago
Conversation begins at 10:00
With his amazing new book, DEATHS OF ARTISTS (Blast Books, bookshop.org/a/4669/9780922233533), archivist Jim Moske (https://www.jimmoske.com) explores art, mortality, media, fame and our secret lives. We talk about his chance discovery in the Met Museum's archives of century-old scrapbooks filled with artists' obituaries (metmuseum.org/art/libraries-and-research-centers/watson-digital-collections/rare-materials-in-the-met-libraries/artist-obituary-scrapbooks), his attraction to the obits' tabloid poetry, and how he fell down the rabbit-hole of figuring out the scandalous, redemptive life of their compiler, Arthur D'Hervilly. We get into what these obits — and D'Hervilly's life — can teach us about art and artistic reputation, the challenges of working with 100+-year-old newsprint, the aesthetic pleasure of historical records, and why Jim considered doing this project as a 'zine (just like last week's guest, Adam Moss (chimeraobscura.com/vm/episode-589-adam-moss)!). We also discuss how he got started as an archivist, his favorite phases of the Met's history, how artists have responded to his book, his archive of illegible historical documents (!), the impact of digitization and electronics on the archivist field, what we lose when materiality goes away, the oblique influence of Bolaño's 2666 on Deaths of Artists, and how D'Hervilly's art-obit collection became a chronicle of the democratization of art. Follow Jim on Instagram (instagram.com/jim.moske/) • More info at our site • Support The Virtual Memories Show via patreon.com/vmspod and via our e-newsletter, https://buttondown.email/vmspod
Conversation begins at 10:00
With his amazing new book, DEATHS OF ARTISTS (Blast Books, bookshop.org/a/4669/9780922233533), archivist Jim Moske (https://www.jimmoske.com) explores art, mortality, media, fame and our secret lives. We talk about his chance discovery in the Met Museum's archives of century-old scrapbooks filled with artists' obituaries (metmuseum.org/art/libraries-and-research-centers/watson-digital-collections/rare-materials-in-the-met-libraries/artist-obituary-scrapbooks), his attraction to the obits' tabloid poetry, and how he fell down the rabbit-hole of figuring out the scandalous, redemptive life of their compiler, Arthur D'Hervilly. We get into what these obits — and D'Hervilly's life — can teach us about art and artistic reputation, the challenges of working with 100+-year-old newsprint, the aesthetic pleasure of historical records, and why Jim considered doing this project as a 'zine (just like last week's guest, Adam Moss (chimeraobscura.com/vm/episode-589-adam-moss)!). We also discuss how he got started as an archivist, his favorite phases of the Met's history, how artists have responded to his book, his archive of illegible historical documents (!), the impact of digitization and electronics on the archivist field, what we lose when materiality goes away, the oblique influence of Bolaño's 2666 on Deaths of Artists, and how D'Hervilly's art-obit collection became a chronicle of the democratization of art. Follow Jim on Instagram (instagram.com/jim.moske/) • More info at our site • Support The Virtual Memories Show via patreon.com/vmspod and via our e-newsletter, https://buttondown.email/vmspod
