Uploaded May 2026 | Updated September 2026, 2 weeks ago
The name of Louis Vierne (1870-1937) will be associated with organ music immediately. Like a few other 19th century organists/composers he used the instrument as a means to perform ‘symphonic’ music. The scope in this respect was greatly enhanced by the new organs built at the time, for instance by Aristide Cavaillé-Coll.
Composer: Louis Vierne
Artist: Carlo Mazzone (organ)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/Vierne24PiecesID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
The blend of styles in this music for organ is unique. It contains aspects of Romanticism combined with an impressionistic ‘pastel-like’ quality. Like many of his contemporary colleagues Vierne felt a strong fascination with Wagnerian chromaticism.
An admirer and pupil of César Franck at thirty, the virtually blind Vierne was appointed organist at the Paris Notre Dame. Among many other pieces for organ he wrote six (five movement) symphonies, which became standard organ repertoire. Franck inspired him in the use of cyclical elements and harmonic refinement, whereas Widor’s influence is clear in the use of the organ and the classical forms.
Louis Vierne’s 24 Pièces en style libre Op.31 (1913), is a landmark collection in the French organ repertoire. Written for either organ or harmonium, these pieces demonstrate Vierne’s gift for expressive lyricism and refined harmonic color. Unlike his larger symphonic works, the Pièces en style libre are concise, intimate, and accessible, designed for both liturgical use and concert performance. Each piece explores a distinct mood or character, from serene meditations like “Communion” and “Élévation” to more animated works such as “Cortège” and “Postlude.” Vierne’s rich harmonic language, rooted in late Romanticism yet tinged with Impressionist nuance, reveals his deep sensitivity to tonal atmosphere.
Played by Carlo Mazzone on the magnificent 1999 "Andrea Zeni" organ of the Parish Church of San Michele Arcangelo, Salgarede (TV), Italy. This instrument aimed to create a fully suited instrument for the performance of the organ repertoire of the second half of the 19th century in France. It is inspired by late-Romantic aesthetics, and endowed with all the stylistic and sonic prerequisites essential to the organ literature of the period.
Tracklist:
24 Pièces en style libre, Op. 31, livre I:
00:00:00 I. Préambule
00:03:26 II. Cortège
00:06:35 III. Complainte
00:09:34 IV. Épitaphe
00:14:13 V. Prélude
00:17:38 VI. Canon
00:20:21 VII. Méditation
00:24:12 VIII. Idylle mélancolique
00:28:22 IX. Madrigal
00:31:37 X. Rêverie
00:36:32 XI. Divertissement
00:38:50 XII. Canzona
Pièces en style libre, Op. 31, livre II:
00:43:14 I. Légende
00:46:45 II. Scherzetto
00:50:28 III. Arabesque
00:56:29 IV. Choral
01:02:08 V. Lied
01:07:08 VI. Marche funèbre
01:17:29 VII. Berceuse
01:22:33 VIII. Pastorale
01:27:35 IX. Carillon
01:31:28 X. Élégie
01:36:15 XI. Épithalame
01:41:36 XII. Postlude
#Vierne #Organ #libre #French #Harmonium #Paris #Classical #Classics #BrilliantClassics #Classic #music #romanticism #impressionism
The name of Louis Vierne (1870-1937) will be associated with organ music immediately. Like a few other 19th century organists/composers he used the instrument as a means to perform ‘symphonic’ music. The scope in this respect was greatly enhanced by the new organs built at the time, for instance by Aristide Cavaillé-Coll.
Composer: Louis Vierne
Artist: Carlo Mazzone (organ)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/Vierne24PiecesID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
The blend of styles in this music for organ is unique. It contains aspects of Romanticism combined with an impressionistic ‘pastel-like’ quality. Like many of his contemporary colleagues Vierne felt a strong fascination with Wagnerian chromaticism.
An admirer and pupil of César Franck at thirty, the virtually blind Vierne was appointed organist at the Paris Notre Dame. Among many other pieces for organ he wrote six (five movement) symphonies, which became standard organ repertoire. Franck inspired him in the use of cyclical elements and harmonic refinement, whereas Widor’s influence is clear in the use of the organ and the classical forms.
Louis Vierne’s 24 Pièces en style libre Op.31 (1913), is a landmark collection in the French organ repertoire. Written for either organ or harmonium, these pieces demonstrate Vierne’s gift for expressive lyricism and refined harmonic color. Unlike his larger symphonic works, the Pièces en style libre are concise, intimate, and accessible, designed for both liturgical use and concert performance. Each piece explores a distinct mood or character, from serene meditations like “Communion” and “Élévation” to more animated works such as “Cortège” and “Postlude.” Vierne’s rich harmonic language, rooted in late Romanticism yet tinged with Impressionist nuance, reveals his deep sensitivity to tonal atmosphere.
Played by Carlo Mazzone on the magnificent 1999 "Andrea Zeni" organ of the Parish Church of San Michele Arcangelo, Salgarede (TV), Italy. This instrument aimed to create a fully suited instrument for the performance of the organ repertoire of the second half of the 19th century in France. It is inspired by late-Romantic aesthetics, and endowed with all the stylistic and sonic prerequisites essential to the organ literature of the period.
Tracklist:
24 Pièces en style libre, Op. 31, livre I:
00:00:00 I. Préambule
00:03:26 II. Cortège
00:06:35 III. Complainte
00:09:34 IV. Épitaphe
00:14:13 V. Prélude
00:17:38 VI. Canon
00:20:21 VII. Méditation
00:24:12 VIII. Idylle mélancolique
00:28:22 IX. Madrigal
00:31:37 X. Rêverie
00:36:32 XI. Divertissement
00:38:50 XII. Canzona
Pièces en style libre, Op. 31, livre II:
00:43:14 I. Légende
00:46:45 II. Scherzetto
00:50:28 III. Arabesque
00:56:29 IV. Choral
01:02:08 V. Lied
01:07:08 VI. Marche funèbre
01:17:29 VII. Berceuse
01:22:33 VIII. Pastorale
01:27:35 IX. Carillon
01:31:28 X. Élégie
01:36:15 XI. Épithalame
01:41:36 XII. Postlude
#Vierne #Organ #libre #French #Harmonium #Paris #Classical #Classics #BrilliantClassics #Classic #music #romanticism #impressionism
