Uploaded June 2026 | Updated September 2026, 3 weeks ago
Anna Netrebko, Amartuvshin Enkhbat, Galeano Salas, Christian Van Horn, Francesca Di Sauro
Orchestra, Chorus and Ballet from the Arena di Verona, conducted by Pinchas Steinberg
staged by Stefano Poda
With a spectacular cast and the staging direction of Stefano Poda, this production of Verdi’s Nabucco presents the Arena di Verona in a postmodern aesthetic brought to light through a futuristic vision, cosmic symbolism and absolute abstraction. Anna Netrebko gifts the festival's audience with a powerful interpretation of one of Verdi’s most
demanding roles: her Abigaille is “beautiful, vivacious, magnetic” (La Stampa) and “tackles this formidable challenge with great confidence” (Rivista Musica). Amartuvshin Enkhbat is “a marvellous performer of Nabucco, deeply moving” (Forum Opera). “Pinchas Steinberg conducts the choir and orchestra of the Arena di Verona with verve, power, brio
and fire” (Der Merker), a magnificent performance that culminated in a rendition of “Va’ pensiero” brimming with pathos and intensity.
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Anna Netrebko, Amartuvshin Enkhbat, Galeano Salas, Christian Van Horn, Francesca Di Sauro
Orchestra, Chorus and Ballet from the Arena di Verona, conducted by Pinchas Steinberg
staged by Stefano Poda
With a spectacular cast and the staging direction of Stefano Poda, this production of Verdi’s Nabucco presents the Arena di Verona in a postmodern aesthetic brought to light through a futuristic vision, cosmic symbolism and absolute abstraction. Anna Netrebko gifts the festival's audience with a powerful interpretation of one of Verdi’s most
demanding roles: her Abigaille is “beautiful, vivacious, magnetic” (La Stampa) and “tackles this formidable challenge with great confidence” (Rivista Musica). Amartuvshin Enkhbat is “a marvellous performer of Nabucco, deeply moving” (Forum Opera). “Pinchas Steinberg conducts the choir and orchestra of the Arena di Verona with verve, power, brio
and fire” (Der Merker), a magnificent performance that culminated in a rendition of “Va’ pensiero” brimming with pathos and intensity.
Facebook: facebook.com/CmajorEntertainment
Instagram: instagram.com/cmajor_entertainment






![Puccini: Il trittico from Salzburger Festspiele
Asmik Grigorian, Misha Kiria, Roman Burdenko, Joshua Guerrero, Karita
Mattila, Hanna Schwarz, Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmoniker, conducted by Franz Welser-Möst
staged by Christof Loy
Il trittico was premiered in New York on 14 December 1918, composed while the First World War was still raging in Europe. At first glance, the three one-act operas Gianni Schicchi, Il tabarro and Suor Angelica seem to have no connection with each other; their common denominator is solely the entanglement of man in a fateful destiny that only exceptionally, for a moment, seems to promise a happy outcome to the “adventure of life” - a set of themes that in its complexity seems to be in such good hands with few directors as with Christof Loy. The main female roles in the three opera acts are performed by the Lithuanian soprano Asmik Grigorian, a very rare and tremendous feat, but once again connects the works to each other.
“Grigorian is [...] a wonderful, intense performer: a gracefully graceful Donna fragile as Lauretta, a feverishly longing for love while tormented by guilt Giorgetta, and a desperately lost Angelica rebelling with defiance.” (Frankfurter Allgemeine Zeitung)
“Loy’s direction is competent and detailed without being revelatory; this is scrupulous conservatism at its best.” (Financial Times)
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Cmajor Shop: www.shop.cmajor-entertainment.com/ Puccini: Il trittico from Salzburger Festspiele](https://i.ytimg.com/vi/q_Xzxnyar6c/mqdefault.jpg)



